Taylor Swift’s Eras tour has landed in the UK – and it’s the grand adventure she promised
Taylor Swift has smashed a triumphant set in front of an enormous crowd in Edinburgh on her record-breaking Eras tour – telling fans it was “the wildest way to welcome a lass”.
As she welcomed the crowd, the US megastar announced it was officially the highest-attended stadium show in Scottish history.
“Oh hi,” she casually told the more than 70,000 people who came to see her perform.
See more: Swift’s Eras tour in Edinburgh in pictures
The 34-year-old star initially took to the stage in a diamante-encrusted corseted leotard and bejewelled cowboy boots.
She later admitted: “This tour has been the most fun I’ve had in my entire life… my one regret now is that I really should have come to perform in Scotland more.
“I can’t stop staring at you, I’m captivated by this audience.”
Blasting through her biggest hits in a set of 40+ songs, on stage for more than three hours, she promised to take fans on a “grand adventure” they’d never forget. She certainly did that.
“After tonight, you’re going to think about us and the memories we made,” she promised.
As it happened: Taylor Swift’s first UK Eras tour date
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Taylor Swift kicks off UK leg of Eras tour
The evening was “unforgettable”, she told the crowd, while her last song of the night, Karma, was dedicated to the crowd. “Edinburgh you have given us everything you could possibly give us tonight.”
It was a pinch-yourself evening for Swifties fortunate enough to get a ticket. Lyrics memorised, costumes perfected.
The show was a musical marathon which demonstrated not only why Swift is arguably one of the greatest songwriters of modern pop music but also one of the world’s most accomplished performers.
The show itself, paced perfectly to hold the audience’s interest with slick dance routines and theatrical, at times fantastical, staging.
The screams of support for her most famous hits were deafening. Countless fans leaving Murrayfield hoarse after she told the story of her eight Eras while delivering the ultimate singalong.
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Pic: PA
This was a long day for many, a hardened few sat outside since dawn to be among the first in-line to secure a front row spot.
“Anything’s worth it for Taylor,” Julia had told me at 7am outside the stadium. Her friend admitting she’d “sell my kidneys, probably both lungs” to get close to the star.
Why does she elicit such a reaction? Despite her billionaire status, Swift has somehow remained an artist whose voice remains real, authentic and honest.
Her songwriting – a shared diary of sorts – resonating all the more for her openness about her flaws, bad break-ups, sharing with fans not only the joy of falling in love, but the heartbreak.
The crowd at Murrayfield were word-perfect for her hits like You Belong With Me, the stadium echoing with noise during We Are Never Ever Getting Back Together.
If performing songs from her Tortured Poets Department Era – her latest album written about her ill-fated London loves – took on more poignancy for Swift this being the UK leg of her tour, she gave no indication on stage.
Pic: PA
An all but faultless performance but for the acoustic section of her show, where the star was forced to briefly stop playing the guitar, saying: “My hand has frozen in a weird cramp… this is so embarrassing… it’s like performing with a claw. No one relates.”
While it’s understandable that many balk at the stupidly expensive price of some VIP packages, few could question Swift’s commitment to offering her fans the ultimate experience. The confetti canons and fireworks, a needless distraction really from what she does best – singing out.
A one-woman economy boosting machine, Swift’s 15 UK shows are projected by some to boost the UK economy by almost £1bn with fans shelling out, not only on tickets, but accommodation, travel, and pre-show parties.
I spoke to people who travelled here from Spain, The Netherlands, America, India and even Australia.
Fans who’d spent months planning their costumes, painstakingly threading bracelets, embroidering jackets, which is undoubtedly half the fun.
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‘Anything’s worth it for Taylor!’
While this level of pop obsession is nothing new, that one artist can still achieve this in an age where we are swamped with musical choice speaks volumes as to the power of Swift’s music.
Forget about politicians touring the country, Swift’s whereabouts will be what’s dominating the national conversation for vast swathes of the country over the next month.
While some may scoff at the tweeness of swapping friendship bracelets, dressing up and glitter – there is a delightfulness to being a part of the Swift crowd, which is a warm and welcoming world.
Swift’s proving herself to be, not only a prolific songwriter, but the ultimate showwoman.
Donald Trump has said he is considering “taking away” the US citizenship of actress and comedian Rosie O’Donnell, despite a Supreme Court ruling that expressly prohibits a government from doing so.
In a post on Truth Social on Saturday, the US president said: “Because of the fact that Rosie O’Donnell is not in the best interests of our Great Country, I am giving serious consideration to taking away her Citizenship.”
He also labelled O’Donnell, who has moved to Ireland, as a “threat to humanity” and said she should “remain in the wonderful country of Ireland, if they want her”.
O’Donnell responded on Instagram by posting a photograph of Mr Trump with Jeffrey Epstein.
“You are everything that is wrong with America and I’m everything you hate about what’s still right with it,” she wrote in the caption.
“I’m not yours to silence. I never was.”
Rosie O’Donnell moved to Ireland after Donald Trump secured a second term. Pic: AP
O’Donnell moved to Ireland with her 12-year-old son in January after Mr Trump had secured a second term.
She has said she’s in the process of obtaining Irish citizenship based on family lineage and that she would only return to the US “when it is safe for all citizens to have equal rights there in America”.
O’Donnell and the US president have criticised each other publicly for years, in an often-bitter back-and-forth that predates Mr Trump’s move into politics.
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This is just the latest threat by the president to revoke the citizenship of someone he has disagreed with, most recently his former ally Elon Musk.
But the two situations are different as while Musk was born in South Africa, O’Donnell was born in the US and has a constitutional right to American citizenship.
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Amanda Frost, a law professor at the University of Virginia School of Law, said the Supreme Court ruled in a 1967 case that the fourteenth amendment of the constitution prevents the government from taking away citizenship.
“The president has no authority to take away the citizenship of a native-born US citizen,” he added.
“In short, we are nation founded on the principle that the people choose the government; the government cannot choose the people.”
The Salt Path author Raynor Winn’s fourth book has been delayed by her publisher.
It comes amid claims that the author lied about her story in her hit first book. Winn previously described the claims as “highly misleading” and called suggestions that her husband had Moth made up his illness “utterly vile”.
In a statement, Penguin Michael Joseph, said it had delayed the publication of Winn’s latest book On Winter Hill – which had been set for release 23 October.
The publisher said the decision had been made in light of “recent events, in particular intrusive conjecture around Moth’s health”, which it said had caused “considerable distress” to the author and her family.
“It is our priority to support the author at this time,” the publisher said.
“With this in mind, Penguin Michael Joseph, together with the author, has made the decision to delay the publication of On Winter Hill from this October.”
A new release date will be announced in due course, the publisher added.
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Winn’s first book, released in 2018, detailed the journey she and husband took along the South West Coast Path – familiarly known as The Salt Path – after they lost their family farm and Moth received a terminal health diagnosis of Corticobasal Degeneration (CBD).
But a report in The Observer disputed key aspects of the 2018 “true” story – which was recently turned into a film starring Jason Isaacs and Gillian Anderson.
Raynor and husband Moth (centre) with actors Jason Isaacs (L) and Gillian Anderson (R). Pic: Steve Tanner/Black Bear
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As part of the article, published last weekend, The Observer claimed to have spoken to experts who were “sceptical” about elements of Moth’s terminal diagnosis, such as a “lack of acute symptoms and his apparent ability to reverse them”.
In the ensuing controversy, PSPA, a charity that supports people with CBD, cut ties with the couple.
The Observer article also claimed the portrayal of a failed investment in a friend’s business wasn’t true, but said the couple – whose names are Sally and Tim Walker – lost their home after Raynor Winn embezzled money from her employer and had to borrow to pay it back and avoid police action.
Anderson played Winn in a movie about the couple’s journey. Pic: Steve Tanner/Black Bear
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It also said that, rather than being homeless, the couple had owned a house in France since 2007.
Winn’s statement said the dispute with her employer wasn’t the reason the couple lost their home – but admitted she may have made “mistakes” while in the job.
“For me it was a pressured time,” she wrote. “It was also a time when mistakes were being made in the business. Any mistakes I made during the years in that office, I deeply regret, and I am truly sorry.”
She admitted being questioned by police but said she wasn’t charged.
The author also said accusations that Moth lied about having CBD/CBS were false and had “emotionally devastated” him.
“I have charted Moth’s condition with such a level of honesty, that this is the most unbearable of the allegations,” Winn wrote on her website.
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