Her name is synonymous with beauty, style and running late.
And when THE Supermodel that is Naomi Campbell arrived for our interview she didn’t disappoint in all three categories.
My crew were told to set up for 1pm for a 2.45pm interview, she entered the ballroom at the Dorchester at 5.45pm.
In the moments before her arrival her team made several visits to inquire if we were ready as she was definitely on her way.
Then suddenly the gilded mirrored double doors swung open and in she sauntered.
Campbell was a little preoccupied on her phone as her attendants in waiting preened, polished and perfected her look but as soon as the camera started rolling she enthused about her groundbreaking exhibition at the V&A entitled NAOMI: In Fashion.
Image: A young Campbell on the runway
Image: Inside the supermodel’s upcoming exhibition
Image: Campbell is launching an exhibition at the V&A Museum reflecting on her career as a supermodel
It’s the first of its kind and explores her 40-year career as a fashion model, her cultural icon status and the fact that four decades on she is still a highly sought-after working model.
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Campbell tells me it’s an honour to be the sole subject of the exhibition, that she is totally in awe and feels very blessed.
She follows in the footsteps of David Bowie, Frida Kahlo and Kylie, who have also had solo exhibitions at the London museum.
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The 54-year-old’s hope is that through the clothes that she’s worn, the designers she’s collaborated with, the photos that have been taken and the activism she’s displayed, visitors to the exhibition will come to understand her as a person, in her own words.
She says she wants people “to see the workmanship, the creatives that I got to work with after these four decades, and the story, the narrative and to understand me as a person more, coming from me”.
“You know I never normally do that. I’m going to show things that I’ve never shown,” she adds.
Image: Campbell’s new museum exhibition is a journey through her esteemed career as a model
Image: Campbell is known to have worn a number of iconic outfits down the runway
The collection will comprise of pieces taken from different points in her career. It will include around 100 looks from the best of global high fashion including the pair of staggeringly high Vivienne Westwood platform shoes which she famously fell in while walking the catwalk in 1993.
“You know what? God bless her. May she rest in peace. I love Vivienne Westwood. Loved her, loved her, loved her,” Campbell says, remembering the designer behind the iconic shoes.
“She was a woman of integrity and did not suffer fools. And she kept her dignity to the very end in terms of staying true to who she was.
“And I loved her for it. Those were her signature shoes and if you didn’t know how to walk in them, then learn.
“That was a lesson to me, never rest on your laurels Naomi. Just because you can walk in other heels it doesn’t mean you can walk in those.
“I thought I could and I learned the hard way, I couldn’t, and I went down.”
Image: The famous Vivienne Westwood heels that Campbell fell in
The fall, far from blighting her career actually added to her star factor because of the way she handled it, giggling on the floor of the catwalk.
In her time she’s had to negotiate far greater challenges than foot-high heels.
She was the first black woman to appear as a model on the covers of Time and Vogue France and has made it her mission to champion diversity in the fashion industry.
Campbell has openly spoken about racism and the challenges she has faced as a black woman.
“It’s like a way of life because you become conditioned in a way to know you have to deal with it to the point where you could pre-empt and kind of be pro-active to get it out of the way and I found that a lot of things I dealt with that way,” she says.
“I would see it coming so I was going to find a way to go around it, go over it, get through it.
“And that’s what I did.”
Image: Campbell walking a runway in Milan, Italy, in 2012. Pic: AP
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Campbell says that as long as she has anything to do with the fashion business she will stand up for diversity although she believes that recently it has taken a step back.
“We are in a different time where people feel they can come out and just say how they feel whether you like it or not.”
Image: Naomi Campbell spoke to Sky News about her upcoming V&A exhibition
On her longevity in an industry where many of her peers have long since hung up their heels, Campbell says she doesn’t know why she is still gliding down the world’s catwalks, but what she does know is that there was never a strategy.
“I got to be a part of this real big fantasy. Some people think that our industry is just not real, it’s very real and it is a billion-dollar business.”
The exhibition NAOMI: In Fashion runs until 6 April 2025 at the V&A.
Migrant sex offender Hadush Kebatu was given £500 to be deported to Ethiopia following his mistaken release from prison, Sky News understands.
The government, who confirmed he was escorted on to a plane at Heathrow Airport on Tuesday night, said he has no right to return to the UK.
But Sky News understands Kebatu was handed a discretionary payment of £500 as part of efforts to avoid a lengthy legal challenge after he made threats to disrupt his removal.
Home Secretary Shabana Mahmood said she “pulled every lever” to deport Kebatu, although it is thought the decision about the payment was made by removal teams, not ministers.
“I am pleased to confirm this vile child sex offender has been deported. Our streets are safer because of it,” she said.
Image: Hadush Kebatu seen on the plane during his deportation flight
Image: Hadush Kebatu was arrested on Sunday after his mistaken release
He was expected to be deported, but instead of being handed over to immigration officials, he was released in error from HMP Chelmsford on Friday.
He spent just under 48 hours at large before he was apprehended.
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2:52
Prisoner releases: ‘A problem on the rise’
The accidental release sparked widespread alarm and questions over how a man whose crimes sparked protests in Epping over the use of asylum hotels was able to be freed.
Ms Mahmood said: “Last week’s blunder should never have happened – and I share the public’s anger that it did.”
Image: Anti-asylum demonstrators in Epping, Essex. Pic: PA
On Sunday, Justice Secretary David Lammy said an exclusive Sky News interview will be used as part of an independent inquiry into the mistaken release.
Speaking to Sky’s national correspondent Tom Parmenter, a delivery driver who spoke to Kebatu at HMP Chelmsford described him as being “confused” as he was being guided to the railway station by prison staff.
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Local council reads family statement: ‘My family feels massively let down’
The migrant is said to have returned to the prison reception four or five times before leaving the area on a train heading to London.
Mr Lammy, who put Kebatu’s release down to human error, said he has ordered an “urgent review” into the checks that take place when an offender is released from prison, and new safeguards have been added that amount to the “strongest release checks that have ever been in place”.
A university academic who is receiving “substantial damages” for how he was portrayed in a film has told Sky News he hasn’t received an apology from star Steve Coogan – nor the two companies involved in its production.
Richard Taylor said he was “shell-shocked” after seeing The Lost King for the first time, a film about how Richard III’s skeleton was discovered below a car park in Leicester.
He told The UK Tonight with Sarah-Jane Mee:“I wasn’t consulted or even knew I was in the film. The first I hear is I get a phone call while I’m on holiday – and eventually, after press previews, I persuade the producers to let me see a preview.”
Image: Richard III
Last year, a judge ruled that Mr Taylor was depicted as “smug, unduly dismissive and patronising” – with the plot suggesting he “knowingly” misled the public.
“I’m portrayed by someone on screen who looks like me, who sounds like me, who dresses like me – but behaves in a way that falls so far short of the standards I set for myself and what others might reasonably expect of me,” the academic explained.
Mr Taylor revealed he received emails at work telling him to “rot in hell”, while others described him as a “disgrace”.
He added: “Something that was a collaborative effort that showcased the best of British universities in my view was turned into this farce – where I was the villain and portrayed in a way that was completely inconsistent with the reality and the truth.”
Now chief operating officer at Loughborough University, Mr Taylor said “none of the facts” in the 2022 film were ever checked – and the Alan Partridge star, his company Baby Cow and Pathe Productions did not reach out to him before its release.
“The producers just went ahead, filmed it, produced it, stuck it out there and left me to deal with all the flack and all the fallout from it. Grossly unfair and I feel vindicated from the result we’ve achieved,” he told Sky News.
Image: Steve Coogan and two production companies have agreed to pay ‘substantial damages’. Pic: PA
‘The film’s going to look pretty silly’
As part of the settlement, an on-screen clarification will now be added to the start of the film, but no scenes will be removed.
When asked whether he was satisfied with this outcome, Mr Taylor replied: “I’d have liked them to re-edit the film, but one’s got to be realistic about what one can achieve.
“The insertion of the card will say that the person on screen is a fictitious portrayal – and the real Richard Taylor didn’t behave like that … so the film’s going to look pretty silly.”
Image: The statue of Richard III outside Leicester Cathedral. Pic: Shropshire Matt/PA
The case was due to proceed to trial, but a High Court hearing on Monday heard that the parties had settled the claim.
In a statement afterwards, Cooganhad said: “If it wasn’t for Philippa Langley, Richard III would still be lying under a car park in Leicester. It is her name that will be remembered in relation to the discovery of the lost king, long after Richard Taylor has faded into obscurity.”
He went on to add: “That is the story I wanted to tell, and I am happy I did.”
Reacting to the statement, Mr Taylor argued “it’s a pretty strange definition of happy when you’ve had to settle a defamation claim for seven figures in costs”.
He said: “Steve is never anything other than certain in himself and of his own position, but I think he’s got it wrong – basic facts were not checked.”
Rachel Reeves has said she is determined to “defy” forecasts that suggest she will face a multibillion-pound black hole in next month’s budget, but has indicated there are some tough choices on the way.
Writing in The Guardian, the chancellor argued the “foundations of Britain’s economy remain strong” – and rejected claims the country is in a permanent state of decline.
Reports have suggested the Office for Budget Responsibility is expected to downgrade its productivity growth forecast by about 0.3 percentage points.
Image: Rachel Reeves. PA file pic
That means the Treasury will take in less tax than expected over the coming years – and this could leave a gap of up to £40bn in the country’s finances.
Ms Reeves wrote she would not “pre-empt” these forecasts, and her job “is not to relitigate the past or let past mistakes determine our future”.
“I am determined that we don’t simply accept the forecasts, but we defy them, as we already have this year. To do so means taking necessary choices today, including at the budget next month,” the chancellor added.
She also pointed to five interest rate cuts, three trade deals with major economies and wages outpacing inflation as evidence Labour has made progress since the election.
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Chancellor faces tough budget choices
Budget decisions ‘don’t come for free’
Although her article didn’t address this, she admitted “our country and our economy continue to face challenges”.
Her opinion piece said: “The decisions I will take at the budget don’t come for free, and they are not easy – but they are the right, fair and necessary choices.”
Yesterday, Sky’s deputy political editor Sam Coates reported that Ms Reeves is unlikely to raise the basic rates of income tax or national insurance, to avoid breaking a promise to protect “working people” in the budget.
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This, in theory, means those on higher salaries could be the ones to face a squeeze in the budget – with the Treasury stating that it does not comment on tax measures.
In other developments, some top economists have warned Ms Reeves that increasing income tax or reducing public spending is her only option for balancing the books.
Experts from the Institute for Fiscal Studies have cautioned the chancellor against opting to hike alternative taxes instead, telling The Independent this would “cause unnecessary amounts of economic damage”.
Although such an approach would help the chancellor avoid breaking Labour’s manifesto pledge, it is feared a series of smaller changes would make the tax system “ever more complicated and less efficient”.