Singer Charli XCX has warned her fans to stop chanting “Taylor is dead” at her gigs.
The British star shared a statement on social media following reports that members of the audience were shouting about Taylor Swift at a gig in Sao Paulo, Brazil.
“Can the people who do this please stop. Online or at my shows,” Charli wrote after the chanting was highlighted by one of her fans.
She added: “It is the opposite of what I want and it disturbs me that anyone would think there is room for this in this community.
“I will not tolerate it.”
It came after a fan tagged the star in an Instagram message that said: “Your Brazilian fans have been showing toxic behaviour by screaming ‘Taylor is dead!’ in your concerts and events related to you.”
Charli released her sixth album, Brat, earlier in June – but was kept off the top spot in the UK by Swift’s The Tortured Poets Department, which has charted at number one for seven non-consecutive weeks since its release in April.
The British singer, who supported Swift on her Reputation tour in 2018, is also engaged to The 1975 drummer George Daniel.
Some of Charli’s fans have speculated that one of her new songs, Sympathy Is A Knife – which has lyrics including the lines “This one girl taps my insecurities” and “Don’t wanna see her backstage at my boyfriend’s show” – is about Swift.
There has also been speculation that Swift references Healy in tracks on The Tortured Poets Department.
A security guard accused of planning to kidnap, rape and murder Holly Willoughby has told a jury the television presenter was “my celebrity crush”.
An undercover US police officer on Thursday told Chelmsford Crown Court he believed 37-year-old Gavin Plumb posed an “imminent threat” to the former This Morning Host.
Plumb shared a video of his “abduction kit” with the officer, referred to as David Nelson, and said he would use chloroform to snatch Willoughby, 43, from her home to sexually assault her before slitting her throat, the jury has heard.
He alerted UK police who found two bottles of liquid, alongside items including handcuffs, rope, shackles and cable ties, at Plumb’s home in Harlow, Essex – but they were found not to contain the substance.
Plumb denies three charges of soliciting murder and encouraging kidnap and rape between 21 December 2021 and 5 October last year.
Giving evidence for the first time on Friday, he told the jury he spent his life online engaging in “wholesome chat” but also fantasising about having sex with celebrities, including Willoughby, who he had seen on daytime TV after he became housebound, having gained weight and reaching 35.5 stone.
“She was my celebrity crush,” said Plumb, who sat down in a chair to give his evidence, wearing a light grey sweater and dark trousers, after telling the judge he would not be able to stand.
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Asked how many times he thought about her a day, Plumb said: “It would depend how many times I would chat about her. Sometimes it would be once, other times it would be four, five, six times.”
But the chats became “darker” from 2021, he said, being questioned by his barrister Sasha Wass KC.
He admitted he found the conversations “exciting” at the time but added: “Looking back at it now it’s massively regrettable because it’s not the sort of chat I would normally participate in.”
Plumb added: “It was kind of like gratification. It was something I knew was never going to happen.”
He told the jury he had bought most of the items in what has been described as an “abduction kit” following a four-month sexual relationship in which he was introduced to “BDSM and rough sex”.
“The whole kit is meant for someone who is consenting,” he said.
Plumb told jurors his weight started to fluctuate from the age of 13, which “really affected my mental health” because he could not play sport and was often put “in the friend zone” with girls.
Plumb said he has only had one serious relationship, which he described as “extremely toxic”, and lasted four-and-a-half years, during which there were “constant arguments” and he was “constantly put down”.
“I don’t want to be in a relationship anymore,” he said.
The court has heard he has two convictions for attempted kidnap from 2006, after trying to abduct two women off the Stansted Express train, later claiming they were members of cabin crew. He had rope and an imitation firearm when he was arrested.
Plumb said he was travelling between car parks where he worked handing out tickets and although he admitted he “had a stewardess fantasy back then” he said he did it “to get out of the relationship”.
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He was handed a suspended sentence and in 2008 said he used a box cutter to hold two “shouting and screaming and crying” 16-year-old girls in a warehouse where he worked, taping one of their hands behind her back.
Plumb said he committed the offences to “get away from the relationship”, which ended while he was in jail after he was sentenced to 32 months in prison, serving half, after admitting two charges of false imprisonment.
He told jurors once released he spent 99.9% of his life online, communicating with others about gaming, football and “normal fantasy chat” about having sex with various celebrities, including “briefly” Willoughby, but it was “completely different” to the “dark” material he later shared.
Willoughby, who is not attending the trial and is not a witness, announced in October last year that she was stepping down from This Morning after 14 years on the ITV show, but has since hosted Dancing On Ice 2024, and is due to present a Netflix show.
Michael Jackson was more than $500m (£395.3m) in debt when he died in 2009, new court documents allege.
The King of Pop was in a deep financial hole when he died aged 50 of acute propofol intoxication, according to a petition the executors of his estate filed in Los Angeles County Superior Court and seen by Sky’s US partner network NBC News.
“At the time of Michael Jackson‘s death, Michael Jackson’s most significant assets were subject to more than $500 million of debt and creditors’ claims, with some of the debt accruing interest at extremely high interest rates, and some debt in default,” the filing said.
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The pop superstar had been preparing for a 50-show concert residency called This Is It at London’s O2 Arena before he died on 25 June 2009 – 18 days before the first performance had been scheduled.
His death left his estate financially liable for $40m (£31.6m) to the tour promoter, AEG, the filing said.
The filing requests that money from Jackson’s estate be used to reimburse the executors’ lawyers for legal services and other expenses.
Jackson was also facing lawsuits in several states and countries when he died, the petition said. More than 65 creditors’ claims had been filed, which prompted more lawsuits.
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The executors, however, have settled or disposed of most of the creditors’ claims and litigation, the filing said.
“Well, you didn’t think we were gonna let you down, did you?”
So said Jarvis Cocker as he addressed the enormous crowd at Glastonbury‘s Park stage in 2011; thousands and thousands of people stood in front of him to see perhaps the worst-kept secret in the festival’s history, and one of its greatest live music experiences.
The speculation that the then newly reformed Pulpwould play the surprise set that day – after Radioheadthe previous day, no less – had grown so intense that latecomers reportedly had to be turned away, such was demand.
Beyonce, Coldplayand U2 headlined that year, but like many squashed in the Park Stage audience, squelching in the mud, it was the magic of singing along to Do You Remember The First Time?, Something Changed, and Common People I remember above everything.
Over the years, artists including The Killers, The Libertines, Lady Gaga, Foals and Franz Ferdinand have also popped up “unannounced” at Glastonbury. Last year, an act supposedly called The Churnups, conspicuous by their late-evening Pyramid Stage slot despite being an unknown entity, turned out to be The Foo Fighters.
The festival is famous for its secret sets, surprise guests and big names appearing in unexpected places, so while Dua Lipa, Coldplay and SZA headline this year, it is the TBA slots that may well provide some of the most memorable moments.
One person in the know is the founder of @secretglasto, a Twitter account which launched 10 years ago and now has almost 80,000 followers and a small team of six keeping the updates going. They have no official ties to the festival, but over the years have cultivated their sources – from people working on stages to sometimes even acts themselves – so they are “90% confident” about whatever they hint at.
“There’s also people that have been good at [revealing] what acts are playing before the line-up comes out,” says the Secret Glasto founder (we’ll call them SG). “So you can take their word a lot more seriously because they have some way of knowing what’s going on – even if you don’t know the specifics as to how they get that information, you can see the track record.”
When it comes to favourite secret sets, SG names Drenge and Wolf Alice, but says it’s “hard to look past The Killers”, who turned up in 2017 – 10 years after headlining for the first time, and two years before returning to headline again.
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THE MAIN SECRET SET TIMES AND STAGES
Firmly Rooted – Friday, 1am
Scissors – Friday, 10.30pm and 1.30am
BBC Introducing – Saturday, 4.30pm
Woodsies – Saturday, 6pm
Levels – Saturday, midnight
Scissors – Saturday, 12.45am and 2am
BBC Introducing – Sunday, 8.30pm
Scissors – Sunday, 1am
“The Killers in a tent, that’s something you feel it would only ever happen at Glastonbury. Compared to most of our secret set rumours we heard that one very late and personally I was very nervous by it, but also we had no other names in the frame. The relief when Frank Carter mentioned it was The Killers after him was palpable!
“So many people I have met since that show have been really thankful because they wouldn’t have gone [without the Secret Glasto tip] because a lot of them actually liked acts playing elsewhere at the time… why would you go to a secret set you don’t know if you’ve got eight out of 10 options elsewhere? The Killers to everyone was a 10 out of 10 option.”
With the potential for people to miss other brilliant acts based on the hints of their anonymous account, SG says they do feel a sense of responsibility, especially as the number of followers has grown.
“Quite a lot of the time for these secret sets, to get a good spot you’re [at the stage] for an entire set before. And you’re missing other things that you would love to see. So it is a big responsibility to make sure that we’re right about our info. There have been some secrets we just haven’t tweeted because we didn’t know who it was.”
For many Glastonbury-goers, the account has become a go-to place for reliable hints about the unnanounced acts set to play. There are a few TBA slots on the line-up this year – the biggest of which is set for the Woodsies Stage at 6pm on Saturday.
The bookies’ favourities include Liam Gallagher, fresh from his Definitely Maybe anniversary tour dates; Kasabian, who would mark 10 years since they headlined in 2014; and Pulp, as Cocker will already be on site to perform in the small Stonebridge Bar with Hot Chip’s Alexis Taylor on the Friday. Other names bandied about include Harry Styles, Green Day, Charli XCX and, um, Taylor Swift, who’s set to perform her Eras tour shows in Dublin on the Friday, Saturday and Sunday night, so seems pretty unlikely.
SG is not revealing anything yet, but says Pulp, Kings Of Leon, Kasabian and Charli XCX are among the main acts rumoured.
As well as the Woodsies TBA, SG also says there will be some other “big surprises around the site doing some very small slots”.
However, they won’t mention where. “I don’t even want to mention the stages because I know how skittish some of those areas can be. I know in 2022, there was going to be a stage headliner from one of the recent years playing a very small slot that got canned quite last minute. So yeah, quite hesitant to to reveal more than that, but we have heard of some very interesting things.”
After 10 years of revealing Glastonbury’s secrets, what has SG learned about why the surprise acts have become such a special part of the festival?
“I think it’s just the fact all these acts have decided the money [doesn’t matter], and their egos don’t need placating,” says SG. “You’ve got some acts who would just be like, if we’re not a headliner, no matter what the money is, we would not play a certain slot.”
Glastonbury’s secret acts are there purely to put on something fun for the fans, SG continues. “It creates such a different atmosphere. A lot of the secret sets are bands that feel like Glastonbury helped their careers in some way, and it’s their way of sort of giving back.
“Unlike other British festivals, I think Glastonbury cultivates more of a ‘we go every year, regardless’ mentality. So these acts can feel like the people that supported them at, say, a previous slot that went really well for them will still be there, or at least a sizeable number of them will still be there, to enjoy the secret set they do down the line.”