England at Euro 2024: The football songs you need to know (and some you don’t)

Published

12 months ago

June 26, 2024

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Everyone seems to know the score, they’ve seen it all before…

Or have we? Now England have got through the group stage, it’s time for the nation to start getting its hopes up way too early – yes, there are still a few hurdles to overcome before the Euro 2024 final, but no matter – and think about (whisper it) football possibly, maybe coming home.

We have David Baddiel, Frank Skinner and The Lightning Seeds’ Ian Broudie to thank for that central refrain now synonymous with England and football; a song full of unashamed nostalgia for the days of the World Cup victory (1966, you might have heard of it), perfectly capturing the mix of “oh-so-nears” pessimism since and the cautious hope that comes with being an England fan.

Released for Euro ’96, back when it was only a mere 30 years of hurt, Three Lions is still the ultimate anthem for English football.

At Euro 2020, the song was everywhere as the men’s team reached its first international tournament final since 1966 – but ended the run with the all-too-familiar agony of defeat by penalties to Italy. In 2022, England were finally crowned champions of Europe after the Lionesses beat Germany in the final – and did indeed bring football home.

So… can it stay here? Can Gareth Southgate’s men make it a double?

From a homage to former England manager Sven-Goran Eriksson to a celebration of baked goods, here are a few official and unofficial songs to add to your Euro 2024 playlist. After Three Lions, of course. And Three Lions ’98, because no one likes change.

We still believe…

This Time (We’ll Get It Right)

After failing to qualify for the World Cup in 1974 and 1978, 1982 was not only a big year for football but a big year for England in the charts. Frontman Kevin Keegan was no stranger to the Top 40, having released the single Head Over Heels In Love a few years earlier, and he led the squad in their promise to “get it right… this time”. Sadly, it wasn’t to be. Keegan, for his part, missed a sitter (he didn’t get it right) against the hosts and England failed to progress beyond the second group stage, despite remaining unbeaten throughout the tournament in Spain. The song charted at number two though, so every cloud.

We’ve Got The Whole World At Our Feet

“There’s not a single team that we can’t beat,” sang the England squad ahead of Mexico 1986. Unfortunately, they hadn’t reckoned with Maradona and his Hand of God. To add insult to injury, chart success also eluded them, with We’ve Got The Whole World At Our Feet only reaching number 66 (as if they needed another reminder). However, Gary Lineker did win the tournament’s Golden Boot for top scorer.

All The Way

For the Euros in West Germany in 1988, Stock, Aitken and Waterman took charge of the music, which led to this upbeat number that epitomised the pop sound of the time. Sadly, it only reached number 64 in the charts – mirroring England’s success in the tournament (they went out early after failing to win any of their games in the group stage).

World In Motion

England’s second-finest track comes from New Order, includes a magnificent rap from John Barnes and mercifully has minimal input from the rest of the squad. Released for Italia 90, this was the World Cup of Gazza’s tears, of England’s first heartbreaking penalties defeat – losing 4-3 to West Germany in the semi-finals – and of Lineker infamously getting caught short on the pitch. There aren’t many football songs that break out of the novelty bracket but this is just such a track, perfectly encapsulating the hopeful optimism of England fans without, for the most part, really sounding like a football song at all.

Eat My Goal

Not an official England track but Collapsed Lung’s football anthem Eat My Goal, released in 1996, became the soundtrack to Coca-Cola’s “Eat Football, Sleep Football, Drink Coca-Cola” advertising campaign that tied in with Euro 96.

Vindaloo

As well as the revived Three Lions, the France 98 World Cup also brought us Fat Les, aka Blur bassist Alex James, actor Keith Allen and artist Damien Hirst. Thanks to its easy to chant “nah nah nahs” and triumphant “We’re! Gonna! Score! One! More! Than! You!”, Vindaloo was an affectionate parody that became the unofficial hit of the tournament. Featuring comedian Paul Kaye (best known as Dennis Pennis) in a video sending up The Verve’s Bittersweet Symphony, also look out for David Walliams and Matt Lucas, and a young Lily Allen, who are in there somewhere.

(How Does It Feel To Be) On Top Of The World

This one was actually the official song for 98, even though it’s Vindaloo you probably remember. Featuring a medley of artists including The Spice Girls, Echo And The Bunnymen, Space and Ocean Colour Scene – aka England United – but no actual England players (apart from a few cameos in the video), the song featured a nice sing-song chorus but wasn’t quite as memorable or rousing as the other offerings that year, and charted at number nine. This was the World Cup of Michael Owen’s incredible goal against Argentina, David Beckham’s infamous red card and defeat by Argentina on penalties – all in the same game.

Meat Pie, Sausage Roll

After the success of Three Lions, football songs were cool again – which meant everyone wanted to release one. Contenders in 1998 also included Granddad Roberts And His Son Elvis, with this ridiculous song that should have been sponsored by Greggs. “Ooh, we got a corner,” is the refrain, while it ends with the bizarre line: “No wonder my wee smells like Sugar Puffs, the stress I’m under.”

We’re On The Ball

Ant & Dec took over official duties for the 2002 World Cup in South Korea and Japan, hailing then manager Sven-Goran Eriksson as England’s “super Swede” and referencing captain Golden Balls and the 5-1 win over Germany in the qualifiers the previous year. Despite the single essentially being PJ and Duncan’s musical revival, England were not quite ready to rumble and lost 2-1 to eventual winners Brazil in the quarter-finals.

Sven, Sven, Sven

Released a year earlier, Sven, Sven, Sven, by comedy duo Bell & Spurling, was also inspired by the 5-1 victory and the nation’s love for Eriksson at the time. Featuring women in England bikinis and dressed in Bavarian costume, the video is a reminder of how much times have changed in the last 20 years or so. The pair released an updated version, Gareth, Gareth, Gareth, for the World Cup in 2018, but it wasn’t quite as successful as their top 10 debut.

All Together Now

Written about the Christmas truce in the First World War in 1914, when soldiers from both sides put their weapons down to exchange gifts and play football in No Man’s Land, this song by The Farm was released in 1991 and has been used by numerous football teams since. Re-released for the 2004 Euros in Portugal, England were beaten by the hosts on penalties (naturally) in the quarter-finals.

World At Your Feet

The official England song for the Germany 2006 World Cup was released by Embrace, best known for hits including All You Good Good People, Come Back To What You Know, Ashes and Gravity in the 1990s and 2000s. “With the world at your feet, there’s no one you can’t beat/Yes it can be done,” sang frontman Danny McNamara. A nice effort that charted at number three and spent six weeks in the Top 40, but England were not so successful. Wayne Rooney was red-carded in the quarter-final against Portugal and Cristiano Ronaldo became known as the winker – oh, and as chance would have it, they were knocked out on penalties.

Shout

While the only music people really remember from the South Africa World Cup in 2010 is Shakira’s Waka Waka (This Time For Africa) and the deafening sound of vuvuzelas, Dizzee Rascal and James Corden did also team up to release this unofficial song for England. Sampling Tears For Fears’ Shout and including the line “come and have a go if you think you’re hard enough”, the song did top the charts, but it probably won’t be remembered as one of the England greats. England went out 4-1 to Germany in the final 16, so it wasn’t the team’s greatest performance, either.

Sing 4 England

Chris “Unbelievable, Jeff” Kamara released Sing 4 England for the Euros in 2012, co-hosted in Poland and Ukraine. Harking back to the naff but lovable-sounding typical football songs of the 80s and 90s, it gets full marks for rousing positivity. “Come on and sing for ENG-ER-LAND”. We were all encouraged but sadly, we’d seen it all before, and England lost in the quarter-finals, to Italy, on penalties.

Ole (We Are England 21)

Ole was the Euro 2020 (yes, still Euro 2020, even though the tournament took place in 2021 – blame COVID) effort from Krept & Konan. A contemporary rap track that – ole, ole, oles aside – moved away from the traditional football song but still reflected the mood of the nation. Until they lost the final, to Italy, on penalties.

Sweet Caroline

Neil Diamond’s 1969 hit Sweet Caroline became a feel-good hit all over again during the pandemic in 2020, and also smashed it at the Euros. DJ Tony Perry made the decision to play the song after England made it through to the quarter-finals thanks to a win over Germany, and a fan favourite was born. In a video message, the US singer-songwriter told The Telegraph he was “thrilled” to see fans belting the song out at Wembley, saying: “Well, I hope you can do it again – here’s to England.” Because good times never seemed so good – so good, so good… until the final, that is.

Whole Again

This sugary Atomic Kitten hit from 2000 found a new audience thanks to a reworked version paying tribute to Southgate – so much so that Natasha Hamilton and Liz McClarnon went viral after performing it live to football fans watching the quarter-final victory over Ukraine in Croydon, so decided to re-release it as a new single. While some might say they could have put a bit more effort in and changed the rest of the lyrics, now is not the time for nit-picking. Altogether now, positive thoughts: “Southgate, you’re the one, you still turn me on – football’s coming home again.” Well, it was if you were living in Italy.

Entertainment

Video game actor strike ends in US – but AI described as ‘direct threat’ to UK industry

Published

3 days ago

June 12, 2025

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Video game actor strike ends in US - but AI described as 'direct threat' to UK industry

Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios.

More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.

Now, after more than 11 months of discussions, a “tentative” agreement has been reached.

“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.

Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.

Other studios were also impacted by the strike, as actors took industrial action in solidarity.

“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.

“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”

In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.

Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.

The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.

AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.

“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.

“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.

Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.

Games take years to make and any game already in development before September 2023 was exempt from the strike.

Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.

Entertainment

Sly Stone, pioneer of early funk music, dies after ‘prolonged’ battle with illness

Published

5 days ago

June 9, 2025

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Sly Stone, pioneer of early funk music, dies after 'prolonged' battle with illness

Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.

As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.

Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.

“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.

Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.

A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.

“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.

“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.

“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.

“Thank you from the bottom of our hearts for your unwavering support.”

Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.

He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.

James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.

It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.

However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.

His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.

In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.

Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.

But some called the record a masterpiece, a eulogy to the 1960s.

In the early 1970s, Stone became erratic and missed shows. Some members left the band.

But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.

Ms Silva filed for divorce less than a year later.

Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.

The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.

He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.

In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.

That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.

Stone had a son, Sylvester, with Ms Silva.

He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.

Entertainment

Judge dismisses Justin Baldoni’s defamation claim against former co-star Blake Lively

Published

5 days ago

June 9, 2025

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Judge dismisses Justin Baldoni's defamation claim against former co-star Blake Lively

A judge in the US has dismissed actor Justin Baldoni’s $400m (£295m) defamation lawsuit against his It Ends With Us co-star Blake Lively.

Baldoni filed the countersuit against the 37-year-old in response to her launching legal action in December, accusing him of sexual harassment against her while filming the 2024 movie.

The 41-year-old and production company Wayfarer Studios countersued in January for $400m, accusing Lively and her husband, “Deadpool” actor Ryan Reynolds, their publicist, the New York Times, and others of orchestrating a smear campaign to extort him.

He accused Lively of trying to “hijack” the movie and then blaming him when her “disastrous” promotional approach prompted an online backlash against her.

“It Ends With Us” garnered mixed reviews, but grossed more than $351m (£259m) worldwide, according to reports.

In a statement, lawyers representing Lively said: “Today’s opinion is a total victory and a complete vindication for Blake Lively, along with those that Justin Baldoni and the Wayfarer Parties dragged into their retaliatory lawsuit, including Ryan Reynolds, Leslie Sloane and The New York Times.

“As we have said from day one, this ‘$400 million’ lawsuit was a sham, and the court saw right through it.

“We look forward to the next round, which is seeking attorneys’ fees, treble damages and punitive damages against Baldoni, Sarowitz, Nathan, and the other Wayfarer Parties who perpetrated this abusive litigation.”

Sky News has approached Baldoni’s representatives for comment.

US District Court Judge Lewis Liman has ruled that Baldoni can’t sue Lively for defamation over claims she made in her lawsuit, because allegations made in a lawsuit are exempt from libel claims.

The judge also dismissed Baldoni’s defamation lawsuit against The New York Times, which had reported on Lively’s sexual harassment allegations.

Mr Liman also ruled that Baldoni’s claims that Lively stole creative control of the film didn’t count as extortion under California law.

Baldoni’s legal team can revise the lawsuit if they want to pursue different claims related to whether Lively breached a contract, the judge said.

“It Ends With Us,” an adaptation of Colleen Hoover’s bestselling 2016 novel that begins as a romance but takes a dark turn into domestic violence, was released in August last, exceeding box office expectations with a $50m (£37m) debut.

But the movie’s release was shrouded by speculation over discord between Lively and Baldoni.