Standing on the top floor of the house where he used to live, Pete Best is staring up at a cluster of framed photographs.
Now 82, he’s looking back at a younger version of himself. One, with dark hair in a leather jacket, is sitting in front of a drum kit.
The three men who stood beside him are easy to recognise – his former bandmates, George Harrison, Sir Paul McCartney and John Lennon.
They’d go on to form part of music’s most famous quartet.
Image: Best said he has had time to reflect on one of the biggest ‘what ifs’ in music. Pic: PA
While Best was dropped from the line-up and replaced by Ringo Starr, six decades on, he says he has had time to reflect on one of the biggest “what ifs” in pop history.
“I’ve had 60 great years of being Pete as well as being a Beatle. It is part of your life, it’s lovely to be associated with it, but life goes on,” he said.
“Initially it was a lot of hardship and financial embarrassment, but life compensates. Maybe it was my karma, maybe it wasn’t meant to be.”
As well as taking the time to think, Best has come up with business ventures founded on his connection to the group.
The latest, launched today by Best and his younger brother Roag, gives the public a chance to stay in their old home.
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Image: The house at 8 Hayman’s Green in the West Derby area of Liverpool. Pic: PA
It also happened to be one of the places where the Beatles began to take their first steps in the industry.
The Casbah Club is a grade II listed Victorian mansion, bought by Best’s mother Mona, who had the idea of a members-only club for her sons and their friends, to meet and listen to music.
The imprints of The Beatles, then known as The Quarrymen, are all over the basement where they would have played.
The group helped decorate the space and you can still see where John Lennon carved his name into the walls with a penknife. On sweaty evenings, hundreds of people would have crammed in to watch their gigs.
Image: The Lennon Suite. Pic: PA
Image: The Best Suite. Pic: PA
Today, there were dozens of people downstairs and more people in the rooms upstairs, which guests can now book.
The suites are named after Paul, John, George, Peter and original bass player Stuart Sutcliffe – but not Ringo.
Image: The Sutcliffe Suite. Pic: PA
Image: The Harrison Suite. Pic: PA
“The Beatles played here, The Beatles partied here and The Beatles slept here,” said Best, adding the accommodation was a “projection” of his mother’s dream.
This moment is also a reminder of the fact that after Beatlemania, came a nostalgia that still has an appeal and still sells.
Image: The McCartney Suite. Pic: PA
Evelyn and Andy were the first to book a room, travelling from Glasgow.
In the Paul McCartney suite, dotted with pictures of the man it’s named after, as well as a replica of his guitar, Evelyn described the Beatles as “almost like friends” to her. She added that she does her best to go to Beatles-themed events and places whenever she can.
But as well as a business opportunity, the house now being used as a bed and breakfast is a reflection on how close Best came to being part of Beatlemania.
Debbie Greenberg, who ran the Cavern Club, another Liverpool venue famously linked to the group, can still remember when he was dropped from the line-up.
“Pete was a very good-looking guy and had a lot of followers. The word got round he’d been replaced by Ringo and we all started to chant,” recalled Ms Greenberg.
“We were all chanting ‘Pete forever, Ringo never’. To be suddenly replaced, when they were on the verge of something big, must have been so soul-destroying for him. So, you know he deserves everything he’s got today,” she added.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”