Standing on the top floor of the house where he used to live, Pete Best is staring up at a cluster of framed photographs.
Now 82, he’s looking back at a younger version of himself. One, with dark hair in a leather jacket, is sitting in front of a drum kit.
The three men who stood beside him are easy to recognise – his former bandmates, George Harrison, Sir Paul McCartney and John Lennon.
They’d go on to form part of music’s most famous quartet.
Image: Best said he has had time to reflect on one of the biggest ‘what ifs’ in music. Pic: PA
While Best was dropped from the line-up and replaced by Ringo Starr, six decades on, he says he has had time to reflect on one of the biggest “what ifs” in pop history.
“I’ve had 60 great years of being Pete as well as being a Beatle. It is part of your life, it’s lovely to be associated with it, but life goes on,” he said.
“Initially it was a lot of hardship and financial embarrassment, but life compensates. Maybe it was my karma, maybe it wasn’t meant to be.”
As well as taking the time to think, Best has come up with business ventures founded on his connection to the group.
The latest, launched today by Best and his younger brother Roag, gives the public a chance to stay in their old home.
Advertisement
Image: The house at 8 Hayman’s Green in the West Derby area of Liverpool. Pic: PA
It also happened to be one of the places where the Beatles began to take their first steps in the industry.
The Casbah Club is a grade II listed Victorian mansion, bought by Best’s mother Mona, who had the idea of a members-only club for her sons and their friends, to meet and listen to music.
The imprints of The Beatles, then known as The Quarrymen, are all over the basement where they would have played.
The group helped decorate the space and you can still see where John Lennon carved his name into the walls with a penknife. On sweaty evenings, hundreds of people would have crammed in to watch their gigs.
Image: The Lennon Suite. Pic: PA
Image: The Best Suite. Pic: PA
Today, there were dozens of people downstairs and more people in the rooms upstairs, which guests can now book.
The suites are named after Paul, John, George, Peter and original bass player Stuart Sutcliffe – but not Ringo.
Image: The Sutcliffe Suite. Pic: PA
Image: The Harrison Suite. Pic: PA
“The Beatles played here, The Beatles partied here and The Beatles slept here,” said Best, adding the accommodation was a “projection” of his mother’s dream.
This moment is also a reminder of the fact that after Beatlemania, came a nostalgia that still has an appeal and still sells.
Image: The McCartney Suite. Pic: PA
Evelyn and Andy were the first to book a room, travelling from Glasgow.
In the Paul McCartney suite, dotted with pictures of the man it’s named after, as well as a replica of his guitar, Evelyn described the Beatles as “almost like friends” to her. She added that she does her best to go to Beatles-themed events and places whenever she can.
But as well as a business opportunity, the house now being used as a bed and breakfast is a reflection on how close Best came to being part of Beatlemania.
Debbie Greenberg, who ran the Cavern Club, another Liverpool venue famously linked to the group, can still remember when he was dropped from the line-up.
“Pete was a very good-looking guy and had a lot of followers. The word got round he’d been replaced by Ringo and we all started to chant,” recalled Ms Greenberg.
“We were all chanting ‘Pete forever, Ringo never’. To be suddenly replaced, when they were on the verge of something big, must have been so soul-destroying for him. So, you know he deserves everything he’s got today,” she added.
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
More on The Who
Related Topics:
Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
Please use Chrome browser for a more accessible video player
1:59
Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”