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“I feel sorry for all these people who’ve spent thousands of pounds going to drama school,” muses Kneecap’s DJ Provai. His bandmate Mo Chara finishes his sentence. “They must be raging after getting all their daddy’s money – thirty grand for their diplomas, and we just mosey on in and maybe get nominated for an Oscar.”

DJ Provai and Mo Chara are two thirds of the republican Irish-language rap trio Kneecap, the unlikely followers of musical greats such as Freddie Mercury, Sir Elton John and Whitney Houston as the focus of a big-screen music biopic.

What’s rare about this one is they play themselves, despite having no previous acting experience – and are seeing their story brought to cinemas as relative newcomers, rather than after decades of mainstream success. “We know we’re very lucky because mostly [musicians] are dead whenever they get films made about them,” says Chara.

Rappers Kneecap are starring in a self-titled music biopic about their rise to fame. Pic: Curzon Film
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The bandmates play themselves in the film, also called Kneecap. Pic: Curzon Film

The band have smashed out of west Belfast and into headlines around the world – although not all positive. They were banned from Irish public service broadcaster RTE for their references to drug-taking, and criticised by some unionists and former British Tory government members for songs such as Brits Out (which they say is a tongue-in-cheek poke at government rule, not all British people – “it only meant British soldiers and the British state out of Ireland, to leave Ireland be in charge of its own affairs”, says Chara).

Likened to Trainspotting, 8 Mile and 24 Hour Party People by critics, the film also stars Irish-German actor and Oscar nominee Michael Fassbender. It started really as a bit of fun the band hoped would be enjoyed by their ever-growing music fanbase.

Expectations have been surpassed. In January, Kneecap won the audience award at the Sundance Film Festival, an internationally recognised showcase for independent cinema; earlier this month, the film was named as Ireland’s official submission for the best international feature film shortlist at the 2025 Oscars.

Kneecap goes to Hollywood?

Rappers Kneecap are starring in a self-titled music biopic about their rise to fame. Pic: Curzon Film
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Michael Fassbender stars as Moglai Bap’s father in the film. Pic: Curzon Film

“It gives the film real legitimacy, I think, for an international audience,” says Chara. “We’re obviously over the moon. I can’t wait to go and see all the pissed-up celebrities, hopefully, if we get to the Oscars.”

“Get the nice goody bag with the Rolex in it,” jokes Provai. “And if we get the Oscar, take it back to Cash My Gold, get it melted down, make some Claddagh rings for our fans.”

On screen, on stage, and in interview, Kneecap play for laughs. But theirs is a serious story, one that encompasses the impact of the Troubles on the generation of “ceasefire babies”, their desire for a united Ireland, a lack of opportunities for working-class people – or “low-life scum”, as they are called in the film – as well as the campaign to have the Irish language recognised in Northern Ireland.

Kneecap played a headline-worthy set at Glastonbury
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Kneecap drew huge crowds to two sets at Glastonbury earlier this year. Pic: Sky News

Fewer than 6,000 people in the country speak Irish as their first language, according to the 2021 census. But numbers are rising, especially among younger people – and Kneecap and other artists and films that have brought the language to the fore in recent years have played no small part in this.

“We get loads of messages about it,” says Chara, who is speaking to Sky News on Zoom from just outside Belfast, alongside Provai. The third member of their trio, Moglai Bap, could not make the call. But in fact, Chara says, Bap received a message about this very subject that morning, from an old friend now having a baby. After watching the film, the decision has been made to send the child to an Irish-speaking school.

The film’s director Rich Peppiatt started taking classes himself after meeting the band. Earlier this month, Irish singer-songwriter Damien Dempsey said they had inspired him, too.

‘People think it’s a gimmick – it’s not’

Kneecap fans during the Electric Picnic Festival in 2022. File pic: PA
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Kneecap’s fanbase has been growing over the last few years. Pic: PA – Electric Picnic 2022

Chara says he feels happy to be having “any kind of effect” on future generations.

“I feel like it’s a duty we all kind of have now to keep the language alive, considering the families in the west of Ireland never started speaking English, they continued to speak Irish against all odds.”

“People think it’s some kind of gimmick,” adds Provai. “It’s not, this is the daily language we use, it’s how we communicate with each other.” When they first decided to make music – “a good way to get free tickets to Glastonbury and Electric Picnic and [other festivals]” – not rapping in Irish was never a consideration, “because that’s the way we live our lives”.

The rise in demand for Irish language classes

London’s Irish Cultural Centre has doubled classes from four to eight a week in the last few years, while online community Let’s Learn Irish has seen a 25% year-on-year increase for its 2024 summer courses.

Earlier this year, it included a class on Kneecap, and teachers are now planning a seven-week course focusing on the band’s film and lyrics.

“[Kneecap] are energetic and outspoken, and their political perspective chimes with a wider desire for recognition and representation of minority languages, and decolonisation in general,” says Let’s Learn Irish’s Dr Ronan Ó Conghaile. “There is an increased appetite for supporting and protecting minority groups, especially among younger generations, and you could say Kneecap are playing an important role in that movement.”

He also cites An Cailín Ciúin (The Quiet Girl), which last year became the first Irish-language film in history to be shortlisted for the Oscars, among the cultural offerings sparking interest.

William Foote, director of the Irish Cultural Centre, agrees, adding other films such as Arracht (Monster) and Róise & Frank to the list. “I think the stories being told are accessible to everybody, as well as having a real connection to those people who are Irish,” he says.

And when read as subtitles in English, the language “doesn’t compare – what you’re reading to what you’re hearing”, he adds. “I think the beauty of the language coming through on film and these stories that are groundbreaking has really helped.”

Producer and film exhibition consultant Gerry Maguire, who introduced a Q&A of a Kneecap preview at the London Breeze Film Festival, started relearning a few years ago – inspired by the band and others such The Mary Wallopers and Lankum.

Kneecap more than anyone have taken the “seriousness” out of it, he says. “When I was a teenager we learned the Irish language in school but we didn’t take it seriously – it was a boring thing we had to do.

“We understood it used to be our language, but we couldn’t see the use of it in culture and in society. I think these new cultural icons, if you like, being part of a new Irish language culture, that rubs off on people.”

‘You don’t have to understand everything – just the vibe’

The Kneecap bandmates knew from the start it was “not a good business model, doing music in a language that nobody really speaks”, as Chara puts it. “You’re kind of shooting yourself in the foot there.” But business was never the point. “We just did it for us and for the craic at the start, and then there was a demand for it.”

They are signed to the independent Heavenly Recordings, “a proper label”, he says. You might imagine some industry bosses would have had thoughts on the mass appeal of their language choice. Heavenly never interfered. “We didn’t need to have the conversation… I’m sure major labels would have us doing songs in English, if they could.”

Plus, he adds, having two dictionaries to choose from when it comes to writing lyrics can make songwriting easier. “If we run out of words to rhyme it kind of opens up this whole other pathway, basically, in the brain. Also, you think differently. If you’re speaking in Irish, you’re in a different mindset than when you’re speaking English, in my opinion.”

Rich Peppiatt, Michael Fassbender and Kneecap attend the UK premiere of Kneecap, the opening film of the Sundance London Film Festival. Pic: PA
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Director Rich Peppiatt, actor Michael Fassbender and the Kneecap bandmates pictured at the UK premiere, opening the Sundance London Film Festival. Pic: PA

Chara cites K-pop stars BTS as perhaps the biggest example of how music has smashed through language barriers in recent years. “You don’t have to understand everything, you just understand the vibe of it… a lot of people understand our feel, the energy, at our gigs, rather than understanding the lyrics, and that’s perfectly fine with me.”

Now, he says, rapping in the Irish language has opened more doors than it’s closed. “It’s niche and I think people are into niche things now. I listen to Arabic hip-hop and don’t understand a word of it. It just sounds good.”

Kneecap, the film, is out now. Next stop, more touring – and then, potentially, the Oscars.

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Liam Gallagher hits out at Edinburgh council after Oasis fans branded ‘rowdy’

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Liam Gallagher hits out at  Edinburgh council after Oasis fans branded 'rowdy'

Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.

The remarks were revealed following a freedom of information request that was sent to Edinburgh council – ahead of the band’s three sold-out shows in Scotland this August.

The documents expressed concerns that the Oasis Live ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.

Liam Gallagher (left) and Noel Gallagher (right). Pic: PA.
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Liam Gallagher (left) and Noel Gallagher. Pic: PA

One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.

Another note suggested “medium to high intoxication” should be expected at the concert.

An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.

The Fringe is considered one of the world's largest performance arts festivals, with millions of attendees expected in August. Pic: PA.
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The Fringe is one of the world’s largest performance arts festivals. File pic: PA

It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.

“Many performers are considering not attending for that weekend,” one note read.

Liam Gallagher was not impressed – and left the following message for the council on his social media.

“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”

In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”

Liam Gallagher. Pic: AP.
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Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP

David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.

“It’s a jaundiced view,” he added.

Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.

The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.

“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”

Noel Gallagher (L) and Liam Gallagher (R) at Wembley Stadium in 2008. The brothers will be back in Wembley for their upcoming concerts.
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Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA

Around 210,000 fans are expected to attend the three Edinburgh gigs.

Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.

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Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.

Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.

“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”

The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.

When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.

But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.

Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.

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Video game actor strike ends in US – but AI described as ‘direct threat’ to UK industry

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Video game actor strike ends in US - but AI described as 'direct threat' to UK industry

Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios. 

More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.

Now, after more than 11 months of discussions, a “tentative” agreement has been reached.

“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.

Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.

Demonstrators at the picket line outside Warner Bros. Studios oin August 2024. File pic: AP
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Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP

Other studios were also impacted by the strike, as actors took industrial action in solidarity.

“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.

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“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”

In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.

Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.

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The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.

Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
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Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas


AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.

“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.

“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.

Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.

Games take years to make and any game already in development before September 2023 was exempt from the strike.

Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.

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Sly Stone, pioneer of early funk music, dies after ‘prolonged’ battle with illness

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Sly Stone, pioneer of early funk music, dies after 'prolonged' battle with illness

Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.

As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.

Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.

“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.

Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.

A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.

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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.

“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.

“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.

“Thank you from the bottom of our hearts for your unwavering support.”

Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.

He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.

James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.

It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.

However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.

His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.

In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.

Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.

But some called the record a masterpiece, a eulogy to the 1960s.

In the early 1970s, Stone became erratic and missed shows. Some members left the band.

But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.

Ms Silva filed for divorce less than a year later.

Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.

The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.

He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.

In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.

That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.

Stone had a son, Sylvester, with Ms Silva.

He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.

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