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Listening to Noel Gallagher over the years, for a long time it didn’t feel like this was part of the masterplan.

He has spoken several times of the difficult decision he made to quit Oasis in 2009. The band was his life and the choice not made lightly, but ending things then was the best thing for everyone, he told Sky Arts a few years ago. The fact they didn’t continue was a big part of the reason they are now “up there with all the greats”.

The older Gallagher brother was well aware the years apart – the brothers’ often funny but frustrating feud, the unanswered question of whether they would ever bury the hatchet and the hope that maybe, one day, it might just happen – all amplified their legend.

Liam and Noel Gallagher. Pic: Simon Emmett
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The Gallagher brothers got together for this picture in July, their first photograph together in years. Pic: Simon Emmett

Rumours have come and gone over the years, propelled in no small part by messages from Liam Gallagher on social media. He often teased, but never made any secret of wanting to bring Oasis back. The sticking point seemed to be Noel.

But in 2022, Liam played gigs at Knebworth – the site of Oasis’s most famous, history-making gigs. Earlier this year, he got in early to mark the anniversary of their debut album Definitely Maybe with his own solo tour, no sign of the man who wrote the songs.

Noel created the music, Liam brings it snarlingly, viscerally alive. Him doing these shows alone felt like it could be a death knell for a reunion. When asked about Liam by a fan during one of his shows with his current band, the High Flying Birds, only a few weeks ago, Noel reportedly said his younger brother should be “thankful for my genius” and told the crowd: “Just remember who wrote all the f***ing songs.”

The Definitely Maybe cover has been reworked to mark the 30th anniversary of the album, with the band now removed from the image. Pic: Oasis/Michael Spencer Jones/ Microdot
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Pic: Oasis/Michael Spencer Jones

Even the new artwork for Definitely Maybe (pictured above), released for the 30th anniversary this week, shows a reworking of that famous album cover – shot at guitarist Bonehead’s house in Manchester – this time with the band members absent from the room. With no Liam on the floorboards, no Noel staring up at the spinning globe, it felt like a statement: Oasis really have left the building.

Designer Brian Cannon, who worked on the artwork for all of Oasis’s early music and now runs the Microdot memorabilia stores, says he was as surprised as anyone by the reunion announcement.

“A lot of people say to me, it’s all a big marketing ploy,” he says, of the brothers’ fall-out. “No, it isn’t, they genuinely hadn’t spoken to each other for goodness knows how long. And Noel’s got a very successful solo career that he’s very content with and doing very well. I didn’t see this coming, I really didn’t.”

Photographer Michael Spencer Jones, who captured the images for all the Oasis albums and singles in the band’s heyday, says the sibling rivalry was always there. “It’s such a major part of the potion that was Oasis.”

Read more:
Cool Britannia: Life in the UK in the ’90s
A timeline of Britpop’s most successful band

Noel Gallagher sings as Noel Gallagher's High Flying Birds perform, at Twickenham Stadium, London, Britain, July 8, 2017. REUTERS/Dylan Martinez
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Noel Gallagher has had success with the High Flying Birds. Pic: Reuters/Dylan Martinez

But there have been whispers for months now, reports from industry insiders saying it was only a matter of time. In January 2023, Noel announced his separation from his now ex-wife Sara MacDonald, who did not get on with Liam, leading to speculation he might become more open to making amends.

More recently, following reports of shows booked for Wembley, fans have once again pointed to teases from Liam on social media – “I never did like that word FORMER” he posted on Sunday morning – and a recent interview given by Noel in which he spoke in complimentary terms about his little brother’s voice: “When I’d sing a song it would sound good. When he’d sing it, it would sound great.”

Neither of these things made a reunion a certainty. While Noel may not have liked his brother at times, he never underestimated the shared power their bristling sibling rivalry brought to Oasis. “I wouldn’t have gotten anywhere without him, he wouldn’t have got anywhere without me,” he told journalists at an awards ceremony in 2019.

File photo dated 29/06/19 of Liam Gallagher, who along with pop band Haim and electronic duo The Chemical Brothers, will headline the next Latitude music festival, it has been announced.
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Liam Gallagher has been performing as a solo artist for several years. Pic: PA

Oasis in their heyday were like no other live band. The shows were electrifying, the energy raw, in an era of optimism and fun in the 1990s that the Gallagher brothers defined. In later years, Noel may not have been a fan of the Cool Britannia tag, but that’s exactly what it was.

So now, will this reunion just be about the gigs? Will there be new music? Could the Gallagher brothers even be friends again?

The reunion statement gives little away. “The guns have fallen silent. The stars have aligned. The great wait is over. Come see. It will not be televised.” Further details say there was “no great revelatory moment”, but rather “the gradual realisation that the time is right” – but the Gallaghers have not really addressed the fact they haven’t been on speaking terms for years. We want to know who reached out first? How did they finally come to an agreement? And what did their mum, Peggy, says about her sons finally getting their acts together?

Whatever has happened behind the scenes, the frost has definitely thawed. In 2020, Liam said Oasis had been offered £100m to reform – a claim quickly denied by Noel, who suggested the remark was a publicity move to promote a single. The deal they have signed now will undoubtedly be worth megabucks. But even before the announcement was made, Liam was quick to put anyone suggesting this was only about the money in their place.

“Your attitude stinks,” was his reply to anyone questioning the motives. Positivity received a different response. “Your attitude is BIBLICAL.”

You only have to look at the crowds at Liam’s solo shows – full of teenagers, as well as those of us who were there the first time round in the 1990s – to see how the music has filtered through generations. The singer has said several times he would like younger fans to see the full Oasis live experience.

Read more:
‘Everyone was out of control in the ’90s’
The ‘unsolvable conundrum’ of Oasis’s biggest album

Now, they just have to deliver.

“There’s two schools of thoughts on this and at one time I would have fallen into the latter,” says Cannon. “One being: great, yes, fantastic. The second: no, leave it be, let it lie, it’s gone, you might tarnish the past.

“But. We’re living through strange times in this country at the minute, globally as well. There’s a lot of division, recent events have been quite shocking. [A reunion] will undoubtedly bring a lot of happiness to a lot of people and I’m all in favour of a lot of people being happy. So, yeah, it’s got to be a good thing.”

“There should be an album, I think,” says Spencer Jones. “It would be great if there was more music to come.”

Next year marks the 30th anniversary of their second album, (What’s The Story) Morning Glory? Both Noel and Liam will be well aware of the expectation, how much these shows mean to fans. Get them wrong, and there’s the potential for the legacy, the memories, to be spoiled.

Get them right, and Oasis live forever all over again.

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
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Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
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Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
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Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

More on The Who

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
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Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
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Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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