Jeremy Kyle has defended both his chat show and his presenting style during the inquest into the death of a man after appearing on the programme.
It came as the court was also shown clips from the unaired show for the first time.
Steve Dymond, 63, was found dead at his home in Portsmouth, Hampshire, in May 2019, seven days after taking part in the show.
A coroner found he had died of a combination of a morphine overdose and left ventricular hypertrophy in his heart.
Mr Dymond had taken a lie detector test for the ITV programme after being accused of cheating on his ex-fiancee Jane Callaghan. Following his death, the episode was never aired, and the series was later cancelled.
Kyle arrived on day three of the inquest at Winchester Coroner’s Court accompanied by his solicitor, agent and several other people, wearing a dark blue suit, white shirt and light blue tie. He then sat attentively until he was called to give evidence.
The 59-year-old presenter stood by the structure of the show, saying the stories featured were “a journey” containing both “conflict” and “resolution,” and defended his style of presenting saying “it was direct, but it was empathetic, it was honest”.
The court was shown clips from the unaired episode, with one showing Kylesaying to Mr Dymond: “The truth of the matter is you mate, you did make up a cacophony of lies, you can sit there looking upset, people could look at this and think it’s dodgy.”
After revealing the result of the lie detector test, Kyle said: “The test says you are lying, pal, you failed every single question.”
Advertisement
The clip showed Ms Callaghan bursting into tears with boos being heard from the audience and Mr Dymond looking shocked as he says: “I wasn’t, I have never been unfaithful.”
Kyle replied: “The studio thought you were telling the truth, I wouldn’t trust you with a chocolate button mate.”
Kyle: ‘Grow a pair of balls and tell the truth’
Another clip featured Kyle telling Mr Dymond: “Be a man, grow a pair of balls and tell her the goddam truth.”
While another featured the presenter asking “Has anyone got a shovel?” as Mr Dymond attempted to explain why he had been messaging another woman.
Kyle denied encouraging the audience to take against Mr Dymond, telling the inquest: “Not at all – I asked them to give them a round of applause.” He said clips showed he had “de-escalated” and “calmed” the situation rather than inflaming it.
He went on to tell the court he believed the show took “the right approach”, and he “always believed the stories were a journey.”
He said you could “absolutely” see a journey in Mr Dymond’s case, including where he and his partner “face the truth”. He said: “It is conflict, it is resolution.”
He also made clear he was “not involved in the selection of guests” on his TV show, and was “employed absolutely as the presenter,” and nothing more.
He later added: “The production, the producing, the after-care, the lie detector test were not my responsibility, I was the presenter,” going on to explain that while he had created a persona for the show, he had not been trained how to handle emotional guests.
When asked by Rachel Spearing, counsel to the inquest, whether he believed Mr Dymond was humiliated on the show, Kyle answered: “I do not”.
Maya Sikand KC, the lawyer representing Steve Dymond’s family, put it to Kyle that some of the things he said to Mr Dymond during the show were “belittling,” to which he answered “I wouldn’t agree”. He said that while Mr Dymond did get upset during filming, “he wasn’t upset from the beginning, that’s the journey and that’s the way the Jeremy Kyle show was.”
The Jeremy Kyle Show first aired in 2005 and ran for 17 series before it was cancelled on 10 May 2019, the day after Mr Dymond’s death.
It was ITV’s most popular daytime programme.
ITV stood by Kyle at the time, with the broadcaster’s director of television Kevin Lygo confirming it was piloting a new show with him later that year, although not in the same 9.30am timeslot.
The process of the lie detector test
Ahead of Kyle’s evidence on Thursday morning, the inquest was told that after filming had finished, Mr Dymond had told a researcher: “I wish I was dead.”
Mr Dymond had rung ITV 40 to 50 times in “desperate” attempts to become a guest on the show, the inquest was previously told.
Video clips from the unaired show were played to the court, showing Mr Dymond being advised about the processes of the lie detector test.
In the video, Mr Dymond asked the polygraph examiner, who was contracted by ITV to carry out the procedure, whether the test is “99.9% accurate”, to which the examiner replied: “They are 95% accurate” with a “narrow risk of error”.
The examiner also advised Mr Dymond that “if you fail one question, you fail the lot”.
The clips also show Mr Dymond watching a video informing him about the test which advises the participant to be “truthful, open and honest”.
Lie detector results added ‘element of drama’
Chris Wissun, director of content compliance at ITV at the time Mr Dymond appeared on the ITV show, returned to the witness box, explaining that the lie detector test was “a very well-established editorial feature of the programme”.
He said Kyle would not have been informed of the lie detector result ahead of time but would discover the outcome in real time during the filming of the show.
Mr Wissun said: “The producer wouldn’t reveal the results to the presenter, the results would be given to him during the programme.
“He would open the envelope and reveal the results and tell the guests what the results were. There was an element of drama in that moment.”
He also said he was not aware that Kyle had been asked to “modify his approach or presenting style” when dealing with Mr Dymond.
Mr Wissun previously told the court he had been informed that Kyle was “very receptive” to advice from the aftercare team about whether he needed to adapt or soften his presenting style for particular guests.
The hearing heard that the show’s aftercare team had offered Mr Dymond eight to 10 sessions of cognitive behavioural therapy for self-esteem and confidence building after the show to help him address his “problem with lying”. Counselling did not go ahead due to his death.
Mr Dymond had been diagnosed with a depressive disorder in 1995 and taken overdoses on four previous occasions – in January 1995, twice in December 2002, and April 2005 – the hearing was told on Wednesday.
The court heard he also made another apparent suicide attempt in 2002.
He was sectioned in September 2005, and a mental health assessment then found he was at “risk of suicide”.
Mr Dymond’s death added to growing scrutiny of the duty of care that reality TV shows have to participants, coming after the death of two former Love Island contestants, Sophie Gradon and Mike Thalassitis, in 2018 and 2019 respectively.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.orgin the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
Gary Lineker has said it is “the right time” to leave Match Of The Day and hinted the BBC could change the format of the Premier League highlights show.
The 63-year-old will step down as host at the end of the season and described his time on the show as an “absolute joy and privilege”.
Speaking on his podcast, The Rest Is Football, he said: “It has been an absolute joy and privilege to present such an iconic show for the BBC.
“But all things have to come to an end.”
Lineker went on to say the broadcaster enters a new three-year deal to host top-flight highlights, and that to stay on for another 12 months “would be a bit weird”.
“I think the next contract they’re looking to do Match Of The Day slightly differently, so I think it makes sense for someone else to take the helm.
“I bowed out in my football career when I felt it was the right time. I feel this is now the right time.”
More on Gary Lineker
Related Topics:
Lineker refused to speculate who would be taking his place, as rumours grew around Mark Chapman, the regular Match Of The Day 2 presenter, Football Focus host Alex Scott, and BBC sports coverage presenter Gabby Logan.
Spreaker
This content is provided by Spreaker, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Spreaker cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Spreaker cookies.
To view this content you can use the button below to allow Spreaker cookies for this session only.
“Obviously I don’t know who it’ll be, and I would never tell publicly my preference, I don’t think that’d be the right thing to do – but whoever it is, I would say be yourself,” he said.
“I had to fill the ginormous shoes of certain Des Lynam.
“…I would say just be yourself and enjoy it, it’s a wonderful programme to be a part of. It was brilliant before I took over, and it will be brilliant after I leave.”
Lineker has hosted Match Of The Day since 1999 and will have presented the show for more than a quarter of a century when he leaves in May 2025.
He will continue with the MOTD Top Ten podcast alongside his podcast, which also features BBC pundits Alan Shearer and Micah Richards.
The former England striker has been the BBC’s highest-paid on-air talent for seven consecutive years and was estimated to have earned £1.35m in the year 2023/24.
The BBC said future plans for Match Of The Day would be “announced in due course”.
Coach tickets to Glastonbury 2025 were sold out in half an hour, organisers have said, as they roll out a new booking system for festivalgoers.
They were the first group of tickets to be sold for the world-famous festival in Somerset, which is set to take place between 25 and 29 June.
This year, fans navigated a new system to buy the tickets as they were “randomly assigned a place in a queue” instead of having to refresh the holding page once they went live.
The organisers said in a post on X: “The Glastonbury 2025 tickets + coach travel which were on sale this evening have now all been sold.
“Our thanks to everyone who bought one.”
They added that National Express services would be available to bring festivalgoers from across the country to Glastonbury.
Standard tickets will go on sale on Sunday at 9am. Last year they were sold out within an hour.
See Tickets said in a post on X that “confirmation emails are going out now to everyone who got @Glastonbury coach tickets this evening”.
Advertisement
Tickets for the annual event at Worthy Farm in Somerset cost £373.50 plus a £5 booking fee, and are sold exclusively through the See Tickets website, with no third-party sellers involved.
The new ticket system has changed the way people join the booking system.
Organisers previously warnedhopefuls to log in “at least a few minutes” before the sale opened today and to avoid refreshing the page.
Follow Sky News on WhatsApp
Keep up with all the latest news from the UK and around the world by following Sky News
Festivalgoers were also told not to attempt to game the system by using multiple devices.
The sale follows chaos earlier this year when tickets for the Oasis reunion went on sale, seeing a multitude of disappointed fans as well as those who felt cheated after being charged hundreds of pounds more for their tickets than was originally advertised.
Anyone wishing to buy tickets for Glastonbury must have registered by 11 November, a rule in place to avoid touting.
With just under six weeks to go to Christmas Day, the countdown has officially begun, with all the big brands rolling out their seasonal adverts.
Becoming something of an institution over recent years, many see the festive ads as the starting pistol for their Christmas preparation/panic, despite us only being halfway through November.
And with an estimated £10.5bn spent on this year’s Xmas ads, it’s not just about inducing a fuzzy warm feeling in viewers, but also about encouraging them to put their hand in their pocket.
As we brace ourselves for festive fun, we take a swift look at this year’s bevvy of commercial offerings, as the annual battle of the Christmas adverts begins.
John Lewis
A girl called Sally falls into a clothes rack reminiscent of CS Lewis’s The Lion, The Witch And The Wardrobe, but instead of finding Narnia, she ends up in John Lewis.
Through family flashbacks we lean how much she loves her older sister, whose gift she has carelessly left it to the last minute to buy. Spoiler alert – as one would expect in an advert for a retailer, she finds a pressie.
More from Ents & Arts
With the retailer famous for its use of cover versions in their Christmas ads, this one is the origin story for a new cover, with a concurrent competition on TikTok to find an aspiring artist to rerecord a version, which will be featured on the Christmas Day airing and released by record label BMG too.
Waitrose
Advertisement
Marketed as a whodunnit – this big-budget production has a host of celebrity cameos, an intricate storyline and not one but two parts.
Comedian Joe Wilkinson, Fleabag star Sian Clifford and Succession’s Matthew Macfadyen all have a role in the ensemble, revolving around hunting down the thief of a “chilled desert”.
Being Christmas, when tensions are traditionally high, everyone has reason to have scoffed it. The culprit won’t be revealed until the second part of the ad is released, but in the meantime, activity at Kings Cross Station, in stores and on social media is set to keep the investigation very much alive.
Sainsbury’s
Sainsbury’s goes big for its advert, calling on a beloved Roald Dahl character – the BFG, or Big Friendly Giant – to travel the country with a supermarket worker called Sophie (who pleasingly is a real store employee) in the search for the perfect festive treats.
A CGI BFG procures salmon, sprouts and cheese before a bit of magic helps him whip it all up into a feast, which he then gifts to an unsuspecting family through the window.
The first ones to release their ad earlier this month, the dulcet tones of national treasure Stephen Fry wrap the action, with a call to arms to stock up in readiness for Christmas.
M&S
Another national treasure – Dawn French – is back for this one, playing both herself and a festive fairy, who gives both French and her home a make-over ready for a Christmas soiree.
French, whose multi-Christmas-dinner eating antics on The Vicar Of Dibley put her into the Xmas annals, is transformed into “the quintessential hostess” with a bit of help from her little friend.
Banking on the idea that you can never have enough of a good thing, there are six instalments of the advert running between now and the New Year. Who doesn’t like a second – or sixth – helping.
Lidl
This one pulls on the heartstrings, with a little girl inspired to give a gift to a boy who appears not to have any, after an old lady gives her some magic bells.
Directed by Oscar-winning filmmaker Tom Hooper (he directed The King’s Speech), a CGI racoon and giant gingerbread man add a little action to events around the dinner table.
But the take home message is to think about giving as well as receiving, with the return of the retailer’s toy banks scheme set up at supermarkets with the aim of donating over 100,000 toys, to ensure no child experiences a giftless Christmas.
Aldi
Kevin the Carrot is back for a ninth year running, this time trying to save the Christmas spirit from a bunch of hard-boiled humbug villains.
With the ad narrated by actor Jim Broadbent, our plucky hero braves an oven, a Mission Impossible-inspired ventilation system and Bond-esque snow jet-ski dash across the mountains, all to save Christmas.
Helped by his wife Katie, he of course pulls it off. A fan favourite, soft toys of the root vegetable are sold in stores, and this year cuddly humbugs are on sale too.
Morrisons
It’s a song and dance number from Morrisons, courtesy of their singing oven gloves performing Bugsy Malone’s You Give A Little Love.
A choir of 26 Morrisons employees gave voice to the gloves, recording their rendition of the song at the iconic Abbey Road Studios in London.
Like Lidl, the retailer pulled out the directing big guns, hiring The Greatest Showman director Michael Gracey to oversee proceedings.
Asda
Bagging the prize for the most gnome puns in one advert, Asda sees a flash mob of gnomes preparing the store for Christmas.
The resulting advert isn’t as irritating as it sounds on paper, thanks to nice performances by the two human characters in the ad – Maggie and Bill.
And as we know, Christmas is all about the merchandise, so the supermarkets are of course selling special Xmas versions of their garden gnomes to accompany their already 50-strong gnome range. Who knew?
Tesco
Tesco reminds us of those members of the family who are no longer here to join us on the big day, with a man carrying on his late grandmother’s festive tradition of baking gingerbread.
He becomes obsessed with the spicy treat, as it infiltrates every part of his day from his haircut to a trip to see the Christmas lights.
He eventually gets together with his grandad to bake a gingerbread house, revealing it to the family at lunch, thus keeping the tradition alive.
Greggs
And in the most unlikely festive cameo of the year, Greggs has enlisted Nigella Lawson to star in its first Christmas ad.
Rapturously endorsing their festive bakes, Lawson has her hands full of pasties, and her table full of take-away coffees, as she promotes the bakery’s festive-themed fare.
Whether or not you believe the 64-year-old TV chef really tucks into their sausage rolls in real life – the attention-grabbing collaboration looks like a wise move for the chain, whose sales have jumped in recent weeks as it continues its UK expansion.