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A former Top Gear presenter has revealed he raised safety concerns with the BBC before Andrew “Freddie” Flintoff was seriously injured in a crash and warned someone could be killed.

Breaking his silence, Chris Harris said he “saw this coming”, but said the corporation failed to take him seriously.

TV presenter and former England cricketer Flintoff, 46, was badly hurt in an accident at the Top Gear test track Dunsfold Aerodrome in December 2022, which led to the show being pulled for the “foreseeable future”.

Last year, the BBC said it had agreed a financial settlement Flintoff, reported to be worth £9m.

Pic: BBC
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Flintoff was seriously hurt in the 2022 crash. Pic: BBC

Recalling the crash on the podcast the Joe Rogan Experience, Harris, 49, said: “I ran to the window, looked out, and he wasn’t moving.

“So I thought he was dead. I assumed he was, then he moved.”

He added: “The bit that I find really difficult is that in the aftermath of that accident the show was put on hold.

“Andrew had to recover from frankly awful injuries, and has done so – profound injuries.

“We all kept quiet. We said nothing, and I said nothing because I wanted to look after him. It wasn’t my story was it?

“I was caught up in the collateral damage.

“I lost my job immediately because they cancelled the show when my contract was up, so suddenly I haven’t got a job.”

Pic: Reuters
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The former cricketer’s injuries were still visible months after the accident. Pic: Reuters

He added: “And I just sort of got my head down. But I had seen this coming.

“There was a big inquiry, a lot of soul searching. The BBC is good at that.

“But what was never spoken about was that three months before the accident, I’d gone to the BBC and said, ‘Unless you change something, someone’s going to die on this show.’

“So I went to them, I went to the BBC, and I told them my concerns from what I’d seen as the most experienced driver on the show by a mile.

“I said, ‘If we carry on, at the very least, we’re going to have a serious injury, the very worst we have a fatality.'”

Read more:
Flintoff reveals extent of injuries after Top Gear crash

Top Gear star ‘struggled with flashbacks’ after crash

Harris also said he had asked to have a meeting with the head of health and safety.

He added: “What’s really killed me is that no one’s ever really acknowledged the fact that I called it beforehand.”

He went on: “I thought I’d done the right thing. I’m not very good at that. I normally just go with the flow, but I saw this coming.

“I thought I did the right thing. I went to the BBC and I found out really that no one had taken me very seriously.”

Previous Top Gear crashes

The accident was not the first faced by Flintoff during his time on the show. It followed a minor incident in February 2019 when he crashed into a market stall in Mansfield, Nottinghamshire.

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Former presenter Richard Hammond was also seriously injured in a crash in 2006. Pic: Reuters

And in 2006, former presenter Richard Hammond was filming for the show when he crashed a jet-powered dragster called Vampire at nearly 320mph (515kph).

The presenter spent two weeks in a coma following the incident, which took place at the former RAF Elvington airbase near York.

He recovered and returned to the show in early 2007, but revealed in February this year that he fears he has memory loss as a result.

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Former Take Me Out host Paddy McGuinness and Flintoff joined motoring journalist and racing driver Harris on the show in 2019, taking over from Chris Evans and Friends star Matt LeBlanc.

The show was initially launched in 1977, featuring a range of presenters and reporters in a half-hourly slot on BBC Two which proved popular throughout the 1980s and 1990s.

But its relaunch in 2002 as an hour-long entertainment motoring show, led by Jeremy Clarkson, Hammond and James May, turned it into a worldwide hit.

The BBC declined to comment on Harris’s claims and referred to a previous statement by BBC Studios.

This said a health and safety production review of Top Gear, which did not cover the accident but instead looked at previous seasons, found that “while BBC Studios had complied with the required BBC policies and industry best practice in making the show, there were important learnings which would need to be rigorously applied to future Top Gear UK productions”.

It added: “The report included a number of recommendations to improve approaches to safety as Top Gear is a complex programme-making environment routinely navigating tight filming schedules and ambitious editorial expectations – challenges often experienced by long-running shows with an established on and off-screen team.

“Learnings included a detailed action plan involving changes in the ways of working, such as increased clarity on roles and responsibilities and better communication between teams for any future Top Gear production.”

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PM’s rap battle with Sky’s Beth Rigby goes viral – and one of the AI satirists behind it explains why

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PM's rap battle with Sky's Beth Rigby goes viral - and one of the AI satirists behind it explains why

Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.

A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.

On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.

He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.

“So we are the new and improved Spitting Image, the much better Have I Got News For You?”

He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.

Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.

More on Beth Rigby Interviews

They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.

“Crewkerne Man” says providing satire for younger people is important as Labour is lowering the voting age.

Asked why he is trying to be anonymous, the man said the project is not about one person – or even the whole group – but rather their output.

He also claimed the UK is “increasingly seeing arrests – especially with comedians”, pointing to the Graham Linehan case.

“So we just never know where the Labour Party is going to drive the policy next, in regards to free speech,” he said.

“So for me, certainly it’s a matter of safety.”

Watch Beth Rigby’s actual interview with Sir Keir Starmer below.

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The prime minister defends the budget

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
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Eline Van der Velden said she wanted the character to ‘have her own creative path’

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Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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