At this year’s Mercury Prize ceremony, honouring the 12 best albums from the UK and Ireland, many of the shortlisted artists, as well as the winners, English Teacher, spoke out about the issue.
CMAT, whose real name is Ciara Mary-Alice Thompson, is an Oasis fan who plans to go to three gigs next year. But she didn’t pay dynamic pricing, she says, and believes the system should be banned.
“Why is every venue in the UK closing down? Why is every single part of the music industry on its knees, but somebody is benefiting from [increased] ticket prices?
“Because if I was to allow dynamic pricing on my tickets – which I never, ever, ever would, and I have fought against it for the past year – I wouldn’t be getting that [money]. My management wouldn’t.”
CMAT continues: “Where’s this money going? Who’s getting it? Because it’s not benefiting anyone.”
As an independent artist, she says she has maintained more input and control of decision making when it comes to setting prices – and the conversation about dynamic pricing has “reared its ugly head” every so often over the past year.
However, the singer also believes there are artists “pressured into it that either don’t know any better, or don’t actually have the power or the right to fight against it, because they’re in some deal” they cannot escape from.
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As for the inflated Oasis tickets that have already been sold? “Realistically, [sellers] should be refunding people,” she says.
‘There’s economics and there’s creativity’
Oasis fans spent hours in virtual queues after the sale opened on Saturday – only for many to find that some tickets had more than doubled due to “in demand” pricing for the reunion tour.
The Competition and Markets Authority (CMA) has launched an investigation into the Ticketmaster sale, saying it will look into concerns over how dynamic pricing may have been used, and whether or not buyers were given clear and timely information explaining prices could change.
The band deny being aware of the decision to use dynamic pricing.
“I think there’s very, very rarely any instances in history where a commercial venture and a creative, artistic venture have collaborated to the benefit of them both,” says rapper Berwyn, another 2024 Mercury Prize shortlisted artist.
“I think there’s economics and there’s creativity. They both contribute to culture but opposite ends of the spectrum. Oftentimes they meet in the middle and the conversation is very rarely a good one.”
‘It’s not hit the jazz world yet’
“I think putting that barrier to entry on to any kind of event or music, it doesn’t really support inclusivity,” says musician and producer corto.alto, shortlisted for his debut album Bad With Names.
“Thankfully it’s not hit the jazz world yet… although there were big headlines when I announced my tour as well, about dynamic pricing.” He laughs. “Joking, there was not. But it’s something I think has to be looked at, for sure.”
“It makes it really inaccessible,” says Lewis Whiting, from English Teacher. “If you’re selling a ticket for a price, it should stay like that.”
Rapper Ghetts, shortlisted for the second time for his fourth album On Purpose, With Purpose, says he sees fans as family. “I wouldn’t want to overcharge them in any way.
“I always want to put them first and be like, that’s a bit unreasonable, especially in the times that we’re living in. When you look at people’s outgoings and their incomings, it’s a lot to ask for people sometimes.”
Like CMAT, Nia Archives is an Oasis fan – one who is “manifesting” tickets for one of their Manchester shows next year. “But the cost of living crisis really affected a lot of young people and festivals, we’re seeing them shut down because they can’t afford to keep running,” she says.
“I think it’s really important to have that community aspect, to have those free things and real-life moments, people that aren’t so money focused.”
Ticketmaster has said it does not set prices and its website says this is down to the “event organiser” who had “priced these tickets according to their market value”.
In response to the CMA announcement, the company said: “We are committed to cooperating with the CMA and look forward to sharing more facts about the ticket sale with them.”
Kylie Minogue has announced her biggest tour in more than a decade – as well as a new album.
The pop star’s Tension tour will open in her home country, Australia, before heading to Asia and reaching the UK in May 2025. More countries and dates in Europe and North and South America are set to be announced over the coming weeks.
“I am beyond excited to announce the Tension tour 2025,” Minogue said in a statement sent to Sky News. “I can’t wait to share beautiful and wild moments with fans all over the world, celebrating the Tension era and more!
“It’s been an exhilarating ride so far and now, get ready for your close up because I will be calling Lights, Camera, Action… and there will be a whole lot of Padaming!”
The UK dates include shows in Glasgow, Newcastle, Manchester, Liverpool, Sheffield, Nottingham and Birmingham, and two at London’s O2 Arena.
Minogue first teased the news as she announced her new album, Tension II, earlier today – revealing the sequel will be released in October, with the lead single, Lights Camera Action coming on 27 September.
“But wait! There’s more…” she added.
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The tour announcement followed this afternoon. It will be Minogue’s first since her Golden shows in 2018 and 2019 and her biggest since the Aphrodite: Les Folies tour in 2011, which followed the Aphrodite album and hits including All The Lovers and Get Outta My Way.
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Kylie speaks to Sky News on the Brits red carpet
The new album includes the dance hit Edge of Saturday Night with The Blessed Madonna, as well as collaborations with Orville Peck, Bebe Rexha and Tove Lo, and Sia.
“The Tension era has been so special to me,” the star said. “I can’t possibly let it be over just yet!”
Minogue, who rose to fame on Australian soap Neighbours in the 1980s before becoming a pop mega star, has had hits throughout the decades ever since – from I Should Be So Lucky, Hand On Your Heart and Better The Devil You Know, to Confide In Me, Spinning Around and Can’t Get You Out Of My Head.
Padam Padam, released in 2023, marked another reinvention with a move into electronic dance, and became a viral hit.
Earlier this year, she was named a global icon at the Brit Awards, and won the Grammy for best pop dance recording for the single.
Coronation Street star Geoff Hinsliff has died aged 87, ITV has said.
The actor was best known for playing Don Brennan on the soap from 1987 to 1997. He died last weekend.
Helen Worth, who plays Gail Platt in the show, paid tribute to Hinsliff on behalf of Coronation Street and ITV, saying: “Geoff was a lovely, quiet man who will be sadly missed by us all.
“His partnership with Lynne Perrie was something rather special and they gave the viewers huge pleasure for many years.”
Born in Leeds, Hinsliff studied at the Royal Academy of Dramatic Art and initially appeared on Coronation Street in 1963 and 1977 as different characters.
He joined the cast as taxi driver Don in 1987.
His 10-year stint on the cobbles saw him commit kidnap and attempted murder after several business deals went wrong before his character died when he crashed his car into a viaduct.
Sean “Diddy” Combs has been refused bail a second time as he faces several charges including sex trafficking, drug possession and firearms offences.
US district judge Andrew L Carter said the government had proved “by clear and convincing evidence that there is no condition or set of conditions” that will ensure the safety of the community and that the rapper and music mogul will not tamper with witnesses.
The 54-year-old pleaded not guilty after he was first arrested by officers at the Park Hyatt hotel in Manhattan, New York, on Monday.
He was originally denied bail and told he would be detained after pleading not guilty to three felony counts during an initial court appearance on Tuesday.
Lawyers representing Combs asked a judge on Wednesday to let him await his trial at his luxury home on an island near Miami Beach, as opposed to in jail in Brooklyn.
But prosecutors argued against the proposal, saying there was too great a risk that Combs could threaten or harm witnesses.
Combs’s lawyers offered a $50m (£37.8m) bail package in exchange for his release to home detention with GPS monitoring and strict limitations on who could visit him.
Arguing to keep him behind bars, prosecutor Emily Johnson told the judge that Combs had a long history of intimidating both accusers and witnesses to his alleged abuse.
Ms Johnson cited text messages from women who said Combs forced them into “Freak Offs” and then threatened to leak explicit videos of them engaging in sexual acts.
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She also said that Combs’s own defence team was “minimising and horrifically understating” his propensity for violence.
The defence and prosecution were wrangling over the request before the judge passed his ruling.
“I am feeling confident. We’re going to go get Mr Combs out of jail,” Combs’s lawyer Marc Agnifilo said on his way into court on Wednesday, before the judge decided Combs would spend his time before the trial at the Metropolitan Detention Center.
A legal indictment released after Combs’s arrest detailed allegations dating to 2008, accusing him of abusing, threatening, and coercing women for years “to fulfill his sexual desires, protect his reputation, and conceal his conduct”.
He allegedly induced female victims and male sex workers into drug-fuelled sexual performances, dubbed “Freak Offs”, according to the report.
Combs, formerly known as Puff Daddy and P Diddy, was once one of the most influential figures in hip-hop – famous as a producer and manager of the late Notorious BIG, as well as a rapper in his own right for hits including I’ll Be Missing You, Come With Me, and Bad Boy For Life.
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However, in November, his former girlfriend, the R&B singer Cassie, filed a lawsuit accusing him of coercing her, and others, into unwanted sex in drug-fuelled settings.
The suit was settled in one day, but months later CNN aired hotel security footageshowing Combs punching and kicking Cassie and throwing her to the floor.
He apologised after the video aired, saying: “I was disgusted when I did it.”