There is “no clear link” between the appearance of a guest on The Jeremy Kyle Show and his suicide, a coroner has concluded.
Steve Dymond, 63, was found dead at his home in Portsmouth, Hampshire, in May 2019, seven days after taking part in the show.
Hampshire coroner Jason Pegg said there was “an absence of reliable evidence” that the events on the show directly led to his death.
Mr Pegg also concluded there was “insufficient evidence” that Jeremy Kyle contributed to Mr Dymond’s adverse mental state.
A representative for Kyle said the conclusion had “exonerated” the presenter, allowing his name to be “cleared,” adding that the case “had taken a huge toll on him and his family”.
In a statement, delivered outside court by solicitors for Mr Dymond’s family, his son Carl Woolley said the “only good thing” that has come from his father’s death was that The Jeremy Kyle Show was cancelled.
‘Speculative’ to say Kyle caused Mr Dymond’s death
More from Ents & Arts
Coroner Jason Pegg said he had considered the evidence to determine whether “the comments and treatment by the presenter during [Mr Dymond’s] participation in the recording of the show contributed to his adverse mental state.”
He said there was “insufficient evidence” to be “satisfied that this was the direct cause of [Mr Dymond’s] distress.”
Advertisement
Mr Pegg told the Winchester inquest: “Having considered the evidence carefully there is an absence of reliable evidence that demonstrates that Steven Dymond’s appearance on the Jeremy Kyle Show probably caused or contributed to his death. To do so would be speculative.
“I am not satisfied that events on Jeremy Kyle Show gave rise to a clear link that caused or contributed to the death of Steven Dymond such that I should be recording this as a contributing factor.
“Steven Dymond had a history of a diagnosed personality disorder and mental illness which presented on a number of occasions before any appearance of the Jemery Kyle Show and resulted in Steve Dymond self-harming or displaying thoughts of suicide.”
Please use Chrome browser for a more accessible video player
0:43
Steve Dymond finds out lie detector results
‘No dissatisfaction’ over treatment during filming
Mr Pegg went on to say: “[Mr Dymond’s] decision to take his own life was made in the context of his mental distress that was probably exacerbated by his belief that a significant relationship had now irretrievably broken down following his participation on a television programme where it had been suggested that the deceased had lied to his partner.”
Mr Dymond had taken a lie detector test for the ITV programme after being accused of cheating on his ex-fiancee Jane Callaghan. Clips from the unaired show were played during the inquest.
The court were told that Mr Dymond had been “booed” by the audience at the reveal of the test results, and told a researcher after filming had finished: “I wish I was dead.”
Mr Dymond was later described to the court as being left “broken” and “distraught” after appearing on the show.
Noting ITV’s aftercare support, offered after filming, the coroner said: “Aftercare records indicate [Mr Dymond] was ’emotionally contained’ and expressed no dissatisfaction towards his treatment during the recording with a plan for follow up CBT [cognitive behavioural therapy] support.”
The court heard that the last known contact with Mr Dymond was on the evening of 6 May 2019. He was found dead in his room three days later.
He had left notes to his family indicating his intention to take his own life.
‘A huge toll’ on Kyle and his family
A statement on behalf of Kyle, issued after the inquest conclusion, said: “His Majesty’s Coroner has today clearly and unequivocally found that Jeremy Kyle did not in any way cause or contribute to the tragic suicide of Steve Dymond. He is now exonerated of that ill-informed accusation and his name has finally been cleared.
“Out of respect for the family of Mr Dymond and the judicial process, Jeremy has always maintained that it would be inappropriate to discuss details whilst the legal inquest was ongoing and he has remained steadfastly silent in the face of lies, false accusations and unfair criticism over the last 5 1/2 years.”
It went on: “This has taken a huge toll on him and his family and he would like to thank everyone who has truly supported him through these tough times.”
A coroner found that Mr Dymond had died of a combination of a morphine overdose and a heart condition, and his cause of death was suicide.
In a statement, read outside the inquest by one of Mr Dymond’s family solicitors, his son Carl Woolley said: “It has been five years since my father died.
“In my view anyone watching the clips of the show would see that he was in tears, and spoken to in the most brutal way by Jeremy Kyle.
“The coroner has recorded that the lie detector test, in which Jeremy Kyle believes in so strongly, can have an accuracy of 60-96%.
“The only good thing that came from my father’s death is that The Jeremy Kyle Show is cancelled.”
‘Be a man, grow a pair’
Giving evidence earlier in the week, presenter Jeremy Kyle defended both his chat show and his presenting style, telling the court he neither “humiliated” or “belittled” Mr Dymond, insisting he had “de-escalated” the situation and “calmed it down”.
Clips played in court including Mr Kyle telling Mr Dymond: “Be a man, grow a pair of balls and tell her the goddam truth.”
Another featured the 59-year-old presenter asking: “Has anyone got a shovel?” as Mr Dymond attempted to explain why he had been messaging another woman.
A further clip showed Kyle saying: “The studio thought you were telling the truth, I wouldn’t trust you with a chocolate button, mate.”
The Jeremy Kyle Show first aired in 2005 and ran for 17 series before it was cancelled on 10 May 2019, the day after Mr Dymond’s death.
It was ITV’s most popular daytime programme.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.orgin the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
While the Oscars bestows the film industry’s highest honours, the Golden Globes is the ceremony that gets the awards season party started.
Emilia Perez, which stars Selena Gomez and tells the story of a Mexican drug lord who changes gender, leads the nominations with 10, while postwar epic The Brutalist, starring Adrien Brody, has seven, and papal thriller Conclave, starring Ralph Fiennes, has six.
After surpassing Mamma Mia earlier this week to become the highest-grossing film ever adapted from a Broadway musical, Wicked has four nods – and seems certain to follow in the perfectly arched footsteps of Barbieby clinching the prize for cinematic and box office achievement.
The Golden Globesalsocelebrates TV – with The Bear, Shogun, Only Murders In The Building, Baby Reindeer, The Penguin and Monsters among the big nominees.
This year’s ceremony takes place in Los Angeles later today, so you’ll have to stay up late if you plan to follow in the UK.
Ahead of the show, here are a few things to look out for.
Musicals lead the way
All singing, often dancing – it seems the world has really been holding space for musicals over the past 12 months.
Operatic musical Emilia Perez comfortably has the most nominations of all the films in the running, while Wicked, starring Ariana GrandeandCynthia Erivo, has been the most talked about film of the year (not least because of the viral press tour).
Both Erivo and Grande are nominated in acting categories – for Grande, it is her first Golden Globe nod for her performance as Glinda, and she competes in the best supporting female actor in a motion picture category against fellow pop star Gomez and Zoe Saldana, who also stars in Emilia Perez.
Erivo is up for the award for best female actor in a motion picture musical or comedy, alongside Zendayafor romantic sports film Challengers, Karla Sofia Gascon for Emilia Perez, Demi Moore for The Substance, Amy Adams for Nightbitch, and a breakout performance from Mikey Madison for Anora, a film about a young sex worker who marries the son of a Russian oligarch.
Last year’s nominations were led by Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer, the latter of which went on to win pretty much every award going, including best picture at the Oscars.
While the Barbenheimer buzz was fun for a while, Oppenheimer’s domination made awards season pretty predictable (and, some might say, a little dull). This year, Wicked aside, there are no such obvious contenders.
The Brutalist, which follows Brody as a Hungarian architect attempting to build a life in the US after the Second World War, seems to be a favourite for best drama, as well as a best actor win for its star, and best director for Brady Corbet.
But it faces tough competition from Conclave, in which Fiennes plays a priest who has to select a new pope, as well as A Complete Unknown, starring Timothee Chalamet as Bob Dylan. Awards voters love a biopic, after all.
In the musical/comedy category, experts for awards prediction site Gold Derby seem to be split three ways, between Wicked, Emilia Perez, and Anora – whose star Madison is also tipped to beat the likes of Erivo and Moore in her category.
After a difficult few years, the Golden Globes are still in comeback mode.
Following an expose over a lack of diversity among members, the ceremony was held in private and boycotted by celebs in 2022 and didn’t quite fully bounce back in 2023.
Now, with a new organising body and after appearances by lots of A-listers last year, it looks set to bring some mega-watt star appeal once again.
Angelina Jolie – a favourite for best actress for her portrayal of opera singer Maria Callas in Maria – Denzel Washington, Nicole Kidman, Chalamet and Moore are just a few of the big-name nominees, alongside Grande and Gomez. Pamela Anderson is also on the list – nominated for best actress in a drama for her performance in The Last Showgirl.
And it’s not just Hollywood making up the star-studded guest list, as loads of British celebs are in the running for awards, too, from Eddie Redmayne for his performance in Sky’s The Day Of The Jackal, to Keira Knightley for Netflix’s Black Doves.
Other British stars on the shortlists include Kate Winslet (nominated in both the TV and film categories for The Regime and Lee), Gary Oldman for hit Apple TV+ series Slow Horses, Hugh Grant for horror movie Heretic, Felicity Jones for The Brutalist, Colin Farrell for The Penguin, and Daniel Craig for his film Queer, based on the 1985 novella by William S Burroughs. And Erivo, too.
Unlike the Oscars, the Globes covers both TV and film and also includes genre splits – with separate awards for dramas, and comedies and musicals. It means there are a lot of nominees in the running for awards.
Still, there were a few big names absent from the shortlists.
While his co-star Washington is up for a supporting award, Gladiator II star Paul Mescal missed out on a nod – as did director Sir Ridley Scott.
The original film won the best picture Golden Globe in 2001 and star Russell Crowe was nominated in the best acting category for his performance.
British director Sir Steve McQueen’s Second World War drama film Blitz, starring Saoirse Ronan, is also absent from the nominations.
And while Dune: Part Two is up for best picture and best original score by Hans Zimmer, director Denis Villeneuve has not been recognised.
Yes, you read that right. While Tina Fey and Amy Poehler hosted the ceremony several times as a double act, comedian Nikki Glaser will be the first woman to take the reins solo.
Some of the ceremony’s most memorable moments have come not from the stars, but the hosts themselves – Ricky Gervais‘s caustic takedowns of the A-listers in the audience were always a favourite.
It’s a big gig, with not just the audience to impress, but the millions who will watch and see the clips all over social media later on. Jo Koy, who hosted last year, didn’t go down particularly well.
Fortunately, this year’s show should be suitably sharp in the hands of US stand-up Glaser, a comedian who is not afraid of being savage.
“It’s the best of TV and film coming together with one common goal: to receive the love and validation they never got as children from their parents,” she said. “Sunday night is a night to celebrate TV and film, actors and directors, Xanax and tequila.”
The Golden Globes take place in LA, with the red carpet starting at about 11.30pm UK time and the ceremony starting at 1am on Monday.
Filmmaker Jeff Baena, the husband of actress Aubrey Plaza, has been found dead aged 47.
The US director and writer was known for films including Life After Beth and The Little Hours, in which Plazastarred.
He died on Friday, according to Los Angeles medical examiner records, viewed by E! News.
According to Deadline, the filmmaker’s family “is devastated and asks for privacy at this difficult time”.
The circumstances of his death are not yet clear.
Plaza, 40, who is known for TV series including Parks And Recreation and The White Lotus, and films such as Emily The Criminal, had been in a relationship with Baena since about 2011, and the pair married in 2021.
The pair frequently collaborated on his films. While working on his last movie, Spin Me Around, released in 2022, Plaza confirmed they had wed.
More on Aubrey Plaza
Related Topics:
“So proud of my darling husband,” she wrote on Instagram in May 2021, “for dreaming up another film that takes us to italia to cause some more trouble”.
Baena was a graduate of New York University’s film school and became a production assistant for filmmaker Robert Zemeckis, known for films including Back To The Future and Forrest Gump, after moving to Los Angeles.
He also worked as an assistant editor for writer-director David O Russell (The Fighter, Silver Linings Playbook), with whom he co-wrote the 2004 indie comedy I Heart Huckabees, starring Jason Schwartzman, Naomi Watts, Jude Law, Mark Wahlberg, Dustin Hoffman and Lily Tomlin.
In 2014, Baena made his directorial debut with Life After Beth, a horror comedy, followed by Joshy, in which Plaza also appeared, in 2016. Both films were nominated for the Sundance Film Festival’s Grand Jury Prize.
His other credits included Horse Girl and the TV series Cinema Toast.
Plaza’s representatives have been contacted for comment.
This breaking news story is being updated and more details will be published shortly.
The National Theatre is overhauling how it stages productions – as its ambitious climate targets mean creatives are having to be even more creative.
After setting itself the goal of achieving net zero as an organisation by 2030, off-stage quietly radical changes are under way.
Sky News was invited to see how the theatre, based in Southbank, central London, has gone about overhauling its approach to staging productions, meeting with some of those who’ve worked on its adaptation of the much-loved children’s classic Ballet Shoes.
While critics have been full of praise for the visual spectacle on-stage, how the whole look was created required a fundamental shift in approach.
“All of the team have had to be on board with reinventing, recutting and reimagining items rather than just making them from scratch,” costume designer Samuel Wyer said.
A new resource they had to work with was the National Theatre Green Store in Bermondsey, southeast London.
The warehouse has more than 131,000 items of costume and almost 22,000 props now housed under one roof so that designers can repurpose items from previous productions to try to cut their carbon footprint.
More on Environment
Related Topics:
It’s a surprisingly satisfying challenge.
Mr Wyer said they were able to “dip and cut clothes… which meant I was finding things even outside my imagination that were more perfect than I could have drawn on a piece of paper”.
Trying to lead by example, the theatre hopes to demonstrate how the industry needn’t take a fast fashion approach to making sets, props and costumes from scratch.
“I think if it’s demonstrated that we can do things in this way that helps all of us imagine a world where we can use what we’ve got rather than new, new, new, because we need that balance,” Mr Wyer said.
“Theatre is where we come to imagine who we could be.”
‘Every piece has its own little quirks’
Last year, the National set itself targets of 50% of the materials used in its productions having had a previous life, and 65% being repurposed at the end of each production.
For set designer Frankie Bradshaw, hitting those targets has meant working with a lot more repurposed furniture.
“Lots of second-hand cabinets, bookshelves,” she said. “Ordinarily [carpenters] would have been used to building from scratch following a drawing and this has been quite different.
“Every piece has its own little quirks, and they’ve had to adapt their processes to fit that way of working.”
While it’s by no means straightforward, the process is proving rewarding.
“It requires everyone to be a little bit more flexible, a little more patient, but it does mean you can end up with a product you’re a lot more proud of,” Ms Bradshaw added.
Ballet Shoes runs at the National Theatre until Saturday 22 February.