FKA Twigs says her latest work – a live performance piece at Sotheby’s – is part of her “huge and healing journey” over the last few years, in which she’s learned “how to use and live in my body again”.
The 36-year-old singer and actress opened her first major exhibition on Saturday, the day after her third album – Eusexua – dropped.
It’s a decade since the Cheltenham-born star – real name Tahliah Barnett – released LP1, and a world away from her first professional gigs as a backing dancer for stars including Kylie Minogue and Jessie J.
Described as “a physical and artistic quest for self-healing”, The Eleven comprises a rotating group of 11 “movers”, cycling through 11 ritualised motions that each last 11 minutes and are designed to improve your life.
Each addresses an issue with modern living, including our relationship with technology, simplifying our lives and self-awareness.
For example, if you’re suffering from screen addiction, the first part of a ritual might demand rubbing your hand when you discover that instead of being in the moment you are itching to check Instagram on your phone.
Or if you’ve got personal traits you want to fix, you might “take two hours out on a Saturday to think, ‘Oh, why do I get angry when I stand in a queue in Sainsbury’s?’ You know it’s not because of the queue”.
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She tells Sky News she choreographed the project to “create a sense of calm, and to just gain more control over my life so that I can concentrate on the things of beautiful and wild and free and not get bogged down with all of the noise”.
Twigs, who studied opera and ballet from a young age, will take part in some performances, which will also feature a revolving cast of “special guests”.
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It’s not only a first for Twigs, but also for Sotheby’s, as the first piece of live performance art in the London gallery’s 280-year history.
Image: Pic: Jordan Pettitt/PA
‘I’m a wild-rooted, earthy woman’
Twigs cites Madonna, Tracey Emin (her pen pal as a teen) and Serbian conceptual artist Marina Abramovic as three of her muses, adding: “In the last two years, as I am a grown-up now, I’ve really looked to these women just to encourage me to keep going and get my message out there.”
Twigs explains: “There have been so many women that have just created something so much bigger than themselves, and they haven’t given up, and they’ve kept on going and they’ve ignored the naysayers.”
Her work is also inspired by her own life, rich pickings for the star who says: “I feel like I could get 10 albums just out of my life and from [ages] 16 to 18 if I just sat down and really thought about it.”
She says she only wore a certain shade of blue in the year she was writing the album (“a worn Japanese blue” according to the star) and created “a modular wardrobe” along with collaborator Yaz XL to sit alongside the project and “take the stress of looking good out of your life”.
One thing Twigs is clear hasn’t inspired the exhibition’s message is the California wellness trends so popular with celebrities and millionaires.
She says: “I’m half Jamaican from a single-parent working-class family. So, I don’t really know of those Californian things too much. I’ve just made it from my life experience and I’m a wild-rooted, earthy woman.”
The exhibition includes intimate photographs and Polaroids taken by Twigs’s partner, photographer Jordan Hemingway, who she lives with in east London.
Image: Twigs with her partner, photographer Jordan Hemingway. Pic: PA
‘It’s about touching, slapping and holding yourself’
Twigs says rather than seeing the images as revealing, she sees them as “true”, adding: “I don’t really see my body in that way. Revealing or not revealing, I’d probably feel more awkward in an outfit I didn’t like, you know?“
The star goes on:“Over the past few years, I’ve been on a huge healing journey and, have had to learn how to use and how to live in my body again.”
She says one message of the show is shrugging off body hang-ups: “It’s about touching yourself and slapping yourself and holding yourself and moving in a way that just gets rid of all inhibitions.
“It’s about realising that we’re in our vessels and we can take control of them… Express ourselves. It’s raw and it’s wild and it’s ugly. And in that way, it’s perfect.”
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It’s been a challenging few years for the singer, filing papers to sue her former partner Shia LaBeouf over alleged abuse four years ago, next month will see the case finally come to court in LA.
Twigs says the 38-year-old Hollywood star physically and emotionally abused her during their year-long relationship.
LaBeouf has denied the claims but apologised for the hurt he has caused.
Image: Twigs has been inspired by ‘strong’ women. Pic: Aidan Zamiri/ Ivor Novello Awards
‘Sistah Space feels like home’
With one in four women suffering domestic abuse during their lifetime, it’s a reality Twigs feels needs to be addressed.
As an ambassador for Sistah Space, a UK charity supporting African and Caribbean heritage women affected by domestic and sexual abuse, Twigs says she has found strength from the “strong women” around her.
Twigs explains: “I think that domestic violence and interpersonal relationship violence is a really misunderstood subject, and I think it can be even more complicated when you’re of colour and from different cultures.
“Sistah Space is an amazing organisation that helps support women and survivors, find their voice again, find their feet again after going through something really horrific. Sistah Space feels like home to me.
“I spoke to Ngosi [Fulani, the founder of Sistah Space] today on the way here, actually. And all of these incredibly strong women really inspired me to make this work and to keep going and to have tenacity and strength and all of these things to carry on and fight through in my own journey.”
Image: Twigs with actor Bill Skarsgard in The Crow reboot. Pic: Lionsgate
Eusexua
The exhibition ties in with Twigs’s new album Eusexua – a “Twigism” coined by the star summing up that lightbulb moment when things just click.
With a new album out, a film out in the UK next month (the reboot of cult classic The Crow opposite Swedish actor Bill Skarsgard) and filming another, plus this exhibition, there’s no denying it’s an exciting year for the star.
But with her feet firmly on the ground, Twigs is just happy to be sharing her work with the world.
She sums up: “I feel like I’ve always kept myself very busy and I really love what I do and I love expressing myself and I love the arts and I’m just really grateful for all the opportunities to get them out there into the world.”
The Eleven is at Sotheby’s in London from Saturday 14 to Thursday 26 September and is free to view.
FKA Twig’s third studio album, Eusexua, is out now.
The 1975 frontman Matty Healy has warned of a musical “silence” that would come without the pubs and bars that give UK artists their first chance to perform.
Fresh from headlining Glastonburyin June, Healy is backing a new UK-wide festival which will see more than 2,000 gigs taking place across more than 1,000 “seed” venues in September.
The Seed Sounds Weekender aims to celebrate the hospitality sector hosting bands and singers just as they are starting out – and for some, before they go on to become global superstars.
Healy, who is an ambassador for the event, said in a statement to Sky News: “Local venues aren’t just where bands cut their teeth, they’re the foundation of any real culture.
“Without them, you don’t get The Smiths, Amy Winehouse, or The 1975. You get silence.”
Oasis, currently making headlines thanks to their sold-out reunion tour, first played at Manchester’s Boardwalk club, which closed in 1999, and famously went on to play stadiums and their huge Knebworth gigs within the space of a few years.
Image: Oasis stars Liam and Noel Gallagher, pictured on stage at Wembley for their reunion tour, started out playing Manchester’s Boardwalk club. Pic: Lewis Evans
GigPig, the live music marketplace behind Seed Sounds, says the seed sector collectively hosts more than three million gigs annually, supports more than 43,000 active musicians, and contributes an estimated £2.4bn to the UK economy.
“The erosion of funding for seed and grassroots spaces is part of a wider liberal tendency to strip away the socially democratic infrastructure that actually makes art possible,” said Healy.
“What’s left is a cultural economy where only the privileged can afford to create, and where only immediately profitable art survives.”
He described the Seed Sounds Weekender as “a vital reminder that music doesn’t start in boardrooms or big arenas – it starts in back rooms, pubs, basements, and independent spaces run on love, grit, and belief in something bigger.”
The importance of funding for grassroots venues has been highlighted in the past few years, with more than 200 closing or stopping live music in 2023 and 2024, according to the Music Venue Trust. Sheffield’s well-known Leadmill venue saw its last gig in its current form in June, after losing a long-running eviction battle.
In May, Culture Secretary Lisa Nandy announced the £85m Creative Foundations Fund to support arts venues across England.
But most seed venues – the smaller spaces in the hospitality sector that provide a platform before artists get to ticketed grassroots gigs or bigger stages – won’t qualify for the levy. GigPig is working to change this by formalising the seed music venue space as a recognised category.
“The UK’s seed venues are where music careers are born,” said GigPig co-founder Kit Muir-Rogers. “Collectively, this space promotes more music than any other in the live music business, yet it has gone overlooked and under-appreciated.”
The Seed Sounds Weekender takes place from 26-28 September and will partner with Uber to give attendees discounted rides to and from venues.
Tickets for most of the gigs will be free, with events taking place across 20 UK towns and cities including London, Liverpool, Birmingham, Manchester, Glasgow, Leicester, Newcastle and Southampton
The legendary WWE wrestler Hulk Hogan, who passed away last week in Florida, died of a heart attack, according to a Florida medical examiner’s report.
Hogan, 71, was pronounced dead in hospital less than 90 minutes after medics arrived at his home in Clearwater, Florida, in response to a call about a “cardiac arrest”.
The report released on Thursday noted his death was from a “natural” cause and formally listed as “acute myocardial infarction”, a technical term for a heart attack.
In his honour, Florida governor Ron DeSantis said flags will be flown at half-staff at all official buildings on Friday, which he declared “Hulk Hogan Day in Florida”.
The pro wrestling icon, whose real name was Terry Gene Bollea, previously had leukaemia and atrial fibrillation, an irregular heart rhythm, the report from the District Six Medical Examiner added.
Hogan was perhaps the biggest star in WWE’s long history.
Image: Wrestler Hulk Hogan (R) headlocks WrestleMania champion John Cena. File pic: Reuters
He was known for both his larger-than-life personality, including ripping shirts, not just in the ring but also at the Republican National Convention.
Hogan was the main draw for the first-ever WrestleMania in 1985 and was a fixture for years in its signature event.
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Hulk Hogan shows support for Trump at Republican National Convention
He faced everyone from Andre The Giant and Randy Savage to The Rock and even company chairman Vince McMahon.
He claimed his first WWE world championship by defeating the Iron Sheik in 1984.
Image: Hulk Hogan and Ric Flair in 1990. Pic: AP
Hogan went on to win five more world championships and was inducted into the WWE Hall of Fame in 2005 by Sylvester Stallone.
He appeared in numerous movies and television shows, including his own reality series, and in 2024 endorsed Donald Trump’s presidential bid.
Image: Donald Trump and Hulk Hogan at the Republican National Convention in July 2024. Pic: Reuters
His death prompted the US president to pay tribute in a Truth Social post, writing that the “Hulkster” was “strong, tough, smart, but with the biggest heart”.
Among the world of wrestling, WWE icon The Undertaker wrote on X that “the wrestling world has lost a true legend”, while former WWE wrestler Triple H said Hogan was “the archetype of what it meant to be a ‘Superstar’ – a global sensation that inspired millions”.
Hogan was married three times and had two children.
His wife Sky Daily posted on Instagram that Hogan “had been dealing with some health issues, but I truly believed we would overcome them”.
“This loss is sudden and impossible to process,” she added. “To the world, he was a legend… but to me, he was my Terry.”
Now, they have filed another motion to the court, saying it “should either grant a judgment of acquittal or, at a minimum, a new trial” on the prostitution-related offences.
In the new filing, Combs’s defence team said the US government had “painted him as a monster” ever since his arrest, but argued his two-month trial showed allegations of a “20-year racketeering enterprise and of sex trafficking multiple women… were not supported by credible evidence, and the jury rejected them”.
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How the Diddy trial unfolded
They also say that to their knowledge, he is “the only person” ever convicted of these charges for the conduct he was accused of in court.
“It is undisputed that he had no commercial motive and that all involved were adults,” the filing states. “The men chose to travel and engage in the activity voluntarily. The verdict confirms the women were not vulnerable or exploited or trafficked or sexually assaulted during the freak offs or hotel nights.”
They describe the prosecution’s evidence on the counts as “thin at best” and say the trial would have been “totally different” had the rapper only been charged with the prostitution-related offences and not the more serious counts.
“Sean Combs sits in jail based on evidence that he paid adult male escorts and entertainers who engaged in consensual sexual activities with his former girlfriends, which he videotaped and later watched with the girlfriends. That is not prostitution, and if it is, his conviction is unconstitutional,” the filing says.
Combs, one of the most influential hip-hop producers of all time, faces being jailed for several years after his conviction on the prostitution-related charges.
But he was cleared of the more serious charges that could have put him in prison for life – and the verdict was hailed a “victory” by his team.
Immediately after he was acquitted of those charges, his lawyers asked for his release on bond. The request was denied by Judge Arun Subramanian, who heard the trial, and said Combs at the time had not met the burden of showing by clear and convincing evidence a “lack of danger to any person or the community”.