FKA Twigs says her latest work – a live performance piece at Sotheby’s – is part of her “huge and healing journey” over the last few years, in which she’s learned “how to use and live in my body again”.
The 36-year-old singer and actress opened her first major exhibition on Saturday, the day after her third album – Eusexua – dropped.
It’s a decade since the Cheltenham-born star – real name Tahliah Barnett – released LP1, and a world away from her first professional gigs as a backing dancer for stars including Kylie Minogue and Jessie J.
Described as “a physical and artistic quest for self-healing”, The Eleven comprises a rotating group of 11 “movers”, cycling through 11 ritualised motions that each last 11 minutes and are designed to improve your life.
Each addresses an issue with modern living, including our relationship with technology, simplifying our lives and self-awareness.
For example, if you’re suffering from screen addiction, the first part of a ritual might demand rubbing your hand when you discover that instead of being in the moment you are itching to check Instagram on your phone.
Or if you’ve got personal traits you want to fix, you might “take two hours out on a Saturday to think, ‘Oh, why do I get angry when I stand in a queue in Sainsbury’s?’ You know it’s not because of the queue”.
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She tells Sky News she choreographed the project to “create a sense of calm, and to just gain more control over my life so that I can concentrate on the things of beautiful and wild and free and not get bogged down with all of the noise”.
Twigs, who studied opera and ballet from a young age, will take part in some performances, which will also feature a revolving cast of “special guests”.
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It’s not only a first for Twigs, but also for Sotheby’s, as the first piece of live performance art in the London gallery’s 280-year history.
‘I’m a wild-rooted, earthy woman’
Twigs cites Madonna, Tracey Emin (her pen pal as a teen) and Serbian conceptual artist Marina Abramovic as three of her muses, adding: “In the last two years, as I am a grown-up now, I’ve really looked to these women just to encourage me to keep going and get my message out there.”
Twigs explains: “There have been so many women that have just created something so much bigger than themselves, and they haven’t given up, and they’ve kept on going and they’ve ignored the naysayers.”
Her work is also inspired by her own life, rich pickings for the star who says: “I feel like I could get 10 albums just out of my life and from [ages] 16 to 18 if I just sat down and really thought about it.”
She says she only wore a certain shade of blue in the year she was writing the album (“a worn Japanese blue” according to the star) and created “a modular wardrobe” along with collaborator Yaz XL to sit alongside the project and “take the stress of looking good out of your life”.
One thing Twigs is clear hasn’t inspired the exhibition’s message is the California wellness trends so popular with celebrities and millionaires.
She says: “I’m half Jamaican from a single-parent working-class family. So, I don’t really know of those Californian things too much. I’ve just made it from my life experience and I’m a wild-rooted, earthy woman.”
The exhibition includes intimate photographs and Polaroids taken by Twigs’s partner, photographer Jordan Hemingway, who she lives with in east London.
‘It’s about touching, slapping and holding yourself’
Twigs says rather than seeing the images as revealing, she sees them as “true”, adding: “I don’t really see my body in that way. Revealing or not revealing, I’d probably feel more awkward in an outfit I didn’t like, you know?“
The star goes on:“Over the past few years, I’ve been on a huge healing journey and, have had to learn how to use and how to live in my body again.”
She says one message of the show is shrugging off body hang-ups: “It’s about touching yourself and slapping yourself and holding yourself and moving in a way that just gets rid of all inhibitions.
“It’s about realising that we’re in our vessels and we can take control of them… Express ourselves. It’s raw and it’s wild and it’s ugly. And in that way, it’s perfect.”
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It’s been a challenging few years for the singer, filing papers to sue her former partner Shia LaBeouf over alleged abuse four years ago, next month will see the case finally come to court in LA.
Twigs says the 38-year-old Hollywood star physically and emotionally abused her during their year-long relationship.
LaBeouf has denied the claims but apologised for the hurt he has caused.
‘Sistah Space feels like home’
With one in four women suffering domestic abuse during their lifetime, it’s a reality Twigs feels needs to be addressed.
As an ambassador for Sistah Space, a UK charity supporting African and Caribbean heritage women affected by domestic and sexual abuse, Twigs says she has found strength from the “strong women” around her.
Twigs explains: “I think that domestic violence and interpersonal relationship violence is a really misunderstood subject, and I think it can be even more complicated when you’re of colour and from different cultures.
“Sistah Space is an amazing organisation that helps support women and survivors, find their voice again, find their feet again after going through something really horrific. Sistah Space feels like home to me.
“I spoke to Ngosi [Fulani, the founder of Sistah Space] today on the way here, actually. And all of these incredibly strong women really inspired me to make this work and to keep going and to have tenacity and strength and all of these things to carry on and fight through in my own journey.”
Eusexua
The exhibition ties in with Twigs’s new album Eusexua – a “Twigism” coined by the star summing up that lightbulb moment when things just click.
With a new album out, a film out in the UK next month (the reboot of cult classic The Crow opposite Swedish actor Bill Skarsgard) and filming another, plus this exhibition, there’s no denying it’s an exciting year for the star.
But with her feet firmly on the ground, Twigs is just happy to be sharing her work with the world.
She sums up: “I feel like I’ve always kept myself very busy and I really love what I do and I love expressing myself and I love the arts and I’m just really grateful for all the opportunities to get them out there into the world.”
The Eleven is at Sotheby’s in London from Saturday 14 to Thursday 26 September and is free to view.
FKA Twig’s third studio album, Eusexua, is out now.
Hip-hop mogul Sean “Diddy” Combs will go on trial facing sex trafficking and racketeering charges in May next year.
The 54-year-old rapper, also known as Puff Daddy and P Diddy, blew kisses to his mother and children in court after a US judge set the trial date at a Manhattan federal court hearing on Thursday.
Combspleaded not guilty on 17 September to a three-count indictment charging him with using his business empire, including record label Bad Boy Entertainment, to transport male and female sex workers across state lines to take part in recorded sexual performances called “freak offs”.
He faces a sentence of up to life in prison and a minimum of 15 years if convicted of the three counts he faces: racketeering conspiracy, sex trafficking and transportation to engage in prostitution.
In his third court appearance since his arrest in September, Combs was told his trial will start on 5 May.
Prosecutor Emily Johnson told the court the prosecution’s case at the trial will last at least three weeks.
Combs’ defence will last around a week, his lawyer Marc Agnifilo said.
The hip-hip mogul has been jailed at the Metropolitan Detention Center in Brooklyn since his arrest.
He appeared in court on Thursday in tan prison uniform before being led out a side door by members of the US Marshals Service.
The Manhattan-based 2nd US Circuit Court of Appeals on Thursday denied his request to be immediately released from jail while he appeals another judge’s decision to deny him bail.
A three-judge 2nd Circuit panel will hear that appeal at a later date.
In relation to the charges he faces, prosecutors have accused Combs of enticing women by giving them drugs such as ketamine and ecstasy, financial support or promises of career support or a romantic relationship.
Combs then allegedly used the surreptitious recordings of the sex acts as “collateral” to ensure that the women would remain silent, and sometimes displayed weapons to intimidate abuse victims and witnesses, prosecutors said.
The indictment contains no allegation that Combs himself directly engaged in unwanted sexual contact with women, though he was accused of physically assaulting them.
Mr Agnifilo has called the sexual activity described by prosecutors consensual.
In a court filing on Wednesday night, Mr Agnifilo asked the judge to impose a “gag order” prohibiting prosecutors and federal agents from disclosing evidence to the media.
At the hearing, Ms Johnson called the request an attempt to “exclude a damning piece of evidence”.
She said prosecutors would have no problem affirming their obligations not to disclose confidential evidence to the press, but said the defence should be bound by that as well.
Ms Johnson also raised concerns about Mr Agnifilo’s statement in a September interview with entertainment news outlet TMZ calling the case a “takedown of a successful black man”.
She said the comment amounted to an accusation that the government was “engaging in a racist prosecution”.
“Statements of this sort seriously risk a fair trial in this case,” Ms Johnson said.
It’s almost 12 years to the day that a Taliban gunman shot schoolgirl Malala Yousafzai in the head as she travelled home from an exam on a school bus packed with fellow pupils.
Now one of Pakistan’s best-known public figures, the activist, Oxford graduate and youngest Nobel laureate in history is releasing her first feature.
The 27-year-old tells Sky News: “I’m pretty new to Hollywood, but it’s been an incredible journey for me so far.”
An outspoken critic of Muslim under-representation in Hollywood films, Yousafzai founded her production company Extracurricular in 2021 in partnership with Apple TV + in a bid to “shake things up”.
She says: “There are so many passionate women and artists from different diverse backgrounds, including Muslim communities and people of colour and they have incredible stories.
“I hope to work with more incredible artists and directors out there in the many years ahead to help us bring more perspectives and more voices and reflections from people who don’t often get a chance.”
A 2022 study showed that Muslims are 25% of the population, but only 1% of characters in popular TV series.
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As for whether it’s getting better, Yousafzai says: “There are incredible Muslim artists who are really changing the narrative, and I do hope that more of them will get a chance to tell their story and just bring more diversity to how stories are told.”
She says the documentary she’s just released – The Last Of The Sea Women, about a group of female divers in their 60s, 70s and 80s – is “an amazing beginning” to her new adventure as a Hollywood executive.
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Extracurricular has previously said it would consider producing a fictionalised account of her attempted assassination but signalled they first need to find a “surprising way in” to the story.
And Yousafzai is full of surprises.
Malala Made Me Do It
Earlier this year, she made her acting debut in the second season of Channel 4’s reverential and hugely popular comedy We Are Lady Parts.
Her episode even featured a spoof song inspired by her activism – Malala Made Me Do It.
Yousafzai’s passionate advocacy for access to education for women and girls in countries where it is restricted is now stepping into a new realm – entertainment.
Her deal with Apple will cover dramas, comedies, documentaries, animation and children’s series.
Future productions include a movie adaptation of Elaine Hsieh Chou’s book Disorientation, and a scripted series based on Asha Lemmie’s coming-of-age novel Fifty Words For Rain, about a woman’s search for acceptance in post-World War Two Japan.
The Last Of The Sea Women tells the story of the Haenyeo, a “badass girl gang” of grandmothers living on South Korea‘s Jeju Island who dive to the ocean floor without oxygen to gather food for their community.
Earning a reputation as real-life mermaids, despite diving for centuries, their traditions are now under threat.
In a bid to save their way of life, they are now teaching younger women, who being from Generation Z, are sharing their stories on TikTok.
Elderly Asian women ‘as heroes’
The film’s director Sue Kim – who calls working with Malala “the joy and pleasure of my life” – says she was excited to showcase an underrepresented group in her work.
“It’s rare to see women portrayed as the sole heroes in the film. Two Asian women are not often portrayed as the soul heroes in the film. And then elderly Asian women.
“It’s three demographics where I do think there’s a bit of a gap of representation and portrayal in the heroic world. And that was something I was excited to show in the film.”
Yousafzai says of the Haenyeo: “When I look to them, I personally, as a woman, feel that there’s no limit to what I can do.”
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She goes on: “We would be in a very good place if we were under the leadership of the Haenyeo, for sure…
“We need women in leadership. We need a society where women can get equal opportunities. And a woman should never be told that she cannot be in a certain role.”
Previously nominated for an Oscar for the documentary short Stranger At The Gate, Yousafzai is optimistic The Last Of The Sea Women could be part of the next awards conversation too.
“Why not? I think it deserves all the applause and the credit.”
The Last Of The Sea Women is streaming now on Apple TV +
Angela Rayner has defended Taylor Swift being given a blue-light escort through London as they “needed to make sure she was safe”.
The deputy prime minister denied senior Labour figures, including the home secretary and London mayor, were given tickets to Swift’s August shows in the capital in exchange for police protection.
Ms Rayner reiterated what other Labour politicians have said, that the decision to give the megastar a police escort was “an operational decision” by the Met Police.
“I absolutely dispute that somehow that this was, in any way, connected to whether somebody went to a concert or not,” she said.
She said it was down to the fact Swift’s concerts in Vienna had been cancelled due to a foiled terror attack, which was meant to kill tens of thousands of fans.
“We needed to make sure that that person was safe. And it was a policing matter, not an issue for politicians. It was the police that make the decision,” she said.
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“It’s right that they make the decision. And I fully support them in that.”
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Home Sec given free Swift tickets
Ms Rayner added that police provided the security to ensure Swift could continue with the concerts “which brought in huge amounts of investment of money into our economy, including those small businesses that need that support”.
Mr Balls was offered the four tickets on 4 August, before Swift’s shows in Vienna were cancelled, and the couple attended the gig on 16 August after the security discussions.
Ms Cooper and London Mayor Sadiq Khan spoke to the Metropolitan Police to encourage them to give the megastar a “VVIP escort” through London for her Wembley Stadium concerts.
The Met were reportedly reluctant to sign it off as a blue-light escort is typically reserved for senior members of the Royal Family and high-level politicians, as it comes at huge expense to the taxpayer, The Sun reported.
No information about the tickets appeared in the public domain until Wednesday.
The tickets were understood to be worth £170 – less than the £300 that would make it a declarable expense – but the home secretary made the declaration to the Cabinet Office on Wednesday.
Sky News understands the Home Office department was informed as soon as the tickets were offered and the permanent secretary’s office informed the Cabinet Office on 23 September. At this point there was concern that the Commons Parliamentary commissioner was not willing to make it public.
It also understood the home secretary’s team had been liaising with their permanent secretary’s office about this for the last week or so.