Seven months after his high-profile arrest, the trial of hip-hop mogul Sean “Diddy” Combs is set to get under way today.

A three-time Grammy winner and one of the most influential hip-hop producers of the past 30 years – also known variously as Puff Daddy, P Diddy and “Love” in the years since he rose to fame in the 1990s – the rapper and founder of Bad Boy Records is now facing serious criminal charges in the US, as well as several civil lawsuits.

He has pleaded not guilty to criminal charges, said his sexual relationships were consensual, and strenuously denied all allegations of wrongdoing.

Combs, 55, was arrested and charged in September 2024, six months after raids by federal agents on two of his properties in Los Angeles and Miami. He has been held in detention in New York since his arrest, having been refused bail as he awaits trial.

Jury selection is set to begin this morning and will potentially take several days. Opening statements by lawyers and the start of the testimony are expected to begin next week.

Here is everything you need to know.

What is Combs on trial for?

Combs is facing five felony charges:

• Racketeering conspiracy
• Two counts of sex trafficking by force, fraud or coercion
• Two counts of transportation to engage in prostitution

The rapper was initially charged with three offences – racketeering, sex trafficking, and transportation to engage in prostitution. Two extra counts – one each of sex trafficking and transportation to engage in prostitution – were added earlier in April.

Combs has pleaded not guilty to all charges.

Racketeering broadly means engaging in an illegal scheme or enterprise, and the charge falls under the Racketeering Influenced and Corrupt Organisations Act (RICO) in the US.

According to the US justice department’s definition of RICO statute, it is also illegal to “conspire to violate” the laws.

The indictment against Combs alleges that between 2008 and 2024, he “led a racketeering conspiracy that engaged in sex trafficking, forced labour, kidnapping, arson, bribery, and obstruction of justice, among other crimes”, the US attorney’s office for the Southern District of New York said following his arrest in September.

Who are the accusers?

Prosecutors expect four accusers to testify against Combs during the criminal trial.

Three have requested their identities not be revealed to the press or the public and that they instead be referred to using only pseudonyms.

One accuser, who is referred to as Victim 1 in court documents, is prepared to testify under her own name, prosecutors have said.

When did allegations begin?

In November 2023, Combs’ former girlfriend, R’n’B star Cassie – full name Casandra Ventura – filed a civil lawsuit alleging she was trafficked, raped, plied with drugs and viciously beaten by the rapper on many occasions over the course of 10 years.

The lawsuit was settled the following day. Terms of the agreement were not made public but there was no admission of wrongdoing from Combs, and he issued a statement saying he “vehemently” denied the “offensive and outrageous” allegations.

Six months later, footage recorded at a hotel in Los Angeles in 2016 emerged, allegedly showing Combs hitting and kicking Cassie in a hallway.

Shortly afterwards, he released a video apology, saying his behaviour in the video was at a time when he had “hit rock bottom” but nonetheless was “inexcusable” and that he was “disgusted” with himself.

The rapper’s lawyers argue the footage was nothing more than a “glimpse into a complex but decade-long consensual relationship”.

Details of ‘freak offs’

The charges include details of alleged “freak offs” – described as “elaborate and produced sex performances that Combs arranged, directed, masturbated during, and often electronically recorded”.

He allegedly induced female victims and male sex workers into drug-fuelled sexual performances, according to the indictment.

Prosecutors allege victims were given controlled substances during the sometimes days-long events to keep them “obedient and compliant” and Combs subjected them to “physical, emotional, and verbal abuse” to get them to engage.

The indictment also alleges Combs “engaged in acts of violence, threats of violence, threats of financial and reputational harm, and verbal abuse” including kidnapping and arson when witnesses of his alleged abuse threatened his authority or reputation.

What happens first?

The hearing is set to begin with jury selection at the US District Court for the Southern District of New York in Lower Manhattan.

After the two additional charges were added, Combs’ legal team requested a delay of two months, saying they needed more time to prepare his defence. However, Judge Arun Subramanian, who will hear the trial, denied the request, saying it had been made too close to the start date.

So, the trial will go ahead as planned, starting with jury selection. This is currently scheduled to take a week, but as a high-profile case, this process may be complicated and take some time.

If jury selection goes to plan, the opening statements from the prosecution and defence are set to begin on Monday 12 May.

Lawyers for Combs have requested for potential jurors to be asked about their views regarding sex, drugs, alcohol, and violence in a questionnaire.

In a letter submitted to the judge, the rapper’s legal team said: “Because this trial involves content that is sensitive and private in nature, many individuals are uncomfortable speaking about these issues in front of others and would be more candid writing about them in a questionnaire.”

Examples of areas “requiring inquiry” are potential connections to “drug or alcohol abuse… domestic violence, their willingness to watch videos with physical assault and videos that are sexually explicit, and their views towards people with multiple sexual partners”, they said.

They also want potential jurors to say if they have watched documentaries released about Combs since the charges were announced.

Prosecutors criticised the defence’s proposed questionnaire – with 72 questions – as too long and touching on subjects that would be better asked in person by the judge, if at all.

What has Combs said?

The rapper has strongly denied all the allegations against him.

Following his initial court appearance in September, one of his lawyers, Marc Agnifilo, said the rapper would “fight this to the end,” that he was “not afraid” of the charges, and was “looking forward to clearing his name”.

“Eventually he’s going to be shown to be innocent,” Mr Agnifilo said.

In a document submitted in February, Combs’ legal team argued for the transportation charge to be dismissed, saying he had been subject to a “racist” prosecution “for conduct that regularly goes unpunished”, and that he was being “singled out” as “a powerful black man” over the use of escorts.

They argued that “no white person” had ever “been the target of a remotely similar prosecution” and said that while the rapper had “complicated relationships with significant others as well as with alcohol and drugs… that doesn’t make him a racketeer, or a sex trafficker”.

Are the criminal charges separate to the lawsuits?

Yes. Combs has also been hit with dozens of civil claims – a few filed before the criminal charges were announced, but the majority afterwards.

These include accusations of sexual abuse by men and women, from alleged victims who were as young as 10 at the time of the alleged incidents.

Many of these have been filed by Texas lawyer Tony Buzbee, whom Combs’ team have accused of seeking publicity.

One particularly high-profile lawsuit, involving rapper Jay-Z as well as Combs, was voluntarily dropped with prejudice, meaning it cannot be brought again, by the accuser in February.

Another lawsuit accuses Combs of raping a woman as alleged payback for her saying she believed he was involved in the murder of rapper Tupac Shakur. Combs is suing the lawyer involved in this case for defamation, over other allegations that have been made against him.

What sentence does Combs face?

The US attorney’s office for the Southern District of New York announced details of potential sentences when Combs was charged, but said the decision would ultimately be determined by the judge.

Racketeering conspiracy carries a maximum sentence of life in prison, the attorney’s office said, as does sex trafficking by force, fraud, or coercion – which also carries a mandatory minimum sentence of 15 years in prison.

The charge of transportation for purposes of prostitution carries a maximum sentence of 10 years in prison.

Brazilian police say they foiled a bomb attack planned for a Lady Gaga concert on Rio de Janeiro’s Copacabana beach that attracted an estimated 2.1 million people.

The plot was orchestrated by a group promoting hate speech and the radicalisation of teenagers, including self-harm and violent content as a form of social belonging, according to the Civil Police of Rio de Janeiro, which worked in coordination with the country’s justice ministry.

“The suspects were recruiting participants, including minors, to carry out coordinated attacks using improvised explosives and Molotov cocktails,” the force said.

The justice ministry said the recruiters identified themselves as Gaga’s fans, known as “Little Monsters”.

It said Operation Fake Monster was based on a report by the ministry’s cyber operations lab following a tip-off from Rio state police intelligence, which uncovered digital cells encouraging violent behaviour among teenagers using coded language and extremist symbolism.

Authorities carried out over a dozen search and seizure warrants, and a man described as the group’s leader was arrested in the southern state of Rio Grande do Sul for illegal possession of a firearm, and a teenager was detained in Rio de Janeiro for storing child abuse images.

Gaga’s biggest ever show

Some 500,000 tourists travelled to watch the concert, which was paid for by the city in an attempt to boost the struggling economy.

Saturday night’s two-hour show, which marked Gaga’s biggest ever, marked the first time she had played in Brazil since 2012, having cancelled an appearance at the Rock in Rio festival in 2017 over health issues.

Gaga, who released her seventh studio album, Mayhem, in March, opened with a dramatic, operatic edition of her 2011 track Bloody Mary, before launching into Abracadabra, a recent track.

“Brazil! I missed you. I missed you so much,” she exclaimed, before launching into Poker Face, one of her biggest hits.

The American pop star drew in a similar crowd to Madonna’s in May last year, who performed at the same beach, which is transformed into an enormous dance floor for the shows.

Addressing the crowd in English and through a Portuguese translator, Gaga became emotional as she said: “I’m so honoured to be here with you tonight.

“Tonight we’re making history, but no one makes history alone. Without all of you, the incredible people of Brazil, I wouldn’t have this moment. Thank you for making history with me.

“The people of Brazil are the reason I get to shine today. But of all the things I can thank you for, the one I most am grateful for is this: that you waited for me. You waited more than 10 years for me.”

She said it took so long to come back because she was “healing” and “getting stronger”. The pop sensation cancelled many of her shows in 2017 and 2018 due to her fibromyalgia condition, which can cause pain and fatigue.

It is estimated Gaga’s show will have injected around 600 million reais (£79.9m) into the economy, nearly 30% more than Madonna’s show.

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The large-scale free shows are set to continue annually until at least 2028, always taking place in May, which is considered the economy’s “low season”, according to the city’s government.

A hefty security plan was in place, including the presence of 3,300 military and 1,500 police officers, along with 400 military firefighters.

‘A dream come true’

The city has been swarmed with Gaga fans since her arrival on Tuesday, with some even keeping vigil outside of the hotel she has been staying at.

Many arrived at the beach at the crack of dawn on Saturday to secure good spots on the beach, despite the show not starting until 9.45pm.

Ana Lara Folador, who attended with her sister, said it was “a dream come true”, and that Gaga had “really shaped a part of my personality, as a person and an artist”.

Ingrid Serrano, a 30-year-old engineer who made a cross-continent trip from Colombia to Brazil to attend the show, turned up in a T-shirt featuring Lady Gaga’s outlandish costumes over the years.

“I’ve been a 100% fan of Lady Gaga my whole life,” she said, adding the 39-year-old megastar represented “total freedom of expression – being who one wants without shame”.

Matheus Silvestroni, 25, an aspiring DJ and a Gaga fan since the age of 12, endured an eight-hour bus ride from Sao Paulo for the show.

He said it was Gaga who had inspired him to embrace his sexuality and pursue his dream of becoming an artist.

“I was bullied because I was a fat, gay kid, so I was an easy target,” he said. “Gaga was very important because she sent a message that everything was okay with me, I wasn’t a freak, because I was ‘Born This Way’.”

Rio is known for holding massive open-air concerts, with Rod Stewart holding a Guinness World Record for the four million-strong crowd he drew to Copacabana beach in 1994.

John Lithgow is a man well aware of cancel culture and its ability to destroy careers in the blink of an eye.

The Oscar-nominated actor tells Sky News: “It is terrible to be so careful about what you say. Even in an interview like this. It goes into the world, and you can get misconstrued and misrepresented and cancelled in [the click of a finger].”

It’s a theme that runs parallel with his latest work – the stage show Giant – which through the lens of one explosive day in children’s author Roald Dahl‘s life, poses the question, should we look for moral purity in our artists?

The writer of great works including The Witches, Matilda and The BFG, Dahl revolutionised children’s literature with his irreverent approach, inspiring generations of readers and selling hundreds of millions worldwide. But his legacy is conflicted.

Lithgow describes Dahl as “a man with great charm, great wit and literary talent. A man who really cared about children and loved them. But a man who carried a lot of demons.”

Specifically, the play – which explores Palestinian rights versus antisemitism – deals with the fallout from controversial comments the children’s author made over the Israeli invasion of Lebanon in 1982. Its themes couldn’t be more timely.

Lithgow explains: “Things are said in the play that nobody dares to say out loud… But God knows this is a complicated and contradictory issue.”

‘It didn’t start as an idea about Roald Dahl at all’

So controversial are some of the play’s themes, the 79-year-old star admits his own son warned him: “Prepare yourself. There’ll be demonstrations in Sloane Square outside the Royal Court Theatre.”

Indeed, the play’s first run carried an audience warning flagging “antisemitic language; graphic descriptions of violence; emotional discussion of themes including conflict in the Middle East, Israel and Palestine; and strong language”.

But it didn’t put audiences off. Following a sold-out run at the Royal Court, the role won Lithgow an Olivier. Now, it’s transferring to London’s West End.

The play was written by Mark Rosenblatt, a seasoned theatre director but debut playwright.

He tells Sky News: “It didn’t start as an idea about Roald Dahl at all. It was about the blurring of meaningful political discourse with racism, specifically when, in 2018, the inquiry into antisemitism in the Labour Party started to come out.”

Rosenblatt describes Dahl’s Revolting Rhymes and Dirty Beasts as the “wallpaper” of his childhood, and says he had no desire to “smash the Roald Dahl pinata”.

But despite the fond recollections, he was conflicted: “Understanding that [Dahl] also, possibly, didn’t like someone like me because I’m Jewish felt complicated.” It was Rosenblatt’s exploration of “how you hold those two things at the same time” that led to Dahl becoming the play’s focus.

‘He’s not cancelled in our home’

Rosenblatt describes him as “a complex man, capable of great compassion, great passionate defence of oppressed people, and also capable of enormous cruelty and manipulation. He was many things at once”.

And as for Dahl’s place in his life now? Rosenblatt says: “I still read his books to my kids. He’s certainly not cancelled in our home.”

It’s likely that Dahl’s comments, if uttered today, would lead to swift social media condemnation, but writing in a pre-social media age, the judgment over his words came at a much slower pace.

Dahl died in 1990, and his family later apologised for antisemitic remarks he made during his lifetime. But the debate of whether art can be separated from the artist is still very much alive today.

Earlier this month, Lithgow found himself drawn into a different row over artists and their opinions – this time concerning author JK Rowling.

‘A matter of nuance’

Soon to play Dumbledore in the Harry Potter TV series, he has been criticised by some fans for working with the author known for her gender critical beliefs.

Lithgow told Sky News: “It’s a question I’m getting asked constantly. I suppose I should get used to that, but JK Rowling has created an amazing canon of books for kids…

“I have my own feelings on this subject. But I’m certainly not going to hesitate to speak about it. Just because I may disagree… It’s a matter of nuance… I think she’s handled it fairly gracefully.”

The actor ignored calls not to take the role.

He goes on: “Honestly, I’d rather be involved in this than not. And if I’m going to speak on this subject, I’m speaking from inside this project and very much a partner with JK Rowling on it.”

Demanding an eight-year commitment and a move to the UK for the part, the stakes are high.

And with a legion of Harry Potter fans watching on from the wings, only time will tell if the Lithgow-Rowling partnership will prove a magical one.

Giant is playing at the Harold Pinter Theatre in London until Saturday, 2 August.