“The Do The Flop Guy liked to dance all the time But he couldn’t do it right no matter how hard he tried He had two left feet from an accident at birth And every time he danced, he always flops face first Then one day as he jumped in the air Everybody turned and looked and they pointed and they stared He had a bright idea, right before he hit the floor He shouted: “Everybody do the flop!” A new dance craze was born!
Do, do, do the flop! Do, do, do the flop! Everybody do the flop!”
“Everybody do the Flop” — LilDeuceDeuce
Alonza Barnett III wasn’t trying to break the internet over Labor Day weekend. The James Madison quarterback was trying to convince everyone that he had broken something — Arm? Sternum? Spirit? Who cares? — in the Dukes’ season opener against Charlotte. Whatever kind of break it might take to draw an unsportsmanlike penalty against the 49ers defender who’d just given him a two-handed shove in the chest.
Yes, there was a flag on the play. And yes, the first, thrown by the center judge who saw Barnett fall the ground, was tossed in the direction of Niners defensive lineman Dre Butler, the pusher. Then there were two flags on the play, as another yellow was shown to the pushee: JMU’s No. 14 and new No. 1 thespian. Why?
“I think maybe one roll and one little thing would be good,” JMU head coach Bob Chesney said of his signal-caller’s fall.
The clip has more than 10 million views on the ESPN College Football X account alone. Barnett said his phone went wild and stayed that way for days, as friends and strangers alike kept tagging him on their reposts and kept texting him about it, as if he hadn’t seen it. As he settled down into midweek presentational speech class, the professor threw the clip up on the classroom video screen as an example of unnecessarily overdramatizing one’s presentation.
Barnett told the Richmond Times-Dispatch that was when he realized: “Oh man. This is going to stick for a while.”
So, it would seem, is flopping. Every weekend of this still-young 2024 college football season has produced at least one social media sensation of a flop, whether to draw flags against their opponents or to slow those same opponents down during this age of hammer-down offenses.
play
0:36
‘That’s bad acting’: UNLV player appears to fake injury before 3rd-down play
Antonio Doyle Jr. appears to fake an injury and gets right back up before a third-down play vs. Kansas.
The latter is still relatively new; it was just one year ago that the NCAA implemented review and appeal rules designed to curb choreographed collapses by perfectly healthy, young athletes seeking nothing more than to stop the clock and disrupt the rhythm of a quick-moving march toward the end zone.
“That is an integrity issue,” Steve Shaw, the NCAA national coordinator of officials, said. He said the review regulations have certainly decreased the bog-them-down fabricated falls, but they’re still far from being eliminated. “It’s not really the kind of teaching lesson we want from this sport we all love. Even if it looks funny, the motivation behind it, certainly in those cases, is not. The process is new and it can be difficult to enforce, but the effort is happening now. It has to.”
Everyone hates that stuff. Everyone. Even those who have had players do it. See: Kiffin, Lane.
“There has to be some sort of consequence,” said the Ole Miss coach, who has made a career out of engineering high-powered offenses.
Even as he clamors for discipline, Kiffin has admitted to having a few players take a dive in the same manner that has frustrated him over the years.
“We have the opportunity to review film now and file an appeal for review from the conference,” Kiffin said. “If coaches are really willing to go through with that and it is really enforced and ruled to be an obvious faking of an injury, and then there’s a real penalty or fine, I can guarantee you it will go away just like it showed up.”
The former — the OG plop, the timeless self-toss, the conscious collapse in search of acting one’s way into a favorable flag — has been around as long as leather oblong spheres have been carried up and down football fields. Or soccer balls have been kicked down the pitch. Or as long as LeBron James has been playing hoops.
Flopping, as a verb, officially means “to fall or plump down suddenly, especially with noise; drop or turn with a sudden bump or thud (The puppy flopped down on the couch.)” But a deep dive into the bottom half of Dictionary.com’s “flop” page reveals the sports meaning, found as the fifth iteration of the noun: “An exaggerated or dramatic fall intended to persuade officials to penalize the opposing team for a foul. (His comically oversold flop didn’t fool the referees at all.)”
Even the dictionary isn’t falling for the faux falling? So, why keep doing it?
“Why wouldn’t you?” replied Roman Harper, the former Alabama All-SEC safety-turned-Super Bowl champ-turned SEC Network analyst. Standing in the Gainesville, Florida, airport and watching the Barnett flop for the first time, he can’t stop laughing. Then he can’t stop critiquing.
“People are going to focus on the flop, and they should. But the issue is that the defensive lineman let himself get suckered into that shove,” Harper said. “That’s the true talent, to get that guy to do that. It’s probably the second hit of the altercation and it happens just as the ref is looking. The QB did his job. That was done. Then he did too much after. Way too much.”
How much of too much? Let’s take it to the experts not on the field, but in the fields of related expertise.
Ricky Morton, WWE Hall of Famer as one half of the legendary Rock ‘n’ Roll Express tag team, was so great at selling pain to audiences that it became known through the industry as “playing Ricky Morton.” His text: “That flop is a 10/10.”
Well, maybe for Starrcade or the Great American Bash. But what about football? Let’s take it to someone who knows both: Brock Anderson, former coveted high school linebacker, East Carolina Pirate, Major League Wrestling star and son of another WWE Hall of Famer in Arn Anderson. “That was gratuitous even by pro wrestling standards. If he would have just snapped off a bump right off the shove, he would’ve gotten the 15-yard penalty and maybe even [gotten] the guy ejected, which would have been diabolical,” he said.
But then, as any wrestler will tell you, the supporting cast can either raise you up or sink you. “After his lineman hit ’em with the CPR, should’ve been offsetting penalties.”
And it was.
For those of you who have never spent time in a unitard atop a pulled square of canvas or glued to a Sunday night pay-per-view, a snap bump is the chef’s kiss of rasslin’, a quick fall straight back into the shoulders with just enough bent legs into the air to convince the viewer that one clearly has just been unwittingly chopped down like a sequoia.
“That’s the key, right there. Landing on the meat of the upper back, between the shoulder blades, and then having their butt hit the ground… “
This explanation/addition/coaching is coming not from a football player or wrestler. No, she’s a hell of lot tougher than that. This is Jane Austin, co-founder of Hollywood Stunt Works, a stunt coordinator and performer with a list of credits that spans more than four decades, from 1980s TV staples “Airwolf” and “China Beach” to “Thor: Love and Thunder” and the “Avatar” sequels.
Remember “Terry Tate: Office Linebacker,” aka the greatest football-themed TV ad campaign of all time? Remember the woman who had her clock cleaned as she stood in the office hallway holding a stack of files? That was Austin, and she suffered a concussion. So, yeah, she knows how to sell the taking of a staged football hit.
After receiving the Barnett JMU video, Austin spent an entire 24 hours examining the moment. Once she was done laughing, she did a nuanced breakdown his artificial affliction.
“My coaching advice would be, just go down hard,” Austin said. “Go down as hard as you can, and just don’t do any dramatics. Lay there. Then give it a beat. Or, if you have to move, roll to your side. Stay down, no matter what, if you really want to take advantage and try to get a flag out of it. You have to give your audience, in this case the referee, a moment to think, ‘Oh man, that was horrible.’ So, all this other stuff, the jump up, the second roll, the lineman giving CPR, in my business I’d compare this to a stair fall, where you have a landing on the stairs. You do all this action and when you get to the landing, your momentum ends, but you’ve got to make yourself go down the rest of the stairs, right? Turn the corner and go down. Keep it going. Force yourself to do, like, exactly what this guy just did, don’t stop at the landing. Just keep it on the ground, man.”
When Austin is asked about the finer points of taking fake punches, sometimes a swing from a fellow actor that never comes closer than 4 or 5 inches to the face, she refers to “John Wick”, “Indiana Jones” and watching fake fight film the same way that football players watch game film. She says it’s about body reaction more than facial expression, which is helpful advice when you’re wearing helmet. And it’s about exaggerated body movement, but not overly quick movements. Instead, she explains, great stunt performers actually move a tiny bit slower than they would in a real-life fight. And one should always know where the camera is. Or, in this case, the people dressed in black-and-white stripes with whistles around their necks and yellow flags on their belts.
Honestly, it sounds like a lot. It seems very difficult to master. So, Austin — who just spent her summer perilously hanging from aircraft somewhere high above Pandora — how in the wide, wide world of flops is a non-classically trained college football player supposed to pull off penalty-pulling pratfalls with the greatest of ease?
The same way anyone makes it to Carnegie Hall. Or the College Football Playoff.
“Practice, practice, practice,” she said chuckling, but also sort of serious. “Film yourself, just like football practice, or look in the mirror. Get some crash pads or a mattress, some pillows from the couch, and have somebody shove you over and over. Land on your side, land on that meat of your back. Find what looks best. And study the pros. Watch the NFL guys flop. Watch good football movies. Imitate that. “The Longest Yard.” “Varsity Blues.” Those are professional stunts or stunt falls that look very real in a football setting.”
In other words, watch Austin’s people. Watch Morton’s people. Watch Anderson’s people. With some proper training, perhaps we might see Barnett walking from the Armed Forces Bowl red carpet to the Emmys, Oscars or Golden Globes to accept an acting award. Hey, football people have been teaching Hollywood folks how to properly throw and catch passes since Harold Lloyd starred in “The Freshman” in 1925. Is it time to flip — and flop — the script?
“Who knows?” Austin said. “Maybe if I get tired of crashing into stuff for a living, there’s a future in this for me as a football flop coach. They need it.”
Gerrit Cole‘s season is over, now that he is headed for Tommy John surgery, and the New York Yankees will have to find a way to replicate the production of a Cy Young Award-winning pitcher, someone who is likely to one day make a speech on induction day in Cooperstown.
But this is not a case of a team being blindsided by an injury. Past injuries are the most predictive indicators for future injuries, and after Cole missed nearly the first three months of last season with nerve inflammation in his right elbow, the Yankees knew the chances of losing him were heightened. Their handling of his contract situation last fall was a strong indicator of the uncertainty around Cole.
The pitcher and his agent, Scott Boras, opted out of the last four years of his contract, while asking that the Yankees exercise a $36 million option for the 2029 season, effectively adding a fifth year to his four-year, $144 million deal. Owner Hal Steinbrenner and GM Brian Cashman declined to do so, firmly holding the line, and days later, Cole returned to the Yankees without any augmentation of his contract. While the Yankees hoped Cole’s elbow would remain functional, as Masahiro Tanaka’s elbow did following a diagnosis of a partially torn ligament in 2014, they weren’t willing to bet another $36 million on it.
But that doesn’t help them very much right now, when they have lost two starting pitchers to significant arm injuries: Before Cole went down, Luis Gil — the American League Rookie of the Year last season — suffered a lat strain this spring that will keep him sidelined for much of the 2025 season. Max Fried, signed to a $218 million contract over the winter to improve a good rotation, will now be the de facto ace, in front of right-handers Clarke Schmidt and left-hander Carlos Rodon. A month ago, there was a lot of speculation about whether Marcus Stroman would be traded, given his standing as the sixth starter behind a five-man rotation, and now Stroman is needed as the No. 4 starter.
Cashman’s habit is to be patient — to weigh internal solutions before diving into another free agent signing or trade. When Cole was sidelined last spring, the Yankees thought Will Warren might step into his spot in the rotation, and instead, Gil surprisingly emerged to fill in for Cole and was one of the league’s best starting pitchers in the first half.
This year, Warren is having a very good spring, having allowed just two hits and a run in eight innings of work, with two walks and 11 strikeouts. Warren, an eighth-round pick out of Southeast Louisiana in 2021, is the front-runner to move into the Yankees’ rotation.
Just as the Yankees continue to weigh market options for hitting help while Giancarlo Stanton is attempting to work his way back from elbow trouble, they will consider free agent possibilities such as veteran right-hander Kyle Gibson. The Yankees paid for insurance on Cole’s contract, and so they will recoup some portion of the salary they owe him; typically, that rate is about 75%. His contract still counts against their competitive balance tax total, but the insurance money will significantly offset the luxury tax they will have to pay for the addition of any replacement: The Yankees are taxed dollar for dollar, 100%, for any additional player salaries they take on. A new $5 million player costs the Yankees $10 million.
Eventually, their best alternatives, if needed, could be through the trade market, and maybe that turns out to be the Miami Marlins‘ Sandy Alcantara, the 2022 NL Cy Young Award winner who is back after an elbow reconstruction. Under the terms of a deal he signed with the Marlins early in his career, Alcantara is making $17.3 million this year and $17.3 million next season, and there is a $21 million option in his deal for 2027.
The Marlins are not expected to contend this year and have been in a cost-cutting mode since Peter Bendix took over the team’s baseball operations after the 2023 season. Last year, the Marlins demonstrated a willingness to deal very early in the season, when they swapped batting champion Luis Arraez to the San Diego Padres in the first week of May.
But the price of a trade in April or May is usually set by the team dealing away a star, and the Yankees would have to pay a big price in prospects in the spring after a rough year for their farm system, which is generally regarded as thin by other teams and ranked No. 21 in Kiley McDaniel’s preseason system rankings. Additionally, the Yankees would presumably compete against other teams if and when the Marlins look to trade Alcantara, leaving them at the same disadvantage they faced when trying to pry Garrett Crochet away from the Chicago White Sox — before Chicago dealt him to the Boston Red Sox.
Over the course of the summer, Gil could return from the injured list, and other pitchers could emerge on the trade market as some teams drift out of contention. If the Toronto Blue Jays struggle in the first half, they could be a key source for all kinds of needs, including starting pitchers. Jose Berrios, Kevin Gausman, Chris Bassitt and Max Scherzer might all draw interest if Toronto ever looks to rebuild and, in the Yankees’ case, is willing to deal within the division.
One or more National League West teams could end up feeding the trade market. The Padres enter this season with high expectations after nearly knocking out the Los Angeles Dodgers last summer, but if San Diego drifts behind in the playoff race, it holds two of the best impending free agents, Dylan Cease and former Yankee Michael King. Similarly, the San Francisco Giants have veteran Robbie Ray, who is under contract for $25 million this year and next, and the Arizona Diamondbacks‘ Zac Gallen will become eligible for free agency in the fall.
Likewise, in the AL West, the Mariners have so far clung to their starting pitchers, like Luis Castillo, but that could change if Seattle sinks in the standings. The Astros demonstrated their willingness to be aggressive with players nearing free agency with their trade of outfielder Kyle Tucker, and if Houston hovers around .500, it could flip Framber Valdez into the market — with his years of postseason experience attractive to contenders.
The pitching market could be flush with options in a few months. And the Yankees might wait until then to make a move to cover for Cole’s absence.
ESPN baseball reporter. Covered the Washington Wizards from 2014 to 2016 and the Washington Nationals from 2016 to 2018 for The Washington Post before covering the Los Angeles Dodgers and MLB for the Los Angeles Times from 2018 to 2024.
New York Yankees right-hander Gerrit Cole will undergo Tommy John surgery, the team announced Monday, ending his 2025 season before it began and leaving the club staggering from another blow as it prepares to defend its American League pennant.
The decision to have the surgery, which will sideline Cole for the 2025 season and at least part of the 2026 season, was made after seeking a second opinion from Dr. Neal ElAttrache on Monday. Cole will undergo the procedure Tuesday at the Cedars-Sinai Kerlan-Jobe Institute in Los Angeles. In a statement, the club said that “further updates will occur post surgery.”
Cole started two games this spring, giving up seven runs across six innings. On Thursday, he gave up six runs on five hits, including two home runs, over 2⅔ innings to the Minnesota Twins. He said he felt an “alarming” amount of pain that night into Friday morning, prompting him to notify the team and undergo imaging tests, which revealed a torn ulnar collateral ligament.
Cole, 34, went through the same series of stressful events a year ago: Elbow pain in mid-March, tests and opinions from doctors. But the result was different. Cole was diagnosed with nerve irritation and edema and, instead of surgery, he rested and rehabbed. He made his season debut on June 19 and pitched through the World Series without a setback.
In a statement he posted on Instagram later Monday, Cole said the surgery was a “necessary next step for my career,” adding that he has “a lot left to give, and I’m fully committed to the work ahead. I’ll attack my rehab every day and support the 2025 Yankees each step of the way. I love this game, I love competing, and I can’t wait to be back on the mound — stronger than ever.”
The ace logged 124 innings over 22 starts between the regular season and playoffs, tossing at least six innings in three of his five postseason outings. He then opted to alter his offseason throwing program by starting it earlier to continue his positive momentum. He said he was “in a really good spot” compared to other years at the start of camp.
But less than a month later, his season has been declared over.
Cole’s injury is the second major blow to the Yankees’ starting rotation this spring after Luis Gil, the reigning AL Rookie of the Year, sustained a lat strain that was expected to sideline him for at least three months.
Without the two right-handers, Max Fried, Carlos Rodon and Clarke Schmidt will top the Yankees’ starting rotation. Marcus Stroman, who was notably not expected to make the Opening Day rotation, is projected to slide into the No. 4 spot with Will Warren, a rookie who made his debut last season, and Carlos Carrasco, a soon-to-be-38-year-old veteran in camp as a non-roster invite, as the leading internal candidates to round out the quintet.
Other options in camp include right-hander Allan Winans, who has eight career starts on his résumé, and left-hander Brent Headrick, a starter in the minors who has never started a game in the majors.
The Yankees could also opt to sign a free agent — veterans Kyle Gibson and Lance Lynn are among those available — or swing a trade for an established starter.
Cole, a six-time All-Star, won the 2023 AL Cy Young Award and was the runner-up two other seasons. He has tallied at least 200 innings in six of his 10 full seasons (not including last year and the COVID-shortened 2020 season). He is as close to an old-school frontline workhorse in his prime that exists in baseball. It’s why the Yankees chose to sign Cole, a lifelong Yankees fan, to a nine-year, $324 million deal with a no-trade clause in December 2019 — the largest contract given to a pitcher at the time.
The agreement included a player opt-out after last season that the Yankees could’ve voided by attaching another year and $36 million to the four years and $144 million remaining on his contract. Cole exercised the opt out, but he never became a free agent and didn’t receive the extra year. Instead, the two sides agreed to continue as if Cole didn’t opt out two days later, keeping him under contract through the 2028 season at $36 million per year.
The Yankees have insurance on Cole’s contract, which will allow them to recoup some money for the time he’s out.
ESPN baseball reporter. Covered the L.A. Rams for ESPN from 2016 to 2018 and the L.A. Angels for MLB.com from 2012 to 2016.
GLENDALE, Ariz. — Dave Roberts and the Los Angeles Dodgers are in agreement on a four-year extension that will set a record for average annual value on a manager’s contract, a source told ESPN on Monday.
The new deal, which runs from 2026 to 2029, will pay Roberts $32.4 million, carrying an $8.1 million average annual value that will narrowly edge out the yearly rate on Craig Counsell’s five-year, $40 million contract with the Chicago Cubs. Roberts, 52, will manage the 2025 season under his current contract, which was entering its final year.
A new deal was considered a foregone conclusion after the Dodgers secured their second championship in five years last fall. Serious negotiations began sometime around February; significant progress was made last week; and an announcement could come before the Dodgers fly to Japan to begin their season March 18. The 2025 season will mark Roberts’ 10th with the Dodgers.
“I can’t talk so much about it, but I do think that there’s finally some closure,” Roberts said after Monday’s Cactus League game. “I’m excited. Obviously this is the place I want to be. I’m sure I’ll go into it more. Hopefully there’s an announcement coming soon; I’m waiting. But this is the place I’ve always wanted to be. I just love what we’re doing.”
A cult hero in Boston for the stolen base that helped trigger an unprecedented comeback in the 2004 American League Championship Series, Roberts carved out a 10-year career as a major league outfielder, then spent five years on the San Diego Padres‘ coaching staff. The Dodgers hired Roberts to replace Don Mattingly in November 2015, making him the franchise’s first minority manager.
Since then, Roberts has guided the Dodgers to four National League pennants, eight division titles and a .627 regular-season winning percentage, the highest for someone who has managed at least 250 games. From 2016 to 2024, the Dodgers won 907 regular-season and postseason games. Only the Houston Astros (862) and the New York Yankees (807) even surpassed 800.
The Dodgers won at least 100 regular-season games in five of six full seasons from 2017 to 2023 and finished the 60-game 2020 campaign with a .717 winning percentage. The only year the Dodgers have not won the NL West under Roberts, in 2021, they finished with 106 victories — fewer by one than a San Francisco Giants team they later eliminated in the playoffs. And yet Roberts has only one Manager of the Year Award to his name, a sign of the harsh realities of his job.
For years, the Dodgers’ triumphs have been widely credited to an ownership group with deep pockets and a baseball operations department that is among the most astute in the industry. Roberts, meanwhile, had been left to shoulder the blame for repeated postseason disappointments. That was never more true than in 2019, when another 106-win Dodgers team lost in the NL Division Series to the Washington Nationals after Roberts rode Clayton Kershaw a little too long in a decisive Game 5.
But Roberts went on to manage the Dodgers through an unorthodox 2020 postseason that was staged in a bubble and did not include any days off within series, claiming the franchise’s first title in 32 years and buying himself more time. More October disappointment followed thereafter. The Dodgers were outlasted by the Atlanta Braves in the NLCS in 2021, then were defeated by inferior division rivals in the NLDS in 2022 and 2023, first the Padres and then the Arizona Diamondbacks.
A similar fate seemed to await the Dodgers in 2024. They found themselves a game away from elimination by the Padres in the NLDS, having to win in San Diego to keep their season afloat. A third consecutive early exit, immediately following a first-round bye, would have probably cost Roberts his job. But he managed through a bullpen game in Game 4, then rode more dominant pitching in Game 5 to advance. The Dodgers then breezed past the New York Mets and Yankees to secure their first full-season championship since 1988.
The 2024 season ultimately highlighted Roberts’ best traits. His even-keel demeanor helped the team navigate the betting scandal surrounding Shohei Ohtani‘s then-interpreter, Ippei Mizuhara, early in the year. His trademark positivity kept the team’s spirits high when injuries plagued star players such as Mookie Betts, Max Muncy, Yoshinobu Yamamoto and Tyler Glasnow throughout the summer. And in the fall, while dealing with an extremely compromised starting rotation, Roberts seemed to press all the right buttons.
He navigated through bullpen games on four occasions, most notably to save the season against the Padres and to win the pennant against the Mets. And in Game 5 of the World Series, when starting pitcher Jack Flaherty didn’t pitch past the second inning, Roberts rode a beleaguered group of relief pitchers while the Dodgers made a spirited comeback and entrusted another starter, Walker Buehler, to record the final three outs.
With the win, Roberts put himself alongside Walter Alston and Tommy Lasorda as the only Dodgers managers to win multiple rings. It more than likely secured his place in the Hall of Fame. But what he was most proud of was that the trust he had always extended to his players had been reciprocated.
“That’s everything,” Roberts told ESPN shortly after securing the championship. “I believe in them. And this is the first team that I felt really like the trust went both ways. And that regardless of whatever decision I made, they were going to support me 100 percent.”
The New York Post was first to report Roberts’ extension.