The artist who created a sculpture which has been called “disturbing” and “shocking” says he’s been “surprised” at the backlash but welcomes difficult conversations it might inspire.

Jason deCaires Taylor told Sky News: “I don’t strive of my artwork to divide people or cause upset. But I do try to talk about issues that are pertinent and relevant to our current times.”

The 50-year-old artist has a history of producing political work but says this one contained “no political intentions at all” and is based on the painting which inspired Shakespeare‘s tragic heroine Ophelia.

The Alluvia – which is made from recycled glass and steel and features LEDs which light up at night – was installed in the River Stour, in Taylor’s hometown of Canterbury in Kent around a week ago.

However, comments posted on Canterbury City Council’s official Facebook page have included accusations that the work is “tone-deaf” and “offensive”.

One wrote: “I can’t be the only person who finds this deeply offensive. She looks like a drowned woman. How did the council not see the link to women as victims of crime or the sad fact so many drown off the Kent coast as refugees.”

Another said: “I find this sculpture absolutely appalling. It’s not just offensive, it’s downright disturbing. The imagery of a submerged figure, reminiscent of a drowning victim, is both morbid and utterly tone-deaf given the tragic drownings that occur along our coastlines. What on earth were the council thinking?”

Others stood up for the work, with one commenting: “More people seem to be “disturbed”, “offended” and “shocked” by this than they do by images of actual drownings which are happening daily along our coasts. Rather than wasting your hate on an artwork that is designed to provoke, why not put some of that energy into something constructive?”

Another wrote: “It’s a beautiful piece of art and nowhere near as disturbing as the previous sculptures that it has replaced. What kind of world do we live in when anything that offends or “triggers” someone, must be removed??”

The sculpture had replaced two similar female forms, also created by Taylor, which had been in the water since 2008 but which had been damaged due to dredging.

‘If it fosters care and sympathy, that’s good’

Taylor told Sky News: “I was surprised… 99.9% of all the feedback that I’ve received has been very positive… But at the same time, I appreciate everybody takes something different from everything they see.”

While he says there is “no connection” between the work and the ongoing migrant crisis taking place further along the Kent coast, he hopes it could inspire empathy for what’s happening out in the Channel.

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He said: “It’s an extremely tragic situation, and I don’t think ignoring it is the solution. If [this work] can foster any kind of care and sympathy for that situation, then I think that’s a good thing.”

More than 21,000 people arrived in the UK in small boats between January and September, according to government figures, with at least 45 people dying in Channel crossings this year.

Taylor also said the fact the subject is a young woman is because it draws reference from Sir John Everett Millais’s celebrated painting, on display at Tate Britain.

‘Art without questions is pointless’

Some of Taylor’s past sculptures have raised issues around the climate crisis, Brexit and the plight of those risking their lives on the perilous migration route from West Africa to Spain.

Taylor says: “Art should ask questions. They should make people think about things that should elicit emotions, that’s really critical.

“If things were ignored and if you tried to please everybody with all your artwork, I think you’d make something very benign and quite frankly, pretty pointless.”

He also feels our age of information overload could be part of the reason for the negative feedback.

“We’re so inundated with images and media, with having our phones interrupting us and screens everywhere we look that people look for divisiveness and things that cause clickbait. I think there is an element of people sort of seeking out controversy.”

Taylor said the majority of negative comments online had come from people who had not been to Canterbury and seen the work in real life, with one call for the statue’s removal coming all the way from Orkney.

Responding directly to calls for his work to be taken out of the river, he said: “People are perfectly in their rights to have [an] opinion. But I would urge them to go and see it first.”

‘A dead body doesn’t light up at night’

Chair of Canterbury Commemoration Society Stewart Ross, the charity that commissioned the work, told Sky News: “Some people find it offensive and shocking, we have no objection to that. All public art is open to discussion”.

Comparing calls for the work to be removed to the destruction of art during the Reformation, he said: “I feel strongly about this [call for censorship]. It’s what the Taliban do. If you don’t like it, don’t look.”

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Mr Ross said the “confected anger” around the sculpture was “unnecessary” and that the charity was simply “trying to do its best,” adding: “People have been comparing it to a dead body, but I have yet to meet a dead body that lights up in the night”.

Taylor, who has been working as an artist for over 25 years, has sculptures in marine locations around the world including Australia, Mexico, Grenada and Norway. Prices for his sculptures start at around £1,300.

He first donated the two original Alluvia figures to the city of Canterbury in 2008.