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The artist who created a sculpture which has been called “disturbing” and “shocking” says he’s been “surprised” at the backlash but welcomes difficult conversations it might inspire.

Jason deCaires Taylor told Sky News: “I don’t strive of my artwork to divide people or cause upset. But I do try to talk about issues that are pertinent and relevant to our current times.”

Pic: Jason deCaires Taylor
Image:
Pic: Jason deCaires Taylor

The 50-year-old artist has a history of producing political work but says this one contained “no political intentions at all” and is based on the painting which inspired Shakespeare‘s tragic heroine Ophelia.

The Alluvia – which is made from recycled glass and steel and features LEDs which light up at night – was installed in the River Stour, in Taylor’s hometown of Canterbury in Kent around a week ago.

However, comments posted on Canterbury City Council’s official Facebook page have included accusations that the work is “tone-deaf” and “offensive”.

One wrote: “I can’t be the only person who finds this deeply offensive. She looks like a drowned woman. How did the council not see the link to women as victims of crime or the sad fact so many drown off the Kent coast as refugees.”

Another said: “I find this sculpture absolutely appalling. It’s not just offensive, it’s downright disturbing. The imagery of a submerged figure, reminiscent of a drowning victim, is both morbid and utterly tone-deaf given the tragic drownings that occur along our coastlines. What on earth were the council thinking?”

Others stood up for the work, with one commenting: “More people seem to be “disturbed”, “offended” and “shocked” by this than they do by images of actual drownings which are happening daily along our coasts. Rather than wasting your hate on an artwork that is designed to provoke, why not put some of that energy into something constructive?”

Another wrote: “It’s a beautiful piece of art and nowhere near as disturbing as the previous sculptures that it has replaced. What kind of world do we live in when anything that offends or “triggers” someone, must be removed??”

The Alluvia on the bed of the river Stour near the Westgate bridge in Canterbury, Kent. Pic: Jason deCaires Taylor
Image:
Pic: Jason deCaires Taylor

The Alluvia on the bed of the river Stour near the Westgate bridge in Canterbury, Kent. Pic: Jason deCaires Taylor
Image:
The Alluvia on the bed of the river Stour near the Westgate bridge in Canterbury, Kent. Pic: Jason deCaires Taylor

The sculpture had replaced two similar female forms, also created by Taylor, which had been in the water since 2008 but which had been damaged due to dredging.

‘If it fosters care and sympathy, that’s good’

Taylor told Sky News: “I was surprised… 99.9% of all the feedback that I’ve received has been very positive… But at the same time, I appreciate everybody takes something different from everything they see.”

While he says there is “no connection” between the work and the ongoing migrant crisis taking place further along the Kent coast, he hopes it could inspire empathy for what’s happening out in the Channel.

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He said: “It’s an extremely tragic situation, and I don’t think ignoring it is the solution. If [this work] can foster any kind of care and sympathy for that situation, then I think that’s a good thing.”

More than 21,000 people arrived in the UK in small boats between January and September, according to government figures, with at least 45 people dying in Channel crossings this year.

Taylor also said the fact the subject is a young woman is because it draws reference from Sir John Everett Millais’s celebrated painting, on display at Tate Britain.

The Alluvia on the bed of the river Stour near the Westgate bridge in Canterbury, Kent. Pic: Jason deCaires Taylor
Image:
Pic: Jason deCaires Taylor

‘Art without questions is pointless’

Some of Taylor’s past sculptures have raised issues around the climate crisis, Brexit and the plight of those risking their lives on the perilous migration route from West Africa to Spain.

Taylor says: “Art should ask questions. They should make people think about things that should elicit emotions, that’s really critical.

“If things were ignored and if you tried to please everybody with all your artwork, I think you’d make something very benign and quite frankly, pretty pointless.”

He also feels our age of information overload could be part of the reason for the negative feedback.

“We’re so inundated with images and media, with having our phones interrupting us and screens everywhere we look that people look for divisiveness and things that cause clickbait. I think there is an element of people sort of seeking out controversy.”

Taylor said the majority of negative comments online had come from people who had not been to Canterbury and seen the work in real life, with one call for the statue’s removal coming all the way from Orkney.

Responding directly to calls for his work to be taken out of the river, he said: “People are perfectly in their rights to have [an] opinion. But I would urge them to go and see it first.”

The Alluvia on the bed of the river Stour near the Westgate bridge in Canterbury, Kent. Pic: Jason deCaires Taylor
Image:
Pic: Jason deCaires Taylor

‘A dead body doesn’t light up at night’

Chair of Canterbury Commemoration Society Stewart Ross, the charity that commissioned the work, told Sky News: “Some people find it offensive and shocking, we have no objection to that. All public art is open to discussion”.

Comparing calls for the work to be removed to the destruction of art during the Reformation, he said: “I feel strongly about this [call for censorship]. It’s what the Taliban do. If you don’t like it, don’t look.”

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Mr Ross said the “confected anger” around the sculpture was “unnecessary” and that the charity was simply “trying to do its best,” adding: “People have been comparing it to a dead body, but I have yet to meet a dead body that lights up in the night”.

Taylor, who has been working as an artist for over 25 years, has sculptures in marine locations around the world including Australia, Mexico, Grenada and Norway. Prices for his sculptures start at around £1,300.

He first donated the two original Alluvia figures to the city of Canterbury in 2008.

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Erin Brockovich: ‘My chiropractor saw mud on my stiletto – I said, I’ve been collecting dead frogs’

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Erin Brockovich: 'My chiropractor saw mud on my stiletto - I said, I've been collecting dead frogs'

Erin Brockovich says a chance conversation about a muddy stiletto with her chiropractor led to the making of the award-winning film about her life.

The climate activist, who was played by Julia Roberts in the movie, told Sky News: “My girlfriend, who was a chiropractor, was giving me a chiropractic adjustment and asked me why I had mud on my stilettos.

“I said, ‘Oh, I’ve been collecting dead frogs’. She goes, ‘What is wrong with you?’ So, I started telling her what I was doing.”

Then just a junior paralegal, Brockovich was in fact pulling together evidence that would see her emerge victorious from one of the largest cases of water contamination in US history in Hinkley, California.

Her hard work would see her win a record settlement from Pacific Gas & Electric Company – $333m (£254m) – but that was all still to come.

Little did Brockovich know, but her tale of a muddy stiletto would get back to actor Danny DeVito and his Jersey Films producing partner Michael Schamburg, and through them to the film’s director Steven Soderbergh.

Brockovich says Soderbergh was “wowed” by what he heard.

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She says he realised her image “was something that Hollywood might be drawn to that I was never thinking of – the short skirt, the attitude, the big bust, the stilettos, the backcombed hair. Somehow, it came together.”

‘I was always going to be misunderstood’

Released in 2000, the powerful story of one woman’s fight for justice made Brockovich a household name, and the film won actress Julia Roberts an Oscar.

Now, 25 years on, Brockovich says she believes her legal victory was helped in part by an unlikely ally – her learning difficulty.

Julia Roberts and Russell Crowe pictured after winning Oscars for best actor and actress during the Oscars in 2001. Pic: AP/Richard Drew
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Julia Roberts and Russell Crowe win best actress and actor at
the 2001 Oscars. Pic: AP/Richard Drew

Brockovich says: “Had I not been dyslexic, I might have missed Hinkley.”

Recently named a global ambassador for charity Made By Dyslexia, she’s been aware of her learning differences since childhood and still struggles today.

She says “moments of low self-esteem” still “creep back in”, and she long ago accepted “I was always going to be misunderstood”.

But for Brockovich, recognising her dyslexic strengths while working in Hinkley proved a pivotal moment: “My observations are wickedly keen. I feel like a human radar some days… Things you might not see as a pattern, I recognise. There are things that intuitively, I absolutely know.

“It will take me some time in my visual patterns of what I’m seeing, how to organise that. And it was in Hinkley that that moment happened for me because it was so omnipresent [and] in my face. Everything that should have been normal was not.”

‘A huge perfect storm’

Brockovich paints a bleak picture of what she saw in the small town: “The trees were secreting poison, the cows were covered in tumours, the chickens had wry neck [a neurological condition that causes the head to tilt abnormally], the people were sick and unbeknown to them, I knew they were all having the exact same health patterns. To the green water, to the two-headed frog, all of that was just I was like on fire, like electricity going, ‘Oh my gosh, what’s going on out here?'”

She describes it as “a huge, perfect storm that came together for me in Hinkley”.

But a side effect of the movie – overnight global fame – wasn’t always easy to deal with.

Pic. Made By Dyslexia
Image:
Pic. Made By Dyslexia

Brockovich calls it “scary,” admitting, “when the film first came out the night of the premiere, I was literally shaking so bad, I was so overwhelmed, that Universal Studios said, ‘If we can’t get you to calm down, I think we need to take you home’. It was a lot”.

Brockovich says she kept grounded by staying focused on her work, her family and her three children.

With Hollywood not always renowned for its faithful adherence to fact, Brockovich says the film didn’t whitewash the facts.

“I think they really did a good job at pointing out our environmental issues. Hollywood can do that, they can tell a good story. And I’m glad it was not about fluff and glamour. I’m glad it was about a subject that oftentimes we don’t want to talk about. Water pollution, environmental damage. People being poisoned.”

‘Defend ourselves against environmental assaults’

While environmental awareness is now part of the daily conversation in a way it wasn’t a quarter of a century ago, the battle to protect the climate is far from over.

Just last month, Donald Trump laid out plans to slash over 30 climate and environmental regulations as part of an ongoing effort to boost US industries from coal to manufacturing and ramp up oil and minerals production.

In response, Brockovich says, “We’re not going to stop it, but we can defend against these environmental assaults.

“We can do better with infrastructure. We can do better on a lot of policy-making. I think there’s a moment here. We have to do that because the old coming into the new isn’t working.

“I’ve recognised the patterns for 30-plus years, we just keep doing the same thing over and over and over and over again, expecting a different result.

“For me, sometimes it’s like, ‘Oh my gosh, just get your ego out of the way’. We have to accept that this might be something greater than us, but we can certainly defend ourselves and protect ourselves and prepare ourselves better so we can get through that storm.”

You can listen to Brockovich speaking about her dyslexia with Made By Dyslexia founder Kate Griggs on the first episode of the new season of the podcast Lessons In Dyslexic Thinking, wherever you get your podcasts.

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Menendez brothers’ resentencing hearing can go ahead next week, says judge

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Menendez brothers' resentencing hearing can go ahead next week, says judge

The Menendez brothers’ bid for freedom through resentencing can continue with the hearing scheduled for Thursday, a judge has ruled.

Lyle, 57, and Erik, 54, received life sentences without the possibility of parole after being convicted of murdering their parents, Jose and Kitty Menendez, at their Beverly Hills home in 1989.

Lyle was 21 at the time, Erik was 18.

Last year, Los Angeles district attorney George Gascon asked a judge to change the brothers’ sentence from life without the possibility of parole to 50 years to life. That would make them immediately eligible for parole because they committed the crime when they were younger than 26.

But Mr Gascon’s successor Nathan Hochman submitted a motion last month to withdraw the resentencing request, saying the brothers must fully acknowledge lies they told about the murder of their parents before he would support their release from prison.

Separately, Governor Gavin Newsom, who has the power to commute their sentences, has asked the parole board to consider whether the brothers would represent a public safety risk if released.

Anamaria Baralt, cousin of Erik and Lyle Menendez, hugs attorney Mark Geragos after a hearing in the brothers' case Friday, April 11, 2025, in Los Angeles. (AP Photo/Damian Dovarganes)
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Anamaria Baralt, cousin of Erik and Lyle Menendez, hugs attorney Mark Geragos. Pic: AP

In light of Mr Hochman’s opposition, Los Angeles County Superior Court judge Michael Jesic ruled on Friday that the court can move forward with the hearing.

“Everything you argued today is absolutely fair game for the resentencing hearing next Thursday,” he said.

From prison, the brothers watched through a video link and could be seen in court seated next to each other in blue.

Speaking after the hearing, the brothers’ lawyer said: “Today is a good day. Justice won over politics.”

Prosecutors accused the brothers of killing their parents for a multimillion-dollar inheritance, although their defence team argued they acted out of self-defence after years of sexual abuse by their father.

A preliminary hearing held in Beverly Hills, Calif., for Lyle, left, and Erik Menendez, was postponed Friday as their lawyers fought to keep potentially incriminating evidence out of the case, April 12, 1991. Lyle, 23, and Eric, 20, are charged in the August 1989 shotgun murders of their parents, Jose and Kitty Menendez. (APP Photo/Kevork Djansezian)
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The brothers were convicted in 1996 of first-degree murder. Pic: AP

The brothers have maintained their parents abused them since they were first charged with the murders.

A Netflix drama series and subsequent documentary about the brothers thrust them back into the spotlight last year, and led to renewed calls for their release – including from some members of their family.

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Ex-Abercrombie & Fitch chief executive Mike Jeffries ‘unfit to stand trial due to dementia’, prosecutors and defence team say

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Ex-Abercrombie & Fitch chief executive Mike Jeffries 'unfit to stand trial due to dementia', prosecutors and defence team say

Abercrombie & Fitch’s former chief executive is not fit to stand trial on sex trafficking charges as he is suffering from dementia, both prosecutors and his lawyers have said.

Mike Jeffries has Alzheimer’s disease, Lewy body dementia and the “residual effects of a traumatic brain injury”, his defence attorneys wrote in a letter filed at a federal court in Central Islip, New York.

The 80-year-old needs around-the-clock care, they added, citing evaluations by medical professionals.

Prosecutors and defence lawyers are calling for Jeffries to be placed in the custody of the federal bureau of prisons for up to four months. They say he should be admitted to hospital to have treatment that could allow his criminal case to proceed.

The business tycoon, who led fashion retailer A&F from 1992 to 2014, pleaded not guilty to federal sex trafficking and interstate prostitution charges in October, and was released on a $10m (£7.65m) bond.

A total of 15 men allege they were induced by “force, fraud and coercion” to engage in drug-fuelled sex parties.

Prosecutors have accused Jeffries, his partner Matthew Smith, and the couple’s alleged “recruiter” James Jacobson, of luring men to parties in New York City, the Hamptons and other locations, by dangling the prospect of modelling for A&F advertisements.

Smith and Jacobson have also pleaded not guilty to the charges against them.

‘Progressive and incurable’

In their latest letter on Jeffries’ health, his defence lawyers said at least four medical professionals had concluded his cognitive issues are “progressive and incurable”, and that he will not “regain his competency and cannot be restored to competency in the future”.

These issues “significantly impair” his ability to understand the charges against him, they wrote.

Matthew Smith leaves a federal courthouse in Central Islip, New York., on Tuesday, 3 December. Pic: AP Photo/Seth Wenig
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Jeffries’ partner Matthew Smith, pictured outside the court in December, has also pleaded not guilty. Pic: AP

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“The progressive nature of his neurocognitive disorder ensures continued decline over time, further diminishing his already limited functional capacity,” said Dr Alexander Bardey, a forensic psychiatrist, and Dr Cheryl Paradis, a forensic psychologist, following evaluations made in December.

“It is, therefore, our professional opinion, within a reasonable degree of psychological and psychiatric certainty, that Mr Jeffries is not competent to proceed in the current case and cannot be restored to competency in the future.”

Jeffries left A&F in 2014 after leading the company for more than two decades, taking the retailer from a hunting and outdoor goods store founded in 1892 to a fixture of early 2000s fashion.

His lawyers did not immediately respond to requests by the Associated Press news agency for comment. The US attorney’s office for the eastern district of New York declined to comment.

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