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Streams of Punjabi music have seen a massive rise, but some fans aren’t pleased with the direction the genre is heading in.

The 2002-hit Mundian To Bach Ke by UK-based producer Panjabi MC is what put the music on the map for the very first time.

Since then, the music has changed, and many more people are listening.

Data from Spotify shared exclusively with Sky News reveals that UK streams have risen by 286% over the past five years and a massive 2077% globally.

“The signs are there that Punjabi music is only going to continue to grow in influence around the world,” said Safiya Lambie Knight, head of music, UK & Ireland at Spotify.

The blend with hip-hop alongside collaborations with mainstream artists such as Burna Boy and Ed Sheeran has captivated listeners, regardless of their spoken language.

With billions of views and streams, one of the top-performing artists in the genre right now is Karan Aujla.

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Originally from a village called Ghurala in India, the 27-year-old’s quick-witted bars and innovative melodies helped him make history earlier this year as the first Punjabi artist to win a Juno Award.

Karan Aujla has performed three shows as part of his UK tour. Pic: Manny 4PM, Catalyst Management, Rehaan Records
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Karan Aujla has performed three shows as part of his UK tour. Pic: Manny 4PM, Catalyst Management, Rehaan Records

Speaking exclusively to Sky News after his show at London’s O2 arena, Aujla said: “I’m just a kid that came from nothing, from a small village so if you told me 10 years before I’ll be performing at the O2 London and selling out the whole arena, I wouldn’t know if that’d be possible, but we did it today.

“So if anybody out there is watching me, just know that it’s all possible.

Aujla’s ability to fuse genres such as hip-hop and R&B with Punjabi folk music has earned him a fanbase of non-Punjabis too.

“I feel like music itself has no language, and it’s just so lovely how somebody that doesn’t know your language could still vibe to your music. And I’ve seen that with my own eyes at my shows and in my DMs, or like on Facebook or wherever, when people send me videos of jamming to my songs, but they’re from a whole different country.”

Punjabi music has gone from its humble beginnings in the fields of rural Punjab to the flashy stages of international concerts. Pic: Manny 4PM, Catalyst Management, Rehaan Records
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Punjabi music has gone from humble rural beginnings to the flashy stages of international concerts. Pic: Manny 4PM, Catalyst Management, Rehaan Records

He added: “I feel like Punjabi music will be one of the biggest things in this whole world in the next few years, and I believe in that.”

But as the genre has grown over the last few years, some of the top singers have come under increased scrutiny for promoting and glorifying drugs, violence and gun culture through their lyrics and music videos.

It was this trend that forced one of the genre’s biggest radio stations – Panjab Radio, based in London – to ban some singers from their airwaves.

The station’s managing director, Surjit Singh Ghuman MBE, who made the decision three years ago, said: “My personal belief is that lots of youngsters went from Punjab to Western countries, especially Canada and America, where there’s a big drug scene there, there’s a big gun culture there, and I think it all stemmed from there.

“It makes me feel sad because that is not our culture. Guns and drugs is not Punjabi culture.”

Surjit Singh Ghuman MBE created the world’s first 100% Panjabi speaking radio station.
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Surjit Singh Ghuman MBE created the world’s first 100% Punjabi-speaking radio station

Mr Ghuman said that when the station started broadcasting in 2000: “We didn’t need to listen to the whole song, but now with the new music, we have to listen to every single song before it goes onto the system because there’s lots of swear words.

“I think it’s all about the views now. It doesn’t matter what the message is you’re giving to the youngsters or the community, it is to do with earning money.”

But Mr Ghuman is hopeful “positive changes are coming” and that singers will “start to focus their songs on the rich Punjabi culture rather than violence”.

However, while there’s hope, the controversies don’t seem to be fading.

Just last month, singer AP Dhillon, who’s signed to the same record label as Taylor Swift, released a song called Old Money, which contains violent scenes throughout its music video, so much so that it required a warning at the start.

This month, Dhillon’s home in Canada was shot at several times and vehicles were set alight. Nobody is believed to have been injured in the attack.

Preliminary investigation suggests that this was a targeted event according to the Royal Canadian Mounted Police, who are still investigating the suspects in the attack to establish a motive.

Sky News asked AP Dhillon’s team for a comment.

For now, the UK stands as a quieter but important player in the world of Punjabi music – a place where the focus remains on cultural celebration rather than controversy.

While controversies have accompanied its rise, the genre’s ability to evolve and resonate with diverse audiences suggests a bright future ahead.

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Reginald D Hunter: Summons against comic by Campaign Against Antisemitism quashed for seeking to have him ‘cancelled’

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Reginald D Hunter: Summons against comic by Campaign Against Antisemitism quashed for seeking to have him 'cancelled'

A judge has quashed a summons against comedian Reginald D Hunter, brought privately by Campaign Against Antisemitism, ruling it “abusive” and intended to get the comedian “cancelled”.

The 56-year-old US comic had been accused of three counts of sending an offensive communication on three different occasions – 24 August, 10 September and 11 September last year – to Heidi Bachram on X.

The summons was quashed at Westminster Magistrates’ Court on Tuesday by District Judge Michael Snow following an application by the defence.

Judge Snow ruled that the Campaign Against Antisemitism (CAA) charity’s motive in seeking to prosecute Hunter was “to have him cancelled” and that the prosecution was “abusive”.

Bought as a private prosecution, rather than by the state, the judge said the charity was seeking to use the criminal justice system “for improper reasons”.

The CAA describes itself as a volunteer-led charity, “dedicated to exposing and countering antisemitism through education and zero-tolerance enforcement of the law”.

In his ruling, Judge Snow said: “The CAA have demonstrated by the misleading and partial way in which it summarised its application and its wilful, repeated, failure to meet its disclosure obligations, that its true and sole motive in seeking to prosecute Reginald Hunter is to have him cancelled.

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“I have no doubt that the prosecution is abusive.

“My view of the conduct of the CAA is consistent with them as an organisation which is not ‘playing it straight’ but is seeking to use the criminal justice system, in this case for improper reasons.”

Hunter at Westminster Magistrates' Court earlier this year.Pic: PA
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Hunter at Westminster Magistrates’ Court earlier this year.Pic: PA

‘Inadequate’ summary and failure to flag compliance probe

Judge Snow said the summary of Ms Bachram’s tweeting in the application case summary was “wholly inadequate”.

He added: “It did not reveal the extent of her tweets directed against Reginald Hunter in the period immediately preceding the complaints (her tweets were sent between 15 August and 11 September 2024).

“The summary misled me into believing that his comments were addressed to her involvement with the Jewish faith as opposed to his response to attempts that were being made to have him ‘cancelled’.”

The judge said the CAA had failed to inform him of a compliance investigation by the Charity Commission into the CAA in November 2024.

CAA accused of ‘weaponising’ the court

Hunter’s lawyer Rebecca Chalkley KC told the hearing on Tuesday that “very little was disclosed” to the judge and the “lack of candour” meant the summons should be quashed.

Ms Chalkley said: “It calls into question the whole juridical process as judges before issuing summonses need to have everything in front of them.”

The lawyer told the judge: “You were led to believe in papers in front of you that the CAA was no more than a charity, that it had no history – as since demonstrated as a vexatious litigant – no complaints, no criticism in Parliament, no investigations by the Charity Commission.”

The lawyer added: “The CAA are weaponising and using the courts for their own political agenda and not just in this case.”

The CAA’s prosecutor Donal Lawler told the hearing that the charity had complied with its duty of candour.

Hunter regularly tours the UK and has appeared on comedy panel shows Never Mind The Buzzcocks, Have I Got News For You and 8 Out Of 10 Cats.

A crowdfunding campaign he launched to help him cover his legal fees raised over £58,000 in less than six months.

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Singer Chris Rea – famous for Driving Home For Christmas – dies aged 74

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Singer Chris Rea - famous for Driving Home For Christmas - dies aged 74

Chris Rea, known for hits including Driving Home For Christmas and The Road To Hell, has died after a short illness, according to a family spokesperson.

A statement on behalf of his wife and two children stated: “It is with immense sadness that we announce the death of our beloved Chris.

“He passed away peacefully in hospital earlier today following a short illness, surrounded by his family.”

Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA
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Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA

The Middlesbrough-born musician was diagnosed with pancreatic cancer and had his pancreas removed in 2001, and in 2016 he suffered a stroke.

Follow our blog for the latest reactions to Chris Rea’s death

Rea found fame in the late seventies and eighties with hits such as Fool (If You Think It’s Over), Let’s Dance and The Road To Hell.

Known for his gravelly voice and latterly for his slide guitar playing, he was nominated for a slew of top awards, including Brit Awards, at the height of his success and sold millions of records.

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File pic: Glenn Ashley/ZUMA Press Wire/Shutterstock
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File pic: Glenn Ashley/ZUMA Press Wire/Shutterstock

Rea’s debut album, titled Whatever Happened To Benny Santini?, a reference to the stage name his record label wanted him to adopt, was released in 1978.

His track Fool (If You Think It’s Over), from the album, went on to be nominated for a Grammy.

He did not find such success again for a few years, but by the time his eighth album On The Beach was released, he was a star in the UK and around Europe, with sporadic hits in the US.

When Road To Hell was released in 1989, he became one of the biggest solo stars in the UK. Two of his studio albums – The Road To Hell (1989) and Auberge (1991) – went to number one in the country.

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His famous song Driving Home For Christmas, first released in 1986, features in this year’s M&S Food Christmas advert – which sees comedian Dawn French sing along to the single in her car.

Speaking about the song during the 2020 Mortimer And Whitehouse Gone Fishing Christmas special, he told comedian Bob Mortimer: “I was on the dole when I wrote that.

Chris Rea arrives at the Mojo Awards in 2009. Pic: PA
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Chris Rea arrives at the Mojo Awards in 2009. Pic: PA

“My manager had just left me. I’d just been banned from driving, right. My now wife, Joan, she had to drive down to London, picked me up in the Mini, and take me home, and that’s when I wrote it.”

The singer returned to his blues roots after a string of health problems.

“I wasn’t frightened of dying,” he once said in an interview.

“It did look like the end, but what got me through was the thought of leaving a record that my two teenage daughters could say, ‘That’s what Papa did – not the pop stuff, but the blues music. That’s what he was about’.”

Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA
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Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA

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Stars and fans including Liam Gallagher, Paul Weller and David Beckham gather for Gary ‘Mani’ Mounfield’s funeral

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Stars and fans including Liam Gallagher, Paul Weller and David Beckham gather for Gary 'Mani' Mounfield's funeral

Stars including Liam Gallagher, David Beckham and Paul Weller have gathered to pay tribute to The Stone Roses star Gary “Mani” Mounfield.

The Stone Roses and Primal Scream bassist died last month at the age of 63.

The coffin is carried from the ceremony by Alan Wren (L), Liam Gallagher (R) and John Squire (2nd R). Pic: PA
Image:
The coffin is carried from the ceremony by Alan Wren (L), Liam Gallagher (R) and John Squire (2nd R). Pic: PA

Pic: PA
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Pic: PA

His death came two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.

He had been due to travel the UK later this year for an in-conversation tour sharing memories of his rock experiences.

Liveblog: Famous faces say final goodbye to Stone Roses bass player

The funeral, which was held at Manchester Cathedral, drew hundreds of fans, including a guard of scooter riders with black bands and a photo of Mani on their bikes.

Arriving at the service, The Stone Roses frontman Ian Brown said Mani was “a brother to me”, calling him a “beautiful human being”.

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Some of the biggest names of British 1990s music were at the ceremony, including Oasis star Liam Gallagher, singer-songwriter Paul Weller, Primal Scream frontman Bobbie Gillespie and Bez, from the Happy Mondays.

Tim Burgess, lead singer of The Charlatans, Elbow frontman Guy Garvey, Ian McCulloch of Echo & The Bunnymen, Mike Joyce, drummer from The Smiths, Inspiral Carpets keyboardist Clint Boon, and former Joy Division and New Order bassist Peter Hook also came to pay tribute.

Liam Gallagher. Pic: PA
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Liam Gallagher. Pic: PA

David Beckham. Pic: PA
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David Beckham. Pic: PA

Former Manchester United players David Beckham and Gary Neville were also among hundreds of mourners arriving for the service.

Manchester mayor Andy Burnham and Coronation Street star Sally Lindsay were also in attendance.

Paul Weller. Pic: PA
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Paul Weller. Pic: PA

Bez from the Happy Mondays. Pic: PA
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Bez from the Happy Mondays. Pic: PA

Hundreds more fans gathered outside the cathedral and applauded as the cortege arrived, and as I Wanna Be Adored – one of The Stone Roses’ biggest hits – blared from the speakers.

The coffin, which was decorated with artwork from the cover of The Stone Roses – the band’s self-titled debut album – had travelled around eight miles from Heaton Moor in Stockport to the cathedral.

Gallagher, along with The Stone Roses drummer Alan Wren – also known as Reni – and bandmate John Squire carried the coffin from the ceremony after the service.

Mani was part of the Stone Roses’ classic line-up alongside Brown, Squire and Wren.

Pausing briefly as he went into church, Brown said he was there to celebrate “what a beautiful human being that he was”.

Asked what his bandmate meant to him, the singer said: “Everything. He’s a brother to me.”

Guy Garvey, from Elbow, arriving for the funeral service of former The Stone Roses and Primal Scream bass player Gary Mounfield, who was known as Mani
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Guy Garvey, from Elbow, arriving for the funeral service of former The Stone Roses and Primal Scream bass player Gary Mounfield, who was known as Mani

Actress Sally Lindsay. Pic: PA
Image:
Actress Sally Lindsay. Pic: PA

Forming in 1983, Mani was part of The Stone Roses until they split in 1996, playing on both the eponymous debut album, released in 1989, and their 1995 follow-up, Second Coming.

The “Madchester” band was known for blending indie with acid house, psychedelia and pop.

Mani went on to play with Scottish band Primal Scream for 15 years, leaving in 2011 to rejoin the reuniting Roses.

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