An unassuming field next to a housing estate in Stoke-on-Trent is taking centre stage in the latest alien blockbuster – and it’s inspired by true events.
The new stage production, Bright Lights Over Bentilee, focuses on the event in which dozens of people on an estate in the town claimed to have witnessed bright lights in the sky and a UFO landing in the field next to their homes.
Sky News went to meet playwright and former Coronation Street star Deborah McAndrew, to discuss what happened on the 2nd of September 1967 and why she felt compelled to bring the story to life.
“What they saw was a large red saucer-shaped object about the size of a car,” she explained.
Image: Some in the community claim they saw a large red saucer-shaped object about the size of a car in the sky. Pic: Andrew Billington Photography
On that night, just after 9pm there were eight separate sightings from people claiming to have seen a mysterious “glowing craft” which silently flew over the heads of residents.
Housewives, children, even a police officer said they saw it, that it changed colour and then dropped down into scrubland.
Image: Former Corrie star Deborah McAndrew said she believes what people told her they saw
They claimed, as they set about searching through the fields for it, it then “took off and was bright white like a car headlight… and then just disappeared”.
McAndrew found herself delving into what happened after coming across some old news footage of interviews with residents at the time.
Image: Pic: Andrew Billington Photography
Image: Pic: Andrew Billington Photography
Fascinated by how locals seemingly went back to work the next day and carried on as normal, she started doing her own digging which included speaking with one of the young kids who’d chased it.
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“When nothing happens it just gradually fades into myth… until some random playwright phones you up 50 years later and says ‘do you want to tell me about that UFO you saw?'” McAndrew explained.
Image: Pic: Andrew Billington Photography
While she admits “there’s no way of knowing now what it was” the writer says “when people tell me they’ve seen things, I believe them”.
While doubters might speculate that, coming at the time of the space race, locals perhaps might have confused a UFO with a satellite, McAndrew points out: “It was a landing, it didn’t just fly in the sky, it came down and then took off again.”
Could TV shows be partly to blame? As sci-fi related culture took off, the MoD saw a gradual increase in reports of UFO sightings.
Image: Pic: Andrew Billington Photography
Actress Polly Lister, who plays a housewife called Beverley in the play, says: “It would be very hard to completely write it off because every single one of those people, I believe, is telling the truth of what they saw.”
Eddy Westbury, who also stars in the drama, says: “You hear a lot of things people have seen in America… this one is particularly interesting purely because of all the accounts… completely different people, in different places… it wasn’t like [they] saw a green man jumping out of a vehicle, literally what they saw, what they experienced, they all seem to line up.”
No doubt the truth is out there somewhere, but until then, they’ll have to make-do with the dramatised version which follows the community fall-out from that night.
Claybody Theatre’s Bright Lights Over Bentilee runs until 12 October at The Dipping House, Stoke.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.