Colin Farrell on The Penguin – and going incognito in public

Published

6 months ago

October 1, 2024

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Colin Farrell has said he went undercover in his prosthetic make-up playing Penguin in the early days of production on The Batman.

The Irish actor stars once again as the infamous DC villain Oswald Cobb in the new Sky Original series The Penguin, recreating his version of the character viewers first met in Matt Reeves’ 2022 film starring Robert Pattinson.

After three hours a day in the make-up chair, he is unrecognisable as the star best known for films including In Bruges and The Banshees Of Inisherin.

“I’m left alone most of the time anyway,” Farrell told Sky News about being out in public – but said curiosity got the better of him when he first wore the prosthetics.

“I went to Starbucks once after we did the first make-up test, about six months before the film, the original Batman film,” he said. “I got a few side glances, but not nobody had any context or reference for it. But you couldn’t notice, I mean really, up-close and personal.”

For the Oscar nominee, playing Penguin had been on his bucket list.

Previously depicted by Danny DeVito in the 1992 film Batman Returns, Farrell said he appreciated that Reeves allowed space for him to put his own stamp on the comic book character.

“I mean when I heard that Matt Reeves wanted to talk to me about playing the Penguin – honest to God, for the film, I was so tickled,” he said. “Then I read it and I was kind of pissed off because it was only five scenes.”

Referring to the film’s other villain, played by Paul Dano, Farrell joked: “I got really greedy, and I thought, who is this Riddler fella?”

However, he has now “been spoiled with this eight-hour” series.

The Penguin moves away from the animated characteristics of DeVito’s iteration and centres itself instead in a Soprano-esque environment of the criminal underworld.

The limited series opens in the aftermath of the events of the 2022 film, with Oz Cobb trying to find his way to succeed in a flooded Gotham.

‘I didn’t know who I was or what I was doing’

The 48-year-old actor said his motivations behind choosing roles have changed over the years.

“It’s probably gotten purer… In a way, you would be forgiven for thinking that it would be the other way around,” he said.

“You would start from a place of purity and then it would get a little obfuscated with money and ambition and trying to maintain the idea of a career and all that stuff that we should be deeply suspicious of. And as essential as money is… it’s probably gotten purer.”

Farrell added: “I started off in a very playful place when I was 16, acting, and then I had a lot of success really young and it was very noisy. No complaints, I was very fortunate, but it was very noisy and I didn’t quite know who I was or what I was doing or why I was doing it.”

The actor said money came flooding in but his career hit a hurdle “very dramatically”.

“I was given the opportunity through whatever grace to kind of relocate the 16-year-old’s love and curiosity for just telling stories.

“I just want to do different things – not because I want to have this varied career, I don’t have a macro look at it like that, it’s just staying in the present.”

The actor said the arts have a special ability to help people deal with emotions and sort through real-world issues.

“It’s why drama is such an extraordinary tool for young kids who might be struggling in life in their early or mid-teens, to get together and tell stories,” he said. “You get to access certain emotions.

“You could ask certain questions of a character, but you’re always asking them of yourself as well, because you are essentially the filter that every character has to be born through. It’s more fun now than ever before, which is cool.”

The first two episodes of The Penguin are available to watch on Sky and streaming service NOW, with new episodes out every Monday

Entertainment

‘The heartbeat of Blondie’: Drummer Clem Burke dies aged 70

Published

16 hours ago

April 7, 2025

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'The heartbeat of Blondie': Drummer Clem Burke dies aged 70

Blondie drummer Clem Burke has died at the age of 70

The band said Blurke had been diagnosed with cancer, and described his death as a “profound loss”.

He featured on all the Debbie Harry-fronted group’s studio albums since joining a year after their formation in 1975.

Blurke was with the band from their self-titled debut, through their 1978 classic Parallel Lines, to 2017’s Pollinator.

In a statement on Blondie’s Instagram, Harry and the band’s guitarist, Chris Stein, said: “It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer.

“Clem was not just a drummer, he was the heartbeat of Blondie.

“His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.

“Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him.

“Clem’s influence extended far beyond Blondie, a self-proclaimed ‘rock and roll survivalist’, he played and collaborated with numerous iconic artists.”

Burke featured on Iggy Pop’s 1982 album Zombie Birdhouse and also performed with Bob Dylan, The Ramones, The Who guitarist Pete Townshend and Joan Jett.

The statement went on to say Burke had left an “indelible mark on every project he was part of”.

It added: “We extend our deepest condolences to Clem’s family, friends, and fans around the world. His legacy will live on through the tremendous amount of music he created and the countless lives he touched.”

Burke, who performed on classic tracks such as Call Me, Heart Of Glass and One Way Or Another, made his final live appearance with Blondie last year.

Among those paying tribute to him was Kinks guitarist Dave Davies, who said: “I feel saddened that Clem Burke was taken from us so soon.

“May he rest in peace, spectacular drumming, we were friends.”

Nancy Sinatra said: “My heart is shattered. Clem became an icon as a member of Blondie, but he was also an important part of my band, the K.A.B. I was blessed to call him my friend.

“If I ever needed him, he was there. Always. Sending healing prayers and comfort to his widow, Ellen, his family, and all who loved him.”

Entertainment

Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

Published

1 day ago

April 7, 2025

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

Entertainment

Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born

Published

3 days ago

April 5, 2025

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.