After the findings were made public by the Charity Commission, Campbell said she was “extremely concerned”, that she was “not in control” of the charity, and that an investigation on her part was under way.
Fashion For Relief was dissolved and removed from the register of charities earlier this year.
Now, humanitarian organisation UNICEF has said it did make a report to the Charity Commission over a star-studded event held during London Fashion Week in 2019.
According to the Guardian, in a brochure for the event on a page displaying the UNICEF logo, Fashion For Relief said funds raised would “support UNICEF’s efforts to provide the essential interventions to protect, save lives and ensure the rights of all children, everywhere”.
UNICEF has said it never held any partnership with Fashion For Relief and did not receive any funds from the show.
In a statement, a spokesperson for UNICEF said: “We take fundraising compliance very seriously and UNICEF UK reported Fashion For Relief 2019 to the Charity Commission, as per our statutory requirements.
“We have never held any official partnership with Fashion For Relief and we have never received any funds from the 2019 event.”
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An official ambassadorial role with UNICEF “comes after many years of commitment and support”, the spokesperson added.
A spokesperson for Campbell said she “never held herself out as a representative of UNICEF, although she worked with them”.
Details on the Fashion For Relief website say proceeds went to the Mayor’s Fund for London.
Madonna’s brother Christopher Ciccone has died aged 63, with the popstar remembering him as “the closest human to me for so long”.
Mr Ciccone, who was an artist, dancer and designer, died on Friday in Michigan after being diagnosed with cancer.
He appeared in music videos such as Lucky Star, art directed Madonna’s Blond Ambition World Tour and served as tour director for The Girlie Show tour.
In a post on Instagram, Madonna, 66, said Ciccone was in “so much pain towards the end”.
She said: “He was the closest human to me for so long, it’s hard to explain our bond.
“But it grew out of an understanding that we were different and society was going to give us a hard time for not following the status quo.
“We took each other’s hands and we danced through the madness of our childhood, in fact dance was a kind of superglue that held us together.
“Discovering dance in our small Midwestern town saved me and then my brother came along, and it saved him too. My ballet teacher, also named Christopher, created a safe space for my brother to be gay, a word that was not spoken or even whispered where we lived.
“When I finally got the courage to go to New York to become a dancer, my brother followed, and again we took each other’s hands, and we danced through the madness of New York City.”
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She added: “My brother was right by my side, he was a painter, a poet and a visionary, I admired him.
“He had impeccable taste. And a sharp tongue, which he sometimes used against me but I always forgave him.
“We soared the highest heights together, and floundered in the lowest lows.
“Somehow, we always found each other again and we held hands and we kept dancing.”
Mr Ciccone fell out with his sister in 2008 after the release of his bestselling autobiography Life With My Sister Madonna in which he wrote about their strained relationship, her romances and memories from their time on tour together.
Speaking about mending their argument before Mr Ciccone’s death, Madonna said: “The last few years have not been easy.
“We did not speak for some time but when my brother got sick, we found our way back to each other.”
Mr Ciccone directed music videos for Dolly Parton and Tony Bennett during his career, and was an interior designer for Madonna’s homes in New York, Miami and Los Angeles.
In 2016, Mr Ciccone married Ray Thacker, a British actor, who was by his side when he died.
Madonna’s stepmother, Joan Clare Ciccone, died from cancer just weeks ago, and her older brother Anthony Ciccone died last year.
Radio 2 DJ Johnnie Walker has said in a “very sad announcement” that he is quitting both of his BBC music programmes because of ill health.
Walker, who has been a broadcaster for 58 years, will step down towards the end of this month from his Sunday afternoon show Sounds Of The 70s and The Rock Show on Friday nights.
The presenter has pulmonary fibrosis which means the lungs become scarred and breathing is increasingly difficult.
Speaking earlier this year, Walker said his condition was “terminal” and getting “progressively worse”.
In a message live on air on Sunday during the Sounds Of The 70s, the 79-year-old star read out a letter from a listener whose father had enjoyed the show, but had died in 2022 due to the same condition.
The Birmingham-born host then told his listeners: “Now, that leads me to be making a very sad announcement.
“The struggles I’ve had with doing the show and trying to sort of keep up a professional standard suitable for Radio 2 has been getting more and more difficult… so I’ve had to make the decision that I need to bring my career to an end after 58 years.
“And so I’ll be doing my last Sounds Of The 70s on October 27, so I’ll make the last three shows as good as I possibly can.”
The broadcaster started his radio career in 1966 at offshore pirate station Swinging Radio England, before moving to Radio Caroline, where he hosted the night-time show.
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When the station shut he joined BBC Radio 1 in 1969, continuing until 1976, when he moved to San Francisco to record a weekly show which was broadcast on Radio Luxembourg.
He went back to the BBC in the early 1980s where he has remained ever since.
Actor Adam Pearson, who has a disfiguring facial condition, wants to help others learn about such differences as he plays a man with the same illness in his latest film.
The British star, 39, has neurofibromatosis type 1 (NF1), a genetic condition that causes tumours, which are most often benign, to grow along your nerves.
Pearson, who made his acting debut in the 2013 film Under the Skin, said: “There are two ways to lose your anonymity in a society – to either become famous or have a disfigurement so I’ve kind of shot myself in both feet a little bit on that one.”
But he wants to encourage acceptance of his condition and said anyone choosing to take a “vow of almost noble silence” to avoid a “politically correct minefield” can do more harm than good.
“Kindness goes a long way”, he added.
He stars alongside Marvel’s Sebastian Stan in the drama A Different Man, about an actor with NF1 who undergoes a medical trial that successfully removes the tumours on his face.
Made by A24, the film explores social norms and self-confidence and hopes to create a platform for open and honest conversations.
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Co-star Stan, who plays Edward, the film’s lead, uses prosthetics to mimic the symptoms of neurofibromatosis and went out in public in character to see how people would respond.
He said there was “nothing more self-conscious or isolating than that experience.
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“The recognition part is a similar concept of you being a public property just like it is you being different or being disabled or disfigured but it was 20 times the amount.
“You feel the energy shift and you feel the discomfort. And it informed everything for me from that point on”.
The actor, who plays Donald Trump in the upcoming film The Apprentice, said it made him reflect on how focused society is on physical appearance.
He said we often make huge efforts to improve our lives, hoping “something is going to change on the inside.
“But it won’t as long as you’re making decisions that are based on how you think people want you to be.”
It was a struggle to get funding for A Different Man, written by Aaron Schimberg, until Stan came on board.
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Stan: ‘People aren’t very good liars’
The Romanian-American actor, 42, wants to use the platform he has to shine a light on important stories.
“As I’ve gotten older, certainly I’ve been feeling more of a sense of responsibility towards what kind of work I’m getting involved in and I think one of those things is finding projects that I feel speak to towards something, that ask important, difficult questions and have filmmakers that are fearless and not afraid to go there,” he said.