Cable Street: Musical tells story of rise of fascism that is relevant today

Published

6 months ago

October 5, 2024

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Cable Street tells the story of migrant communities rallying to stop fascists marching through the streets of London – for the show’s creators the themes are just as relevant today.

Song and dance might not be the usual way to talk about the rise of fascism, but the musical Cable Street tells the story of migrant communities joining together to stop the British Union of Fascists from marching through the predominantly Jewish part of east London in 1936.

And nearly 90 years later, director Adam Lenson says it still resonates.

“The writers started writing this in 2019. And I think what they were aware of was that the world was tilting to the right, that actually far-right leaders were gaining power in countries all over the world,” he tells Sky News.

The musical is based on the battle of Cable Street in 1936.

On 4 October, the British Union of Fascists, led by Nazi sympathiser Sir Oswald Mosley tried to march through the predominantly Jewish part of east London.

The violent group, also known as the Blackshirts, was met by thousands of local people from different communities coming together to block their march.

Eyewitnesses from the time describe “Jews and Orthodox Jews in their long silk coats and felt hats standing shoulder to shoulder with Irish Catholics, dockers, Somali seamen, communists, and trade unionists”.

Some estimates say up to half a million people came together to counter-protest, creating blockades and stopping the Blackshirts from passing through to Cable Street.

It is widely considered a triumph over fascism.

“Cable Street for me is about communities coming together to stand up against a common enemy, which is the fascists in 1936,” actor Danny Colligan says.

For him, the production is an opportunity for people to learn about history.

“I think using musicals, singing, acting and dancing to make it a little bit more entertaining so that people go ‘I like that, that was fun, now I want to go on Google and research and find out these things’,” he adds.

Almost nine decades later, for some people, history is repeating itself.

In August this year anti-racist organisers, led in large part by the groups Stand Up To Racism and Hope Not Hate, mobilised to counteract the far-right demonstrations that began in response to the attack in Southport that left three children dead on 29 July.

In their hundreds and sometimes thousands anti-racist demonstrators were on the streets of towns and cities including Bristol, London, Liverpool, Birmingham, and Brighton in support of those targeted by anti-immigrant riots.

“My hope is by being set in the present and the past, the piece will show an audience that actually this sort of activism, this sort of community action, isn’t something that belongs in a museum. It’s something that belongs in the here and now,” Lenson says.

Just like with the battle of Cable Street in 1936 concerns about migration, the economy, and housing continue to cause clashes today.

But for the Cable Street musical creators, there is hope that with some song and dance, audiences will be reminded they are better off standing together.

Cable Street is on at the Southwark Playhouse Borough until 16 March.

Entertainment

Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born

Published

24 hours ago

April 5, 2025

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

Entertainment

Russell Brand charged with rape and sexual assault

Published

1 day ago

April 4, 2025

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Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

Entertainment

Tom Cruise leads moment of silence in tribute to ‘dear friend’ Val Kilmer

Published

2 days ago

April 3, 2025

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Tom Cruise leads moment of silence in tribute to 'dear friend' Val Kilmer

Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.

Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.

Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.

His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.

Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.

“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.

“I wish you well on the next journey.”

The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.

Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.

Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.

He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.

Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.

He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.

In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.

The couple had two children before divorcing in 1996.