It’s almost 12 years to the day that a Taliban gunman shot schoolgirl Malala Yousafzai in the head as she travelled home from an exam on a school bus packed with fellow pupils.
Now one of Pakistan’s best-known public figures, the activist, Oxford graduate and youngest Nobel laureate in history is releasing her first feature.
Image: Malala addresses the United Nations on her 16th birthday. Pic: Reuters
The 27-year-old tells Sky News: “I’m pretty new to Hollywood, but it’s been an incredible journey for me so far.”
An outspoken critic of Muslim under-representation in Hollywood films, Yousafzai founded her production company Extracurricular in 2021 in partnership with Apple TV + in a bid to “shake things up”.
She says: “There are so many passionate women and artists from different diverse backgrounds, including Muslim communities and people of colour and they have incredible stories.
“I hope to work with more incredible artists and directors out there in the many years ahead to help us bring more perspectives and more voices and reflections from people who don’t often get a chance.”
A 2022 study showed that Muslims are 25% of the population, but only 1% of characters in popular TV series.
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As for whether it’s getting better, Yousafzai says: “There are incredible Muslim artists who are really changing the narrative, and I do hope that more of them will get a chance to tell their story and just bring more diversity to how stories are told.”
She says the documentary she’s just released – The Last Of The Sea Women, about a group of female divers in their 60s, 70s and 80s – is “an amazing beginning” to her new adventure as a Hollywood executive.
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Extracurricular has previously said it would consider producing a fictionalised account of her attempted assassination but signalled they first need to find a “surprising way in” to the story.
And Yousafzai is full of surprises.
Image: (R-L): Lee Hee Soon, Malala Yousafzai, Sue Kim and Jang Soon Duk. Pic: Apple TV +
Malala Made Me Do It
Earlier this year, she made her acting debut in the second season of Channel 4’s reverential and hugely popular comedy We Are Lady Parts.
Her episode even featured a spoof song inspired by her activism – Malala Made Me Do It.
Yousafzai’s passionate advocacy for access to education for women and girls in countries where it is restricted is now stepping into a new realm – entertainment.
Her deal with Apple will cover dramas, comedies, documentaries, animation and children’s series.
Future productions include a movie adaptation of Elaine Hsieh Chou’s book Disorientation, and a scripted series based on Asha Lemmie’s coming-of-age novel Fifty Words For Rain, about a woman’s search for acceptance in post-World War Two Japan.
The Last Of The Sea Women tells the story of the Haenyeo, a “badass girl gang” of grandmothers living on South Korea‘s Jeju Island who dive to the ocean floor without oxygen to gather food for their community.
Earning a reputation as real-life mermaids, despite diving for centuries, their traditions are now under threat.
In a bid to save their way of life, they are now teaching younger women, who being from Generation Z, are sharing their stories on TikTok.
Image: Haenyeo divers of South Korea’s Jeju Island. Pic: Apple TV+
Elderly Asian women ‘as heroes’
The film’s director Sue Kim – who calls working with Malala “the joy and pleasure of my life” – says she was excited to showcase an underrepresented group in her work.
“It’s rare to see women portrayed as the sole heroes in the film. Two Asian women are not often portrayed as the soul heroes in the film. And then elderly Asian women.
“It’s three demographics where I do think there’s a bit of a gap of representation and portrayal in the heroic world. And that was something I was excited to show in the film.”
Yousafzai says of the Haenyeo: “When I look to them, I personally, as a woman, feel that there’s no limit to what I can do.”
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She goes on: “We would be in a very good place if we were under the leadership of the Haenyeo, for sure…
“We need women in leadership. We need a society where women can get equal opportunities. And a woman should never be told that she cannot be in a certain role.”
Previously nominated for an Oscar for the documentary short Stranger At The Gate, Yousafzai is optimistic The Last Of The Sea Women could be part of the next awards conversation too.
“Why not? I think it deserves all the applause and the credit.”
The Last Of The Sea Women is streaming now on Apple TV +
Blondie drummer Clem Burke has died at the age of 70
The band said Blurke had been diagnosed with cancer, and described his death as a “profound loss”.
He featured on all the Debbie Harry-fronted group’s studio albums since joining a year after their formation in 1975.
Blurke was with the band from their self-titled debut, through their 1978 classic Parallel Lines, to 2017’s Pollinator.
Image: Drummer Burke.
Pic: Reuters
In a statement on Blondie’s Instagram, Harry and the band’s guitarist, Chris Stein, said: “It is with profound sadness that we relay news of the passing of our beloved friend and bandmate Clem Burke following a private battle with cancer.
“Clem was not just a drummer, he was the heartbeat of Blondie.
“His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.
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“Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him.
“Clem’s influence extended far beyond Blondie, a self-proclaimed ‘rock and roll survivalist’, he played and collaborated with numerous iconic artists.”
Image: Burke in his performance at Festival Estereo Picnic 2023.
Pic: AP
Burke featured on Iggy Pop’s 1982 album Zombie Birdhouse and also performed with Bob Dylan, The Ramones, The Who guitarist Pete Townshend and Joan Jett.
The statement went on to say Burke had left an “indelible mark on every project he was part of”.
It added: “We extend our deepest condolences to Clem’s family, friends, and fans around the world. His legacy will live on through the tremendous amount of music he created and the countless lives he touched.”
Burke, who performed on classic tracks such as Call Me, Heart Of Glass and One Way Or Another, made his final live appearance with Blondie last year.
Image: Blondie performing during Glastonbury Festival in 2023.
Pic: Invision/AP
Among those paying tribute to him was Kinks guitarist Dave Davies, who said: “I feel saddened that Clem Burke was taken from us so soon.
“May he rest in peace, spectacular drumming, we were friends.”
Nancy Sinatra said: “My heart is shattered. Clem became an icon as a member of Blondie, but he was also an important part of my band, the K.A.B. I was blessed to call him my friend.
“If I ever needed him, he was there. Always. Sending healing prayers and comfort to his widow, Ellen, his family, and all who loved him.”
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.