There are three rules for success in life: Attack, attack, attack. Admit nothing, deny everything. And always claim victory.
As a presidential candidate, Donald Trump is sticking to them to this day.
The original advice is given to the young Trump by the notorious New York lawyer Roy Cohn, as played by Sebastian Stan and Jeremy Strong, in a controversial new biopic which is opening in cinemas across the US this weekend, with just 25 days to go until election day.
Image: The Apprentice, starring Jeremy Strong (L) and Sebastian Stan is out in the US. Pic: Mongrel Media/Everett/Shutterstock
The movie’s release amounts to an unwelcome October surprise for Trump’s campaign. He is just the latest former US leader to fall foul of big screen incarnation.
Dan Snyder, a close billionaire friend of the former president, originally helped fund the film’s production with the expectation that it would depict Trump positively.
After seeing a finished cut he spoke to his lawyers in an attempt to stop its distribution.
Trump’s own legal team issued a cease and desist notice to stop the “marketing, distribution, and publication” of the movie.
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They were unsuccessful.
The Apprentice had its world premiere at the Cannes Film Festival in May.
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Image: Sebastian Stan and Maria Bakalova as Donald and Ivana Trump in a scene from The Apprentice. Pic: Mongrel Media/Everett/Shutterstock
Image: Donald Trump and Ivana Trump in 1985. Pic: Adam Scull/PHOTOlink.net/MediaPunch /IPX/AP
It pulled off its New York premiere in Manhattan last week after a Kickstarter fundraiser was set up to help “promote and defend the acclaimed Trump biopic that corporate America is scared to show you”.
Now it is going on commercial release in the US and Europe. It is out in the UK on 18 October.
The film’s producers insist that it is “a fair and balanced portrait of the former president” based on fact, as stated at the start of the film.
It opens without comment, playing archive footage of Richard M Nixon’s “I’m not a crook” speech and his claim that he never personally profited from public office. The implied comparison with Trump is unmissable.
Image: In 1973 then president Richard Nixon told reporters ‘I am not a crook’. Pic: AP
The film covers “Donnie” as he starts out in his father’s property business in the 1970s and 1980s – before his political career and his time as the star of the long-running The Apprentice reality TV show.
It ends as Trump commissions the ghostwriter for his 1987 bestseller, The Art Of The Deal, and undergoes surgery for liposuction and baldness.
The portrait of the future president is intimate. Sebastian Stan brilliantly mimics many of the gestures and mannerisms which have become familiar to a global audience.
Image: Donald Trump in New York’s Central Park in 1986. Pic: AP
Trump starts out as a soft, privileged, and highly ambitious young man.
He is shown going on to become a party to blackmail, corruption, attempts to swindle his siblings, and bankruptcy.
In a graphic scene, he rapes his first wife.
In her legal divorce deposition, Ivana did indeed accuse her husband of marital rape.
She recanted the claim years later insisting: “Donald and I are the best of friends and he would never rape me.”
Ivana, the mother of Don Jnr, Ivanka, and Eric Trump, died in 2022.
In this film, Trump is the apprentice tutored in corruption to win by Roy Cohn. Cohn persuades him that there is no such thing as “The truth”, only what you say it is.
Cohn was a well-known New York lawyer whose clients ranged from Trump, Rupert Murdoch and Andy Warhol to Mafia bosses.
Since his death in 1986, he has assumed almost legendary status in US literature as an evil manipulator.
Image: Trump’s legal team issued a cease and desist notice to try to halt the movie. Pic: AP/Alex Brandon
A closet homosexual who died of complications from AIDS, Cohn is a central character in the award-winning drama Angels In America and other fiction and non-fiction works.
Cohn began his career as a fierce anti-Communist prosecutor who worked alongside Richard Nixon and US Senator Joe McCarthy, who led the discredited anti-Communist witch hunts of the early 1950s.
Cohn used all means to ensure that both Julius Rosenberg and his wife Ethel, mother of two young children, went to the electric chair for spying.
At The Apprentice’s Manhattan after-party, Jeremy Strong told Vanity Fair: “Roy’s legacy is a legacy of shamelessness, mendacity, lies, dissimulation, brutality, and winning as the only moral measure.”
Strong is a method actor, best known as Kendall Roy in Succession, who likes to inhabit the parts he plays.
In Roy Cohn, he says he also found “a kind of guileless innocence and charm at the same time as he was a lethal, brutal, ruthless, savage, remorseless person”.
By the end of the film, Cohn is almost a pathetic character as Trump casts him off, partly in fear of his sickness, partly because of his advice “to slow down” making increasingly questionable “deals”.
Trump relents and throws a final birthday party for Cohn at Mar-a-Lago, spoilt by a thoroughly alienated Ivana telling him that the “solid gold” and diamond Trump cufflinks he’s been given are cheap fakes.
Meanwhile, the real estate tycoon completes his apprenticeship by stealing Cohn’s rules as his own for his book.
Jeremy Strong, Sebastian Stan and Maria Bakalova turn in Oscar-worthy performances – although the Academy may not be in the mood to honour the film next spring if the man himself is voted back into the White House.
Whether friendly or hostile, presidential biopics typically do not do very well.
Neither Primary Colours in 1998 nor Reagan this year made back their production costs.
Primary Colours came out well into Bill Clinton’s second term, too late to damage his political career.
John Travolta’s portrayal of slippery Jack Stanton, a thinly disguised version of Clinton, and his “bimbo eruptions” did little for the president’s long-term reputation.
Dennis Quaid played President Ronald Reagan in a hagiography earlier this year.
Image: Liz and Dick Cheney in Wyoming in 2022. Pic: AP
It fizzled at the box office, was panned by critics, and was quickly pulled from cinemas. It has not been released in the UK.
Reagan died 20 years ago but Facebook still restricted online advertising of the film this year in case it was seen as election interference for the Republicans.
The most successful recent biopic was the satire Vice in which Christian Bale piled on the prosthetic pounds to impersonate Dick Cheney, George W Bush’s vice president.
This year the real Dick Cheney, a staunch Republican who also served Nixon, has endorsed Democrat Kamala Harris over his own party’s candidate.
His daughter, former US congresswoman Liz Cheney, is leading the campaign against him inside the party.
Unlike those movies, The Apprentice is going live just when Americans are deciding whether or not to vote for Trump.
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What impact it will have is uncertain. One audience member at the US premiere thought it could help Trump win because “Sebastian Stan is attractive”.
The film’s Iranian-Danish director Ali Abassi says “it’s fun to be riding on the back of the dragon”.
The scriptwriter Gabriel Sherman hopes the film “makes people sit in a quiet, dark theatre and look with their own eyes at the behaviour of the man that we might elect to be the next president”.
Donald Trump may hate the film and denounce it. But the boastful mega-egotist so painstakingly captured in The Apprentice will nevertheless be upset, one suspects, if it fails to do business “bigly” at the box office.
Before that, there had been calls for festivals to reconsider booking the band over their political stances, and several have done, which prompted artists like Brian Eno, the Mystery Jets and CMAT to sign an open letter accusing Westminster and the British media of a campaign to “remove Kneecap from the public eye”.
They put their names to wording that said “in a democracy, no political figures… have the right to dictate who does and does not play at music festivals.”
So what’s the reality like for artists who are outspoken at a time when the world is so divided?
As some of the biggest names in music gathered in London for the Ivors, an annual celebration of songwriting, Self-Esteem – aka Rebecca Lucy Taylor – said the level of scrutiny can be “terrifying”.
‘The problem with the internet’
She told Sky News: “The problem with the internet is you say one thing, which gets scrutinised, and then you shit yourself, you really do… then you’re advised not to. And then you’re like ‘don’t advise me not to!’
“You second-guess anything you want to say any more… but any time I do that, I think ‘well that’s why you’ve got to say it then’.”
She said it can be frustrating that focus turns on to pop stars’ opinions instead of “the people doing the bad things”.
Former Little Mix singer Jade said: “To be a pop artist these days, it’s not just about music, it’s: ‘What’s your political stance?’
“I’ve always been quite vocal about those things, but in doing so you have even more of a scary spotlight on you, constantly assessing what your thoughts are as a human…it is scary.”
Trinidad-born London artist Berwyn, whose songs depict his struggles with UK immigration, says: “Silencing freedom of speech… is a road we don’t want to walk down.
“I’m not a politician, this is a very complicated issue, but I do absolutely believe in a human’s right to express themselves freely.”
But is that freedom of speech dependent on what side you’re coming from?
Image: Berwyn speaking to Sky News
‘Unethical investments’
Soon, an event called Mighty Hoopla will take place at Brockwell Park as part of its programme of six festivals this summer.
Artists performing at that are coming under increased pressure from pro-Palestine groups to quit because it’s owned by a company called Superstruct, which has links to an American investment firm called KKR.
Critics argue that any KKR-affiliated events should be a red flag to artists as campaigners claim it “invests billions of pounds in companies” that do things like “develop Israeli underground data centres”, and they say it has shares in companies that “advertise property on illegally occupied land in the West Bank”.
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Mighty Hoopla itself has said while it “cannot control investments made in our parent companies”, it wants to “state its clear opposition to KKR’s unethical investments”.
And Superstruct – which puts on over 80 festivals around the world – says while horrified by the crisis in Gaza: “We are aware that there is a significant amount of debate… around our festivals.
“Our owners, made up of our promoters and several investment firms, support us to achieve the highest standards… fans and artists rightly expect.”
They insist that operationally, Superstruct is independently run and all its “revenue and profits… remains entirely within our business… towards the ongoing development… of our festivals.”
Even deciding where to perform can have political connotations for musicians these days.
As Tom Gray, a founding member of the rock band Gomez, now chair of the Ivors, explains: “The amount of commercial interest required to get a young artist into the public eye means they have to keep their head down a lot and that’s a terrible shame.
“It’s not just artistic expression, but personal human expression is one of the fundamental things that allows people to feel they have agency.”
Kid Cudi has told a court Sean “Diddy” Combs broke into his home, “messed with” his dog and opened some of his Christmas presents during a break-in in December 2011.
The 41-year-old rapper was giving evidence on day nine of the trial, after briefly dating Diddy’s former girlfriend Cassie the same year.
Cassie and Diddy dated for 11 years, from 2007 to 2018, and Cassie has testified the rapper physically abused her during most of their relationship.
Cudi described Cassie phoning him early one morning, sounding “stressed, nervous and scared”, telling him Diddy had “found out about us”.
He said Diddy later called him from his home and told him, “I’m here waiting for you”.
After dropping Cassie at a West Hollywood hotel, Cudi said he returned to his home and found no one there, but said his dog had been locked in the bathroom.
He described his pet later becoming “jittery and on edge all the time”.
He also said someone had opened Christmas presents he’d bought for his family.
While Cudi, whose real name is Scott Mescudi, said he initially wanted “to fight” Diddy, he later thought through “the reality of the situation,” and called the police to report the break-in.
Earlier this week, Cassie finished giving four days of evidence, becoming emotional at times, and testifying that Combs had threatened to blow up Cudi’s car and hurt him after he learned she was dating him by looking at messages on her phone during a “freak off”.
Prosecutors say Combs, the founder of Bad Boy Records, forced women to take part in days-long, drug-fuelled sexual performances known as “Freak Offs” from 2004 to 2024, facilitated by his large retinue of staff.
Combs, 55, has pleaded not guilty.
The rapper faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.
Image: Diddy and Cassie on a red carpet in 2016. Pic: zz/JMA/STAR MAX/IPx/AP
The month after the break-in, Cudi’s Porsche was firebombed in his drive, with a hole cut into the roof and a Molotov cocktail dropped into the driver’s seat.
Cudi said he realised he had to talk to Diddy, before things “got out of hand,” meeting up with Diddy, who he said was weirdly “calm” and staring out the window with his hands behind his back “like a Marvel super villain”.
Cudi says Diddy told him he had still been dating Cassie during his relationship with her, with Cudi replying: “[Cassie] told me you were broke up and I took her word for it.”
Shaking hands at the end of the conversation, Cudi said he asked Diddy about “burning” his car, and Diddy replied, “I don’t know what you’re talking about”. Cudi later said he believed that to be a lie.
Cudi says he saw Diddy once a few years later at Soho House in Los Angeles with his daughter, and Diddy told him: “Man, I just want to apologise for all that bullshit”.
Image: Diddy sketched in court while listening to Kaplan’s testimony. Pic: Reuters/Jane Rosenberg
During his cross-examination, the defence suggested Cassie had been “living two different lives”, and “played” both Cudi and Combs.
Cudi concluded his time on the stand, saying his relationship with Cassie ended because he wanted “to give her space” and “the drama was too out of hand”.
Celebrity make-up artist Mylah Morales also gave evidence, describing a fight between Cassie and Diddy in 2010, which she says left Cassie with a “swollen eye, busted lip, and knots on her head”.
Image: Celebrity make-up artist Mylah Morales. Pic: AP
Morales said while she had heard the row, she hadn’t physically seen it as she wasn’t in the room.
She told the court, “I feared for my life”, explaining that she took Cassie to her apartment for several days to recover, but that Cassie refused to go to hospital as she was afraid of Diddy’s reaction.
The defence attempted to damage Morales’s credibility by listing her TV appearances, which included programmes on CNN, and with Don Lemon and Piers Morgan, attempting to paint her as attention-seeking.
The day also saw Combs’s former assistant George Kaplan complete his testimony.
Image: George Kaplan, former assistant to Combs. Pic: AP
He talked about two occasions when he had been asked to carry cash for Diddy, who he said never paid for things himself in the moment, recalling one time in 2015 when he looked after $50,000, and another when he was asked to pick up $10,000.
Kaplan described seeing “regular” physical violence between Cassie and Diddy, including an incident in 2015 with whisky glasses on a private plane, when he heard glass breaking and saw Diddy standing over Cassie in the plane’s central aisle.
He says he also saw Diddy hurling “decorative apples” at another of his girlfriends, Gina, late the same year, handing in his notice the following month.
Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious BIG and Usher into household names, elevating hip-hop in American culture and becoming a billionaire in the process.
Diddy has been held in the Metropolitan Detention Center in Brooklyn since September and faces at least 15 years or possibly life in prison if convicted.
The trial is set to last for around six weeks in total and will go into its third week next week.
Irish rock star Bono has called for Israel to be “released from Benjamin Netanyahu and far-right fundamentalists” during an awards ceremony.
The U2 frontman’s comments at the Ivors mark the first time the human rights activist has spoken out in public against the Israeli prime minister since the war in Gaza broke out in October 2023.
Bono, who received the Peace Summit Award at the 2008 Nobel Peace Laureates summit, also called for Hamas to release its remaining Israeli hostages.
It comes as Western leaders have been criticising Mr Netanyahu and the Israeli authorities over the renewed offensive in the Palestinian territory and the risk of famine due to an 11-week aid blockade, which is slowly easing.
Bono, whose real name is Paul Hewson, said on Thursday evening at London’s Grosvenor House: “Peace creates possibilities in the most intractable situations.
“Lord knows there’s a few of them out there right now. Hamas release the hostages. Stop the war.
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“Israel be released from Benjamin Netanyahu and far-right fundamentalists that twist your sacred texts.
“All of you protect our aid workers, they are the best of us.”
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The group became the first Irish songwriters to be awarded an academy fellowship at the 70th year of the awards.
U2 then performed their song Sunday Bloody Sunday, which references the 1972 Bloody Sunday shootings in Londonderry, where members of the British army’s Parachute Regiment opened fire at civil rights demonstrators.
The group ended the evening with a performance of their 1988 song Angel Of Harlem.
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Netanyahu hits out at Starmer, Macron and Carney
Also on Thursday, Mr Netanyahu said UK Prime Minister Sir Keir Starmer was “on the wrong side of humanity” after he called for an end to the war in Gaza.
In a video he shared on social media, the Israeli prime minister also attacked the leaders of France and Canada for their criticism of Israel’s actions in the conflict.
Mr Netanyahu specifically linked the criticism from the UK, France and Canada to the killings in Washington DCof Israeli embassy workers Yaron Lischinsky and Sarah Lynn Milgrim on Wednesday night.