Banksy prints, handwritten notes, a pair of trainers – and even a collection of “burner phones” – are among scores of items set to be auctioned from “the most definitive archive” of his early work.
Steve Lazarides, the anonymous street artist’s former agent and photographer, is auctioning artwork and other mementos amassed over more than 10 years of collaboration from the late 1990s.
He has held on to his collection since he and Banksyparted ways, but told Sky News it is now time “to move on”. The sale is estimated to make $2m (about £1.54m).
Julien’s, in California, will host the auction of more than 170 lots, including proof prints of famous works such as Love Is In The Air, Girl With Balloon, and several Rude Coppers, as well as a pair of special edition “owned and worn” Puma trainers (UK size 9, if that reveals anything) and 15 “burner phones used… to covertly contact Banksy when necessary”, including Nokia, Sony and Motorola models.
Image: These Puma trainers have ‘Turf War’ embroidered on the heels, and ‘Banksy’ inside. Pic: Julien’s/Steve Lazarides
The term burner phone is slang for a typically cheap, pay-as-you-go mobile that can not easily be traced to the user.
Lazarides said “there could well be stuff” still on the mobiles, but did not give any more away.
“The burner phone was bought every couple of weeks to be used as walkie talkies and every single message was simply ‘call me’,” he said. “It became like a James Bond espionage fun game, and using the communication choice of drug dealers was a riot!”
Banksy would not have been able to get away with everything he did in those early days without him, Lazarides said. And “there were others who helped, also”.
Image: This Drill Rat stencil is expected to fetch the highest price, with an estimate of up to $200,000. Pic: Julien’s/Steve Lazarides
The auction, titled Under Duress, includes hand-cut stencils featuring famous Banksy rats and chimpanzees. The item estimated to fetch the highest price is the Drill Rat stencil, with an additional hand-cutting of Banksy’s name attached, which is expected to sell for up to $200,000 (£154,000).
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Bidding has already started online, with a proof print of Girl With Balloon currently attracting the highest offer, of $60,000 (£46,250).
Lazarides, who previously worked as a gallerist in and around Soho, central London, said he had always been a collector “of those weird little bits and bobs that look quite fun”, and “half the time it was just shit that was left in my car, or when we moved studios and it never got taken out the van or the car”.
Julien’s co-founder Darren Julien has described it as an “astonishing collection” offering an “unprecedented look at the history and path of the man that would become the world’s most famous and visionary artist”. The auction, he added, is a “historic opportunity for the next caretaker to own the most comprehensive and definitive archive of Banksy’s legacy”.
Image: A print of Love Is In The Air is also among the items up for auction. Pic: Julien’s/Steve Lazarides
While the work represents a huge part of Lazarides’ life, he said it felt cathartic to let go. He now wants to move on, go back to working as a photographer, and use the money to spend on his family.
“I’m the kind of person, if I’m letting go of one bit then it can all go. And it’s kind of, it’s done, that’s over, I can start moving on and doing something else and make some space in my cupboard… it’s been all pervasive for the last 25 years and it was time to move on.”
The item he has found most difficult to let go of is not a print, but a mission statement and logo for Pictures On Walls, the company he set up with Banksy “to let ordinary people love and afford art”. He says it was both his “and Banksy’s proudest moment”.
Image: A print of Banksy’s Pulp Fiction is also included. Pic: Julien’s/Steve Lazarides
For years, Banksy’s identity has been the subject of much speculation. Most recently, the artist made headlines for a series of animal-themed artworks that sprang up across different areas of London over a nine-day period.
Lazarides said he liked the police box filled with fish, the seventh work in the series, which appeared in the City of London, but not much else.
“When he gets it right, he’s the best f****** artist in the world. That’s why I gave so much of my time to him, he’s brilliant.
Image: The design of swimming fish appeared on a police box in the City of London in August, one of nine animal-themed designs in total. Pic: PA
“That series of London paintings, I don’t really understand where the politics have gone. And if there was a hidden meaning then he failed because you shouldn’t have to find another meaning as a viewer. Certainly not with graffiti, everyone should be able to understand it. Certainly with his.
“I don’t know, maybe he’s crippled by the fact there’s so many things to talk about, it’s easier to talk about nothing.”
What does Lazarides think the future holds for Banksy?
“I predict one day he will reveal himself and hopefully enjoy his life. I told him many times to do so.”
And if he did? “No one would believe it anyway!”
The Under Duress auction, the Banksy archive Of Steve Lazarides, starts at 10am local time (5pm in the UK) on 31 October
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.