Eddie Redmayne says he nearly ended up in hot water off-set whilst filming new Sky Atlantic show The Day of the Jackal.
Speaking to Sky News about the challenges of modernising Frederick Forsyth’s acclaimed novel, the Oscar-winning actor said it took months of intensive preparation to play a character that assumes a range of different ages and nationalities.
“What’s interesting about the Jackal is in some ways he is an actor and this whole series was a kind of actor’s playground,” he explained.
“I am a sucker for process… so it was languages, it was prosthetics, different costumes… and then all the gun work as well… I had about three or four months prepping, and it was pretty fun.”
From the first episode, the actor was required to casually be able to construct a gun out of the internal workings of a wheelie case. While he’d already been given advanced weapons training, his eagerness to take props home to practice could have nearly ended in his arrest.
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Eddie Redmayne’s kids want him to play a ‘goodie’.
“There is a moment at which the Jackal constructs this rifle…it is a beautiful bit of prop design…and I’m a really shoddy prop actor, so in Budapest, I asked the prop master if I could take home this case with me to work on it in the hotel,” he said.
“I was in the midst of eating some goulash and I suddenly went ‘Argh’ as I realised that I had left this gigantic sniper’s rifle – and the hotel was basically the equivalent of Trafalgar Square – pointing out a window and it was about to be the turndown service.
Image: The Jackal getting out of one of his disguises. Pic: Sky UK
Image: Pic: Sky UK/ Carnival Film & Television Limited 2024
“I remember running down the corridor and the person that works in the hotel pushing down the towels [trolley] and some extra little toiletries and I just barged through the door and deconstructed this thing… otherwise that could have been a moment because it looked pretty persuasive.”
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Keeping the action mostly contained onscreen, the star acknowledges it is a risky gamble to attempt a modern reboot of a much-loved classic.
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He explained: “I loved it since I was a kid and so when the scripts arrived in my inbox there was definitely a moment of trepidation.”
Image: Lashana Lynch plays an intelligence officer hunting down the Jackal. Pic: Sky UK
Forsyth’s acclaimed novel has had many lives since it came out in the early 70s, but the 1973 film version is how most people will remember the cat and mouse thriller, including its leading man.
“The original film was very much a binary sense of good and evil,” Redmayne said.
“We live in a world now, certainly in social media, in which things dictate that there is a right and a wrong and the grey territory is harder to navigate, I suppose… the series makes some sort of gestures towards that.”
Image: Redmayne alongside co-star Ursula Cobero. Pic: Sky UK/ Carnival Film & Television Ltd 2024
In the 10-part TV Sky Atlantic series, viewers will see that the Jackal is still an elite assassin carrying out a seemingly impossible hit. But, in this version, James Bond star Lashana Lynch plays an intelligence officer hunting him down.
The show takes in the rise of right-wing extremism, tech megalomaniacs and themes of assassination.
With the attempt on the life of Donald Trump, and a terrifying cycle of violence and assassination in the Middle East, there is something that feels eerily prescient about the timing of the modern reboot.
“What the series does [show] is that there’s ambiguity in everyone and I feel that that’s kind of where we’re at slightly in the world,” Redmayne said.
Image: The Day Of The Jackal cast at the London premiere. Pic: PA
For the actor, the final pulse-raising moment will be finding out what fans and his family make of the drama, not that he’ll be tuning in personally.
“Truth be told, nothing would pain me more than watching myself on screen, so I won’t be doing that… but I will be encouraging my family to watch it… it was my dad’s favourite film,” he said.
The Day of the Jackal is out on Sky Atlantic and NOW on 7 November.
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”