Does the music stop when the bombs are falling?

Published

1 month ago

November 2, 2024

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“You either hold a weapon or you hold a guitar,” says Raji El-Jaru, Gaza’s biggest rockstar.

Months before war broke out last year, hundreds of people packed into a concert hall to hear his band perform their distinct blend of pounding guitar riffs and impassioned lyrics.

“We’ll scream our pain; can you hear the call?” he sang to the rapt crowd. “Knock, knock, are you listening at all?”

Not long after that gig, Israeli airstrikes rained on Gaza City, tearing down buildings and displacing hundreds of thousands of people.

Focused on survival rather than music, the five members of Osprey V – believed to be Gaza’s first rock band – went from dreaming of gigging in Europe to wondering if they would ever play together again.

Formed back in 2015, the group are all self-taught and cite Metallica and Linkin Park among their influences. Raji, 32, explains that he has always seen rock music as the obvious way to resist oppression. “We are the voice of the voiceless, spreading love instead of hatred and violence.”

“It’s a matter of time now,” Volodymyr says, talking about when his name will be called to join Ukraine’s armed forces.

A DJ who goes by the moniker Lostlojic, before the full-scale invasion in 2022 he was flying around Europe playing his brand of electronic music but now he’s back in Kyiv, his hometown, performing to raise money for his friends on the frontline.

In the early days after the invasion there was discussion about whether club nights should continue, says 35-year-old Volodymyr, but people needed a break from thinking about war – not least the soldiers on leave from the battlefield.

“Many of my friends who are musicians are in the armed forces. They have no time to do their favourite thing. Once every few months they create some tracks, send them to me, and I play them out.”

Last weekend there was a day to celebrate the Ukrainian language, and Volodymyr incorporated samples of Ukrainian speech into his songs to mark it – an assertion of an identity that is under threat.

“Everything is about politics, you can’t be an artist without it.”

“One of the things that music can do is unify people,” says Ruth Daniel. “It’s a way to give people a space to share what they’re going through.”

She is head of In Place Of War, an organisation that helps foster music and creativity in conflict zones. When bombs are falling all around you, she believes, music can act as a form of escapism and creative resistance.

Speaking to Sky News from the recent WOMEX (Worldwide Music Expo) conference in Manchester, she described how smartphones and social media make it easier than ever for those in conflict zones to write tracks and find an audience.

“I’ve seen people making music studios on the edge of checkpoints, making their own instruments, doing hip hop on street corners and making music with car sound systems.”

Gigs too, can be held anywhere, she says, giving an example of a club night she went to in the Palestinian West Bank city of Ramallah.

“It was at a house – they basically turned the kitchen into a club. I remember leaving and there were lines and lines of police and army [soldiers] pointing guns.

“For me, the best music comes out of situations of difficulty. It’s not just art for art’s sake, it’s art with purpose and meaning.”

Mo Aziz once performed to tens of thousands of people in stadiums across Sudan as part of the popular group Igd al-Jalad. But the group’s music criticised the then-government and they were banned from performing amid a crackdown on expression.

He came to the UK as a refugee in 2017, and this year released an album calling for peace in his homeland and hoping to raise the profile of Sudanese music – traditionally a blend of African and Arabic influences.

Since the struggle for power between the army and a large militia group erupted into armed conflict in April 2023, more than 20,000 people have been killed in Sudan. There are firefights on the streets of Khartoum and a humanitarian crisis.

Mo’s mother and brother fled to Egypt, making a fortnight-long journey to escape the conflict, as the fighting led to millions being displaced.

“I was devastated,” he said. “I lost three friends as a result of the bombing in Khartoum, including one member of Igdal-Jalad.”

This unfolded as Mo was working on his album and master’s degree at Liverpool Hope University.

“I hope to show what’s happening in Sudan as well as uplift Sudanese music and put it on the international scene,” he said. “I will always dedicate my work to peace and human rights.”

Meanwhile, British-Sudanese folk singer-songwriter Saeed Gadir described the music scene in Khartoum as a “ghost town”.

“It’s really been decimated, there’s no one there. It’s a huge part of my writing,” says Saeed, who’s known as The Halfway Kid and whose new album Myths In Modern Life talks about growing up in a Sudanese migrant family.

And while he doesn’t see himself as always being explicitly political, his music is nonetheless politicised by the stories he tells and feelings he seeks to share with his audiences, he says.

“Even if you’re in London, you might get an insight into what it might feel like if there’s a coup back home.”

Sometimes there is no safe way to explore music in a dangerous place, sometimes the bombs are falling around you even as amps are plugged in and microphones set up.

That was the case in 1994, before the internet gave musicians the power to appear virtually to their fans. Back then, legendary metal singer Bruce Dickinson and his band Skunkworks were smuggled into Sarajevo during the Bosnian War while the city was under siege. The gig they played instantly became historic.

“I’d never seen devastation like it in a modern city. There wasn’t a single building that wasn’t a burnt-out shell,” Dickinson, best known as the lead singer of Iron Maiden, told the 2017 documentary Scream For Me Sarajevo.

The siege of Sarajevo was the longest in modern history, lasting nearly four years. More than 11,000 people, including over 1,000 children, were killed.

“I went out there and was just, like, how can I ever be as big as their lives need me to be for them?” recalled Dickinson.

“You could have given everything and you just felt like it wasn’t ever gonna be enough.”

All over the world, the musical tradition of building community – and resistance – in some of the world’s most dangerous places is thriving, thanks in part to social media and the ability to reach audiences around the world with live streams.

“Especially in places where people can’t get out or people can’t go in,” Ruth says. “And so that becomes the most important way of sharing people’s culture and identities.”

Still unable to return home, Raji has continued his work on Osprey V. A new video, produced in the Gaza Strip, is out soon and he hopes it will be a wakeup call to the West.

“We are normal people just like you,” he says. “We have families, we drink coffee, we wear Adidas. But we are suffering from endless wars.”

Entertainment

Nestle memo reveals BBC knew about ‘unacceptable’ behaviour from Gregg Wallace on factory show last year

Published

3 hours ago

December 4, 2024

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Nestle memo reveals BBC knew about 'unacceptable' behaviour from Gregg Wallace on factory show last year

The BBC was alerted to Gregg Wallace’s “unacceptable” behaviour while filming Inside The Factory more than a year and a half ago, Sky News can confirm.

A memo to staff at the Nestle factory in York shows concerns were raised with both the broadcaster and production company Voltage TV after Wallace’s final visit in February 2023.

The memo, which was shared on the company intranet, says the “experience of some of the team taking part in the filming had not been a pleasant one” and had “compromised” Nestle’s values.

An accompanying letter from Nestle’s head of media relations to the factory manager states: “We have written to the production company… and spoken to the BBC to bring our unacceptable experience to their attention in the hope that it is not repeated in other workplaces around the UK.”

While the letter does not name Wallace directly, it is understood to be in reference to him.

Wallace, who is best known for being a MasterChef presenter, is facing allegations of inappropriate behaviour from more than a dozen people across a range of shows over a 17-year period.

His lawyers have said it’s “entirely false that he engages in behaviour of a sexually harassing nature”.

Wallace quit as co-presenter of Inside the Factory in March 2023, saying he intended to focus on other TV commitments, and his young son, who is autistic.

At the time, there were reports the 60-year-old former greengrocer had offended some staff at the York factory with inappropriate comments.

The company’s memo reiterates a “zero-tolerance approach towards any allegation of discrimination, harassment or bullying of any kind in the workplace, whether this be by an employee, contractor, or visitor”.

It was the programme’s fifth visit to a Nestle site and its third to York, but the memo says “we will not be working with Inside the Factory again in the future” as the show “did not meet our high standards of respect”.

“We will not tolerate any kind of racism, misogyny, homophobia, bullying, exclusion or harassment and we have strict policies in place to deal swiftly and decisively with this kind of behaviour,” the memo adds.

Sky News has contacted representatives for Wallace, and the BBC and Voltage TV for comment.

Earlier on Tuesday, the BBC confirmed it was pulling three repeat episodes of Inside The Factory from the Christmas schedule.

It told Sky News it would not be removing them from iPlayer “at this stage”.

Two celebrity MasterChef Christmas specials have also been removed from the schedule.

Wallace has temporarily stepped down from the cooking show while the complaints are externally reviewed by a law firm.

Groping allegation

More allegations against the presenter surfaced on Tuesday – with two women claiming Wallace had inappropriately touched them.

One told the BBC he “groped” her bottom, while another alleged he laughed after touching her bottom “with his waist and penis” when brushing past her.

A third claimed Wallace’s penis was partially exposed in his dressing room in what she felt was a “power play”.

The Guardian also reported a complaint that he once asked a sign language interpreter to translate “big boobs” and “sexy bum” in front of the audience at the BBC Good Food Show.

Sky News has also asked the BBC and Wallace’s representatives for comment on these claims.

An increasing number of people have accused the presenter of inappropriate sexual comments in recent days, including a former contestant who told Sky News one remark left her crying in the toilets.

Jackie Kearney said she had been “troubled” by Wallace’s “household favourite status” as she felt he was “a bit of a sleaze behind closed doors”.

Another former contestant told Sky News the claims are just the “tip of the iceberg” when it comes to MasterChef.

He claimed to have witnessed a “toxic environment” on set and the problem was “larger” than just the presenter.

On Sunday, Wallace responded with a social media video dismissing his accusers as “middle-class women of a certain age”.

The remark prompted a huge backlash, with even Downing Street commenting.

He apologised in another clip on Monday, saying he “wasn’t in a good head space” when he posted the previous video.

What have the BBC and producers said?

Banijay UK has appointed law firm Lewis Silkin to lead the investigation.

A spokesperson said the company takes complaints “incredibly seriously” but will not comment on individual allegations while the external investigation is ongoing.

“It is important to note that MasterChef welfare processes are regularly adapted and strengthened and there are clear protocols to support both crew and contributors,” the Banijay spokesperson said.

“These include multiple ways of reporting issues, including anonymously.”

In response to reports multiple complaints had been raised with the BBC, a source for the corporation said it would not comment on individuals or any internal HR processes, but that it would be “wrong to report the BBC has done nothing if or when matters have been raised with us – not least because it is already being widely reported there were interventions in both 2017 and 2018 where action was taken”.

Last week, a BBC spokesperson said any issues raised are taken seriously and there are “robust processes in place” to deal with them.

“We are always clear that any behaviour which falls below the standards expected by the BBC will not be tolerated,” they said.

Entertainment

MOBO Awards organisers reveal artists nominated for 2025 ceremony

Published

3 hours ago

December 4, 2024

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MOBO Awards organisers reveal artists nominated for 2025 ceremony

Ghetts, Jorja Smith and Central Cee are among the artists leading the nominations for this year’s MOBO Awards.

They all have three nods, alongside Sampha, Bashy, Cleo Sol and Odeal, while Brit record-breaker Raye is up for two awards and Beyonce, Kendrick Lamar, Nicki Minaj and Tyla are among the stars in the running for best international act.

As previously announced, the 2025 ceremony will take place in Newcastle in February. The MOBOs, which have been running since 1996, celebrate black music and culture, from established names to up-and-coming talent.

For Bashy, who is also a successful actor – known for his role as Jermaine Newton in Top Boy – the nominations come following his return to music with his first album in 15 years.

The record, Being Poor Is Expensive, looks back at his childhood and has earned him a place in the shortlists for best male act, best hip-hop act, and album of the year.

He has competition from Cleo Sol’s Gold, Ghetts’s On Purpose, With Purpose, Jorja Smith’s Falling Or Flying, Sampha’s Lahai and Skrapz’s Reflection in the album category.

Both Smith and Sol are up for best female, alongside Darkoo, Little Simz, Nia Archives and Raye, while Central Cee, D-Block Europe, Ghetts, Nemzz and Sampha are in the running against Bashy for best male.

Central Cee will be hoping to take the best male gong for the third year in a row – and is also shortlisted for best drill act and song of the year, for Band4Band, featuring Lil Baby.

Other tracks in the running for song of the year are Backbone, by Chase & Status and Stormzy; Favourite Girl, by Darkoo featuring Dess Dior; Kehlani, by Jordan Adetunji; Pink Lemonade, by LeoStayTrill; and Soh-Soh, by Odeal.

Stars including Headie One, Nines, PinkPantheress, Bob Vylan and Shygirl are also in the mix, nominated in genre categories including best hip-hop, best electronic and dance, and best alternative act.

Film and TV contributions are also recognised – with Netflix series Supacell garnering nods for Ghetts for his role as Krazy, as well as for Josh Tedeku, who plays Tazer, and Tosin Cole as Michael.

EastEnders also picks up nominations in the same category for Angela Wynter as Yolande Trueman and Diane Parish as Denise Fox, while Jasmine Jobson is shortlisted for her performance in Top Boy.

The MOBO Awards take place at Newcastle’s Utilita Arena on 18 February.

Entertainment

Eminem’s mother, Debbie Nelson, dies aged 69

Published

5 hours ago

December 4, 2024

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Eminem's mother, Debbie Nelson, dies aged 69

Debbie Nelson, the mother of rapper Eminem, has died at the age of 69.

Her death was confirmed by Eminem’s representative Dennis Dennehy on Tuesday.

The cause of death is yet to be confirmed, although Ms Nelson had battled lung cancer.

Eminem, whose real name is Marshall Mathers III, often highlighted the strained relationship he had with his mother in his music.

In two of his most popular songs, My Name Is and Cleanin’ Out My Closet, he accuses Ms Nelson of drug abuse and neglect.

In the 2002 hit Cleanin’ Out My Closet he says: “Witnessin’ your mama poppin’ prescription pills in the kitchen”. He later claims she was “trying to take what you didn’t help me get”.

Later the same year, a fictionalised version of his mother who is an alcoholic, was played by Kim Basinger in the semi-autobiographical film 8 Mile which the rapper also stars in.

Ms Nelson brought and settled a pair of defamation lawsuits over Eminem’s statements about her in magazines and on radio talk shows.

But in her 2008 book My Son Marshall, My Son Eminem, she attempted to set the record straight.

The book’s blurb claims that she was a “single mother who wanted the world for her son, only to see herself defamed and shut out when he got it”, Sky News’ US partner network NBC said.

She also shared details about the rapper’s early life, writing that Eminem had forgotten the good times they had.

Over the years, the tensions between the two seemed to simmer, with the rapper apologising to Ms Nelson in his 2013 song Headlights.

“Cause to this day we remain estranged, and I hate it though,” he raps, adding: “Cause you ain’t even get to witness your grandbabies grow. But I’m sorry, momma, for Cleanin’ Out My Closet. At the time I was angry, rightfully? Maybe so. Never meant that far to take it, though.”

Ms Nelson also publicly congratulated her son in 2022 after he was indicted into the Rock and Roll Hall Of Fame, Billboard reported, saying in a video shared at the time: “I love you very much. I knew you’d get there. It’s been a long ride. I’m very, very proud of you.”