Does the music stop when the bombs are falling?

Published

8 months ago

November 2, 2024

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“You either hold a weapon or you hold a guitar,” says Raji El-Jaru, Gaza’s biggest rockstar.

Months before war broke out last year, hundreds of people packed into a concert hall to hear his band perform their distinct blend of pounding guitar riffs and impassioned lyrics.

“We’ll scream our pain; can you hear the call?” he sang to the rapt crowd. “Knock, knock, are you listening at all?”

Not long after that gig, Israeli airstrikes rained on Gaza City, tearing down buildings and displacing hundreds of thousands of people.

Focused on survival rather than music, the five members of Osprey V – believed to be Gaza’s first rock band – went from dreaming of gigging in Europe to wondering if they would ever play together again.

Formed back in 2015, the group are all self-taught and cite Metallica and Linkin Park among their influences. Raji, 32, explains that he has always seen rock music as the obvious way to resist oppression. “We are the voice of the voiceless, spreading love instead of hatred and violence.”

“It’s a matter of time now,” Volodymyr says, talking about when his name will be called to join Ukraine’s armed forces.

A DJ who goes by the moniker Lostlojic, before the full-scale invasion in 2022 he was flying around Europe playing his brand of electronic music but now he’s back in Kyiv, his hometown, performing to raise money for his friends on the frontline.

In the early days after the invasion there was discussion about whether club nights should continue, says 35-year-old Volodymyr, but people needed a break from thinking about war – not least the soldiers on leave from the battlefield.

“Many of my friends who are musicians are in the armed forces. They have no time to do their favourite thing. Once every few months they create some tracks, send them to me, and I play them out.”

Last weekend there was a day to celebrate the Ukrainian language, and Volodymyr incorporated samples of Ukrainian speech into his songs to mark it – an assertion of an identity that is under threat.

“Everything is about politics, you can’t be an artist without it.”

“One of the things that music can do is unify people,” says Ruth Daniel. “It’s a way to give people a space to share what they’re going through.”

She is head of In Place Of War, an organisation that helps foster music and creativity in conflict zones. When bombs are falling all around you, she believes, music can act as a form of escapism and creative resistance.

Speaking to Sky News from the recent WOMEX (Worldwide Music Expo) conference in Manchester, she described how smartphones and social media make it easier than ever for those in conflict zones to write tracks and find an audience.

“I’ve seen people making music studios on the edge of checkpoints, making their own instruments, doing hip hop on street corners and making music with car sound systems.”

Gigs too, can be held anywhere, she says, giving an example of a club night she went to in the Palestinian West Bank city of Ramallah.

“It was at a house – they basically turned the kitchen into a club. I remember leaving and there were lines and lines of police and army [soldiers] pointing guns.

“For me, the best music comes out of situations of difficulty. It’s not just art for art’s sake, it’s art with purpose and meaning.”

Mo Aziz once performed to tens of thousands of people in stadiums across Sudan as part of the popular group Igd al-Jalad. But the group’s music criticised the then-government and they were banned from performing amid a crackdown on expression.

He came to the UK as a refugee in 2017, and this year released an album calling for peace in his homeland and hoping to raise the profile of Sudanese music – traditionally a blend of African and Arabic influences.

Since the struggle for power between the army and a large militia group erupted into armed conflict in April 2023, more than 20,000 people have been killed in Sudan. There are firefights on the streets of Khartoum and a humanitarian crisis.

Mo’s mother and brother fled to Egypt, making a fortnight-long journey to escape the conflict, as the fighting led to millions being displaced.

“I was devastated,” he said. “I lost three friends as a result of the bombing in Khartoum, including one member of Igdal-Jalad.”

This unfolded as Mo was working on his album and master’s degree at Liverpool Hope University.

“I hope to show what’s happening in Sudan as well as uplift Sudanese music and put it on the international scene,” he said. “I will always dedicate my work to peace and human rights.”

Meanwhile, British-Sudanese folk singer-songwriter Saeed Gadir described the music scene in Khartoum as a “ghost town”.

“It’s really been decimated, there’s no one there. It’s a huge part of my writing,” says Saeed, who’s known as The Halfway Kid and whose new album Myths In Modern Life talks about growing up in a Sudanese migrant family.

And while he doesn’t see himself as always being explicitly political, his music is nonetheless politicised by the stories he tells and feelings he seeks to share with his audiences, he says.

“Even if you’re in London, you might get an insight into what it might feel like if there’s a coup back home.”

Sometimes there is no safe way to explore music in a dangerous place, sometimes the bombs are falling around you even as amps are plugged in and microphones set up.

That was the case in 1994, before the internet gave musicians the power to appear virtually to their fans. Back then, legendary metal singer Bruce Dickinson and his band Skunkworks were smuggled into Sarajevo during the Bosnian War while the city was under siege. The gig they played instantly became historic.

“I’d never seen devastation like it in a modern city. There wasn’t a single building that wasn’t a burnt-out shell,” Dickinson, best known as the lead singer of Iron Maiden, told the 2017 documentary Scream For Me Sarajevo.

The siege of Sarajevo was the longest in modern history, lasting nearly four years. More than 11,000 people, including over 1,000 children, were killed.

“I went out there and was just, like, how can I ever be as big as their lives need me to be for them?” recalled Dickinson.

“You could have given everything and you just felt like it wasn’t ever gonna be enough.”

All over the world, the musical tradition of building community – and resistance – in some of the world’s most dangerous places is thriving, thanks in part to social media and the ability to reach audiences around the world with live streams.

“Especially in places where people can’t get out or people can’t go in,” Ruth says. “And so that becomes the most important way of sharing people’s culture and identities.”

Still unable to return home, Raji has continued his work on Osprey V. A new video, produced in the Gaza Strip, is out soon and he hopes it will be a wakeup call to the West.

“We are normal people just like you,” he says. “We have families, we drink coffee, we wear Adidas. But we are suffering from endless wars.”

Entertainment

Fantasy v reality: Lena Dunham’s Too Much is a new spin on the London romcom

Published

6 hours ago

July 9, 2025

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Fantasy v reality: Lena Dunham's Too Much is a new spin on the London romcom

Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.

Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.

“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.

“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”

The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.

Instead, her attention was taken by another, and possibly equally influential group of artists.

“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.

“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.

“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”

It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.

Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.

She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.

“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.

“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”

Too Much, her new Netflix series, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.

The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.

Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.

“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”

In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.

The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.

To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.

“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.

“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”

She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.

“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.

“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.

“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”

Too Much is out on Netflix now.

Entertainment

‘I will not go quietly,’ Gregg Wallace says amid reports he’s been sacked by the BBC

Published

17 hours ago

July 8, 2025

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'I will not go quietly,' Gregg Wallace says amid reports he's been sacked by the BBC

Former MasterChef host Gregg Wallace has vowed he will “not go quietly”, amid reports that he has been sacked by the BBC.

It comes after the TV host faced an investigation, commissioned by MasterChef’s production company Banijay UK, into alleged inappropriate behaviour while working for the BBC.

In November, the 60-year-old stepped back from presenting the cooking show after accusations that he made sexual comments towards staff and celebrity guests on a range of programmes over 17 years.

Broadcaster Kirsty Wark, author and actor Emma Kennedy, and presenter Kirstie Allsopp, were among the high-profile figures who made claims of inappropriate behaviour against Wallace.

In a statement, released ahead of the publication of the summary of a report into the claims, the 60-year-old said he had been “cleared of the most serious and sensational accusations” made against him.

However, he said the report, carried out by independent law firm Lewis Silkin, had found him “primarily guilty of inappropriate language between 2005 and 2018”.

Wallace’s statement, published on Instagram, came hours before the BBC News reported that 50 more people had made claims to the corporation against the presenter, including allegations he groped one MasterChef worker and pulled his trousers down in front of another.

In his statement, Wallace labelled BBC News’s claims as “uncorroborated tittle-tattle”.

Wallace wrote: “I have taken the decision to speak out ahead of the publication of the Silkin’s report – a decision I do not take lightly.

“But after 21 years of loyal service to the BBC, I cannot sit in silence while my reputation is further damaged to protect others.

“I have now been cleared by the Silkin’s report of the most serious and sensational accusations made against me.

“The most damaging claims (including from public figures which have not been upheld) were found to be baseless after a full and forensic six-month investigation.

“To be clear, the Silkin’s report exonerates me of all the serious allegations which made headlines last year and finds me primarily guilty of inappropriate language between 2005 and 2018.”

‘I was hired as the cheeky greengrocer – now that’s a problem’

Wallace said he recognised that “some of my humour and language” was at times “inappropriate” and, for that, he apologised “without reservation”.

“But I was never the caricature now being sold for clicks,” Wallace, who also referred to his recent diagnosis of autism, added.

“I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges, and all.

“For over two decades, that authenticity was part of the brand. Now, in a sanitised world, that same personality is seen as a problem.”

Wallace: Complaints from ‘middle-class women of a certain age’

Shortly after the allegations first emerged, Wallace recorded a video where he dismissed his accusers as “middle-class women of a certain age”.

His remarks were met with huge criticism – including from Downing Street, where a spokesperson for the prime minister described them as “completely inappropriate and misogynistic”.

Wallace responded by posting a follow-up clip where he apologised and said he “wasn’t in a good space” when he posted the comments.

Wallace was replaced in the 20th season of MasterChef, which aired this spring, by restaurant critic and former I‘m A Celebrity contestant Grace Dent. Several Christmas episodes of the show were also pulled from the BBC’s 2024 festive schedule.

In April, Wallace spoke to the Daily Mail, denying all accusations against him and saying he had contemplated suicide following the allegations.

Wallace’s lawyers have previously called allegations that he engages in behaviour of a sexually harassing nature “entirely false”.

A spokesperson for the BBC said: “Banijay UK instructed the law firm Lewis Silkin to run an investigation into allegations against Gregg Wallace. We are not going to comment until the investigation is complete and the findings are published.”

A Banijay spokesperson told Sky News: “We won’t be commenting until our report is published.” They have signalled the report will be published later this week or next.

Banijay previously said Wallace is “committed to fully co-operating” with the external review.

Alongside MasterChef, Wallace presented Inside The Factory for BBC Two from 2015 to 2023.

He also featured on various BBC shows over the years, including Saturday Kitchen, Eat Well For Less, Supermarket Secrets, Celebrity MasterChef and MasterChef: The Professionals, as well as being a Strictly Come Dancing contestant in 2014.

More recently, Wallace has been promoting his health and lifestyle website, offering one-to-one coaching from both himself and a team of experts, which includes nutritionists and doctors, and his wife Anna in the role of recipe curator.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.

Entertainment

Ozzy Osbourne reunites with Black Sabbath for ‘final bow’ in emotional metal goodbye

Published

4 days ago

July 5, 2025

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Ozzy Osbourne reunites with Black Sabbath for 'final bow' in emotional metal goodbye

Ozzy Osbourne has reunited with Black Sabbath and performed his final gig – telling fans “you’ve no idea how I feel – thank you from the bottom of my heart”, in an emotional but truly metal goodbye.

Announced earlier this year, Back To The Beginning at Villa Park stadium was billed as the “final bow” for the man revered as a founder of heavy metal after several years of health problems, including Parkinson’s disease.

Rising up on a black throne featuring jewelled skulls, the 76-year-old performed a solo set before being joined by his original bandmates – Terence “Geezer” Butler, Tony Iommi and Bill Ward – for Black Sabbath’s first performance in 20 years.

“Let the madness begin,” Osbourne cried as he appeared for the first time, telling about 40,000 fans: “It’s so good to be on this stage.”

With the crowd chanting his name, he performed both sets sitting down, but the voice and the crazed glint in his eyes were there almost throughout.

Singing fan favourites including Mr Crowley and Crazy Train, and Iron Man and Paranoid with Black Sabbath, Osbourne conducted the crowd to sing “louder, louder”, and “go f****** crazy”.

This was an orchestrated exit by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries – from Slayer and Halestorm to Metallica and Guns ‘n’ Roses, plus stars including Steven Tyler, Ronnie Wood, Yungblud, Travis Barker and Chad Smith, who showed up for “supergroup” performances.

Many said they would not be the musicians they are without Osbourne and Black Sabbath.

“You know, there’s not another guy as respected in metal as Ozzy Osbourne,” former Van Halen singer Sammy Hagar told Sky News just ahead of his performance. “And for him to be sick and to be saying, I’m out, I’m done. Man. There’s no one else that can replace that.”

“Without Sabbath, there would be no Metallica,” said frontman James Hetfield during their performance.

“We’re not here to say goodbye,” said Anthrax’s Scott Ian. “We’re just here to say thank you.”

Throughout the day, giant Ozzy and Black Sabbath beach balls, in the Aston Villa claret and blue, were bounced around a jubilant crowd.

Tributes from other celebrity friends and fans, from Billy Idol and Ricky Gervais to Dolly Parton and Sir Elton John, were played on screen.

Hollywood actor Jason Momoa, who hosted the event, told the crowd heavy metal had been a “safehaven” for many growing up, and Black Sabbath’s music had “influenced and inspired musicians” of all eras and genres.

The farewell show was the idea of Osbourne’s wife, Sharon – one final gig to finish his performing career on a high – after he was forced to cancel shows he had planned in 2023, telling fans he “never imagined” his touring days would end that way.

Sharon Osbourne told Sky News earlier this year that his one regret was not being able to say a thank you to his fans, and so the idea for the reunion gig was born.

Profits from the show will be shared between Cure Parkinson’s, Birmingham Children’s Hospital, and Acorn’s Children’s Hospice.

The gig came after the Black Sabbath band members were awarded the freedom of Birmingham earlier in June, recognised for their significance to the cultural and musical identity of the city they grew up in.

The group formed in 1968 and went on to become one of the most successful metal bands of all time, selling more than 75 million albums worldwide over the years.

They were inducted into the Rock & Roll Hall of Fame in 2006 – Osbourne again later as a solo artist last year – and awarded a lifetime Ivor Novello songwriting award in 2015. In 2019, they were presented with a Grammy lifetime achievement prize.

Now, their first performance in 20 years will also be their last – one for the metal history books.

The show ended with fireworks and a roar from the crowd, who had chanted Ozzy’s name throughout.

For fans, Back To The Beginning capped it all – the ultimate rock and metal line-up, and one last opportunity to show their love for the Prince of Darkness.

“I feel lucky to be able to attend this,” said Calum Kennedy, 19, from Dunfermline. “It’s the biggest metal show known to man, [the biggest line-up] ever. I’ve never seen anything better.”

Ben Sutton, 24, from Chester, added: “I feel like it’s important – we’re of the younger generation – for us to see some of the heritage and history of the genre we love, metal in general. It’s such an honour to say goodbye to him.”

Steve Townson, from Lincolnshire, said: “I saw him the first time round and the fact that he’s still going is incredible, isn’t it? I was there at the start, I’m happy to be here at the end.”