Beyonce and Taylor Swift have made Grammy history, with the nominations for this year’s awards revealed.
Beyonce leads this year’s female-dominated nominations, receiving 11 nods and making her the most nominated artist in the show’s history, with 99 in total.
Her success as the most-nominated artist comes after her country album, Cowboy Carter, was roundly snubbed at this year’s County Music Association Awards.
The43-year-old star’s chart-topping album secured nods for album of the year and best country album, while track Texas Hold ‘Em is up for record of the year and song of the year.
Beyonce picked up her 32nd gong at last year’s ceremony, but despite winning the most awards in a lifetime, she’s yet to win the coveted album of the year award.
With nods across a host of genres, including pop, country, Americana and melodic rap, many will be predicting she’ll surely take the prize next year. If she does, it will make her the first black woman to do so this century.
Meanwhile, Swift’s seventh nod in the album category for her surprise double album The Tortured Poets Department means she overtakes Barbra Streisand, who had formerly tied with the Shake It Off star with six nominations.
Swift won the best album category last year with Midnights.
Following Beyonce in the lead for nominations, Charli XCX – whose trend setting album Brat saw the moniker become word of the year – has seven nods (her first as a solo artist), as does Billie Eilish, Kendrick Lamar, and Post Malone.
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American singer-songwriter Sabrina Carpenter continues her stellar year with six nods, as do Chappell Roan and Swift, who finishes her record-breaking Eras tour in North America next month.
As well as Charlie XCX getting some Grammy nomination love, British star Raye also received her first nominations for best new artist and songwriter of the year non-classical.
Carpenter and Roan also made it into the prestigious best new artist category.
While The Beatles – who formed in Liverpool and went on to become the biggest musical act in the world – are up for record of the year with Now And Then.
Nominations were announced by past Grammy winners including Kylie Minogue, Mark Ronson and last year’s best new artist recipient, Victoria Monet.
The annual ceremony – which gives out a whopping 94 gongs in total – has four big categories – album, record and song of the year and best new artist.
The Recording Academy have adjusted to those categories this year, reducing the number of potential nominees from 10 to eight.
It’s also updated some of its rules to keep up with the rise of artificial intelligence (AI) technology in music and introduced three new categories – best African music performance, best pop dance recording, and best alternative jazz album.
The eligibility period for work ran from 16 September 2023 to 30 August 2024.
Women dominated last year’s awards too, with Swift taking album of the year, Eilish winning song of the year and Miley Cyrus taking home record of the year.
The 67th Grammy Awards take place on Sunday 2 February 2025, at the Crypto.com Arena in Los Angeles.
Main category nominees
Album Of The Year New Blue Sun – Andre 3000 Cowboy Carter- Beyonce Short N’ Sweet – Sabrina Carpenter Brat – Charli XCX Djesse Vol. 4 – Jacob Collier Hit Me Hard And Soft – Billie Eilish Chappell Roan The Rise and Fall of a Midwest Princess – Chappell Roan The Tortured Poets Department – Taylor Swift
Record Of The Year Now And Then – The Beatles Texas Hold ‘Em – Beyonce Espresso – Sabrina Carpenter 360 – Charli XCX Birds Of A Feather – Billie Eilish Not Like Us – Kendrick Lamar Good Luck, Babe! – Chappell Roan Fortnight – Taylor Swift Featuring Post Malone
Song Of The Year A Bar Song (Tipsy) – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey) Birds Of A Feather – Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) Die With A Smile – Dernst ‘D’Mile’ Emile II, James Fauntleroy, Lady Gaga, Bruno Mars & Andrew Watt, songwriters (Lady Gaga & Bruno Mars) Fortnight – Jack Antonoff, Austin Post & Taylor Swift, songwriters (Taylor Swift Featuring Post Malone) Good Luck, Babe! – Kayleigh Rose Amstutz, Daniel Nigro & Justin Tranter, songwriters (Chappell Roan) Not Like Us – Kendrick Lamar, songwriter (Kendrick Lamar) Please Please Please – Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter) Texas Hold ‘Em – Brian Bates, Beyonce, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyonce)
Best New Artist Benson Boone Sabrina Carpenter Doechii Khruangbin Raye Chappell Roan Shaboozey Teddy Swims
Alec Baldwin will not appear again in court for involuntary manslaughter over a fatal shooting on the set of Rust after New Mexico prosecutors dropped their appeal.
The trial against him earlier this year collapsed after just three days over testimony that prosecutors had withheld potential evidence from the defence.
Baldwin was holding a gun which went off on the set in New Mexico in 2021, killing cinematographer Halyna Hutchins and wounding director Joel Souza.
The 66-year-old, an actor and co-producer on the film, denied ever pulling the trigger and said he had been directed to aim it at a camera.
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2:43
From July: Baldwin case dismissed by judge
After the trial had ended, special prosecutor Kari Morrissey filed an appeal and claimed the case was “improperly dismissed” by Judge Mary Marlowe Sommer.
The state’s district attorney’s office said on Monday that while it still strongly disagreed with the judge’s decision, it “did not intend to exhaustively pursue the appeal”.
Local prosecutors added: “As a result, the State’s efforts to continue to litigate the case in a fair and comprehensive manner have been met with multiple barriers that have compromised its ability to prosecute to the fullest extent of the law.”
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Baldwin’s lawyers Luke Nikas and Alex Spiro said the decision “is the final vindication of what Alec Baldwin and his attorneys have said from the beginning – this was an unspeakable tragedy but Alec Baldwin committed no crime”.
It means Judge Marlowe Sommer’s original ruling – that the case accusing Baldwin of involuntary manslaughter has been dismissed and cannot be filed again – stands.
The case collapsed when Baldwin’s defence team learnt the Santa Fe sheriff’s office had taken possession of live rounds as potential evidence on the same day the film’s armourer, Hannah Gutierrez, was convicted of involuntary manslaughter.
Investigators did not list these live rounds in the Rust file and they were not disclosed to defence lawyers, prompting a motion to dismiss the case.
After Mr Spiro claimed evidence had been concealed on day three of the trial, Ms Morrissey called herself as a witness and said the ammunition was not connected to the case.
In a bizarre moment, Mr Spiro put it to Ms Morrissey during questioning that she simply did not “like Mr Baldwin very much”.
After she replied “that is absolutely untrue” and praised his acting and politics, Mr Spiro told the court that she had referred to the actor as a “c*********” and an “arrogant p****” to witnesses. She said she did not recall this.
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2:48
From July: Watch extraodinary moment in Baldwin case
Dismissing the trial, Judge Marlowe Sommer found the prosecution’s conduct on the live rounds was “highly prejudicial” to Baldwin and there was “no way for the court to right this wrong”.
The iconic crocodile who starred in hit film Crocodile Dundee has died, his zoo has announced.
Crocosaurus Cove, where Burt had been kept since 2008, said he passed away “peacefully” over the weekend.
He was estimated to be over 90 years old, well over the usual life expectancy.
“Burt was truly one of a kind. He wasn’t just a crocodile; he was a force of nature and a reminder of the power and majesty of these incredible creatures,” the zoo said.
“While his personality could be challenging, it was also what made him so memorable and beloved by those who worked with him and the thousands who visited him over the years.
“Visitors from around the globe marvelled at his impressive size and commanding presence, especially at feeding time.”
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Burt was captured for the first time in the 1980s, the zoo said, and he appeared in Crocodile Dundee just before Christmas in 1986.
He starred alongside Paul Hogan in the film, helping to “shape Australia’s image as a land of rugged natural beauty and awe-inspiring wildlife”.
Known for his “independent nature”, the zoo said Burt was a “confirmed bachelor” with a “fiery temperament”, which earned him the respect of caretakers and visitors.
“As we mourn his loss, we are reminded of the vital role wildlife plays in our shared history and the importance of preserving it for future generations,” the zoo added.
The average saltwater crocodile usually lives up to 70 years.
Crocosaurs Cove said it plans to install a commemorative sign to celebrate his “extraordinary life and the stories and interactions he shared throughout his time at the park”.
Documents from actress Blake Lively’s legal complaint about her It Ends With Us co-star Justin Baldoni claim to show how his PR team deliberately “planted pieces of how horrible Blake is to work with” in the press and on social media.
The legal complaint, filed to the California Civil Rights Department on Friday, contains pages of text messages allegedly sent between Baldoni and his PR team.
Lively, 37, claims that Baldoni, 40, who is also the director of the film, hired crisis PR management to engage in a “multi-tiered” plan to damage her reputation after she and her husband Ryan Reynolds, 48, complained of “repeated sexual harassment and other disturbing behaviour” on set of the movie.
A lawyer representing Baldoni and his production company Wayfarer Studios says the allegations are “completely false, outrage and intentionally salacious”.
He adds that the studio and its PR team “did nothing proactive nor retaliated” against Lively – and that it hired crisis PR managers “due to the multiple demands and threats made by Ms Lively during production”.
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Blake Lively on being an actor and producer
The text messages, which Lively says she acquired through a subpoena, involve exchanges between Jennifer Abel, of PR firm RWA Communications, Melissa Nathan, of The Agency Group PR, and Baldoni.
They include:
Details of two quotes of PR packages – one costing “£175k” for a “3-4 month period” including “full reddit, full social account take downs”;
Another PR package costing “$25k per month” for “min 3 months” that includes “creation of social fan engagement to go back and forth with any negative accounts, helping to change the narrative and stay on track”;
Baldoni asking Ms Abel “What is the TikTok strategy” and saying “I’d like you guys to start posting me ONLY talking about domestic violence and clips and why this movie is so important”;
Ms Abel telling Ms Nathan she was “having reckless thoughts of wanting to plant pieces this week of how horrible Blake is to work with”;
Ms Abel saying: “The narrative online is so freaking good and fans are still sticking up for Justin” and telling Ms Nathan “you did such amazing work”;
Ms Nathan telling Ms Abel: “The majority of socials are so pro Justin and I don’t even agree with half of them lol”;
Ms Nathan replying to Ms Abel: “Narrative is CRAZY good”;
Ms Nathan telling Ms Abel: “We can’t write it down to him… We can’t write we will destroy her”;
Ms Nathan adding: “you know we can bury anyone”;
Ms Nathan saying to Ms Abel: “Don’t worry, I didn’t kill her and send her in a box to your house”, to which Abel replies: “DAMNIT”;
Ms Nathan telling Ms Abel socials are “really really ramping up”, to which Ms Abel adds: “It’s actually sad because it just shows you have people really want to hate on women”.
The text messages appear to date between 15 May and 18 August this year. It Ends With Us was released on 9 August.
In one other exchange, Baldoni expresses concerns his PR team may have been deploying fake “bots” to “take her [Lively] down” on social media, to which Ms Nathan replies: “I can fully confirm we do not have bots.”
The legal documents also include the alleged list of conditions Lively submitted for her “returning to production” after she alleged sexual harassment on set.
They include “no one entering… BL’s trailer while she is in a state of undress” and “no discussions of personal experience with sex or nudity”.
Lively’s legal complaint claims Baldoni “abruptly pivoted away from” the film’s marketing plan and “used domestic violence ‘survivor content’ to protect his public image” after the sexual harassment allegations came out.
Baldoni brands Lively’s claims ‘shameful’
Mr Freedman, representing Baldoni and Wayfarer Studios, says in his statement: “It is shameful that Ms. Lively and her representatives would make such serious and categorically false accusations against Mr. Baldoni, Wayfarer Studios and its representatives, as yet another desperate attempt to ‘fix’ her negative reputation which was garnered from her own remarks and actions during the campaign for the film; interviews and press activities that were observed publicly, in real time and unedited, which allowed for the internet to generate their own views and opinions.
“These claims are completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media. Wayfarer Studios made the decision to proactively hire a crisis manager prior to the marketing campaign of the film, to work alongside their own representative with Jonesworks employed by Stephanie Jones, due to the multiple demands and threats made by Ms. Lively during production which included her threatening to not showing up to set, threatening to not promote the film, ultimately leading to its demise during release, if her demands were not met.
“It was also discovered that Ms. Lively enlisted her own representative, Leslie Sloan with Vision PR, who also represents Mr. Reynolds, to plant negative and completely fabricated and false stories with media, even prior to any marketing had commenced for the film, which was another reason why Wayfarer Studios made the decision to hire a crisis professional to commence internal scenario planning in the case they needed to address.
“The representatives of Wayfarer Studios still did nothing proactive nor retaliated, and only responded to incoming media inquiries to ensure balanced and factual reporting and monitored social activity. What is pointedly missing from the cherry-picked correspondence is the evidence that there were no proactive measures taken with media or otherwise; just internal scenario planning and private correspondence to strategize which is standard operating procedure with public relations professionals.”
Lively says in a statement to the New York Times: “I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted.”
The August release of It Ends With Us, an adaptation of Colleen Hoover’s bestselling 2016 novel, was shrouded by speculation over discord between the lead pair.
Baldoni took a backseat in promoting the film while Lively took centre stage along with Reynolds, who was on the press circuit for Deadpool & Wolverine at the same time.
Sky News has contacted Jessica Abel and RWA Communications for comment.