Boy George on the price of fame – and his rocky relationship with Madonna
Boy George is contemplating his relationship with fame. Intoxicating, often inescapable, he says he has not always found his decades in the spotlight easy
There has been a cost, he says. Much has been well documented. But in recent years he has been able to enjoy it all much more.
And it’s not real. “Fame is a figment of other people’s imaginations. You’re only famous because other people believe you are.”
Boy George has created a new art collection, titled Fame
Most will know Boy George the avant garde musician, flamboyant frontman of Culture Club, one of the biggest music acts of the 1980s. Big hats, big songs, big personality. He has found new fans more recently through appearances on reality shows such as I’m A Celebrity… Get Me Out Of Here! and as a judge on The Voice.
He is also an artist, and fame is the theme of his latest collection of portraits.
Vivid, bold, punk, they are exactly as you might expect. He has painted his hero David Bowie, fellow music icons Madonna and Prince, as well as a self-portrait.
The collection features images of David Bowie, Madonna and Prince, as well as a self-portrait. Pic: Dave Parry/ PA/ Castle Fine Art
“I think of Boy George from the ’80s as a sort of cartoon character,” he says. “Because on the one hand, there was this public persona, which was one thing, and it was very recognisable. And then there was me behind it… I used to have a real problem with [fame] and I feel now I’m like, it’s just a job.”
The portrait of his younger self is a reminder of how his relationship with fame has changed.
“I never really took it that seriously,” he says. “There were moments when I lost my mind – we all know what they were. But I always kind of knew who I was.”
‘I was really lucky to have my family’
Culture Club on stage performing in 1982. Pic: Ron Wolfson/ Rock Negatives/ MediaPunch Boy George/ IPX/ AP
The star, whose real name is George O’Dowd, has spoken and written about his struggles with addiction in the past. In 2009, he was jailed for four months for false imprisonment.
In his last autobiography, he described it as a “stupid, aggressive and regrettable” incident that was over in “less than 30 seconds”. He disputes some of the details that came out in court, but called himself an “idiot who did too many drugs and made a massive mistake”.
George says his family helped him through the dark times. Despite there being more conversation than ever around mental health and the pressures on young stars today, he is not convinced the support is any better.
“I think in my case, I was really lucky to have my family… particularly my late mother. Whatever was going on, she was always there to kind of try and harness me into reality. And sometimes it took a bit of pulling and shoving, but I feel like my family have been so important to me in terms of, you know, keeping me sane. But it hasn’t always been an easy thing.”
The Bowie portrait features the star in his famous Tokyo Pop body suit from the Aladdin Sane tour, designed by Kansai Yamamoto, pictured here during an exhibit at the Brooklyn Museum in 2018. Pic: Mary Altaffer/ AP
Now in his 60s, as well as Boy George, he is plain old “George from Eltham”, southeast London; although plain is not really an adjective you would ascribe to him.
“As I’ve got older, I’ve kind of accepted I created this Boy George person, and I can either have as much fun with it as I can, or I can make it full of anxiety,” he says.
For his Fame collection, he chose Bowie because the artist “shaped my whole career, my whole childhood”. His relationship with Madonna, whom he has captured in her Madame X era from 2019 rather than one of her more famous earlier incarnations, “because artists continue to evolve”, is more complex.
They first met after he saw her in concert in New York, with fellow ’80s star Marilyn and two friends. They went backstage and he asked for a picture.
‘There’s never been warmth… on either side’
George first met Madonna during her The Virgin tour in the mid-1980s. Pic: AP/ NewsBase
“She grabbed the boys and just sat them on her lap, which is kind of major,” he says. “She took control immediately. And I’ve got this great picture of Madonna and this guy that I kind of lost contact with.”
But he and the Queen of Pop never became friends. “Over the years we sort of met each other, but there’s never been any kind of warmth necessarily on either side,” he says. “But I am a fan… with me, if I like the music, I don’t necessarily have to be best friends with the person… I can like things without being petty.”
It was perhaps part and parcel of fame in the 1980s, he says.
“When you’re young, everything’s a competition. As you get older, you get a bit more confident about who you are and more secure and therefore you’re able to enjoy things without feeling threatened. So I think in the ’80s, all of us were in competition with each other… nowadays I’m kind of able to enjoy a lot of bands that I hissed at in the past, you know.”
Culture Club are touring later in the year, along with Tony Hadley and Heaven 17
Earlier this year, George made his Broadway debut, performing in Moulin Rouge. Now, he is getting ready for gigs with Culture Club again, alongside Tony Hadley and Heaven 17.
They will play their first two albums, Kissing To Be Clever and Colour By Numbers, in full. “[It’s] one of the reasons I agreed to this tour,” he says. “I knew we wouldn’t argue about what we were playing.”
There is also a biopic in the works. George has long said he would like Game Of Thrones star Sophie Turner to play him and the campaign continues, he says. “In this day and age, why can’t have a woman playing a man? Why not break the rules? It’s kind of what I was doing 30, 40 years ago.”
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And he is still releasing solo music. His latest track, Let The Flowers Grow, is a collaboration with Bauhaus’ Peter Murphy.
“A lot of stuff I release, no one really hears of it unless they’re like a mad hardcore fan,” he says. “I’ve released 54 tracks in the last year, probably more than any other artist. And I will continue to keep putting stuff out and being creative because it feels like breathing, you know, it feels really enjoyable and I feel lucky that I get to do the thing I love.”
He takes a beat. “I mean that. I really enjoy it now in a way that I just didn’t know how to 10 years ago, 20 years ago, because I was so busy worrying about what other people thought about this, that and the other.
“Now I’m like, I want to tell people how I feel more. I mean, I’ve always done that, but I feel like, when you start to understand yourself more and realise what makes you actually happy, then you are able to express yourself in a better way.”
Entertainment
Stalker who believed Strictly Come Dancing judge Shirley Ballas was his aunt avoids jail
A man who stalked Strictly Come Dancing judge Shirley Ballas for six years has avoided jail.
Kyle Shaw, 37, got a 20-month suspended sentence and a lifetime restraining order on contacting Ballas, her mother, niece, and former partner.
Liverpool Crown Court heard that he thought Ballas was his aunt and “began a persistent campaign of contact”.
“He believed, and it’s evident from what he was told by his mother, that her late brother was his father,” said prosecutor Nicola Daley.
The court heard there was no evidence he was wrong, and “limited evidence” he was correct.
Ms Daley said Shaw’s messages had accused Ballas of being to blame for the death of her brother, who took his own life in 2003 aged 44.
He also set up social media accounts in his name.
Shaw had pleaded guilty to stalking the former dancer between August 2017 and November 2023 at a hearing in February.
Incidents included following Ballas’s 86-year-old mother, Audrey Rich, while she was shopping and telling her she was his grandmother.
The court heard in messages to Mrs Rich, Shaw had asked: “Where’s my dad?”
Ballas was so worried for her mother’s safety that she moved her from Merseyside to London.
Kyle Shaw outside court on the day of his sentencing. Pic: PA
In October 2020, Ballas called police after Shaw messaged her and said: “Do you want me to kill myself, Shirley?”
Posts on X included one alongside an image of her home address that warned: “You ruined my life, I’ll ruin yours and everyone’s around you.”
Another referenced a book signing and said: “I can’t wait to meet you for the first time Aunty Shirley. Hopefully I can get an autograph.”
The court was told Ballas’s niece Mary Assall, former partner Daniel Taylor and colleagues from Strictly Come Dancing and ITV’s Loose Women were also sent messages.
‘I know where you live’
On one occasion in late 2023, Shaw called Mr Taylor and told him he knew where the couple lived and described Ballas’s movements.
The court heard the 64-year-old TV star become wary of socialising and stopped using public transport.
Prosecutor Ms Daley said: “She described having sleepless nights worrying about herself and her family’s safety and being particularly distressed when suggestions were made to her that she and her mother were responsible for her brother taking his own life.”
Ballas has been head judge on Strictly Come Dancing since 2017. Pic: PA
Shaw cried and wiped away tears as he was sentenced on Tuesday.
The judge said the stalking stemmed from his mother telling him Ballas’s brother, David Rich, was his biological father.
“I’m satisfied that your motive for this offending was a desire to seek contact with people you genuinely believed were your family,” he said.
“Whether in fact there’s any truth in that belief is difficult, if not impossible, to determine.”
Shaw pictured at court in February. Pic: PA
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Defence lawyer John Weate said Shaw had been told the story by his mother “in his mid to late teens” and had suffered “complex mental health issues” since he was a child.
He added: “He now accepts that Miss Ballas and her family don’t wish to have any contact with him and, importantly, he volunteered the information that he has no intention of contacting them again.”
Shaw, of Whetstone Lane in Birkenhead, also admitted possessing cannabis and was ordered to undertake a rehab programme.
Gary Glitter has been made bankrupt after failing to pay more than £500,000 in damages to a woman he abused when she was 12 years old.
She sued the disgraced singer, whose real name is Paul Gadd, after he was found guilty of attacking her and two other schoolgirls between 1975 and 1980.
Glitter, 80, was jailed for 16 years in 2015 and released in 2023 but was recalled to prison less than six weeks later after breaching his parole conditions.
A judge awarded the woman £508,800, including £381,000 in lost earnings and £7,800 for future therapy and treatment, saying she was subjected to abuse “of the most serious kind”.
The court heard she had not worked for decades due to the trauma of being repeatedly raped and “humiliated” by the singer.
Glitter was jailed for 16 years in 2015. Pic: Met Police/PA
Glitter was made bankrupt last month at the County Court at Torquay and Newton Abbot, in Devon – the county where he is reportedly serving his sentence in Channings Wood prison, in Newton Abbot.
Richard Scorer, head of abuse law at Slater and Gordon, the law firm representing the woman, said: “We confirm that Gadd has been made bankrupt following our client’s application.
“As he has done throughout, Gadd has refused to cooperate with the process and continues to treat his victims with contempt.
“We hope and trust that the parole board will take his behaviour into account in any future parole applications, as it clearly demonstrates that he has never changed, shows no remorse and remains a serious risk to the public.”
Glitter was first jailed for four months in 1999 after he admitted possessing around 4,000 indecent images of children.
He was expelled from Cambodia in 2002, and in March 2006 was convicted of sexually abusing two girls, aged 10 and 11, in Vietnam where he spent two-and-a-half years in prison.
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His sentence for the 2016 convictions expires in February 2031.
Glitter was automatically released from HMP The Verne, a low-security prison in Portland, Dorset, in February 2023 after serving half of his fixed-term determinate sentence.
But he was back behind bars weeks later after reportedly trying to access the dark web and images of children.
Paul Mescal and Barry Keoghan will play Paul McCartney and Ringo Starr in the upcoming Beatles films – with a Stranger Things star also portraying one of the Fab Four.
The two Irish actors will be joined by London-born performers Harris Dickinson as John Lennon, and Joseph Quinn as George Harrison.
The cast for the Sam Mendes project was revealed at the CinemaCon event in Las Vegas, with all four appearing on stage and taking a bow together in Beatles style.
(L-R) Mescal, Quinn, Keoghan and Dickinson appeared together at the announcement. Pic: Reuters
Mendes is making four interconnected films – one from the perspective of each of the band members – and they are all set to be released “in proximity” to each other in April 2028.
It marks the first time The Beatles and the families of John Lennon and George Harrison have granted full life story and music rights for a scripted film.
Playing McCartney is another big role for 29-year-old Mescal, who recently starred in the Gladiator sequel and was nominated for an Oscar in 2023 for Aftersun.
Barry Keoghan – who also got an Oscar nod for The Banshees of Inisherin – will portray the other surviving Beatles member, Ringo Starr.
Pic: PA
Meanwhile, Stranger Things star Joseph Quinn, who appeared with long hair as Eddie Munson in the fourth series, takes up the role of George Harrison.
Harris Dickinson has the challenge of stepping into the shoes of perhaps the most famous Beatle, John Lennon.
The 28-year-old recently starred in erotic thriller Babygirl with Nicole Kidman and also appeared in satire Triangle of Sadness.
Mendes told the industry audience at CinemaCon there is “still plenty to explore” despite the Beatles’ rise having being well chronicled.
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The Oscar-winning British director is known for films including American Beauty, First World War movie 1917, and Bond outings Skyfall and Spectre.
Sony Pictures boss Tom Rothman said the close release of all four films in three years’ time will be “the first bingeable theatrical experience”.
“We are going to dominate the culture that month,” he added.
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