Boy George on the price of fame: ‘There were moments when I lost my mind’

Published

6 months ago

November 16, 2024

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Boy George is contemplating his relationship with fame. Intoxicating, often inescapable, he says he has not always found his decades in the spotlight easy

There has been a cost, he says. Much has been well documented. But in recent years he has been able to enjoy it all much more.

And it’s not real. “Fame is a figment of other people’s imaginations. You’re only famous because other people believe you are.”

Most will know Boy George the avant garde musician, flamboyant frontman of Culture Club, one of the biggest music acts of the 1980s. Big hats, big songs, big personality. He has found new fans more recently through appearances on reality shows such as I’m A Celebrity… Get Me Out Of Here! and as a judge on The Voice.

He is also an artist, and fame is the theme of his latest collection of portraits.

Vivid, bold, punk, they are exactly as you might expect. He has painted his hero David Bowie, fellow music icons Madonna and Prince, as well as a self-portrait.

“I think of Boy George from the ’80s as a sort of cartoon character,” he says. “Because on the one hand, there was this public persona, which was one thing, and it was very recognisable. And then there was me behind it… I used to have a real problem with [fame] and I feel now I’m like, it’s just a job.”

The portrait of his younger self is a reminder of how his relationship with fame has changed.

“I never really took it that seriously,” he says. “There were moments when I lost my mind – we all know what they were. But I always kind of knew who I was.”

‘I was really lucky to have my family’

The star, whose real name is George O’Dowd, has spoken and written about his struggles with addiction in the past. In 2009, he was jailed for four months for false imprisonment.

In his last autobiography, he described it as a “stupid, aggressive and regrettable” incident that was over in “less than 30 seconds”. He disputes some of the details that came out in court, but called himself an “idiot who did too many drugs and made a massive mistake”.

George says his family helped him through the dark times. Despite there being more conversation than ever around mental health and the pressures on young stars today, he is not convinced the support is any better.

“I think in my case, I was really lucky to have my family… particularly my late mother. Whatever was going on, she was always there to kind of try and harness me into reality. And sometimes it took a bit of pulling and shoving, but I feel like my family have been so important to me in terms of, you know, keeping me sane. But it hasn’t always been an easy thing.”

Now in his 60s, as well as Boy George, he is plain old “George from Eltham”, southeast London; although plain is not really an adjective you would ascribe to him.

“As I’ve got older, I’ve kind of accepted I created this Boy George person, and I can either have as much fun with it as I can, or I can make it full of anxiety,” he says.

For his Fame collection, he chose Bowie because the artist “shaped my whole career, my whole childhood”. His relationship with Madonna, whom he has captured in her Madame X era from 2019 rather than one of her more famous earlier incarnations, “because artists continue to evolve”, is more complex.

They first met after he saw her in concert in New York, with fellow ’80s star Marilyn and two friends. They went backstage and he asked for a picture.

‘There’s never been warmth… on either side’

“She grabbed the boys and just sat them on her lap, which is kind of major,” he says. “She took control immediately. And I’ve got this great picture of Madonna and this guy that I kind of lost contact with.”

But he and the Queen of Pop never became friends. “Over the years we sort of met each other, but there’s never been any kind of warmth necessarily on either side,” he says. “But I am a fan… with me, if I like the music, I don’t necessarily have to be best friends with the person… I can like things without being petty.”

It was perhaps part and parcel of fame in the 1980s, he says.

“When you’re young, everything’s a competition. As you get older, you get a bit more confident about who you are and more secure and therefore you’re able to enjoy things without feeling threatened. So I think in the ’80s, all of us were in competition with each other… nowadays I’m kind of able to enjoy a lot of bands that I hissed at in the past, you know.”

Earlier this year, George made his Broadway debut, performing in Moulin Rouge. Now, he is getting ready for gigs with Culture Club again, alongside Tony Hadley and Heaven 17.

They will play their first two albums, Kissing To Be Clever and Colour By Numbers, in full. “[It’s] one of the reasons I agreed to this tour,” he says. “I knew we wouldn’t argue about what we were playing.”

There is also a biopic in the works. George has long said he would like Game Of Thrones star Sophie Turner to play him and the campaign continues, he says. “In this day and age, why can’t have a woman playing a man? Why not break the rules? It’s kind of what I was doing 30, 40 years ago.”

And he is still releasing solo music. His latest track, Let The Flowers Grow, is a collaboration with Bauhaus’ Peter Murphy.

“A lot of stuff I release, no one really hears of it unless they’re like a mad hardcore fan,” he says. “I’ve released 54 tracks in the last year, probably more than any other artist. And I will continue to keep putting stuff out and being creative because it feels like breathing, you know, it feels really enjoyable and I feel lucky that I get to do the thing I love.”

He takes a beat. “I mean that. I really enjoy it now in a way that I just didn’t know how to 10 years ago, 20 years ago, because I was so busy worrying about what other people thought about this, that and the other.

“Now I’m like, I want to tell people how I feel more. I mean, I’ve always done that, but I feel like, when you start to understand yourself more and realise what makes you actually happy, then you are able to express yourself in a better way.”

Entertainment

George Wendt, who played Norm in Cheers, dies at age of 76

Published

2 hours ago

May 20, 2025

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George Wendt, who played Norm in Cheers, dies at age of 76

Actor George Wendt, who played Norm Peterson in the iconic sitcom Cheers, has died at the age of 76.

His family said he died early on Tuesday morning, peacefully in his sleep, according to publicity firm The Agency Group.

“George was a doting family man, a well-loved friend and confidant to all of those lucky enough to have known him. He will be missed forever,” the family said in a statement.

His character as an affable, beer-loving barfly in Cheers was watched by millions in the 1980s – earning him six consecutive Emmy nominations for best supporting actor.

The sitcom was based in a Boston bar “where everybody knows your name” – proved true given everyone would shout “Norm!” when he walked in.

Wendt appeared in all 273 episodes of Cheers – with his regular first line of “afternoon everybody” a firm fan favourite.

He was also a prominent presence on Broadway – appearing on stage in Art, Hairspray and Elf. Before rising to fame, he spent six years in Chicago’s renowned Second City improvisation troupe.

In an interview with GQ magazine, he revealed he didn’t have high hopes when he auditioned for the role that would catapult him to fame.

“My agent said: ‘It’s a small role, honey. It’s one line. Actually, it’s one word.’ The word was ‘beer.’

“I was having a hard time believing I was right for the role of ‘the guy who looked like he wanted a beer.’

“So I went in, and they said, ‘It’s too small a role. Why don’t you read this other one?’ And it was a guy who never left the bar.”

One of nine children, Wendt was born in Chicago and graduated with a degree in economics.

He married actress Bernadette Birkett in 1978, who voiced the character of Norm’s wife in Cheers but never appeared on screen. They have three children.

Wendt’s nephew is Jason Sudeikis, who played the lead role in Ted Lasso.

Entertainment

Sesame Street heading to Netflix after Trump cut PBS funding

Published

11 hours ago

May 20, 2025

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Sesame Street heading to Netflix after Trump cut PBS funding

Netflix and Sesame Street have agreed a deal that will bring the children’s show to the streaming platform’s wider audience after President Trump cut federal funding for the free-to-air TV network Public Broadcasting Service (PBS).

Later this year, new episodes will be shown on Netflix as well as PBS and the PBS Kids app on the same day.

Select past episodes will be available on Netflix worldwide. No specific start date has been announced.

It comes after Warner Bros Discovery decided last year not to renew its deal for new episodes on HBO and Max, though episodes will remain on there until 2027.

That was followed by Donald Trump issuing an executive order earlier this month to block federal funding to PBS and the National Public Radio (NPR) network, because he believes their coverage is biased.

For the show’s 56th season, the episodes will revolve around one 11-minute story, Netflix said.

It will feature more exploration of the Sesame Street neighbourhood and also give a look inside 123 Sesame Street, which houses Elmo, Bert and Ernie, and others.

Sesame Street said on X: “We are excited to announce that all new Sesame Street episodes are coming to @netflix worldwide along with library episodes, and new episodes will also release the same day on @PBS Stations and @PBSKIDS platforms in the US, preserving a 50+ year relationship.

“The support of Netflix, PBS, and the Corporation for Public Broadcasting serve as a unique public-private partnership to enable Sesame Street to continue to help children everywhere grow smarter, stronger, and kinder.”

Sesame Workshop said in a statement: “This unique public-private partnership will enable us to bring our research-based curriculum to young children around the world with Netflix’s global reach, while ensuring children in communities across the US continue to have free access on public television to the Sesame Street they love.”

Sesame Street has won more than 200 Emmys in addition to Peabody awards, as well as a Kennedy Centre Honour for lifetime artistic achievement.

Entertainment

‘I recognise the error and upset caused’ – Gary Lineker releases statement as BBC departure confirmed

Published

23 hours ago

May 20, 2025

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'I recognise the error and upset caused' - Gary Lineker releases statement as BBC departure confirmed

Gary Lineker has confirmed he is leaving the BBC after this season’s Match Of The Day and will no longer present its World Cup coverage.

It comes after the 64-year-old “apologised unreservedly” for sharing a social media post illustrated with a rat – which has been used to represent Jewish people in antisemitic propaganda, including Nazi Germany.

In a statement on Monday, Lineker said: “Football has been at the heart of my life for as long as I can remember – both on the pitch and in the studio.

“I care deeply about the game, and about the work I’ve done with the BBC over many years. As I’ve said, I would never consciously repost anything antisemitic – it goes against everything I stand for.

“However, I recognise the error and upset that I caused, and reiterate how sorry I am. Stepping back now feels like the responsible course of action.”

Analysis: BBC can breathe easier after Lineker leaves

Lineker said he deleted the post when he learned about the rat’s symbolism, adding he would “never knowingly share anything antisemitic”.

In a separate video posted to Instagram, the pundit added: “I’ve stood up for minorities and humanitarian issues and against all forms of racism all of my life, including, of course, antisemitism, which I absolutely abhor.

“There’s no place for it and never should be.”

He went on to thank the “brilliant, talented” people he has worked with and described his relationship with the BBC as “long and wonderful”.

He added: “But it’s the right time for the organisation and myself to go our separate ways.”

Lineker’s last appearance on the BBC will be on Sunday 25 May, the final day of the season.

What are the BBC guidelines on impartiality?

Gary Lineker signed a five-year deal with the BBC in 2020, under which he agreed to adhere to their impartiality rules.

The rules were then updated after his return to Match Of The Day in 2023.

The latest regulations say high-profile BBC presenters should be able to express their views on political issues as long as they stop short of campaigning.

It does not clarify what would constitute political campaigning for the big-name presenters.

The guidelines also stress the importance of “high standards of civility in public discourse”, which includes treating others with respect, even in the face of abuse and not using offensive or aggressive language.

The policy only applies to presenters outside of its news coverage. News presenters are still subject to stricter impartiality guidelines.

‘A defining voice in football coverage’

Also confirming Lineker’s exit, BBC director general Tim Davie said: “Gary has acknowledged the mistake he made. Accordingly, we have agreed he will step back from further presenting after this season.

“Gary has been a defining voice in football coverage for the BBC for over two decades. His passion and knowledge have shaped our sports journalism and earned him the respect of sports fans across the UK and beyond.

“We want to thank him for the contribution he has made.”

Alex Kay-Jelski, the BBC’s director of sport, said in an email sent to staff that it had been a “difficult” and “emotional” week.

He went on to say: “It is sad to be saying goodbye to such a brilliant broadcaster and I also want to thank Gary for his years of service. As ever, if you have questions, you know where I am.

“Let’s finish the season strongly with Gary’s final show, enjoy an incredible summer of sport and look forward with excitement to what lies ahead.”

Lineker announced in November he would step down from Match Of The Day this year, but was set to return to front the World Cup in 2026, as well as FA Cup coverage.

The former England star was temporarily suspended from the BBC in March 2023 after an impartiality row over comments he made criticising the then Conservative government’s asylum policy.

He will be replaced on Match Of The Day by Gabby Logan, Kelly Cates and Mark Chapman, who will share the presenting role from the next Premier League season.

Lineker has hosted Match Of The Day since 1999 and has been the BBC’s highest-paid on-air talent for seven consecutive years.

He joined the programme having started as a BBC Radio Five Live presenter, also working on the broadcaster’s former flagship sports show Grandstand during his early years in broadcasting.

The Leicester-born presenter is also the co-founder of podcast producing company Goalhanger, which makes the popular The Rest Is History series and its spin-offs about politics, football, entertainment and money.

His parting ways with the BBC also includes the licensing deal for Goalhanger podcast titles on BBC Sounds, which ends this year, the PA news agency reported.