Pulp’s fan club president dished out Jarvis Cocker’s trouser scraps – and his car – to fans. Then he joined the band
Mark Webber’s role as Pulp’s fan club manager started simply enough, writing newsletters and posting out small bits of memorabilia such as postcards, stickers and badges. But, just like the band he loved, he wanted to do things a little differently.
A balloon launch to drum up publicity in their hometown of Sheffield didn’t attract too many people, he recalls, but one did make it all the way to Slovenia. The following year, he cut up a pair of Jarvis Cocker‘s trousers into 500 pieces, “all put in individually numbered envelopes and sent out to fans”.
It was 1993, a decade on from the release of Pulp‘s debut album, but still two years before they were to achieve huge mainstream success. A few years later, they decided to offer Cocker’s old Hillman Imp car, no longer roadworthy, as a competition prize. “It was crushed, compacted into a cube, someone won it, and we delivered it in a truck to their garden.”
It was genius silliness, indicative of the time. Nowadays, if you’re a young fan who loves a band or an artist, you assemble on social media – but back in the 1990s, it was all about signing up to the official fan club.
Some 500 Pulp fans were once treated to scraps of Cocker’s trousers in the post. Pic: Mark Webber
For Webber, who started out as a Pulp fan himself, it was a dream job which eventually led to him becoming the band’s tour manager – and then, just before they hit the height of their fame, joining as guitarist.
Following the group’s second and long hoped-for reunion in 2023, he is now telling his story – from super fan to joining the band – in I’m With Pulp, Are You?.
It’s not an autobiography as such, but a scrapbook of moments told mainly through ephemera collected over the last five decades, from photographs and flyers to set lists and press clippings, as well as other notes and scribblings kept through the years.
Webber went through his hoard during the pandemic lockdown. “It was in disarray at the time,” he says. “I hadn’t looked at it for so long I was finding things I couldn’t even remember what they were.”
‘We were in a bubble – suddenly the world caught up’
Jarvis Cocker on stage in Wolverhampton in 1992. Pic: Mark Webber
His story with Pulp starts in 1985, when he was an “obsessive” teenage music fan hanging out at a small independent record store in Chesterfield “where all the weird kids would go”. Back then, the band’s fan base was small, he says, and they were “amused” by the “daft, psychedelic kids” who followed them. They got to know them.
Webber eventually started helping out with stages sets before taking on the fan club duties. Then his role morphed again as he was called on to play guitar and keyboards at live shows, and began to contribute to songwriting.
He became an official member in 1995 – just before they became one of the biggest bands in the UK with their fifth album, Different Class, thanks to songs such as Disco 2000, Sorted For E’s and Whizz, and signature track Common People.
In the days before social media, Pulp People kept fans up to date. Pic: Mark Webber
“Do you think it’s a coincidence that happened just as I joined?” Webber asks, laughing. “There was this trajectory. There was such a momentum building that it just became clear that, like, every next thing the group did was going to be more successful.”
It was a strange feeling, he says. “Because we were in the bubble at the time, just doing our thing, and suddenly the world had caught up and kind of realised how great Pulp was.”
I’m With Pulp documents some of the milestone moments in the band’s history, such as the 1995 Glastonbury headline set, before the release of Different Class, which came about at short notice after The Stone Roses were forced to pull out. Webber recalls how the band spent the night camping backstage.
“That was horrible because I hate camping,” he says. “And the concert, at the time it didn’t feel like such a great show. But everyone seemed to love it.”
Headlining Glastonbury – but camping in tents
Pulp played a secret set at Glastonbury when they first reunited in 2011 – but didn’t camp that time. Pic: AP/ Mark Allan
Looking back at the roster of recent Glastonbury headliners – Elton John, Paul McCartney, Adele, Dua Lipa, The Killers – it’s hard to imagine any of them pitching a tent in the mud before performing to 100,000 people.
“Well, I’ve never spent the night in a tent since then,” says Webber. “So it changed my life.”
A more infamous incident in Pulp’s history was Cocker rushing the stage during Michael Jackson’s performance of Earth Song at the Brits the following year.
At the time, it didn’t feel as significant a moment as it has become in popular culture, Webber says. “There was disbelief in the moment, that he actually dared to do it. And that it was so easy to do. That’s the thing none of us could really understand, that there was no security or anything stopping anyone getting on the stage that easily.”
Cocker invaded the stage during Michael Jackson’s performance of Earth Song at the Brit Awards in 1996. Pic: Reuters
The aftermath was more concerning. “Like, ‘is Jarvis going to go to prison?’ Because we were starting a tour the next day.”
Ultimately, says Webber, most awards ceremonies and industry events are “boring – you have to do something to amuse yourself”.
After splitting in 2002, Pulp reunited for the first time in 2011, and then again for shows last year.
The response was “kind of amazing”, Webber says. It’s “quite likely we will play in England before we disappear again”, he hints. “There’s nothing confirmed yet but we expect there’ll be more concerts next year.”
‘I probably should have enjoyed it more’
Webber says his tour manager briefcase is one of his favourite items from his early days. Pic: Mark Webber
The book documents Webber’s story. The item he was most happy to rediscover, he says, was the briefcase he used during his time as tour manager, adorned with a vintage ‘I’m With Pulp, Are You?’ sticker, which provided inspiration for the title.
“I knew I had it somewhere, but what I didn’t expect when I opened it up was that it still contained some contracts, to do lists, itineraries, a Bic biro, a packet of Setlers, and the business cards of various guest houses,” he says. “I used to carry this around everywhere, and in the days before we all had mobile phones, it had to contain everything we’d need for a concert or tour.”
After taking the time to look back, is there anything he would change?
“Well, I mean, I probably should have enjoyed it more.” Webber laughs. “I’m always like the slightly glass half-full, grass is always greener type outlook… I did maintain quite a normal life, I didn’t have an address book full of celebrities that I’d go and hang out with – not that that’s something to aspire to, but, you know, maybe I should have been a bit more wild at the time when I had the chance.”
I’m With Pulp, Are You, published by Hat & Beard, is out now, with a launch night at the ICA in London on 27 November
The mother of Cassie Ventura has told a court she felt “physically sick” when her daughter told her Sean “Diddy” Combs had threatened to “release two explicit sex tapes” after discovering his long-time girlfriend was dating someone else.
Giving evidence on Tuesday, the seventh day of the trial, Regina Ventura said she did not initially understand the email Cassie sent her in December 2011, saying, “The sex tape threw me, [Diddy] was trying to hurt my daughter.”
The email said Combs was planning to release two explicit videos of her and send someone to hurt her and the man she was seeing, rapper Kid Cudi, whose real name is Scott Mescudi.
Regina said the family took out a home equity loan and paid Diddy $20,000 to recoup money he had spent on Cassie “because he demanded it,” angry that Cassie was now dating Cudi.
She said the money was returned days later.
During her evidence, jurors were shown photographs of bruises on Cassie’s body Ms Ventura said were taken when her daughter returned home for Christmas in 2011.
Regina’s time on the stand was fairly brief, as the defence declined the opportunity to question her.
Scott Mescudi, aka Kid Cudi, who dated Cassie in 2011. Pic: Reuters
Sean ‘Diddy’ Combs trial: Day 7 – As it happened
Prosecutors say Combs, the founder of Bad Boy Records, forced women to take part in days-long, drug-fuelled sexual performances known as “Freak Offs” from 2004 to 2024, facilitated by his large retinue of staff. Combs, 55, has pleaded not guilty.
The rapper faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.
Combs and Cassie pictured in 2015. Pic: Reuters
Last week, the prosecutors’ star witness, Cassie Ventura, who dated Combs for over a decade, spent four days giving evidence.
Combs’s legal team has sought to show jurors that his relationship with Ventura was complicated, and while they acknowledge he was an abusive partner, and had substance issues, they say the sex acts described by the prosecution were consensual.
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‘Diddy wanted our bodies to shine’
A male exotic dancer nicknamed “The Punisher” also gave testimony, telling jurors that in the autumn of 2012, Cassie contacted him asking him to “create a sexy, erotic scene” Diddy, and using the pseudonym “Janet”.
Male exotic dancer Sharay Hayes, aka The Punisher. Pic: Reuters
Sharay Hayes said he went on to have eight to 12 more encounters with the couple, having sex with Cassie, while Diddy watched from a distance.
He described the hotel rooms as routinely being dressed with electric candles and sheet-covered furniture, and says Cassie told him not to “acknowledge” her husband, and to “try not to look at him and no communication”.
He says Diddy would often wear a cap, and he could not see his face, but he later realised it was the famous rapper.
“The Punisher” mentioned using a “considerable amount of baby oil” during the performances, saying “[Diddy] wanted us to keep our bodies covered, to shine”.
He later described the acts as “a fetish type thing,” and while he said he believed Cassie was fully consensual, he also said he “did occasionally see her sigh or wince” and said she would frequently look at Diddy “for cues”.
Paid between $1,200 (£900) and $2,000 (£1.500) for each performance, he said he was not called back after struggling to get an erection during one encounter.
He said he never saw Diddy use drugs or saw filming during any of the performances.
Car park dispute with Suge Knight
David James, Diddy’s ex-personal assistant, also completed his evidence and testified that he never saw physical violence between Cassie and his former boss.
David James, Combs’s former assistant. Pic: Reuters
James, who worked for Diddy for two years, said he left Diddy’s employment after he realised his “life was in danger” following a dispute in a car park with rival record label owner Suge Knight, which culminated in Diddy bringing three handguns to try to find Knight and his entourage.
He also detailed an altercation between Diddy and his personal chef, Jourdan Atkinson, and said he refused to file a police report after Diddy told him to say “Chef Jourdan hit him first”.
The final person to give evidence was a special agent responsible for planning the March 2024 raids on Combs’s Miami home on Star Island.
Steve Gannon showed photos of items taken during the raid, including sex toys, high heels and loaded guns, and explained how an armoured vehicle was used to break down the mansion’s front gate to gain entry while the family was away on a trip.
Combs has been held in the Metropolitan Detention Center in Brooklyn since September and faces at least 15 years or possibly life in prison if convicted.
The trial is set to last for around two months.
Netflix and Sesame Street have agreed a deal that will bring the children’s show to the streaming platform’s wider audience after President Trump cut federal funding for the free-to-air TV network Public Broadcasting Service (PBS).
Later this year, new episodes will be shown on Netflix as well as PBS and the PBS Kids app on the same day.
Select past episodes will be available on Netflix worldwide. No specific start date has been announced.
It comes after Warner Bros Discovery decided last year not to renew its deal for new episodes on HBO and Max, though episodes will remain on there until 2027.
That was followed by Donald Trump issuing an executive order earlier this month to block federal funding to PBS and the National Public Radio (NPR) network, because he believes their coverage is biased.
For the show’s 56th season, the episodes will revolve around one 11-minute story, Netflix said.
It will feature more exploration of the Sesame Street neighbourhood and also give a look inside 123 Sesame Street, which houses Elmo, Bert and Ernie, and others.
Sesame Street said on X: “We are excited to announce that all new Sesame Street episodes are coming to @netflix worldwide along with library episodes, and new episodes will also release the same day on @PBS Stations and @PBSKIDS platforms in the US, preserving a 50+ year relationship.
“The support of Netflix, PBS, and the Corporation for Public Broadcasting serve as a unique public-private partnership to enable Sesame Street to continue to help children everywhere grow smarter, stronger, and kinder.”
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Sesame Workshop said in a statement: “This unique public-private partnership will enable us to bring our research-based curriculum to young children around the world with Netflix’s global reach, while ensuring children in communities across the US continue to have free access on public television to the Sesame Street they love.”
Listen to The World with Richard Engel and Yalda Hakim every Wednesday
Sesame Street has won more than 200 Emmys in addition to Peabody awards, as well as a Kennedy Centre Honour for lifetime artistic achievement.
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