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Cillian Murphy and his wife Yvonne McGuinness have bought a cinema the Oscar-winning actor used to visit as a child.

The couple will refurbish The Phoenix Cinema in Dingle, County Kerry, south-west Ireland, next year.

The venue, which had previously been used as a dance hall, had been in operation for more than 100 years, and on the market for three before Murphy and McGuinness bought the building.

Oppenheimer and Peaky Blinders star Murphy, from Cork, said: “I’ve been going to see films at The Phoenix since I was a young boy on summer holidays.

“My dad saw movies there when he was a young man before me, and we’ve watched many films at The Phoenix with our own kids. We recognise what the cinema means to Dingle.”

McGuinness added: “We want to open the doors again, expand the creative potential of the site, re-establishing its place in the cultural fabric of this unique town.”

FILE - Cillian Murphy poses in the press room with the award for best performance by an actor in a leading role for "Oppenheimer" at the Oscars in Los Angeles on March 10, 2024. (Photo by Jordan Strauss/Invision/AP, File)
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Murphy won big this awards season. Pic: AP

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The Phoenix is the only cinema in the tourist area of the Dingle Peninsula, and without it, the closest other movie theatre for residents of the town is in Tralee, almost 30 miles away.

It opened in 1919 and was reconstructed twice in the decades that followed, after fires damaged the building.

Its previous owners struggled to keep The Phoenix going amid the COVID-19 pandemic and shut the cinema’s doors in November 2021, citing rising costs, falling attendance and challenging exhibition terms.

Murphy took awards season by storm this year, winning a Golden Globe, a Bafta and an Oscar for his performance as the titular character in Oppenheimer.

Next year, he will reprise one of his most well-known roles by playing Tommy Shelby in a movie version of Peaky Blinders.

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Crocodile from hit film Crocodile Dundee dies peacefully, zoo says

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Crocodile from hit film Crocodile Dundee dies peacefully, zoo says

The iconic crocodile who starred in hit film Crocodile Dundee has died, his zoo has announced.

Crocosaurus Cove, where Burt had been kept since 2008, said he passed away “peacefully” over the weekend.

He was estimated to be over 90 years old, well over the usual life expectancy.

“Burt was truly one of a kind. He wasn’t just a crocodile; he was a force of nature and a reminder of the power and majesty of these incredible creatures,” the zoo said.

“While his personality could be challenging, it was also what made him so memorable and beloved by those who worked with him and the thousands who visited him over the years.

“Visitors from around the globe marvelled at his impressive size and commanding presence, especially at feeding time.”

Burt was captured for the first time in the 1980s, the zoo said, and he appeared in Crocodile Dundee just before Christmas in 1986.

He starred alongside Paul Hogan in the film, helping to “shape Australia’s image as a land of rugged natural beauty and awe-inspiring wildlife”.

Known for his “independent nature”, the zoo said Burt was a “confirmed bachelor” with a “fiery temperament”, which earned him the respect of caretakers and visitors.

“As we mourn his loss, we are reminded of the vital role wildlife plays in our shared history and the importance of preserving it for future generations,” the zoo added.

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The average saltwater crocodile usually lives up to 70 years.

Crocosaurs Cove said it plans to install a commemorative sign to celebrate his “extraordinary life and the stories and interactions he shared throughout his time at the park”.

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What texts and messages Blake Lively’s legal complaint against It Ends With Us co-star show

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What texts and messages Blake Lively's legal complaint against It Ends With Us co-star show

Documents from actress Blake Lively’s legal complaint about her It Ends With Us co-star Justin Baldoni claim to show how his PR team deliberately “planted pieces of how horrible Blake is to work with” in the press and on social media.

The legal complaint, filed to the California Civil Rights Department on Friday, contains pages of text messages allegedly sent between Baldoni and his PR team.

Lively, 37, claims that Baldoni, 40, who is also the director of the film, hired crisis PR management to engage in a “multi-tiered” plan to damage her reputation after she and her husband Ryan Reynolds, 48, complained of “repeated sexual harassment and other disturbing behaviour” on set of the movie.

Lively at the UK gala screening for the film on 8 August. Pic: AP
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Lively at the UK gala screening for the film on 8 August. Pic: AP

A lawyer representing Baldoni and his production company Wayfarer Studios says the allegations are “completely false, outrage and intentionally salacious”.

He adds that the studio and its PR team “did nothing proactive nor retaliated” against Lively – and that it hired crisis PR managers “due to the multiple demands and threats made by Ms Lively during production”.

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Blake Lively on being an actor and producer

The text messages, which Lively says she acquired through a subpoena, involve exchanges between Jennifer Abel, of PR firm RWA Communications, Melissa Nathan, of The Agency Group PR, and Baldoni.

They include:

  • Details of two quotes of PR packages – one costing “£175k” for a “3-4 month period” including “full reddit, full social account take downs”;
  • Another PR package costing “$25k per month” for “min 3 months” that includes “creation of social fan engagement to go back and forth with any negative accounts, helping to change the narrative and stay on track”;
  • Baldoni asking Ms Abel “What is the TikTok strategy” and saying “I’d like you guys to start posting me ONLY talking about domestic violence and clips and why this movie is so important”;
  • Ms Abel telling Ms Nathan she was “having reckless thoughts of wanting to plant pieces this week of how horrible Blake is to work with”;
  • Ms Abel saying: “The narrative online is so freaking good and fans are still sticking up for Justin” and telling Ms Nathan “you did such amazing work”;
  • Ms Nathan telling Ms Abel: “The majority of socials are so pro Justin and I don’t even agree with half of them lol”;
  • Ms Nathan replying to Ms Abel: “Narrative is CRAZY good”;
  • Ms Nathan telling Ms Abel: “We can’t write it down to him… We can’t write we will destroy her”;
  • Ms Nathan adding: “you know we can bury anyone”;
  • Ms Nathan saying to Ms Abel: “Don’t worry, I didn’t kill her and send her in a box to your house”, to which Abel replies: “DAMNIT”;
  • Ms Nathan telling Ms Abel socials are “really really ramping up”, to which Ms Abel adds: “It’s actually sad because it just shows you have people really want to hate on women”.

The text messages appear to date between 15 May and 18 August this year. It Ends With Us was released on 9 August.

In one other exchange, Baldoni expresses concerns his PR team may have been deploying fake “bots” to “take her [Lively] down” on social media, to which Ms Nathan replies: “I can fully confirm we do not have bots.”

The legal documents also include the alleged list of conditions Lively submitted for her “returning to production” after she alleged sexual harassment on set.

They include “no one entering… BL’s trailer while she is in a state of undress” and “no discussions of personal experience with sex or nudity”.

Lively’s legal complaint claims Baldoni “abruptly pivoted away from” the film’s marketing plan and “used domestic violence ‘survivor content’ to protect his public image” after the sexual harassment allegations came out.

Justin Baldoni at the world premiere in New York on 6 August. Pic: AP
Image:
Baldoni at the world premiere in New York on 6 August. Pic: AP

Baldoni brands Lively’s claims ‘shameful’

Mr Freedman, representing Baldoni and Wayfarer Studios, says in his statement: “It is shameful that Ms. Lively and her representatives would make such serious and categorically false accusations against Mr. Baldoni, Wayfarer Studios and its representatives, as yet another desperate attempt to ‘fix’ her negative reputation which was garnered from her own remarks and actions during the campaign for the film; interviews and press activities that were observed publicly, in real time and unedited, which allowed for the internet to generate their own views and opinions.

“These claims are completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media. Wayfarer Studios made the decision to proactively hire a crisis manager prior to the marketing campaign of the film, to work alongside their own representative with Jonesworks employed by Stephanie Jones, due to the multiple demands and threats made by Ms. Lively during production which included her threatening to not showing up to set, threatening to not promote the film, ultimately leading to its demise during release, if her demands were not met.

“It was also discovered that Ms. Lively enlisted her own representative, Leslie Sloan with Vision PR, who also represents Mr. Reynolds, to plant negative and completely fabricated and false stories with media, even prior to any marketing had commenced for the film, which was another reason why Wayfarer Studios made the decision to hire a crisis professional to commence internal scenario planning in the case they needed to address.

“The representatives of Wayfarer Studios still did nothing proactive nor retaliated, and only responded to incoming media inquiries to ensure balanced and factual reporting and monitored social activity. What is pointedly missing from the cherry-picked correspondence is the evidence that there were no proactive measures taken with media or otherwise; just internal scenario planning and private correspondence to strategize which is standard operating procedure with public relations professionals.”

Lively says in a statement to the New York Times: “I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted.”

The August release of It Ends With Us, an adaptation of Colleen Hoover’s bestselling 2016 novel, was shrouded by speculation over discord between the lead pair.

Baldoni took a backseat in promoting the film while Lively took centre stage along with Reynolds, who was on the press circuit for Deadpool & Wolverine at the same time.

Sky News has contacted Jessica Abel and RWA Communications for comment.

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Blake Lively accuses It Ends With Us co-star Justin Baldoni of sexual harassment in legal complaint

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Blake Lively accuses It Ends With Us co-star Justin Baldoni of sexual harassment in legal complaint

Actor Blake Lively has accused her It Ends With Us co-star and director Justin Baldoni of sexual harassment on the set of the film in a legal complaint.

Lively, 37, also claims 40-year-old Baldoni and the studio behind the movie embarked on a subsequent “multi-tiered plan” to damage her reputation.

The complaint, which was filed on Friday with the California Civil Rights Department, according to the New York Times, precedes a lawsuit and names Baldoni, the studio and Baldoni’s publicists among the defendants.

In the papers, Lively claims the attempt to damage her reputation was launched after she and her husband Ryan Reynolds, 48, addressed “repeated sexual harassment and other disturbing behaviour” by Baldoni and a producer on the movie.

According to the complaint, the plan included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

A lawyer representing Justin Baldoni denies the claims. Pic AP
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A lawyer representing Justin Baldoni (pictured) denies the claims. Pic AP

It also claims Baldoni “abruptly pivoted away from” the film’s marketing plan and “used domestic violence ‘survivor content’ to protect his public image”.

Bryan Freedman, a lawyer who represents Baldoni, Wayfarer Studios, and its representatives, said in a statement: “These claims are completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media.”

He said the studio “proactively” hired a crisis manager “due to the multiple demands and threats made by Ms Lively during production”.

Mr Freedman also said Lively threatened to not appear on set and not promote the film “if her demands were not met,” although those demands were not specified.

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Lively denied planting or spreading negative information about Baldoni and the studio to the New York Times.

“I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted,” she told the paper.

The August release of It Ends With Us, an adaptation of Colleen Hoover’s bestselling 2016 novel, was shrouded by speculation over discord between the lead pair.

Baldoni took a backseat in promoting the film while Lively took centre stage along with Reynolds, who was on the press circuit for Deadpool & Wolverine at the same time.

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