Ralph Fiennes has admitted he has taken the “paycheck role” now and again during his career.
The renowned British actor, who stars in the new religious and political drama Conclave, told Sky News it is human nature when actors “succumb to cynicism” for “monetary gain” – but it doesn’t mean the industry as a whole is in a bad place.
“I do have faith that good films can be made that contribute to our cultural life and the same as the theatre,” he said. “But do we have moments of doubt that it’s full of corruption, opportunism? Have we indeed ourselves participated in the paycheck film and it’s not been that great?
“Yes. I mean, we can have our ideals and then we can, of course, succumb to it, can succumb to cynicism, monetary gain.”
In Conclave, which is based on the Robert Harris novel of the same name, Fiennes plays Cardinal Lawrence, the clergyman responsible for the selection of the next Pope and leader of the Catholic Church.
The film, which also stars Stanley Tucci, John Lithgow, Isabella Rossellini and Lucian Msamati, is tipped for awards success in the coming months.
Fiennes, who is known for his Oscar-nominated roles in Schindler’s List and The English Patient, as well as his portrayal of Lord Voldemort in the Harry Potter film adaptations, said Conclave doesn’t shy away from the controversies surrounding the Catholic Church.
The film looks deeply at what it means to be human and what happens when you are faced with the path of success, he said.
“I think Robert Harris’s book and the subsequent strong script, they’re very smart about it, it’s not a facile takedown of the Catholic Church. I think it approaches it with curiosity…
“There’s obviously corruption. There are all kinds of transgressions that we know about that have taken place, but it also exists because the Catholic Church also offers, I think, a sort of support to communities. It’s a foundational place to go where the community has a structure, so I think it’s a big thing to sort of open up and discuss.”
Tucci, who plays another cardinal, said the politically charged film reflects on the environment the world finds itself in nowadays.
“Extremist views, whether they’re political or religious, are becoming more and more prominent – look at what’s happening in America,” the star said. “So I think that there will be a lot of people, Catholics or devout religious people, who might be offended by that sort of twist in this.
“Then, of course, there are others who will just enjoy it for what it is – which is, to me, a fascinating examination of a process and of this group of people.”
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Rossellini, who plays Sister Agnes, said she found it intriguing to play the only woman with any authority in a “sea” of men.
The character watches on as more than 100 high-ranking clergymen, each with their own checkered past, aim to elect the next Catholic figurehead while sealed off from the public in the secretive voting process.
“It is her role to remain silent, to not disagree with the cardinals,” Rossellini said. But in her silence, “there is a lot of information and a lot of presence”.
Stars including Beyonce, Eva Longoria and Jamie Lee Curtis have pledged funds to support families affected by the fires in Los Angeles – along with Paris Hilton, who is among those who have lost their homes.
US reality star and businesswoman Hiltonhas launched an emergency fund to support families who have been displaced, and kickstarted it with a personal donation of $100,000 dollars (£82,000).
The 43-year-old, who watched her home in Malibu “burn to the ground” as the fires were covered on TV, has also been spending time with animal organisations. She announced on social media that she is fostering a dog whose owners lost their home.
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Paris Hilton posts video of destroyed home
“While I’ve lost my Malibu home, my thoughts are with the countless families who have lost so much more – their homes, cherished keepsakes, the communities they loved, and their sense of stability,” Hilton said in a statement on social media.
Beyonce contributed $2.5m to a newly launched LA Fire Relief Fund, created by her charitable foundation, BeyGOOD.
“The fund is earmarked to aid families in the Altadena/Pasadena area who lost their homes, and to churches and community centres to address the immediate needs of those affected by the wildfires,” the organisation said in a statement.
Beyonce’s mother Tina Knowles lost her bungalow in Malibu in the fires.
“It was my favourite place, my sanctuary, my sacred happy place,” she wrote on Instagram. “Now it is gone. God Bless all the brave men and women in our fire department who risked their lives in dangerous conditions.”
Other celebrities who have donated funds include Desperate Housewives star Longoria and her foundation, the Screen Actors Guild, the Recording Academy, which runs the Grammys, and Oscar-winning actress Jamie Lee Curtis and her family – who have all pledged $1m (£819,000) each.
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Ricki Lake shared on Instagram the moment flames got to her property in Malibu
The fires, which are burning around Los Angeles, come at the start of Hollywood’s awards season.
Organisers of the Oscars have postponed the nominations announcement twice, with the shortlists currently set to be revealed on 23 January, and the event’s annual luncheon ahead of the ceremony has been cancelled.
The show itself is still set to go ahead on 2 March. The Grammys, scheduled for 2 February, is also reportedly still set to go ahead.
The Donetsk theatre in the city of Mariupol was supposed to be a place of safety for hundreds of civilians sheltering during the first few weeks of Russia’s invasion in Ukraine. A sign bearing the word “children” was marked on the ground outside, visible from the air.
On 16 March 2022, the building was bombed. Authorities at the time said about 300 people had died, although some estimates were higher.
The stories of survivors are now being recounted by actors who were among those sheltering in the theatre at the time. Mariupol Drama, a play which opens in the UK this week, features real video footage captured on their phones, and personal items saved from the rubble.
Olena Bila and her partner Ihor Kytrysh, who have acted at the theatre since 2003, managed to escape the devastation with their son, Matvii.
“This is a story with a lot of memories from a previous life,” Olena tells Sky News from Ukraine, speaking through a translator. “We worked and lived in Mariupol and did what we loved. In a few days, we lost everything.”
The family also lost their home. Olena says she hopes the play shows that material possessions are not what’s important.
“We lost the material side of our lives. We want to show for everybody that all items around you, the material side of your life, doesn’t matter… it’s your mind, it’s your soul, it’s your heart [that does].”
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The couple also hope the production will remind people, almost three years on from the start of Russia’s invasion, that the war is still ongoing.
“We are still at war,” Olena says. “It’s our stories, real stories. Not Hollywood fiction, but a story of real people in Ukraine.
“It’s very hard to see that this war is still continuing. We still have no room for our plans for the future.”
After the start of Russia’s invasion in February 2022, the theatre, in the city’s Tsentralnyi district, became a hub for the distribution of medicine, food and water, and a designated gathering point for people hoping to be evacuated from Mariupol via humanitarian corridors.
The building was attacked after weeks of Russian fire on Mariupol.
Vira Lebedynska, the theatre’s head of music and drama, is also one of the performers in Mariupol Drama. When the bombs hit, she was sheltering in an underground room used for music recording which remained mostly untouched, she says.
It saved her.
Russia denied bombing the building deliberately. Following their own investigation, Amnesty International described the attack as a war crime.
British actor David MacCreedy heard about Mariupol Drama and met the actors during an aid trip to Ukraine and says he was struck “by just how powerful it was”. He has been instrumental in bringing the story to the UK.
“It needed to be seen here,” he says.
The play’s actors want to show that despite the destruction of the building, Mariupol’s theatre is still alive.
“Our theatre is fighting,” says Olena.”It is restored not to cry, but to fight.”
Mariupol Drama is on at the Home performing arts centre in Manchester from today until Saturday.
The first episode of a podcast hosted by AI replicating Sir Michael Parkinson has been released – and comedian and podcaster Jenny Eclair has branded it a “terrible, terrible idea”.
The podcast Virtually Parkinson sees AI technology synthetically recreate the late presenter’s voice and style to interview real-life celebrities.
The first episode released on Monday saw the Parkinson AI speak to R&B singer Jason Derulo, who was answering questions about his upbringing, fatherhood and fracturing part of his neck.
Eclair, who co-hosts the podcast Older and Wider with Judith Holder, said it made her “furious”.
Speaking about the podcast on ITV’s Good Morning Britain, Eclair, 64, said: “I’m furious, because there are living people like me who’ve still got mortgages, I’ve just actually mostly got rid of mine.
“But there’s not enough room. I know he was dearly loved and that sort of thing but there’s loads of back catalogue content that people can help themselves to.
“This is a terrible, terrible idea, we’re all fighting over the same space you know, the podcasts and the telly, and everybody’s desperately trying to say ‘me over here, please listen to my stuff’.
“I’ve got a podcast and I don’t think I can compete with Michael Parkinson, even when he’s not living and breathing.”
Virtually Parkinson’s producers Deep Fusion Films, who created the show with the support and involvement of Parkinson’s family and estate, said: “Jenny’s comments are precisely why the podcast was created, AI is a subject which people have strong opinions about, but is AI as scary as people think it is?
“Is it really coming for people’s jobs? Virtually Parkinson exists to explore the relationship between AI and humans, it simply couldn’t do that without having an AI host, so this is not a case of an AI replacing a human job.
“In fact, the podcast is launched at a time when the creative sector has been hit very hard and many find themselves out of work and Virtually Parkinson has created 15 jobs, which otherwise wouldn’t have existed.”
‘A tribute to my dad’
It was Parkinson’s son, Mike Parkinson, who reached out to the company with the idea of creating the podcast as a way to preserve his father’s legacy, calling it “a tribute to my dad”.
Deep Fusion was already using AI technology – dubbed “Squawk” – to allow live humans to speak with voices from the past.
When Mike Parkinson reached out, Deep Fusion drew from a back catalogue of more than 2,000 of his father’s interviews to recreate his voice and interview technique.
The company also expanded to create the project, hiring a new head of creative AI, an AI prompt engineer, researchers, guest bookers, podcast producers, and a sound engineer.
When the podcast was first announced last year, Mike Parkinson said: “I want audiences to marvel at the technology, the cleverness and cheekiness of the concept, but mostly I want them to remember just how good he was at interviewing and enjoy the nostalgia and happy memories.
“Through this platform, his legacy can continue, entertaining a new generation of fans.”
Podcast comes as government embraces AI future
The show’s launch has coincided with the government’s pledge to “mainline AI into the veins” of the UK, claiming that if AI is “fully embraced”, it could bring £47bn to the economy every year.
Announcing his goals to make the UK “the world leader” in AI, prime minister Sir Keir Starmer said: “Artificial Intelligence will drive incredible change in our country. From teachers personalising lessons, to supporting small businesses with their record-keeping, to speeding up planning applications, it has the potential to transform the lives of working people.
“But the AI industry needs a government that is on their side, one that won’t sit back and let opportunities slip through its fingers. And in a world of fierce competition, we cannot stand by. We must move fast and take action to win the global race.”