Kate Nash has a message for critics: “Not all heroes wear capes. Some just sell pictures of their bum.”
The singer’s bum jokes pepper the conversation, but her arse – as she says – highlights a very serious point. “The music industry is failing. It’s failing its artists, and soon it’s going to be failing fans, too.”
#ButtsForTourBuses, Nash said, will subsidise her live shows, which are becoming prohibitively expensive for many artists.
Fans are supportive, she tells Sky News, but her (mostly covered) bottom has faced criticism: “I’ve been called apocalyptic and a prostitute, which is outdated – it’s sex worker – but I’ll take ‘apocalyptic prostitute’ because it’s quite an epic title. To me, the idea of a country with no grassroots, no working-class people in music, no [smaller] venues, only stadiums – that’s apocalyptic.”
Last year, a Musicians’ Union and Help Musicians census found musicians’ average income was £20,700, compared to a population average of £37,430 for full-time workers. But almost half the musicians who responded were taking home less than £14,000, and more than half relying on other sources of income.
Industry insiders say even established names are having to take on second jobs.
Nash, 37, is an established artist who rose to fame with her 2007 debut album Made Of Bricks, and its hit single Foundations. She starred in the Netflix female wrestling comedy-drama Glow, released her fifth album, 9 Sad Symphonies, earlier this year, and has almost a million monthly listeners on Spotify.
When we speak, she is in the middle of a run of UK gigs at venues up to 1,500 capacity. She considered cancelling after tours in the US and Europe left her struggling financially. Costs have gone up by almost a third in recent years, she says.
“It’s a financial strain and everybody at my level and under is feeling that. You just lose so much money touring.”
To make up for the shortfall, Nash has sent her posterior viral. Her first photo on 20 November gained hundreds of likes. The pictures show her in her knickers, nothing explicit. “This is what a feminist looks like,” is her t-shirt slogan in one image.
A subscription is $9.99 (about £7.95) a month. The singer doesn’t want to reveal yet how much she has earned but says it has already made up for any losses she incurred on tour.
“I’ll just say you can make a surprising amount… right now it’s just for me to see what happens – and see how far my arse can take me.”
The musician is not the first to turn to OnlyFans. Rappers Iggy AzaleaandCardi B reportedly made millions before coming off the site, and earlier this year, Lily Allen claimed her account selling pictures of her feet was earning more than her seven million-plus monthly Spotify listeners.
OnlyFans says it empowers content creators, particularly women, to monetise images and videos online in a safe environment. In 2021, actress Sarah Jayne Dunn, who was starring in Hollyoaks at the time, joined the site to do just this – but was then dropped from the soap as the content didn’t align with its younger demographic.
And there has been criticism over the potential for exploitation – a recent Reuters investigation talked to women who claimed they had been forced to make money for others.
But like Nash, Allen said she found the experience empowering, “because having been very sexualised from a very early age and literally everybody else in the process profiting from that sexualisation, it’s actually really fun to be in power and in control of something that I find so silly”.
Nash says she wanted to be honest about the difficulties of touring. Just a few weeks ago, BBC Sound Of nominee and NME award winner Rat Boy announced he was cancelling his band’s UK tour, saying they couldn’t make it affordable, “even with us driving, teching and all four of us sharing a single bed on top of the van”.
Singer-songwriter Rachel Chinouriri, who is supporting Sabrina Carpenter’s UK and European tour dates next year, also cancelled a series of US dates due to costs. In the summer, Mercury Prize nominee Nadine Shah said she turned down a slot at Glastonbury as it was “too expensive a hit”.
Brexit, the pandemic and now the cost of living crisis have impacted everyone, but experts say the music industry has been hit particularly hard.
Sarah Pearson, who has worked in the industry for 25 years, runs management and PR agency Wasted Youth Music and is co-founder of the Beyond The Music co-operative. She says many artists have recently had no choice but to take on other work.
“Fans and consumers and people outside of the industry might think it’s a glamorous life… but it’s just not true [for most] anymore,” she says.
“We’re at an impasse right now where artists can’t make money from their art, which is serious for our cultural future. Where is the money going to come from and how can we create sustainable careers?”
In March, singer Lily Fontaine, from this year’s Mercury Prize winners English Teacher, spoke in parliament about the “ongoing crisis”, alongside David Martin, chief executive of the Featured Artists Coalition trade body.
“Audiences are finding their purses are very tight and they can’t afford ticket price increases, they’re scaling back,” says Martin. “On the supply side, costs are going up. Artists are the biggest employers in the music industry. On the live side, artists pay for practically everything – accommodation, transport, rehearsals, session musicians… managers, crew, technicians, agents.”
According to the Music Venues Trust, 125 venues were forced to close or stop hosting live music in 2023 due to costs. So far this year, more than 70 festivals have closed.
But a recent report found that UK music’s contribution to the economy in 2023 hit a record £7.6bn, with exports also hitting a new high of £4.6bn – so there is money to be made.
“There are real issues about how artists have been locked into contracts that were perhaps signed before the digital era,” says Martin. “There is money in the system. It just needs to be distributed equitably.”
It’s a “massive step”, says Beyond The Music’s Pearson, but help is also needed for other areas of the industry such as recorded music, too: “There needs to be a massive cross-industry investment fund… something like the Football Foundation where the Premier League clubs invest in the grassroots to develop and nurture talent for the future of the sport.”
Some household names have kicked things off themselves, with Coldplay pledging to donate 10% of profits to help smaller venues, and Katy Perry giving £1 for every ticket sold, from their arena and stadium shows in 2025.
As for Nash, she says she did not “need” to join OnlyFans, but chose to so that she can run her operation ethically. “I pay good wages, I don’t travel dangerously… I want to put on high-quality shows. I won’t sacrifice those things.”
There is “no shame”, she says, in how difficult it is for performers to earn a living now. “And I’m in a unique situation because I had a number one record 20 years ago that still helps me reinvest into myself. But it’s still not enough. What about people that don’t have that?”
The singer says ultimately, she would rather make money through sharing her bottom pictures than through relinquishing control.
“Some people think [OnlyFans] is a compromise – that’s how I would feel in a more corporate setting,” she says.
Tommy Fury has opened up about having an alcohol problem – citing his drinking as the reason for his split from Molly-Mae Hague.
Hague, 25, shocked fans in August when she announced the end of her relationship with her then-fiancé, with whom she shares daughter Bambi, who turns two later this month.
Both stars had, until now, refused to publicly reveal the cause of the split. Fury, also 25, has now said the break-up came after he began “drinking quite a lot” while unable to train after hand surgery.
“I’d go out and just drink and drink and drink,” he told Men’s Health. “It went on that way for a long time.
“Most nights I would to drink to get black-out drunk. I think that’s what really took its toll on me.”
Shooting down claims he was unfaithful to Hague, Fury added: “Cheating was never a thing. You can ask Molly this yourself. It was the drink, and the drink is not a good thing. You need to get a grip of it.
“We broke up because I had a problem with alcohol and I couldn’t be the partner that I wanted to be anymore. It kills me to say it, but I couldn’t. I loved a pint of beer, loved to drink.”
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Fury, who was seen spending New Year’s Eve with his ex, added he has “got himself out of that [drinking] now”.
Hague’s break-up announcement came just weeks after she had referred to Fury as the “love of my life” to mark their engagement anniversary on Instagram.
She later told Vogue UK: “No one will ever really know what went down apart from Tommy and I.
“I do think that he will talk about things eventually. I do think that when he’s ready, like, maybe more will be said. But I think that’s for him to do on his terms.”
This year’s BAFTA nominations have been revealed, with papal thriller Conclave leading the race.
Starring Ralph Fiennes as a clergyman responsible for the selection of the next Pope, the film is up for 12 awards – including best film, best director, best actor, and best supporting actress for Isabella Rossellini.
Spanish-language musical Emilia Perez, which tells the story of a Mexican cartel boss who undergoes gender affirmation surgery, is another best film nominee and has 11 BAFTAnods in total – with star Karla Sofía Gascón up for best actress and co-stars Zoe Saldana and Selena Gomez both in the running in the supporting actress category.
The Brutalist, an epic drama starring Adrien Brody as a Hungarian architect attempting to build a life in the US after the Second World War, has nine nominations – including best film and best actor, and supporting nods for co-stars Guy Pearce and Felicity Jones.
Elsewhere there are seven nominations each for Wicked, Anora, and Dune: Part Two, six for A Complete Unknown and Kneecap, and five for Nosferatu and The Substance.
In the performance categories, Gascon is up against Cynthia Erivo (Wicked), Marianne Jean-Baptiste (Hard Truths), Mikey Madison (Anora), Saoirse Ronan (The Outrun) and Demi Moore, whose performance in body horror The Substance won her a Golden Globe earlier this month.
Fiennes and Brody’s best actor competitors are Timothee Chalamet, for his portrayal of Bob Dylan in A Complete Unknown, along with Colman Domingo (Sing Sing), Hugh Grant (Heretic) and Sebastian Stan (The Apprentice).
Kieran Culkin, another recent Golden Globe winner, makes the best supporting actor shortlist once again for his performance in A Real Pain, alongside Pearce and Yura Borisov (Anora), Clarence Maclin (Sing Sing), Edward Norton (A Complete Unknown) and Jeremy Strong (The Apprentice).
Ariana Grande, who stars as Glinda opposite Erivo’s Elphaba in Wicked, and Jamie Lee Curtis, for her performance in The Last Showgirl, make up the best supporting actress shortlist.
For 14 of the 24 acting nominees – including Culkin, Grande, Gascon, Gomez and Moore – it is their first BAFTA film nomination.
Erivo and Chalamet are both previous recipients of the rising star award, which is voted for by the public.
In the best director category, Conclave’s Edward Berger is in the running alongside Brady Corbet, for The Brutalist, Denis Villeneuve, for Dune: Part Two, Jacques Audiard for Emilia Perez, Coralie Fargeat for The Substance, and Sean Baker for Anora.
Baker also has nominations for best original screenplay, casting and editing, making him the most nominated individual this year.
The BAFTAs also includes a category for outstanding British film, with Conclave also shortlisted here alongside films including Steve McQueen’s Blitz, Ridley Scott’s Gladiator II, and Irish-language film Kneecap – which stars the rap trio of the same name in a semi-autobiographical account of their rise to fame.
In total, there are 42 films up for awards, spanning a range of genres.
“The film industry has delivered in spades once again,” said BAFTA chief executive Jane Millichip.
“The skills on display from creative and technical practitioners across the board are phenomenal,” added BAFTA chair Sara Putt.
Could this be the most competitive BAFTAs for years?
What do you get if you bring several priests, a Mexican cartel leader and an architect together under one roof?
Not the world’s most niche fancy dress party, but 2025’s BAFTA film awards shortlist.
Jazz hands and jump scares are the order of the day. Horror is unusually well represented this year, with The Substance, Heretic and Nosferatu all receiving nods, while musicals are also dominating thanks to Emilia Perez, Wicked and, arguably, the Bob Dylan biopic A Complete Unknown.
Speaking of music, it’s very good news for Irish language rappers Kneecap, whose self-titled semi-true biopic is up for best British film and five other awards. It’s somewhat ironic given that while they rap about wanting Irish independence, the film qualifies as being British as they’re from Northern Ireland.
In the leading actress category, it’s all to play for as none of the nominees has ever won a BAFTA. Fans of ’90s nostalgia will be hoping the Demi-ssaince continues after Demi Moore’s Golden Globe win last month for her performance in body horror The Substance.
Hugh Grant, up for lead actor, last won that BAFTA back in 1995 for his breakthrough performance in Four Weddings And A Funeral. This time around, he’s in the running for a very different role, as a creepy killer in Heretic. He’s nominated alongside another ’90s winner – Ralph Fiennes, who last picked up a BAFTA for supporting actor in 1994.
The nominations this year really showcase a diverse range of genres – and with no clear frontrunners in some categories, could this be the most competitive BAFTAs we’ve seen in a while?
The nominees for this year’s rising star award, which is the only BAFTA prize voted for by the public, have already been announced, with Marisa Abela, Jharrel Jerome, David Jonsson, Mikey Madison and Nabhaan Rizwan in the running.
And Harry Potter star Warwick Davis has also been revealed as the recipient of this year’s BAFTA fellowship, the organisation’s highest honour, for his “trailblazing work” as an actor and for his charity supporting people with dwarfism.
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Marisa Abela is among the rising star nominees
The BAFTA nominations come at a difficult time for the industry, with the organisers of several US awards ceremonies, including the Oscars, pushing their own announcements back and holding more low-key events due to the wildfires in Los Angeles.
However, the Oscars ceremony is still currently scheduled to go ahead as planned on Sunday 2 March.
The BAFTA ceremony will be held at the Southbank Centre’s Royal Festival Hall in London on Sunday 16 February.
There are 42 films up for awards at this year’s BAFTA ceremony, from blockbusters to indie breakthroughs.
Organisers have now revealed the shortlists, with papal thriller Conclave leading the nominations, followed closely by Spanish-language musical Emilia Perez, and post-war epic The Brutalist.
The star-studded BAFTAceremony will take place in London on Sunday 16 February.
Here’s the full list of the stars and films up for each prize.
BEST FILM Anora The Brutalist A Complete Unknown Conclave Emilia Perez
OUTSTANDING BRITISH FILM Bird Blitz Conclave Gladiator II Hard Truths Kneecap Lee Love Lies Bleeding The Outrun Wallace And Gromit: Vengeance Most Fowl
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER Hoard – Luna Carmoon (director/ writer) Kneecap – Rich Peppiatt (director, writer) Monkey Man – Dev Patel (director) Santosh – Sandhya Suri (director, writer), James Bowsher (producer), Balthazar de Ganay (producer) Sister Midnight – Karan Kandhari (director, writer)
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FILM NOT IN THE ENGLISH LANGUAGE All We Imagine As Light Emilia Perez I’m Still Here Kneecap The Seed Of The Sacred Fig
DOCUMENTARY Black Box Diaries Daughters No Other Land Super/Man: The Christopher Reeve Story Will & Harper
ANIMATED FILM Flow Inside Out 2 Wallace And Gromit: Vengeance Most Fowl The Wild Robot
CHILDREN’S & FAMILY FILM Flow Kensuke’s Kingdom Wallace And Gromit: Vengeance Most Fowl The Wild Robot
DIRECTOR Anora – Sean Baker The Brutalist – Brady Corbet Conclave – Edward Berger Dune: Part Two – Denis Villeneuve Emilia Perez – Jacques Audiard The Substance – Coralie Fargeat
ORIGINAL SCREENPLAY Anora – Sean Baker The Brutalist – Brady Corbet & Mona Fastvold Kneecap – Rich Peppiatt, Naoise O Caireallain, Liam Og O Hannaidh, JJ O Dochartaigh A Real Pain – Jesse Eisenberg The Substance – Coralie Fargeat
ADAPTED SCREENPLAY A Complete Unknown – James Mangold and Jay Cocks Conclave – Peter Straughan Emilia Perez – Jacques Audiard Nickel Boys – RaMell Ross and Joslyn Barnes Sing Sing – Clint Bentley, Greg Kwedar, Clarence ‘Divine Eye’ Maclin, John ‘Divine G’ Whitfield
LEADING ACTRESS Cynthia Erivo – Wicked Karla Sofia Gascon – Emilia Perez Marianne Jean-Baptiste – Hard Truths Mikey Madison – Anora Demi Moore – The Substance Saoirse Ronan – The Outrun
LEADING ACTOR Adrien Brody – The Brutalist Timothee Chalamet – A Complete Unknown Colman Domingo – Sing Sing Ralph Fiennes – Conclave Hugh Grant – Heretic Sebastian Stan – The Apprentice
SUPPORTING ACTRESS Selena Gomez – Emilia Perez Ariana Grande – Wicked Felicity Jones – The Brutalist Jamie Lee Curtis – The Last Showgirl Isabella Rossellini – Conclave Zoe Saldana – Emilia Perez
SUPPORTING ACTOR Yura Borisov – Anora Kieran Culkin – A Real Pain Clarence Maclin – Sing Sing Edward Norton – A Complete Unknown Guy Pearce – The Brutalist Jeremy Strong – The Apprentice
CASTING Anora – Sean Baker, Samantha Quan The Apprentice – Stephanie Gorin, Carmen Cuba A Complete Unknown – Yesi Ramirez Conclave – Nina Gold, Martin Ware Kneecap – Carla Stronge
CINEMATOGRAPHY The Brutalist – Lol Crawley Conclave – Stephanie Fontaine Dune: Part Two – Greig Fraser Emilia Perez – Paul Guilhaume Nosferatu – Jarin Blaschke
EDITING Anora Conclave Dune: Part Two Emilia Perez Kneecap
COSTUME DESIGN Blitz A Complete Unknown Conclave Nosferatu Wicked
MAKE-UP & HAIR Dune: Part Two Emilia Perez Nosferatu The Substance Wicked
ORIGINAL SCORE The Brutalist Conclave Emilia Perez Nosferatu The Wild Robot
PRODUCTION DESIGN The Brutalist Conclave Dune: Part Two Nosferatu Wicked
SOUND Blitz Dune: Part Two Gladiator II The Substance Wicked
SPECIAL VISUAL EFFECTS Better Man Dune: Part Two Gladiator II Kingdom Of The Planet Of The Apes Wicked
BRITISH SHORT ANIMATION Adios Mog’s Christmas Wander To Wonder
BRITISH SHORT FILM The Flowers Stand Silently, Witnessing Marion Milk Rock, Paper, Scissors Stomach Bug
EE RISING STAR AWARD (voted for by the public) Marisa Abela Jharrel Jerome David Jonsson Mikey Madison Nabhaan Rizwan