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It was once the venue of choice for the London glitterati but it appears the party is over for famed celebrity haunt The Groucho Club.

The club’s licence has now been suspended by Westminster City Council after a request by the Metropolitan Police.

Neither the police, nor the club itself, have shed any light on the “serious criminal offence” that forced it to close its doors, but it is not the first time the venue has been dogged with claims of illegality.

In its heyday, an upstairs room was apparently nicknamed the Peruvian Procurement Department, such was its reputation for the alleged availability of cocaine.

It is a startling fall from grace for a club once frequented by the likes of Princess Diana, Kate Moss, Harry Styles and even Ant and Dec.

Mandatory Credit: Photo by Rotello/Mcp/Shutterstock
 
.Kate Moss.Kate Moss leaving the Groucho club, London, Britain - 15 Dec 2010
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Kate Moss leaving the Groucho Club. Photo by Rotello/Mcp/Shutterstock

The club was founded in 1985, at a time when very few private members’ clubs were open to women (and in fact, The Garrick Club only voted to allow women to become members this year – prior to that, they had to be invited in and accompanied around the building by a man).

A group of publishing heavyweights (Liz Calder from Bloomsbury, Carmen Callil from Virago and literary agents Ed Victor and Michael Sissons) wanted to invent a “new kind of club”, according to the official history of Groucho.

They wanted it to be “a place where the creatives can mingle, unwind, and spark some serious magic, regardless of gender, a club anyone could apply to join based on merit, the antithesis of the stuffy gentlemen’s clubs of the day”.

It would become “the blueprint for the modern members club”.

Pic: Dave Benett/Getty

British television presenting duo Ant & Dec attend a party being held at the Groucho Club for the Smash Hits Poll Winners Party, London, December 1996.  (Photo by Dave Benett/Getty Images)
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British television presenting duo Ant & Dec attend a party being held at the Groucho Club in 1996. Pic: Dave Benett/Getty

The club was named after Groucho Marx’s famous claim that he wouldn’t “want to belong to any club that would accept me as one of its members”.

The group (backed by club owner Tony Mackintosh) bought a slightly dilapidated townhouse on Dean Street for £450,000, raising roughly the same amount again to transform it into the “hottest ticket in town”.

Rod Stewart, Freddie Mercury, and Liam Gallagher were among the famous faces to visit, alongside Keira Knightly and Lily Allen (who was later given a year-long suspension from the club).

Such was the venue’s success at attracting members that a rival Soho club was said to have been launched purely to cater for rejected Groucho applicants.

Mandatory Credit: Photo by Alan Davidson/Shutterstock 

Nigella Lawson Who Hosted the Party For Her Late Husband's Book with Angus Deayton and Lisa Meyer
Party at the Groucho Club For the Publication of John Diamond's Book 'Snake Oil' - 07 Jul 2001
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Nigella Lawson hosted the party for her late husband’s book with Angus Deayton and Lisa Meyer at the Groucho Club. Photo by Alan Davidson/Shutterstock

Stories from inside the club soon became legend

There was the time Bill Clinton walked through the doors one Christmas, only to be serenaded by Bono singing “Happy Birthday Mr President”.

Julie Burchill, a columnist for The Times, wrote in a 2005 article commemorating Groucho’s 20th anniversary: “It seemed symptomatic of the times when my then best friend Toby Young had sex in the toilets with a Lady Diana impersonator.”

Young is on record as responding: “I can’t claim to have been the first person to have had sex in the Groucho Club’s toilets – the truth is we didn’t go all the way – but I’m sure it’s happened on numerous occasions. The irritating thing was that as I emerged, I was spotted.”

Mandatory Credit: Photo by Richard Young/Shutterstock

Pete Burns and boyfriend Michael Simpson.DAZED AND CONFUSED 'GAP RED' LAUNCH AT THE GROUCHO CLUB, LONDON, BRITAIN - 15 MAR 2006
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Pete Burns and Michael Simpson. Photo by Richard Young/Shutterstock

How did you become a member – and what were the rules?

“Two current members have to write to the committee to propose you,” wrote PR executive James Herring in 2005. “If you’ve been lucky enough to get the nod, you’ll then get a letter saying you’ll be able to join in three years’ time.”

Membership was reportedly £1,500 a year, and being a celebrity was not always a guaranteed entry. The Spice Girls were rejected by the membership committee, while Al Pacino was turned away at reception unrecognised.

To preserve privacy, after 5pm the use of mobile phones was strictly prohibited, unless you were taking a “short discreet” call. No photos or videos were allowed to be taken at any time inside.

The Groucho Book of Rules also states the following: “The wearing of string vests is fully unacceptable and wholly proscribed by Club Rules. There is enough distress in the world already.”

Mandatory Credit: Photo by Rotello/Shutterstock 

Noel Gallagher and Sara McDonald
Noel Gallagher and Sara McDonald at Groucho club, London, Britain - 27 Aug 2013
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Noel Gallagher and Sara McDonald at the Groucho Club in 2013. Photo by Rotello/Shutterstock

The Prince of Soho

Overseeing the debauchery was front-of-house manager Bernie Katz, who partied with celebrities but was known for his discretion.

Nicknamed the “The Prince of Soho” by Stephen Fry, Katz was the son of notorious south London gangster Brian “Little Legs” Clifford.

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Clifford was a criminal and club owner who was murdered at home while he slept.

Katz, aged 17 at the time his father was shot, would later write in his memoir: “Never one to miss an opportunity, I sashayed over to his wardrobe and navigated my way across the sea of footwear to his black Pierre Cardin alligator skin shoes I’d secretly always had my eye on. Thank God they were in the wardrobe. You see something good always comes out of tragedy.”

Mandatory Credit: Photo by James Gourley/Shutterstock 
A horse drawn hearse with a floral tribute reading 'The Prince of Soho'
Bernie Katz funeral procession, Soho, London, UK - 22 Sep 2017
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A horse drawn hearse at Bernie Katz’s funeral. Photo by James Gourley/Shutterstock

He would become known for his discretion at the club, partying with celebrities and protecting their secrets until the end of his life.

Katz died suddenly, at the age of 49, with Sienna Miller, Noel Fielding and Jude Law turning out for his funeral – the latter giving a eulogy.

Mandatory Credit: Photo by Shutterstock 

.Sienna Miller leaves the Groucho Club in a state of confusion. She ran out of a side door and was led to the wrong car. Sienna got out and ran back towards the club but ended up in a doorway with her friends telling photographers to leave her alone..Stars at the Groucho Club, London, Britain - 13 Sep 2007
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Sienna Miller leaving the Groucho Club – she ran out of a side door and was led to the wrong car. Photo by Shutterstock


The club’s downfall

Katz’s retirement (a few short months before his death) was seen by some as the beginning of the end for the club. In 2016, 14 veteran members wrote to general manager Matt Hobbs with complaints including “open drug taking” and arguing the club had lost its “unique feel”.

Hobbs left the club in 2018, a year after it had announced a 40% increase in the membership fee.

The company was bought in 2022 by Artfarm for a reported £40m.

According to The Times, a letter titled “RIP Groucho” circulated among members this summer, which pronounced the club “almost dead”, with complaints including rising costs and the decision to disband the old membership committee.

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Bands pull out from festival after group ‘cut off’ over Palestine flag

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Bands pull out from festival after group 'cut off' over Palestine flag

Several bands have pulled out from the Victorious music festival just hours before their scheduled performances, following claims by Irish folk group The Mary Wallopers that they were “cut off” for displaying a Palestinian flag.

The Last Dinner Party, Cliffords, and The Academic announced on Saturday that they would no longer be performing at the annual music festival in Portsmouth following Friday’s incident.

The organisers, who said the band’s set was cut short for using a “discriminatory” chant, have since apologised and promised to make “a substantial donation to humanitarian relief efforts for the Palestinian people”.

Rock band The Last Dinner Party said they are “outraged” by the incident and would boycott the festival.

“We are outraged by the decision made to silence The Mary Wallopers yesterday at Victorious. As a band we cannot cosign political censorship and will therefore be boycotting the festival today,” they said in a statement shared on their Instagram page.

“As Gazans are deliberately plunged into catastrophic famine after two years of escalating violence, it is urgent and obvious that artists use their platform to draw attention to the cause.

“To see an attempt to direct attention away from the genocide in order to maintain an apolitical image is immensely disappointing.”

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Abigail Morris, Emily Roberts, Georgia Davies, Lizzie Mayland and Aurora Nishevci of The Last Dinner Party. File pic: Reuters
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Abigail Morris, Emily Roberts, Georgia Davies, Lizzie Mayland and Aurora Nishevci of The Last Dinner Party. File pic: Reuters

The Last Dinner Party said that throughout the summer, they have used their performances to encourage their audiences to make donations to a medical charity supporting Palestinians and urged their fans “more than ever to do the same”.

The band said they are “devastated to be put in this position” and apologised to those who were hoping to see them perform.

Following The Mary Wallopers’ set, a spokesperson for Victorious said: “We spoke to the artist before the performance regarding the festival’s long-standing policy of not allowing flags of any kind at the event, but that we respect their right to express their views during the show.

“Although a flag was displayed on stage contrary to our policy, and this was raised with the artist’s crew, the show was not ended at this point, and it was the artist’s decision to stop the song.”

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The Mary Wallopers claimed the festival had released a “misleading statement to the press claiming they cut our sound because of a discriminatory chant, and not the band’s call to Free Palestine”.

The band said their video “clearly shows a Victorious crew member coming on stage, interfering with our show, removing the flag from the stage and then the sound being cut following a chant of ‘Free Palestine'”.

“The same crew member is later heard in the video saying ‘you aren’t playing until the flag is removed’,” the band added.

Rock band The Academic have also pulled out of the festival, saying they could not “in good conscience” perform at “a festival that silences free speech”, while Irish band Cliffords said they “refuse to play if we are to be censored for showing our support to the people of Palestine”.

After the bands’ announcements that they were pulling out of the festival, the organisers released another statement, saying that they did not handle “the explanation of our policies sensitively or far enough in advance to allow a sensible conclusion to be reached”, and issued an apology.

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Eva Victor: The ‘superstar’ who rose to fame creating viral videos on why comparisons are ‘unhelpful’ and new film Sorry, Baby

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Eva Victor: The 'superstar' who rose to fame creating viral videos on why comparisons are 'unhelpful' and new film Sorry, Baby

The creator of a new movie about the aftermath of sexual assault says comparisons with stars including Phoebe Waller-Bridge and Michaela Coel are flattering, but “aren’t ultimately helpful”.

Eva Victor, who rose to fame after creating viral comedy videos on X, wrote and directed their debut feature – Sorry, Baby – as well as playing the lead role.

They were encouraged to both write and then direct the movie by Oscar-winning filmmaker Barry Jenkins, after he saw Victor’s videos online.

Eva Victor, who first gained attention for their viral comedy videos, has released their first feature, Sorry, Baby. Pic: A24
Image:
Eva Victor, who first gained attention for their viral comedy videos, has released their first feature, Sorry, Baby. Pic: A24

The film was warmly received at Sundance and Cannes, and its creator was hailed a “superstar”. But along with such accolades come inevitable comparisons.

Victor told Sky News: “The thing that that moved us so much about [Fleabag star Phoebe Waller-Bridge] and about Michaela Coel and about Greta Gerwig and those people is that it’s just a true voice.”

Phoebe Waller-Bridge in 2024. Pic: PA
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Phoebe Waller-Bridge in 2024. Pic: PA

They admit “that part of the comparison means everything”, but go on: “I’m non-binary, so I use ‘they’ and ‘she’ pronouns and I think it’s interesting that we feel pretty binary about comparisons.

“People are pretty interested in putting me in a category of women. I mean, Denzel Washington directed himself. Albert Brooks directed himself. Jodie Foster directed after acting.

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“It’s an interesting conversation, and I think maybe comparisons aren’t ultimately so helpful. But also, I’m very honoured because they’re people I desperately look up to. Overall, it’s a very, very fine comparison.

Pic: A24
Image:
Pic: A24

‘The bad thing’ at the heart of the movie

A triple threat, Victor studied acting and playwriting at Northwestern University, Illinois, before moving to New York in 2016 where they worked on the feminist satirical website Reductress. They later landed a role in Showtime drama series Billions.

A black comedy, Sorry, Baby tells the story of Agnes, a twenty-something New England literature student – and later academic – who is sexually assaulted by her college tutor.

Dubbed “the bad thing” in the movie, the assault – which occurs off camera – is a catalyst for the movie’s storyline but never becomes its focus.

Victor has called the writing of the project, “my soul on the page” – without speaking directly about whether any real-life experience inspired it – telling Sky News: “The process you go through privately, you’re exercising something very soul-forward. It’s very exposing.”

The impact of sexual assault around the world is something Victor calls “a big, big societal tragedy”. One in four women in England and Wales experiences sexual assault in their lifetime, according to the Office for National Statistics.

Victor says: “The reason I made the film was to try to make a film about an attempt at healing and much less about a kind of violence.”

They explain: “As someone who wanted to explore the intimate feelings of recovery from something like this, the only way through for me was to really think about Agnes and what is truthful to her story.”

Pic: A24
Image:
Pic: A24

‘Less about violence, and more about love’

Several instances in the film show the system failing to effectively deal with or even fully acknowledge the abuse – first a hospital, then a university – and those scenes are handled with a lightness of touch not always applied to trauma-based stories.

Victor says: “Humour in those scenes is used as a way for punching up people in power. And these institutions that create a really difficult, painful time for people.”

In the current climate, as convicted sex offender Harvey Weinstein faces his third trial, and music star P Diddy awaits sentencing – where does Victor think the MeToo movement stands now?

Despite the movie’s themes, Victor is reticent to become a mouthpiece for the movement.

Measuring their words carefully, Victor offers a note of optimism in their answer – much like the message of the movie – looking to the future with hope, albeit in an imperfect world.

“I think there’s rehabilitation that is necessary for everyone, and I’m less interested in violence and punishment and much more interested in finding love and trying to hold each other.”

Sorry, Baby is in UK cinemas now.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.

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Bridgerton creator Shonda Rhimes reacts to claims of ‘woke’ casting – and why she’s considering moving to the UK

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Bridgerton creator Shonda Rhimes reacts to claims of 'woke' casting - and why she's considering moving to the UK

Bridgerton creator Shonda Rhimes says filming the drama and its spin-off Queen Charlotte in England has prompted her to consider relocating to the UK.

The US producer, who is behind some of the most popular TV dramas of the past two decades, told Sky News working in Britain had been a “really welcoming experience”, adding: “I’ve been spending a little bit more time over here and I’m going to try to spend even more if I can swap my kids into a British school.

“I’m trying to figure that part out, but I do really love being here and it’s always been such a great experience.”

Rege-Jean Page and Phoebe Dynevor as Simon Basset and Daphne Bridgerton in Bridgerton. Pic: Netflix
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Rege-Jean Page and Phoebe Dynevor as Simon Basset and Daphne Bridgerton in Bridgerton. Pic: Netflix

Rhimes’ vast contribution to television has been recognised at this year’s Edinburgh TV festival, where she was given its inaugural fellowship award for the global impact of her shows.

Her first huge hit was Grey’s Anatomy. The medical drama, which began in 2005, is now in its 22nd season.

Shonda Rhimes created Grey's Anatomy. Pic: ABC/Kobal/Shutterstock
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Shonda Rhimes created Grey’s Anatomy. Pic: ABC/Kobal/Shutterstock

But finding an abandoned novel in a hotel room would motivate her to write Bridgerton, the drama that has become the biggest show on Netflix.

While its steamier scenes are often what garner most attention, she says after reading the books, she came to see it as a “workplace drama”.

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“These are women in their workplace because, in a world in which they have no power, they have no ability to do anything else; their only value is who they marry and their only worth is focused into that,” she adds.

‘Bizarre’ criticism

Rhimes says she is thinking about moving to the UK
Image:
Rhimes says she is thinking about moving to the UK

Rhimes agrees there is something inherently condescending about the way critics use terms like “guilty pleasure” to describe her dramas.

“There are certain people for whom the world of women will never be considered as serious or as complex or as interesting as the world of men,” she says.

Rhimes says she finds some of the reaction to her decision to reflect a diverse range of actors in Bridgerton’s cast “bizarre” after critics accused the show’s makers of “pandering to woke culture”.

Bridgerton has been one of Netflix's most popular shows. Pic: Netflix
Image:
Bridgerton has been one of Netflix’s most popular shows. Pic: Netflix

She said: “The idea that I am writing the show looking like I look, that it wouldn’t occur to me that there should be more people in the show who look like me, I feel like that’s an obvious point. Why would I write something that doesn’t include me in any way?”

Given the thousands of episodes of drama she’s written over the years, she’s all too aware that it’s likely artificial intelligence is probably being used to scrape her scripts.

“There’s a danger of AI learning from my episodes, maybe it will learn to be better at what it does, but, most importantly, I don’t think that there’s any substitute for that germ of creativity that comes from a human imagination, I really don’t.”

As for what she enjoys watching on TV, her eyes light up when I mention having heard she’s a massive fan of a certain British sci-fi classic.

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“Oh my God, I’ve loved Doctor Who forever! Forever!” she says, describing writer Russell T Davies’ work as “amazing”.

She adds: “For a while, people were like ‘what’s wrong with you?’ because they didn’t know the show. I fell in love with the David Tennant years, and I haven’t been able to let it go because of the writing.”

I ask if she’s ever considered a crossover episode.

She laughs: “I don’t know if there’s a Bridgerton meets Doctor Who…, but I would work with Russell at any time.”

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