Actor Ian Smith, known for playing Harold Bishop in Neighbours, has revealed he has been diagnosed with terminal cancer.
The 85-year-old first appeared on Ramsay Street in 1987 and has played the beloved character on and off over five decades. After a 15-year break, he returned to the Australian soap just a few months ago.
However, he has now revealed he has filmed his last Neighboursscenes after being told he has a rare form of lung cancer called pulmonary pleomorphic carcinoma.
Image: Kylie Minogue as Charlene Mitchell, Craig Mclachlan as Henry, Anne Charleston as Madge Bishop and Smith as Harold back in the early days. Pic: Fremantle Media/Shutterstock
The programme shared footage of his final day on set, telling his fellow castmates he had had “the most privileged life” and met “the most beautiful people” during his time on the show.
Harold arrived in Erinsborough as an old flame of Madge (Anne Charleston), and the pair went on to get married and become one of the soap’s best-loved couples.
But tragedy struck when he was washed out to sea in 1991, presumed dead – Neighbours fans will remember those famous final scenes, with a heartbroken Madge left with only his glasses, washed up on a rock.
However, this is soapland, where anything can happen – and Harold returned in 1996, albeit with memory loss. He remained on screen until 2009.
During that time, the character had his house burgled by a gambling-addicted girlfriend, suffered a stroke that completely altered his personality, and tried to strangle the man he blamed for the plane crash that killed his son.
Image: Smith returned alongside (L-R) Minogue, Jason Donovan, Annie Jones and Stefan Dennis in 2022, for what was thought to be the soap’s final episode. Pic: Fremantle/Channel 5
Smith went on to make brief guest appearances in the soap following his exit – including in what was thought at the time to be the final ever episode in 2022 after the series was axed by Channel 5.
However, Neighbours returned in 2023 after being picked up by streaming channel Amazon Freevee, and Smith announced his full return in May.
“After 15 years of living away, the legendary Harold Bishop is returning to Erinsborough,” the show revealed in a statement shared on social media at the time. “We are thrilled to welcome Ian Smith back to the show and the opening titles, where he belongs.”
After filming his final scenes, Smith said there were “real tears” during his last day on set.
Footage showed him alongside castmates including Stefan Dennis (Paul Robinson), Jackie Woodburne (Susan Kennedy), Alan Fletcher (Karl Kennedy), and Annie Jones (Jane Harris) – as well as a surprise return from Charleston, reportedly playing a different character following Madge’s death in 2001.
Dennis broke down in tears as he said: “In the last 20 years that I’ve been back, I have found the most incredible bond with this man… I love you so much.”
Smith said he had undergone treatment including chemotherapy and immunotherapy and that he had put his hand up “to be a guinea pig – plus the fact, I don’t want to die. I want to stay alive with quality as long as I can. If they can do that, I’m very happy”.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.