Melanie Sykes criticises TV industry after Celebrity MasterChef experience – saying she complained at the time
Celebrity Masterchef contestant Melanie Sykes has criticised the TV industry in the wake of the allegations made about host Gregg Wallace, saying it is up to bosses to act on unprofessional behaviour and not let one person be a “scapegoat”.
The former TV presenter and broadcaster, who rose to fame on shows including The Big Breakfast and Today With Des And Mel in the 1990s and 2000s, appeared on Celebrity MasterChef in 2021.
She wrote about her experience on the show in her autobiography Illuminated, released in 2023, and how she decided to walk away from show business afterwards.
Pic: Ken McKay/ITV/Shutterstock
In a new clip shared on her YouTube channel, Sykes said she complained after appearing on the show, but did not want to make it formal.
Wallace, 60, faces allegations from 13 people across a range of shows over a 17-year period, with many others sharing their experiences in the wake of the initial claims.
He has temporarily stepped down from the BBC cooking show while historical misconduct complaints are externally reviewed by producers Banijay UK. His lawyers say “it is entirely false that he engages in behaviour of a sexually harassing nature”.
Sykes, 54, said she wanted to speak out to let people know what the industry is like. “Every time Gregg came over to the desk, I didn’t like him being around, really,” she said. “Because it’s all about vibrations and energy.”
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‘Stop letting one person be a scapegoat’
Sykes, who also appeared on I’m A Celebrity… Get Me Out Of Here! in 2014, said the MasterChef production company was at fault “because they facilitate… what’s the word? It’s just unprofessionalism, really.
“I’ve seen unprofessionalism in many areas of that f****** industry and I’ve not exposed all and everything because I just don’t want to, it’s just so toxic, and I can’t…
“Stop letting one person be a scapegoat, which is the so-called talent, because that’s what they call you, is the one that has to carry the can all the time.
“If I had somebody misbehaving or acting unprofessionally on my production, let me tell you, they wouldn’t be on my production. I wouldn’t tolerate it. I don’t care who it is.”
Sykes said she believes alleged unprofessional behaviour is allowed to continue because “people think, well, you know, we can’t get rid of him really, because it’s such a successful show”.
She added: “I complained afterwards. I said I didn’t want to make a formal complaint because honestly, I’d spend my whole time in litigation if I did that. And I think that’s one of the reasons why people don’t go for it.”
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Stephen Fry on Wallace allegations
‘It’s not about wokeness’
Meanwhile, Stephen Fry has told Sky News that men in television must consider who may be the “victim or stereotype” at the root of their “light banter”.
“It’s just good manners, really,” he said. “Good manners have changed… and so I think we’ve all just got to realise it’s not about wokeness, it’s just about being sensitive to the atmosphere.”
After the allegations emerged, Wallace released a video dismissing his accusers as “middle-class women of a certain age“.
Following a backlash – with even Downing Street weighing in – he issued an apology on Monday, saying: “I wasn’t in a good headspace when I posted it, I’ve been under a huge amount of stress, a lot of emotion, I felt very alone, under siege yesterday when I posted it.”
He added: “It’s obvious to me I need to take some time out now while this investigation is under way. I hope you understand and I do hope you will accept this apology.”
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Fry said Wallace’s initial response was “unbelievably foolish”, and added: “Even if he felt that he’d been misunderstood himself, he could surely see that there were some women there who were truly hurt and had felt not listened to, and that he should first of all address that.”
Production company Banijay UK has appointed law firm Lewis Silkin to lead an investigation into Wallace’s alleged behaviour.
A spokesperson said the company takes the complaints “incredibly seriously” but will not comment on individual allegations while the external investigation is ongoing.
“It is important to note that MasterChef welfare processes are regularly adapted and strengthened and there are clear protocols to support both crew and contributors,” the Banijay spokesperson said. “These include multiple ways of reporting issues, including anonymously.”
In response to reports that multiple complaints had been raised with the BBC, a source for the corporation said it would not comment on individuals or any internal HR processes but that it would be “wrong to report the BBC has done nothing if or when matters have been raised with us – not least because it is already being widely reported there were interventions in both 2017 and 2018 where action was taken”.
Last week, a BBC spokesperson said that any issues raised are taken seriously and there are “robust processes in place” to deal with them.
“We are always clear that any behaviour which falls below the standards expected by the BBC will not be tolerated,” the spokesperson said.
Sky News has contacted representatives for Wallace for comment.
Indian actor Dhanush says he has been left “completely disturbed” by the re-release of one of his hit films with an alternative ending assisted by AI – but the production company behind it has rejected criticism of the move.
Hindi-language romantic drama Raanjhanaa, called Ambikapathy in its Tamil-language title, has made headlines over its re-release 12 years after first hitting cinemas in 2013.
Eros Media World says the new version, which sees the film’s original ending switched to a happier one, is a “lawful and creative reinterpretation, not a replacement”, and that the change and use of artificial intelligence has been made clear to viewers.
The company says the alternate ending was “crafted under the direction of a human creative team using AI only as an assistive tool – not as an autonomous content generator”.
In a statement sent to Sky News, group chief executive Pradeep Dwivedi said the studio wanted to offer “fresh dimensions for audiences” and never intended “to undermine the original essence” of the film.
However, the AI-assisted re-release has already drawn criticism from the film’s director Aanand L Rai, and now its star Dhanush has released a statement to say the “AI-altered climax” had left him “completely disturbed”.
“This alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection,” Dhanush said in a message posted on X. “This is not the film I committed to 12 years ago.”
Dhanush said the use of AI to alter films or other content “is a deeply concerning precedent for both art and artists” that “threatens the integrity of storytelling and the legacy of cinema”.
He added: “I sincerely hope that stricter regulations are put in place to prevent such practices in the future.”
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Eros said Dhanush’s “wonderful performance” in the role of Kundan had brought the character to life “in an unforgettable way”. However, the studio said the actor’s team had been aware of the plans before the re-release and that they had received “no formal objection”.
“While we acknowledge and respect differing views on the use of AI in film, our aim has been to explore how technology can complement storytelling and offer fresh dimensions for audiences – never to undermine the original essence of a film,” Mr Dwivedi said. “The original Raanjhanaa and Ambikapathy remains much loved and widely available, and the IP is fully preserved.”
He added: “Just as storytelling evolves, so too does music – and with responsible use of AI, even the most iconic soundtracks are being respectfully reimagined as remixes to resonate with new generations while preserving their original soul.
“We deeply respect the creative community and remain committed to collaborating in ways that ensure mutual respect, innovation, and progress for the cinematic arts. As one of India’s most storied film studios, Eros remains committed to celebrating Indian cinema, nurturing talent, and embracing technology responsibly.”
Dhanush’s comments come after statements posted by Rai, who has described the re-release as “a betrayal” to the original that has been “dressed up as innovation”.
Writing on Instagram, he said: “This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What’s now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul.”
Responding to the director’s criticism, Mr Dwivedi reiterated that the re-release is “a respectful creative reinterpretation – clearly labelled and separate from the original version” and said such practices are “common in global cinema, and reflect our long-standing commitment to innovation, audience engagement, and cultural preservation”.
He also highlighted an ongoing legal dispute between Eros and Colour Yellow Productions, the studio co-founded by Rai.
Strikes by video game actors ended in June after starting last year. File pic: AP
The re-release comes as artificial intelligence continues to cause concern among some in the creative industries. In June, video game actors in the US ended a strike after nearly a year of industrial action over the use of AI by game studios – an issue that was also part of the concerns raised by the Hollywood writers’ and actors’ strikes in 2023.
Earlier this year, Oscar-nominated film The Brutalist made headlines for using the technology to “refine” Hungarian accents.
It has also been used for de-aging stars such as Harrison Ford for the latest Indiana Jones film and Tom Hanks in the 2024 picture Here – and for helping to create “the last Beatles record” featuring John Lennon’s vocals, released in 2023.
There is a “good side” to the technology but also a “scary side”, Sir Paul McCartney has said, adding: “We will just have to see where that leads.”
Oasis have said they are “shocked and saddened to hear of the tragic death of a fan” at their Wembley Stadium concert on Saturday.
Together with their bandmates, Liam and Noel Gallagher have offered their “sincere condolences to the family and friends of the person involved”.
Metropolitan Police said officers on duty at the stadium responded, alongside venue medics and the London Ambulance Service, to reports a person had been injured at around 10.20pm.
The statement continued: “A man – aged in his 40s – was found with injuries consistent with a fall. He was sadly pronounced dead at the scene.”
According to media reports, the man fell from the stadium’s upper tier.
A concertgoer on social media said they saw the incident and described it as “horrific”.
Liam and Noel Gallagher on stage at their first reunion gig. Pic: AP
Metropolitan Police said: “The stadium was busy, and we believe it is likely a number of people witnessed the incident, or may knowingly or unknowingly have caught it on mobile phone video footage.
“If you have any information that could help us to confirm what happened, please call 101.”
Oasis performed at the venue as planned on Sunday night, delivering the final concert of a five-night run at Wembley.
Addressing fans at the stadium, singer Liam said: “This one’s for all the people who can’t be here tonight, but who are here if you know what I mean, and aren’t they looking lovely. Live Forever.”
The band then played the track of the same name.
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Oasis support act Richard Ashcroft paid tribute on Instagram, writing: “I was shocked to hear of the death of one of the audience last night sending my love to the family and friends.”
A spokesperson for Wembley Stadium said: “Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers.”
They will then head to Scotland, Ireland, Canada and the United States, before returning to Wembley for two more dates in September.
The reunion tour began at the start of July and marks the Gallagher brothers’ first performances together since Oasis split acrimoniously in 2009.
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