MasterChef presenter John Torode has said he has found the recent reports about co-host Gregg Wallace “truly upsetting”.
The pair have presented the BBC One cooking show together for almost 20 years, since 2005.
In his first comments since the allegations surfaced, Torode said he would continue to be part of the programme, adding: “The thought of anyone who has appeared on our show not having a brilliant experience is awful to hear, and I have found the recent press reports truly upsetting.”
Wallace is facing allegations of inappropriate behaviour from more than a dozen people across a range of shows over a 17-year period. His lawyers have previously strongly denied “he engages in behaviour of a sexually harassing nature”, according to BBC News.
In a statement posted on Instagram, Torode said he had been away filming MasterChef overseas since last Friday.
“I love my job, and I love MasterChef,” he said. “I love being part of it and will continue to be part of it.
“During the last few days, I’ve been trying to make the best cookery programme, so being busy making the show and caring for our contestants has allowed me little time to think about anything else, but that has been hard.”
Image: MasterChef Christmas specials have been pulled from the schedule. Pic: Yui Mok/PA
Torode said he “fully” supports the current investigation into Wallace’s alleged behaviour, but could not comment further while it is ongoing.
“I hope that you all understand and respect my silence on the matter moving forward,” he added.
Torode rose to TV fame in the mid-1990s as the resident chef on ITV’s This Morning and joined the revamped version of MasterChef when it launched in 2005. The show, initially called MasterChef Goes Large, followed the original series, which was hosted by Lloyd Grossman from 1990 to 2001.
A spokesperson for the broadcaster said it took the decision as the series can be “life-changing” for the chefs taking part, but the “Christmas specials are obviously a different type of show”.
For two decades he’s stood shoulder-to-shoulder with Gregg Wallace but now, with one Instagram post, John Torode is attempting to massively distance himself from the man he’s stood so closely beside.
Literal distance, he says, is the reason he didn’t comment sooner. Keen to stress he’s been away filming overseas. At the same time acknowledging he’s struggled to think of little else.
In comparison to Wallace’s Sunday morning wildly misogynistic ramblings (for which he’s since apologised) it is the polar opposite of responses.
Theirs was always an unusual bond. Torode had, in interviews, often been keen to stress that the pair didn’t associate socially. Published quotes which Torode can, in the future, now helpfully point to when it comes to keeping the public on side.
Wallace has – via his lawyers – denied any behaviour of a sexually harassing nature. And he won’t have read his former co-presenter’s post on Instagram itself having reportedly already unfollowed him over the weekend.
With lawyers hired by Masterchef’s makers, Banijay, carrying out their independent investigation into allegations of misconduct by Wallace, it’s correct that he can’t say much more.
But it is a post that will please the BBC – with Torode respectfully expressing his upset at the claims whilst defending the beloved primetime show, suggesting he isn’t going anywhere and indicating his hopes that the show will go on with or without Wallace beside him.
Sky News can confirm the broadcaster was alerted to Wallace’s “unacceptable” behaviour while filming the series more than a year and a half ago, with a memo shared with staff at the Nestle factory in Yorkshowing concerns were raised after his final visit in February 2023.
More allegations have surfaced against the presenter this week – with two women claiming he had inappropriately touched them.
One told the BBChe “groped” her bottom, while another alleged he laughed after touching her bottom “with his waist and penis” when brushing past her. A third claimed Wallace’s penis was partially exposed in his dressing room in what she felt was a “power play”.
The Guardian also reporteda complaint that he once asked a sign language interpreter to translate “big boobs” and “sexy bum” in front of the audience at the BBC Good Food Show.
Earlier, one former contestant told Sky News that a remark Wallace made when she returned as a guest judge left her crying in the toilets.
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1:32
‘If it’s just banter then why am I crying in the toilet?’
Another described the allegations as the “tip of the iceberg” when it comes to the show – claiming he witnessed a “toxic environment” on set and the problem was “larger” than just the presenter.
Sky News has contacted representatives for Wallace for comment on the allegations against him.
At the weekend, he shared a video dismissing the initial claims, putting them down to “middle-class women of a certain age”.
He later posted another clip apologising for the remarks.
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Wallace apologises for video: ‘I wasn’t in a good head space’
What have the BBC and producers said?
A spokesperson for Banijay UK, which has appointed a law firm to lead its investigation, has said the company takes complaints “incredibly seriously” but will not comment on individual allegations while the external investigation is ongoing.
“It is important to note that MasterChef welfare processes are regularly adapted and strengthened and there are clear protocols to support both crew and contributors,” the spokesperson said.
“These include multiple ways of reporting issues, including anonymously.”
In response to reports multiple complaints had been raised with the BBC, a source for the corporation said it would not comment on individuals or any internal HR processes, but that it would be “wrong to report the BBC has done nothing if or when matters have been raised with us – not least because it is already being widely reported there were interventions in both 2017 and 2018 where action was taken”.
Last week, a BBC spokesperson said any issues raised are taken seriously and there are “robust processes in place” to deal with them.
“We are always clear that any behaviour which falls below the standards expected by the BBC will not be tolerated,” they said.
Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.
The organisation has launched an indicative ballot among about 7,000 members working in film and TV.
Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.
It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.
Image: The Hollywood strikes took place in 2023. File pic: AP
The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.
Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.
Another statutory ballot would have to be made before any industrial action is taken.
“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.
“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”
Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.
The union has no choice but to recommend members support industrial action, he said.
“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.
The hotly anticipated Spotify Wrapped is revealing our top tracks, artists and albums for 2025.
But how does the streaming service calculate personalised summaries of users’ listening habits and rank the UK’s hottest artists?
Here’s a look at how your data is used.
The platform describes the annual statistics as “a chance to look back on your year in sound”.
It says data is captured between January and mid-November on every account, although it mostly excludes anything streamed in private mode. (Don’t worry, your passion for the Spice Girls can be kept secret.)
Wrapped presents personalised listening statistics, which Spotify calls the “real story of your year of listening”, alongside global figures for comparison.
The streaming service says Minutes Listened reflects the actual time spent listening to audio on the platform.
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Once a user streams at least 30 tracks, Spotify generates a list of Your Top Songs. Similarly, Your Top Artists ranks artists based on total minutes listening to a particular performer.
Other metrics identify the top genres users have played, as well as podcasts and audiobooks ranked by total minutes listened. And if you’ve listened to at least 70% of tracks on a record, you’ll see top albums too.
Spotify also creates Your Listening Age, a guesstimate of your age based on the era of the music “you feel most connected to”.
The streaming service says the statistic is calculated using a five-year span of music which users engaged with more than other listeners of a similar age.
Image: Spotify has been summing up 2025’s most listened to tracks. Pic: Spotify
Swift vs Bunny
Pop superstar Taylor Swift has been named the UK’s most-streamed artist on Spotify for the third year in a row.
But she dropped out of the top spot in the global rankings, coming second to Puerto Rican superstar Bad Bunny, who secured more than 19.8 billion streams. Third were The Weeknd, followed by Drake and Billie Eilish.
Bad Bunny’s LP Debi Tirar Mas Fotos was the most listened-to album worldwide.
Spotify revealed Drake was the UK’s second most-listened to artist, followed by Sabrina Carpenter in third, The Weeknd in fourth and Billie Eilish in fifth.
Despite being the most listened-to artist, Swift failed to break into the UK’s top five most listened-to songs and albums of the year.
Alex Warren’s Ordinary was the most-streamed song, and Short ‘N’ Sweet, released by Carpenter last year, the top album.
Israel will be allowed to compete in next year’s Eurovision Song Contest – with several broadcasters saying they will now boycott the event.
Dutch broadcaster AVROTROS, Spain’s RTVE and Ireland’s RTE immediately issued statements saying they will not participate in the 2026 contest following the European Broadcasting Union’s general assembly meeting on Thursday.
Sky News understands Slovenia’s broadcaster will also pull out.
Members were asked to vote in a secret ballot on whether they were happy with new rules announced last month, without going ahead with a vote on participation next year.
In a statement, the EBU said members had shown “clear support for reforms to reinforce trust and protect neutrality”.
Ahead of the assembly, Israel’s public broadcaster KAN said its chief executive Golan Yochpaz and representative to the EBU, Ayala Mizrahi, would present KAN’s position “regarding attempts to disqualify Israel from the competition”.
The rule changes annnounced in November came after Israeli singer Yuval Raphael received the largest number of votes from the public at this year’s contest, held in Basel, Switzerland, in May – ultimately finishing as runner-up to Austria’s entry after the jury votes were counted.
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This breaking news story is being updated and more details will be published shortly.