Gregg Wallace allegations ‘truly upsetting’, says MasterChef co-host John Torode
MasterChef presenter John Torode has said he has found the recent reports about co-host Gregg Wallace “truly upsetting”.
The pair have presented the BBC One cooking show together for almost 20 years, since 2005.
In his first comments since the allegations surfaced, Torode said he would continue to be part of the programme, adding: “The thought of anyone who has appeared on our show not having a brilliant experience is awful to hear, and I have found the recent press reports truly upsetting.”
Wallace is facing allegations of inappropriate behaviour from more than a dozen people across a range of shows over a 17-year period. His lawyers have previously strongly denied “he engages in behaviour of a sexually harassing nature”, according to BBC News.
In a statement posted on Instagram, Torode said he had been away filming MasterChef overseas since last Friday.
“I love my job, and I love MasterChef,” he said. “I love being part of it and will continue to be part of it.
“During the last few days, I’ve been trying to make the best cookery programme, so being busy making the show and caring for our contestants has allowed me little time to think about anything else, but that has been hard.”
MasterChef Christmas specials have been pulled from the schedule. Pic: Yui Mok/PA
Torode said he “fully” supports the current investigation into Wallace’s alleged behaviour, but could not comment further while it is ongoing.
“I hope that you all understand and respect my silence on the matter moving forward,” he added.
Torode rose to TV fame in the mid-1990s as the resident chef on ITV’s This Morning and joined the revamped version of MasterChef when it launched in 2005. The show, initially called MasterChef Goes Large, followed the original series, which was hosted by Lloyd Grossman from 1990 to 2001.
On Tuesday, the BBC confirmed it was removing two MasterChef celebrity Christmas specials from the schedule following the allegations about Wallace. However, the current series of MasterChef: The Professionals is airing as planned.
A spokesperson for the broadcaster said it took the decision as the series can be “life-changing” for the chefs taking part, but the “Christmas specials are obviously a different type of show”.
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Wallace has temporarily stepped down from the cooking show while historical misconduct complaints are externally reviewed by producers Banijay UK.
The BBC has also pulled three repeat episodes of Inside The Factory from the Christmas schedule.
Torode response polar opposite of Wallace ramblings
For two decades he’s stood shoulder-to-shoulder with Gregg Wallace but now, with one Instagram post, John Torode is attempting to massively distance himself from the man he’s stood so closely beside.
Literal distance, he says, is the reason he didn’t comment sooner. Keen to stress he’s been away filming overseas. At the same time acknowledging he’s struggled to think of little else.
In comparison to Wallace’s Sunday morning wildly misogynistic ramblings (for which he’s since apologised) it is the polar opposite of responses.
Theirs was always an unusual bond. Torode had, in interviews, often been keen to stress that the pair didn’t associate socially. Published quotes which Torode can, in the future, now helpfully point to when it comes to keeping the public on side.
Wallace has – via his lawyers – denied any behaviour of a sexually harassing nature. And he won’t have read his former co-presenter’s post on Instagram itself having reportedly already unfollowed him over the weekend.
With lawyers hired by Masterchef’s makers, Banijay, carrying out their independent investigation into allegations of misconduct by Wallace, it’s correct that he can’t say much more.
But it is a post that will please the BBC – with Torode respectfully expressing his upset at the claims whilst defending the beloved primetime show, suggesting he isn’t going anywhere and indicating his hopes that the show will go on with or without Wallace beside him.
Sky News can confirm the broadcaster was alerted to Wallace’s “unacceptable” behaviour while filming the series more than a year and a half ago, with a memo shared with staff at the Nestle factory in York showing concerns were raised after his final visit in February 2023.
More allegations have surfaced against the presenter this week – with two women claiming he had inappropriately touched them.
One told the BBC he “groped” her bottom, while another alleged he laughed after touching her bottom “with his waist and penis” when brushing past her. A third claimed Wallace’s penis was partially exposed in his dressing room in what she felt was a “power play”.
The Guardian also reported a complaint that he once asked a sign language interpreter to translate “big boobs” and “sexy bum” in front of the audience at the BBC Good Food Show.
Earlier, one former contestant told Sky News that a remark Wallace made when she returned as a guest judge left her crying in the toilets.
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‘If it’s just banter then why am I crying in the toilet?’
Another described the allegations as the “tip of the iceberg” when it comes to the show – claiming he witnessed a “toxic environment” on set and the problem was “larger” than just the presenter.
Sky News has contacted representatives for Wallace for comment on the allegations against him.
At the weekend, he shared a video dismissing the initial claims, putting them down to “middle-class women of a certain age”.
He later posted another clip apologising for the remarks.
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Wallace apologises for video: ‘I wasn’t in a good head space’
What have the BBC and producers said?
A spokesperson for Banijay UK, which has appointed a law firm to lead its investigation, has said the company takes complaints “incredibly seriously” but will not comment on individual allegations while the external investigation is ongoing.
“It is important to note that MasterChef welfare processes are regularly adapted and strengthened and there are clear protocols to support both crew and contributors,” the spokesperson said.
“These include multiple ways of reporting issues, including anonymously.”
In response to reports multiple complaints had been raised with the BBC, a source for the corporation said it would not comment on individuals or any internal HR processes, but that it would be “wrong to report the BBC has done nothing if or when matters have been raised with us – not least because it is already being widely reported there were interventions in both 2017 and 2018 where action was taken”.
Last week, a BBC spokesperson said any issues raised are taken seriously and there are “robust processes in place” to deal with them.
“We are always clear that any behaviour which falls below the standards expected by the BBC will not be tolerated,” they said.
Video footage has shown the moment singer and actress Ariana Grande was accosted by a fan at a film premiere.
Ms Grande was in Singapore for the debut of Wicked: For Good when the incident unfolded on Thursday.
The video captured the moment the fan scaled the barricade and pushed past photographers towards Ms Grande.
Pic: tacotrvck_vb/X/via REUTERS
He then threw his arms around her, before co-star Cynthia Erivo intervened and security swoops in to stop him.
The man, now identified as Johnson Wen, 26, is reportedly a notorious red carpet crasher.
Wen, who has since been charged with being a public nuisance, goes by the nickname Pyjama Man, and gloated as he shared footage of the intrusion online.
“Dear Ariana Grande, Thank You for letting me Jump on the Yellow Carpet with You,” he wrote on Instagram.
Pic: tacotrvck_vb/X/via REUTERS
In video stories posted to the site beforehand, he was seen at the Universal Studios venue, revealing his intentions.
In one, he said: “I feel like I’m in a dream, that’s my best friend, Ariana Grande, and I’m gonna meet her. I’ve been dreaming about that.”
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The Australian has ambushed several performers on stage, according to reports, including Katy Perry and The Chainsmokers at concerts in Sydney, and The Weeknd in Melbourne.
It has been reported that Wen intends to plead guilty and that he could face a fine of more than £1,000.
Ariana Grande and Cynthia Erivo at the London premiere for Wicked: For Good
Ms Grande took a moment to gather herself in the aftermath of the intrusion, visibly shocked by the incident.
She didn’t address the incident on her own Instagram, but shared some photos with the caption “thank you, Singapore”, adding “we love you”.
The singer battled post-traumatic stress disorder after her 2017 concert in Manchester was bombed, leaving 22 people dead.
She told Vogue in 2018: “It’s hard to talk about because so many people have suffered such severe, tremendous loss. But, yeah, it’s a real thing.
“I know those families and my fans, and everyone there experienced a tremendous amount of it as well. Time is the biggest thing.
“I feel like I shouldn’t even be talking about my own experience – like I shouldn’t even say anything. I don’t think I’ll ever know how to talk about it and not cry.”
In the same interview she also addressed her own anxiety, saying she has “always” had it.
Ms Grande plays Galinda Upland in Wicked: For Good, the character who becomes Glinda the Good Witch. Ms Erivo plays Elphaba, the character who becomes the Wicked Witch of the West.
The film is released in UK cinemas on 21 November.
Entertainment
A third of daily music uploads are AI-generated and 97% of people can’t tell the difference, says report
Do you care if the music you’re listening to is artificially generated?
That question – once the realm of science fiction – is becoming increasingly urgent.
An AI-generated country track, Walk My Walk, is currently sitting at number one on the US Billboard chart of digital sales and a new report by streaming platform Deezer has revealed the sheer scale of AI production in the music industry.
Deezer’s AI-detection system found that around 50,000 fully AI-generated tracks are now uploaded every day, accounting for 34% of all daily uploads.
File pic: iStock
The true number is most likely higher, as Deezer’s AI-detection system does not catch every AI-generated track. Nor does this figure include partially AI-generated tracks.
In January 2025, Deezer’s system identified 10% of uploaded tracks as fully AI-generated.
Since then, the proportion of AI tracks – made using written prompts such as “country, 1990s style, male singer” – has more than tripled, leading the platform’s chief executive, Alexis Lanternier, to say that AI music is “flooding music streaming”.
‘Siphoning money from royalty pool’
What’s more, when Deezer surveyed 9,000 people in eight countries – the US, Canada, Brazil, UK, France, Netherlands, Germany and Japan – and asked them to detect whether three tracks were real or AI, 97% could not tell the difference.
That’s despite the fact that the motivation behind the surge of AI music is not in the least bit creative, according to Deezer. The company says that roughly 70% of fully AI-generated tracks are what it calls “fraudulent” – that is, designed purely to make money.
“The common denominator is the ambition to boost streams on specific tracks in order to siphon money from the royalty pool,” a Deezer spokesperson told Sky News.
“With AI-generated content, you can easily create massive amounts of tracks that can be used for this purpose.”
File pic: Reuters
The tracks themselves are not actually fraudulent, Deezer says, but the behaviour around them is. Someone will upload an AI track then use an automated system – a bot – to listen to a song over and over again to make royalties from it.
Even though the total number of streams for each individual track is very low – Deezer estimates that together they account for 0.5% of all streams – the work needed to make an AI track is so tiny that the rewards justify the effort.
Are fully-AI tracks being removed?
Deezer is investing in AI-detection software and has filed two patents for systems that spot AI music. But it is not taking down the tracks it marks as fully-AI.
Instead it removes them from algorithmic recommendations and editorial playlists, a measure designed to stop the tracks getting streams and therefore generating royalties, and marks the tracks as “AI-generated content”.
“If people want to listen to an AI-generated track however, they can and we are not stopping them from doing so – we just want to make sure they are making a conscious decision,” the Deezer spokesperson says.
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Deezer’s survey found that more than half (52%) of respondents felt uncomfortable with not being able to tell the difference between AI and human-made music.
“The survey results clearly show that people care about music and want to know if they’re listening to AI or human-made tracks or not,” said the company’s boss Alexis Lanternier.
“There’s also no doubt that there are concerns about how AI-generated music will affect the livelihood of artists.”
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Musicians protests AI copyright plans
Earlier this year, more than 1,000 musicians – including Annie Lennox, Damon Albarn and Kate Bush – released a silent album to protest plans by the UK government to let artificial intelligence companies use copyright-protected work without permission.
A recent study commissioned by the International Confederation of Societies of Authors and Composers suggested that generative AI music could be worth £146bn a year in 2028 and account for around 60% of music libraries’ revenues.
By this metric, the authors concluded, 25% of creators’ revenues are at risk by 2028, a sum of £3.5bn.
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