Melanie Sykes criticises TV industry after Celebrity MasterChef experience – saying she complained at the time
Celebrity Masterchef contestant Melanie Sykes has criticised the TV industry in the wake of the allegations made about host Gregg Wallace, saying it is up to bosses to act on unprofessional behaviour and not let one person be a “scapegoat”.
The former TV presenter and broadcaster, who rose to fame on shows including The Big Breakfast and Today With Des And Mel in the 1990s and 2000s, appeared on Celebrity MasterChef in 2021.
She wrote about her experience on the show in her autobiography Illuminated, released in 2023, and how she decided to walk away from show business afterwards.
Pic: Ken McKay/ITV/Shutterstock
In a new clip shared on her YouTube channel, Sykes said she complained after appearing on the show, but did not want to make it formal.
Wallace, 60, faces allegations from 13 people across a range of shows over a 17-year period, with many others sharing their experiences in the wake of the initial claims.
He has temporarily stepped down from the BBC cooking show while historical misconduct complaints are externally reviewed by producers Banijay UK. His lawyers say “it is entirely false that he engages in behaviour of a sexually harassing nature”.
Sykes, 54, said she wanted to speak out to let people know what the industry is like. “Every time Gregg came over to the desk, I didn’t like him being around, really,” she said. “Because it’s all about vibrations and energy.”
Read more:
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Wallace comment ‘left me crying with humiliation’
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‘If it’s just banter then why am I crying in the toilet?’
‘Stop letting one person be a scapegoat’
Sykes, who also appeared on I’m A Celebrity… Get Me Out Of Here! in 2014, said the MasterChef production company was at fault “because they facilitate… what’s the word? It’s just unprofessionalism, really.
“I’ve seen unprofessionalism in many areas of that f****** industry and I’ve not exposed all and everything because I just don’t want to, it’s just so toxic, and I can’t…
“Stop letting one person be a scapegoat, which is the so-called talent, because that’s what they call you, is the one that has to carry the can all the time.
“If I had somebody misbehaving or acting unprofessionally on my production, let me tell you, they wouldn’t be on my production. I wouldn’t tolerate it. I don’t care who it is.”
Sykes said she believes alleged unprofessional behaviour is allowed to continue because “people think, well, you know, we can’t get rid of him really, because it’s such a successful show”.
She added: “I complained afterwards. I said I didn’t want to make a formal complaint because honestly, I’d spend my whole time in litigation if I did that. And I think that’s one of the reasons why people don’t go for it.”
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Stephen Fry on Wallace allegations
‘It’s not about wokeness’
Meanwhile, Stephen Fry has told Sky News’ Kay Burley that men in television must consider who may be the “victim or stereotype” at the root of their “light banter”.
“It’s just good manners, really,” he said. “Good manners have changed… and so I think we’ve all just got to realise it’s not about wokeness, it’s just about being sensitive to the atmosphere.”
After the allegations emerged, Wallace released a video dismissing his accusers as “middle-class women of a certain age“.
Following a backlash – with even Downing Street weighing in – he issued an apology on Monday, saying: “I wasn’t in a good headspace when I posted it, I’ve been under a huge amount of stress, a lot of emotion, I felt very alone, under siege yesterday when I posted it.”
He added: “It’s obvious to me I need to take some time out now while this investigation is under way. I hope you understand and I do hope you will accept this apology.”
Read more:
What are the allegations – and what has Wallace said?
‘Middle-aged women’: An epic failure in crisis management
Fry said Wallace’s initial response was “unbelievably foolish”, and added: “Even if he felt that he’d been misunderstood himself, he could surely see that there were some women there who were truly hurt and had felt not listened to, and that he should first of all address that.”
Production company Banijay UK has appointed law firm Lewis Silkin to lead an investigation into Wallace’s alleged behaviour.
A spokesperson said the company takes the complaints “incredibly seriously” but will not comment on individual allegations while the external investigation is ongoing.
“It is important to note that MasterChef welfare processes are regularly adapted and strengthened and there are clear protocols to support both crew and contributors,” the Banijay spokesperson said. “These include multiple ways of reporting issues, including anonymously.”
In response to reports that multiple complaints had been raised with the BBC, a source for the corporation said it would not comment on individuals or any internal HR processes but that it would be “wrong to report the BBC has done nothing if or when matters have been raised with us – not least because it is already being widely reported there were interventions in both 2017 and 2018 where action was taken”.
Last week, a BBC spokesperson said that any issues raised are taken seriously and there are “robust processes in place” to deal with them.
“We are always clear that any behaviour which falls below the standards expected by the BBC will not be tolerated,” the spokesperson said.
Sky News has contacted representatives for Wallace for comment.
Entertainment
A third of daily music uploads are AI-generated and 97% of people can’t tell the difference, says report
Do you care if the music you’re listening to is artificially generated?
That question – once the realm of science fiction – is becoming increasingly urgent.
An AI-generated country track, Walk My Walk, is currently sitting at number one on the US Billboard chart of digital sales and a new report by streaming platform Deezer has revealed the sheer scale of AI production in the music industry.
Deezer’s AI-detection system found that around 50,000 fully AI-generated tracks are now uploaded every day, accounting for 34% of all daily uploads.
File pic: iStock
The true number is most likely higher, as Deezer’s AI-detection system does not catch every AI-generated track. Nor does this figure include partially AI-generated tracks.
In January 2025, Deezer’s system identified 10% of uploaded tracks as fully AI-generated.
Since then, the proportion of AI tracks – made using written prompts such as “country, 1990s style, male singer” – has more than tripled, leading the platform’s chief executive, Alexis Lanternier, to say that AI music is “flooding music streaming”.
‘Siphoning money from royalty pool’
What’s more, when Deezer surveyed 9,000 people in eight countries – the US, Canada, Brazil, UK, France, Netherlands, Germany and Japan – and asked them to detect whether three tracks were real or AI, 97% could not tell the difference.
That’s despite the fact that the motivation behind the surge of AI music is not in the least bit creative, according to Deezer. The company says that roughly 70% of fully AI-generated tracks are what it calls “fraudulent” – that is, designed purely to make money.
“The common denominator is the ambition to boost streams on specific tracks in order to siphon money from the royalty pool,” a Deezer spokesperson told Sky News.
“With AI-generated content, you can easily create massive amounts of tracks that can be used for this purpose.”
File pic: Reuters
The tracks themselves are not actually fraudulent, Deezer says, but the behaviour around them is. Someone will upload an AI track then use an automated system – a bot – to listen to a song over and over again to make royalties from it.
Even though the total number of streams for each individual track is very low – Deezer estimates that together they account for 0.5% of all streams – the work needed to make an AI track is so tiny that the rewards justify the effort.
Are fully-AI tracks being removed?
Deezer is investing in AI-detection software and has filed two patents for systems that spot AI music. But it is not taking down the tracks it marks as fully-AI.
Instead it removes them from algorithmic recommendations and editorial playlists, a measure designed to stop the tracks getting streams and therefore generating royalties, and marks the tracks as “AI-generated content”.
“If people want to listen to an AI-generated track however, they can and we are not stopping them from doing so – we just want to make sure they are making a conscious decision,” the Deezer spokesperson says.
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Deezer’s survey found that more than half (52%) of respondents felt uncomfortable with not being able to tell the difference between AI and human-made music.
“The survey results clearly show that people care about music and want to know if they’re listening to AI or human-made tracks or not,” said the company’s boss Alexis Lanternier.
“There’s also no doubt that there are concerns about how AI-generated music will affect the livelihood of artists.”
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Musicians protests AI copyright plans
Earlier this year, more than 1,000 musicians – including Annie Lennox, Damon Albarn and Kate Bush – released a silent album to protest plans by the UK government to let artificial intelligence companies use copyright-protected work without permission.
A recent study commissioned by the International Confederation of Societies of Authors and Composers suggested that generative AI music could be worth £146bn a year in 2028 and account for around 60% of music libraries’ revenues.
By this metric, the authors concluded, 25% of creators’ revenues are at risk by 2028, a sum of £3.5bn.
Entertainment
BBC apologises to Donald Trump over editing of Panorama but says there isn’t ‘basis for defamation claim’
Saturday Night Live UK has announced its top creative team ahead of the series launching next year.
An American pop culture institution, SNL launched the careers of stars including Bill Murray, Tina Fey, Eddie Murphy, Kristen Wiig and Will Ferrell – and now a “new generation” of British comedians is set to be cast in the first UK spin-off on Sky.
While the show’s stars are yet to be revealed, details of the creative team behind it have now been announced.
Kim Kardashian hosted the show in 2021. Pic: Sky UK/NBC
Two-time Emmy winner James Longman will serve as lead producer, BAFTA winner and live broadcast specialist Liz Clare will direct the series, while writer, comedian and composer Daran Jonno Johnson takes on the role of head writer.
Longman’s credits include The Late Late Show With James Corden, for which he produced famous sketches with stars and notable figures including Sir Paul McCartney, Oprah Winfrey, Tom Cruise and then president Joe Biden.
He also worked on the Friends reunion special in 2021 and hit UK shows such as Never Mind The Buzzcocks, Alan Carr: Chatty Man, The F Word and The Friday Night Project.
L-R: James Longman, Liz Clare, Daran Jonno Johnson. Pic: Sky UK
Clare’s directing credits include An Audience With Adele, The Brits and MTV awards ceremonies, Glastonbury, the BAFTAs and shows such as The Voice UK and Britain’s Got Talent, while Johnson, who is part of the acclaimed sketch group SHEEPS, has written for shows including Wedding Season for Disney+, Siblings for the BBC and Rose d’Or winner Parlement for France.TV.
Saturday Night Live UK marks the first time the US producers have adapted the show, which celebrated 50 years on air earlier this year, for a British audience.
Channel 4 ran several series of a similar programme on Saturday and Friday nights in the 1980s, featuring comedians like Ben Elton and Harry Enfield, but it was domestically produced.
‘A lot of big US comedy is stolen from the UK’
Pete Davidson at SNL’s 50th anniversary celebrations. Pic: Janet Mayer/INSTARimages/Cover Images/AP Feb 2025
Comedian Pete Davidson, another SNL star, told Sky News he’s excited about the UK version – and that it is about time the UK is able to take from US comedy, rather than the other way round.
Speaking in the summer during promotion for The Pickup, Davidson said: “I think it’s a smart idea to have SNL over there because… not that it’s a different brand of comedy, but it is a little bit.
“A lot of the biggest stuff that’s in the States is stuff that we stole from you guys, like The Office or literally anything Ricky Gervais does… there’s just tonnes of great comedy over there. Jimmy Carr is a great stand-up.”
Also highlighting Jack Whitehall, he continued: “I think anything that’s great over there, we just kind of steal… and it doesn’t seem like the other way around. This is the first time I’ve ever heard anything American going to the UK, so I think it’s great.”
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Producers say the UK series will follow the same format as the original, featuring “a new generation of comedy players in the core cast, alongside guest hosts and musical performances”.
The UK show will be overseen by US producer Lorne Michaels. Along with his production company Broadway Video, which has made The Tonight Show Starring Jimmy Fallon and 30 Rock, the show will be led by UK production team Universal Television Alternative Studio.
Saturday Night Live UK will be broadcast on Sky Max and streaming service NOW in 2026.
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