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President-elect Donald Trump on Wednesday tapped Gail Slater, an antitrust veteran and economic adviser for JD Vance, to lead the Department of Justice’s antitrust division and take charge of a full docket of blockbuster monopoly cases against companies including Google, Visa and Apple.

Slater is expected to continue the department’s crackdown on Big Tech, including cases brought during Trump’s first term in the White House, Trump wrote in a post on his social media platform.

“Big Tech has run wild for years, stifling competition in our most innovative sector and, as we all know, using its market power to crack down on the rights of so many Americans, as well as those of Little Tech!” Trump said.

Slater served on the White House’s National Economic Council in 2018, where she worked on Trump’s executive order on national security concerns over Chinese telecommunications equipment.

Before joining Vance’s office, Slater worked at Fox Corp. and Roku.

Vance, the vice president-elect, has said antitrust officials should take a broader approach to antitrust enforcement, and praised the work of Federal Trade Commission Chair Lina Khan.

Slater grew up in Dublin, Ireland, and began her law career in London at Freshfields Bruckhaus Deringer, which brought her to Washington.

She spent 10 years at the FTC, first as an antitrust attorney where she brought cases to block mergers including Whole Foods’ acquisition of organic grocer Wild Oats, and later as an adviser to then-commissioner Julie Brill, who later became an executive at Microsoft.

Slater also represented Big Tech companies including Amazon and Google at a now-defunct trade group called the Internet Association.

She is still viewed as an antitrust hawk among Washington tech skeptics, who welcomed her appointment.

Garrett Ventry, a former adviser to Republicans in Congress and founder of GRV Strategies, said Slater’s nomination shows Trump is “serious about taking on Big Tech.”

“Antitrust enforcement is here to stay,” Ventry said.

The Tech Oversight project, a group that backed the work of Biden’s DOJ antitrust chief, Jonathan Kanter, said the nomination shows antitrust has staying power as a bipartisan political issue.

“Gail Slater is a strong candidate to continue that work,” said Sacha Haworth, the group’s executive director.

Slater will take over a number of high-profile cases in which some of the world’s largest companies are accused of illegally building and protecting monopolies.

Trump said Slater will “ensure that our competition laws are enforced, both vigorously and FAIRLY, with clear rules that facilitate, rather than stifle, the ingenuity of our greatest companies.”

The appointment would put Slater in charge of the DOJ’s bid to make Google sell off its Chrome browser and take other measures to curb its dominance in online search.

The DOJ filed the case in 2020, during the first Trump administration. But the proposals for fixes came under Kanter.

The judge overseeing the case has said Trump officials will not get extra time to reevaluate the proposals ahead of an April trial.

Google faces a second battle with the DOJ over its online advertising technology, while Apple faces allegations that it monopolized the US smartphone market.

Kanter also filed the DOJ’s first case alleging algorithmic price fixing against property management software company RealPage.

In another case, the DOJ is seeking to break up LiveNation and TicketMaster over practices that prosecutors say harm eventgoers and artists.

Slater would have wide latitude over the cases, though most are also being pursued by bipartisan state coalitions.

A case the DOJ brought in September alleging Visa unlawfully dominates the market for debit card payment processing does not involve state antitrust regulators.

Slater would also be in a position to continue or end probes, such as an investigation into Nvidia, the chip company that rode the artificial intelligence boom to become one of the world’s most valuable companies.

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Top Boy and Eddington actor Micheal Ward granted bail as he appears in court on rape charges

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Top Boy and Eddington actor Micheal Ward granted bail as he appears in court on rape charges

BAFTA-winning actor Micheal Ward has been granted bail after appearing in court charged with two counts of rape.

The 27-year-old, who appeared at Thames Magistrates’ Court this morning, is also accused of two counts of assault by penetration, and one count of sexual assault.

The offences relate to one woman and are reported to have taken place in January 2023.

Ward, who starred in the popular British series Top Boy and was awarded BAFTA‘s rising star honour in 2020, spoke to confirm his name, address and date of birth during a short court hearing.

He did not enter any pleas and was granted conditional bail until a further hearing at Snaresbrook Crown Court on 25 September.

In a statement issued after the charges were announced last month, Ward denied them “entirely” and said he had co-operated with police throughout their investigation.

The actor’s film credits include Blue Story, The Old Guard and Empire of Light, as well as the current Hollywood Western Eddington.

He was also twice nominated for BAFTA’s best supporting actor prize.

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‘Appreciate you, Coach’: Lee Corso’s impact felt far beyond ‘GameDay’ audience

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'Appreciate you, Coach': Lee Corso's impact felt far beyond 'GameDay' audience

“Appreciate you, young man.”

With all due respect to “Not so fast, my friend,” those aren’t the words that first come to my mind when I think of Lee Corso, who will be making his final “College GameDay” appearance Saturday at Ohio State. Instead, it’s that first sentence. Because those are the first words I ever heard from Coach. Well, the first I heard in person.

By the time he said that to me, on Saturday, Oct. 1, 1994, I had already heard him say so many words, but always through a television speaker. I had been watching him on ESPN for seven years. When “College GameDay” debuted on Sept. 5, 1987, I was a high school student living in a college football-crazed house in Greenville, South Carolina. My father was an ACC football official and my role at the house was to get up Saturday mornings and make sure the VCR was rolling on Dad’s game that day so he could break down the film when we got home from church on Sunday.

Then, what to my wondering eyes did appear, but a new ESPN studio show, previewing all of the day’s college football games, including wherever Pops might be with his whistle. It was called “College GameDay,” and that night in the same studio, the crew was back with highlights of all those games. It was hosted by Tim Brando, whom we knew from “SportsCenter,” with analysis provided by human college football computer Beano Cook and … wait … was that the guy who used to coach at Indiana? The last time we saw him, wasn’t he coaching the Orlando Renegades to a 5-13 record during the dying days of the USFL?

Brando tells the story of Corso’s ESPN audition, how the then-52-year-old looked at his would-be broadcast partner and said, “Sweetheart, I’m here for the duration. This show is going to be the trigger for your career and my career. I’m going to be the Dick Vitale of college football. Football doesn’t have one. And this show is going to be my vehicle.”

That vehicle shifted into drive and stayed there, even as “College GameDay” remained parked in Bristol, Connecticut. Eventually, Brando moved on and wunderkind Chris Fowler took over as host. They were joined by former running back Craig James, who was nicknamed the “Pony Patriot” because of his college tenure at SMU and his NFL stint in New England. But that’s not what Coach called him. He addressed James as “Mustang Breath.”

That was the formative years “GameDay” lineup that I consumed so hungrily during my college days in Knoxville, Tennessee. My roommates and I rose groggily on Saturday mornings to see if Corso picked our Vols to win that day before stumbling out the dorm doors to grab a cheeseburger and head to the Neyland Stadium student section. If he said Tennessee was going to win, we declared him a genius. If he said the Vols were going to lose, we would scream, “What the hell do you know?! You only lasted one year at Northern Illinois!” That night, pizza in hand, we would watch him on the scoreboard show and again shout at the television. It was either “Spot on, Coach!” or “Hey Coach, not so fast, my friend!”

Those were the autumns of the early 1990s. Just as Coach had predicted, “College GameDay” had indeed been a trigger. And he indeed was becoming the face of the sport he loved so much. At home, we could feel that love because we recognized it. We loved college football, too. Whether Corso picked your team or not, his passion for the sport was indisputable. That created a connection. Like seeing the same friends every Saturday, the ones whose season tickets have always been next to yours. Or the tailgater who has always parked in the spot next to you, offering up a beer and rack of ribs. Or the guy you happen to meet as you are both bellied up to a sports bar on Saturday to watch college football games. All of them.

In a business full of phony, Lee Corso has always been the genuine article. And in a world full of awful, Lee Corso has always been fun. All at once so irresistibly relatable, but also larger than life.

So, now, imagine my through-the-looking-glass moment of that first time I heard him speak to me directly. That October Saturday in 1994. I was an entry-level ESPN production assistant, barely one year out from those dorm days at Tennessee. I was also barely five years from bowls of cereal back in our Greenville family room, labeling a VHS tape for my father while watching Corso break down what he thought might happen in Dad’s game.

“Appreciate you, young man.”

My assignment that day was to cut and script a highlight of my alma mater as the Vols hosted No. 19 Washington State. The headliner play was a long touchdown run by wideout Nilo Silvan on a reverse pitch from some kid named Peyton Manning. But the quiet play that really handed the Vols the upset was a fourth-down conversion early in the fourth quarter, when a 1-yard Manning run earned the first down by barely an inch, all while still in Tennessee territory. That set up a field goal that ended up sealing the 10-9 win.

Back then, every ESPN highlight was produced in a converted basement room crammed with tape machines and filled with the noise of 20-somethings like me, scrambling in and out of the edit rooms that lined what we called “screening.” When you were done piecing together your one-minute tape and scribbling out a handwritten script, you ran out of that edit room and down the hallway to the tape room and TV studio to deliver it all.

As we were about to pop my Tennessee-Wazzu tape for the delivery dash, the door to our edit suite opened. It was Lee Corso. Without us knowing it, he had been watching through the window to see what plays we had included in our highlight. Without saying a word, he pointed at my script — called a “shot sheet” — and motioned for me to hand it to him. He read it, flipped it around so it was facing me and used his finger to tap the box describing that decidedly non-sexy fourth-quarter fourth-down conversion.

“Appreciate you, young man.”

Then he continued.

“I came down here to make sure you had this play in there. That was the play of the game. If we hadn’t had that play in this highlight for me to talk about, then I would have looked like a dummy. And I don’t need any help in that department, do I?”

He squeezed the shoulders of my editor, the guy at the wheel of the machinery.

“I appreciate you, too.”

Then he walked out into the furious racket of screening and shouted through the aroma cloud of sweat and pizza, “How we doing, troops!”

Someone shouted back, “How was Nebraska, Coach?” A reminder that this was the first year that “College GameDay” had hit the road. They went out once in ’93, to Notre Dame, as a test. It went well, so they were headed out six times in ’94. Just two weeks earlier, they had gone to Lincoln, the show’s third-ever road trip.

He replied: “Lot of corn and big corn-fed dudes!”

Another shout: “You excited about going to Florida State-Miami next week, Coach?”

“Let’s hope it goes better than when I played there!” A reminder that the Florida State defensive back they called the “Sunshine Scooter,” who held the FSU record for career interceptions (14) for decades, was a career 0-2 against the Hurricanes in Miami.

Before Coach scooted back down the hall to the studio, he said it again. This time to the entire room of kids desperately trying to find their way in the TV sports business.

“I appreciate y’all!”

That was more than three decades ago. And whenever I recall that story, it is echoed back to me by every single person who was in that screening room with me back in the day. And the people who first went out on the road with “College GameDay” in the mid-1990s. And the people who are out there with the show today.

In so many cases, it’s the same people. Jim Gaiero, the current producer of “GameDay,” was also down in screening back in the day. The group that produced the incredible “Not So Fast, My Friend” ESPN documentary was led by a handful of Emmy-award-winning feature producers who also were down in the pit, and also were recipients of so many “appreciate you’s.”

It is impossible to measure the impact of someone like Corso, the face of his sport, taking those moments to encourage, to mentor, and to, yes, coach. That’s not common. But neither is he.

On the morning of the 2024 Rose Bowl, the College Football Playoff semifinal between Alabama and Michigan, I was sitting with Coach just before he headed out to the “GameDay” set. I shared with him that story from ’94 and told him how much it had always meant to me. He replied: “Winning games is great. But any real coach will tell you that isn’t the best part of the job. It’s watching those that you coached-up as kids, seeing them grow into adults, have great jobs and raise great families. That’s why you do it.”

Lee Corso spends every Saturday surrounded by those he has coached. And that’s why it has been and will be so hard to say goodbye. It’s why there was never an icicle’s chance in Phoenix that Corso was going to be off the show after he suffered a stroke. It’s why he was still part of the show in 2020, when COVID-19 had him stuck at home in Florida as the rest of the crew was back on the road. It’s why he has been on the show ever since it was born, even as it has grown from a few guys in a studio to a few dozen fans behind the stage on the road to the rock concert circus caravan that it is today. Exactly what Coach believed it could be when he showed up for that first audition 38 years ago.

Love. That’s why.

You see it in the eyes of those who work on the show. The way they look out for him. The way they still hang on every word he says. We all see it very publicly when we watch Kirk Herbstreit. It’s hard to remember when we see the current Herbie, the father-of-three statesman of the sport, but when he first joined “College GameDay” in 1996, he had just turned 27, less than four years out of Ohio State. When Kirk posts those early Saturday morning videos of Coach sharing a story or Coach pulling a prank or Coach cracking himself up as he tries to figure out how to navigate an overly complicated escalator, we all feel that. Just as we have felt that since the first countdown to the first “College GameDay” on Sept. 5, 1987.

Not so fast? It has gone by too fast. But what a friend.

Appreciate you, Coach.

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BitMart pulls Hong Kong VASP application

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BitMart pulls Hong Kong VASP application

BitMart pulls Hong Kong VASP application

BitMart withdrew its application for a virtual asset service provider license in Hong Kong, joining several other major exchanges.

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