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It should have been a feel-good story: six young men, plucked from obscurity to become music stars. That’s how Neta Rozenblat, a member of boyband as1one, puts it.

Pop hopefuls do not usually find themselves having to navigate fear, grief and complex political issues before the world even knows their names – but theirs is not a typical story.

As1one are billed as the first-ever Israeli Jewish and Palestinian Arab boyband, put together following a two-year search by US hitmakers behind acts such as Maroon 5 and Kings Of Leon.

While the band has found considerable support, including from big names – they recorded their first single with Nile Rodgers at London’s Abbey Road – as Israel’s military campaign in Gaza continues, they have also faced criticism and some outrage. “Wrong Direction”, reads one headline, while other critics say the concept is in poor taste.

As1one and Nile Rodgers. Pic: Andrew Berkowitz
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As1one and Nile Rodgers. Pic: Andrew Berkowitz

The six members, four Israelis and two Palestinians, are early 20-somethings Nadav Philips, Niv Lin, Aseel Farah, Ohad Attia and Sadik Abu Dogosh, alongside Rozenblat.

They are hoping to become the Middle Eastern version of BTS. They say all they ever wanted to do was sing – now, they also want to spread a message of unity.

After auditions and the selection process, the young men were flown out to LA to start work on 6 October 2023. “On to the next adventure,” they posted on Instagram ahead of the flight, not knowing what was to come.

The following day, they woke up to the news of the militant group Hamas’s attack on Israel; some 1,200 people were killed and more than 200 were taken hostage. Since Israel’s retaliation, at least 44,500 Palestinians have been killed, according to Gaza’s Hamas-run health ministry. Israel claims it has killed more than 17,000 militants.

“We were just having fun, fulfilling our dreams,” says singer and pianist Lin, 23, who grew up in the southern Israeli town of Sapir, near the site of the Supernova music festival, at which more than 360 people were killed. During his early days in LA, he learned a friend had died. “Suddenly the war has begun. We really didn’t know what to do.”

They contemplated returning home, he says. “Then we realised we have a big opportunity. We can show the world it’s possible to be Israeli and Palestinian together… it doesn’t matter who you are.”

‘We are just six musicians, at the end of the day’

Speaking on Zoom from LA, the band members are sitting in a tight formation, camera ready, and take turns to answer questions, with 22-year-old Rozenblat, who plays piano, guitar and violin, taking the lead. They are all boyband gloss, smiles and enthusiasm, but respond readily to questions about their critics.

Rozenblat, who served as a medic in the Israeli army, points out the band was formed before the current war broke out and was “never intended to be a political statement”. But it’s hard not to be when their marketing highlights their “Israeli-Palestinian boyband” uniqueness.

“We all give our opinions, we all take each and every one of our opinions and our emotions very seriously,” says 22-year-old Palestinian Farah, the group’s rapper and dancer, addressing the imbalance of having four Israeli and two Palestinian members, and not an equal split.

“Me and Sadik have Palestinian identity, the other four have Israeli identity… in the end, we are here for our music.”

“This combination just made more sense,” Philips interjects. They were the six who worked best together.

“In the new context that we find ourselves in [following the outbreak of the war], it’s easier to look into it and to really try to find some sort of hidden meaning,” says Rozenblat. “People will see us as four Israelis and two Palestinians, but we’re just six musicians, at the end of the day.”


In a world divided, as1one are united through friendship, brotherhood and music. Our hearts break for all the lives lost, the injured, and the grieving. We are singers and musicians. We are Israelis and Palestinians. We come from the same place. Each of us is very different – yet we are all one. This idea guides our band and we hope and pray, one day, this idea will guide the world.

as1one, October 2023

The search for ‘diverse’ talent

The music executives behind as1one, Ken Levitan and James Diener, say the aim was to create a “global, state-of-the-art pop group from the Middle East region” and showcase the “incredible and undeniable talent from this area of the world on a global stage”.

They focused on Israel and its mix of cultures and heritages, says Diener over email, following the interview with the group. “Then, we set out to find a diverse group of singers, rappers, instrumentalists and dancers throughout the country.”

Farah is from a Palestinian neighbourhood in the city of Haifa. Abu Dogosh is from Rahat, an Arab Bedouin city in Israel’s Southern District.

Auditions for as1one were not held in the West Bank or Gaza due to restrictions limiting movement and travel, which were “widely known… even before the current conflict”, says Levitan.

Ultimately, there were no “workable scenarios” to scout talent in those areas, he says. “But our goal was to find as diverse a line-up as possible, and musicians who were part of the roughly two million Palestinian Arabs living in the state of Israel were included in our search.”

He says they sought advice from local experts, including Palestinian Arab musical experts, and ensured their efforts were “as respectful and inclusive as possible”, with the support of the families of those auditioning.

Can as1one be truly representative? And how do Palestinians in those occupied territories feel about a shiny, happy boyband spreading a message of unity, when the obstacles to peace are more complex?

as1one arrives at the MTV Video Music Awards on Wednesday, Sept. 11, 2024, at UBS Arena in Elmont, N.Y. (Photo by Evan Agostini/Invision/AP)
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The band attended the MTV Video Music Awards in New York earlier this year. Pic: Evan Agostini/Invision/AP

‘We’re not politicians – we don’t have the solution’

In the interview, Rozenblat responds, saying they all only ever wanted to sing. Both Farah and Abu Dogosh have family and friends in the West Bank, they tell me.

“We’re not politicians,” says Rozenblat. “We don’t know what the solution is for the conflict. We are here to make music.” However, he acknowledges why their background has led to questions.

“We are Israelis and we are Palestinians. We experienced this firsthand… a lot of the time, people will talk about the conflict as two sides and forget there’s people [involved]. These are our families, these are our people, they are our friends. People that we personally know, they’re involved in this conflict, and we want to just remind people that we’re all human.”

They are all supported by their friends and family, says Attia, 22, a singer who plays guitar, bass and drums. “When we got here we all had thoughts to come back. We were so worried about our families and wanted to be with them because this is the hardest time of ours and their lives. But they told us they want us to stay here.”

A new four-part documentary follows the band’s creation and the work put in before their launch. More than 1,000 young men auditioned across Israel before the final 20 were whittled down in 2022, during a boot camp in Neve Shalom, a unique village in Israel where Jewish and Arab citizens live together peacefully.

After the six were picked, the cameras followed their journey to LA. Having been “raised so differently”, the six young men were all “trying to convince each other what’s right and what’s wrong” after the Hamas attacks, says Philips. “The right thing to do is to listen.”

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“You have to die a little to learn,” adds Farah. “We have different backgrounds, different opinions… in the end, we all want peace. We all want a way to move forward.”

It has been a change of lifestyle, for some more than others. “It’s very different than home,” says Abu Dogosh, the group’s quietest member, who is shown in the documentary talking of his “simple” upbringing. “We are trying to make this our new home.”

‘If it has a good heart, then it can be good’

They want to be the world’s next biggest boyband, says Philips. They have just released their second single, Stranger, ahead of their self-titled debut album, following the first single, All Eyes On Us, the song recorded with Rodgers.

Farah says he has been inspired by the cultural change brought by BTS, who “broke out K-pop into the entire world”.

Together, as1one hope to make cultural changes, too, he says. “We want the people who make groups to feel courageous to do something a little bit controversial, a little bit risky – because if it has a good heart, then it can be good.”

Following the interview, Levitan reiterates Rozenblat’s words, saying “the world is a different place” now compared with when they started their search. “We are all looking at things through a different lens”.

But music is the soundtrack to people’s lives, he adds, and people will always find connection through it.

“All of that is what’s motivating us in the as1one journey – to create the best music, unite people and offer positivity. We are proud of as1one and their music.”

As1One: The Israeli-Palestinian Pop Music Journey is out on Paramount+ from 3 December

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Liam Gallagher hits out at Edinburgh council after Oasis fans branded ‘rowdy’

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Liam Gallagher hits out at  Edinburgh council after Oasis fans branded 'rowdy'

Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.

The remarks were revealed following a freedom of information request that was sent to Edinburgh council – ahead of the band’s three sold-out shows in Scotland this August.

The documents expressed concerns that the Oasis Live ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.

Liam Gallagher (left) and Noel Gallagher (right). Pic: PA.
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Liam Gallagher (left) and Noel Gallagher. Pic: PA

One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.

Another note suggested “medium to high intoxication” should be expected at the concert.

An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.

The Fringe is considered one of the world's largest performance arts festivals, with millions of attendees expected in August. Pic: PA.
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The Fringe is one of the world’s largest performance arts festivals. File pic: PA

It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.

“Many performers are considering not attending for that weekend,” one note read.

Liam Gallagher was not impressed – and left the following message for the council on his social media.

“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”

In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”

Liam Gallagher. Pic: AP.
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Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP

David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.

“It’s a jaundiced view,” he added.

Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.

The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.

“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”

Noel Gallagher (L) and Liam Gallagher (R) at Wembley Stadium in 2008. The brothers will be back in Wembley for their upcoming concerts.
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Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA

Around 210,000 fans are expected to attend the three Edinburgh gigs.

Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.

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Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.

Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.

“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”

The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.

When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.

But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.

Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.

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Video game actor strike ends in US – but AI described as ‘direct threat’ to UK industry

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Video game actor strike ends in US - but AI described as 'direct threat' to UK industry

Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios. 

More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.

Now, after more than 11 months of discussions, a “tentative” agreement has been reached.

“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.

Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.

Demonstrators at the picket line outside Warner Bros. Studios oin August 2024. File pic: AP
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Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP

Other studios were also impacted by the strike, as actors took industrial action in solidarity.

“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.

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“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”

In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.

Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.

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The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.

Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
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Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas


AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.

“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.

“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.

Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.

Games take years to make and any game already in development before September 2023 was exempt from the strike.

Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.

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Sly Stone, pioneer of early funk music, dies after ‘prolonged’ battle with illness

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Sly Stone, pioneer of early funk music, dies after 'prolonged' battle with illness

Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.

As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.

Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.

“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.

Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.

A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.

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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.

“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.

“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.

“Thank you from the bottom of our hearts for your unwavering support.”

Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.

He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.

James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.

It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.

However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.

His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.

In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.

Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.

But some called the record a masterpiece, a eulogy to the 1960s.

In the early 1970s, Stone became erratic and missed shows. Some members left the band.

But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.

Ms Silva filed for divorce less than a year later.

Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.

The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.

He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.

In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.

That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.

Stone had a son, Sylvester, with Ms Silva.

He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.

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