“You can’t flirt any more. We used to have so much more fun!”
Dame Jilly Cooper, 87, looks back with nostalgia to her heyday towards the end of the last century. So do the many fans of her stories in print, audiobooks and on screen.
Rivals, Disney’s dramatisation of her 1988 “bonkbuster”, set in the fictional Cotswolds county of Rutshire, has been one of the TV hits of the year on both sides of the Atlantic.
A second series was commissioned. Cooper says she is “orgasmic with excitement and cannot wait for the return of my superhero Rupert Campbell-Black”, as played by the actor Alex Hassell.
There will be plenty of action left for the libidinous Campbell-Black because – Spoiler Alert! – Series One ends with his TV franchise battle with David Tennant as Lord Baddingham still unresolved.
Younger viewers probably don’t know what a TV franchise was, which makes it all the more remarkable that Rivalsis so popular.
Most people probably tune in for the romance of Rivals’English countryside setting, for the big hair, and the guilt-free sexism of Rutshire’s priapic men and eager women.
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A visiting Hollywood actor flirting in a backroom with a production assistant he’s only just met and an adulterous couple playing “naked tennis” outdoors epitomise the 1980s’ vibe.
In today’s moral climate, Dame Jilly admits a real-life Campbell-Black would probably be “locked up in prison”.
Image: Dame Jilly Cooper is ‘orgasmic with excitement’ over second series. Pic: PA
It is not just the sex.In many ways, Rivalsis a case study of how British television has changed in the past half-century.
The show’s main characters are TV executives and personalities satirised by Cooper, who was a “swinging ’60s” media star in her own right.
The glossy production also manifests how the TV business is changing. It is made by Disney for its streamer services around the world, not by a national British broadcaster such as ITV or the BBC.
Franchises and cosy monopolies
The behaviour of the characters in Rivalsis only an exaggeration of what actually went on. There was plenty of money around in British media up to the ’80s. And those who were lucky enough to get a piece of the action indulged themselves.
Possession of an ITV franchise was famously described as “a licence to print money” by Lord Thomson, the founder of Scottish Television.
From 1955 ITV had a commercial monopoly in the UK. The licence payer-funded BBC did not carry advertisements. Commercial competitors such as Channel 4, Channel 5, Sky TV or YouTube only began to arrive in the ’80s.
Revenues were so plentiful that ITV was divided up into a federal system. There were 15 regional franchises, showing each other’s programmes, based around production hubs in the UK’s major cities.
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Sky News’ Katie Spencer talks to the cast of Rivals
In Rivals, Baddingham’s Coriniumis fighting off a challenge by Venturerfor a fictional West Country franchise.
Local grandees Campbell-Black, Olympian equestrian medallist and Tory MP, and Irish chat show host Declan O’Hara are being courted by both sides – because, incredibly to us today, the exclusive 10-year franchise licences were handed out by the government-appointed regulator on a “they seem like good chaps” basis.
I came into ITV just as its cosy monopoly was breaking up but there was still plenty of entitled behaviour to go around.
TV-am, the breakfast television franchise, competed for the same pool of advertising with the old federal ITV.
Commercial competition was mounting but, typically, TV-am was handed the licence because it was fronted by the “Famous Five” of well-known TV stars, including David Frost and Michael Parkinson, even though they had no proven experience running a major business.
TV-am’s studio and style are lovingly parodied in the daytime programming shown in Rivals.
Image: A passionate scene from Rivals. Pic: Rivals/Disney
Was TV in the ’80s a sexist environment with a lot of “bonking” going on? It was certainly different.
There was smoking in the office, including big cigars and plenty of banter. And it was commonplace for sexist remarks to be overheard in the office.
I remember senior male editors congratulating themselves for sending a female reporter to join a male rugby scrum clad in shorts.
But it was also not uncommon for female news desk assistants to tease their male colleagues in the office too.
‘I love being wolf-whistled’
Jilly Cooper built her career by writing wittily about sex and relationships in an era which was seen as one of “sexual liberation” thanks to no-fault divorce, abortion and the pill.
In her opinion, the #MeToo movement spoilt it all. “I love being wolf-whistled”, she told The Irish Independent, “what worries me is that some poor man at the end of his life will be hauled out and told that he jumped on somebody in the year BC”.
Others will have less sympathy for prominent media figures whose behaviour has been subsequently exposed and judged, sometimes after their death.
With hindsight from today, there is a very uncomfortable scene in Rivalswhen Campbell-Black gropes young Taggie O’Hara intimately while she is waiting on him.
Image: Alex Hassell (L) plays Rupert Campbell-Black, and David Tennant stars as Lord Baddingham
In the story, the incident is laughed off around the dinner table and provides the cue for two macho men, Declan, her father, and Campbell-Black, to face off.
Dame Jilly surely surmised correctly that her hero’s behaviour would have more serious consequences now.
ITV has had to sober up as well. Margaret Thatcher exposed television to market forces and effectively put a stop to the franchise gravy train.
ITV “rationalised” into a single company, with negligible regional outposts. Today it is in the FTSE100, with a legacy of loyal, mainly older, viewers.
Rumours abound that ITV may be taken over by a bigger multinational conglomerate. At best, ITV today would only make a camp high-end series of limited appeal like Rivalsas a junior partner in a co-production.
Age of careless excess
For Disney+ Rivals is a relatively minor expense and a gamble worth taking over time.
Itsfirst episode had a healthy 441,000 viewers in the UK when it premiered. Back in the pre-digital days when the BBC ITV duopoly ruled, and programming could only be watched when being transmitted live, big audiences were measured in the tens of millions.
Rivalswallows luxuriantly in a bygone age of careless TV excess. As the critic for the up-market art magazine Apollonoted, it is “a knowingly shallow parade of full-frontals and campery that offers very little other than surface. And what could be more 1980s than that?”.
Doubtless, many viewers, especially veterans from ITV, are enjoying Rivals as a slightly queasy “guilty pleasure” – “like eating a whole box of chocolates or going to bed with a rotter”, as someone, I think it was Jilly Cooper, once said.
The Boston and Skegness MP also acknowledged the need to update infrastructure in Britain so that it can cope with a changing climate.
In an interview in London ahead of the COP30 climate summit, he said: “Climate change is real, right? Everything changes, you have to adapt to it, you have to maintain and update sea level defences.”
Image: Richard Tice gave up leadership of Reform to Nigel Farage before the election last year. Pic: Reuters
He said he has “sea level issues”, in his constituency on the east coast, though would not specify whether they were rising.
Mr Tice maintained the sun and volcanoes were the “two main drivers” of climate change, and the climate has been changing for “millions of years, always will be”.
While the climate does consistently change, what worries scientists is that it is currently doing so at its fastest rate in at least a million years, making it hard for the natural world to adapt.
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‘They’ve not got a clue’
Mr Tice would not be drawn on whether he accepted the climate was warming at an unprecedented rate.
“From the data that I’ve seen, from previous ice core data, I think the answer to that is questionable,” he said.
He said “thousands of scientists” agreed with him, and cited a statistical analysis published by Statistics Norway, the country’s statistics bureau, that concluded the impact of emissions from human activity “does not appear to be strong enough to cause systematic changes in the temperature fluctuations during the last 200 years”.
However, 99.9% of climate-related studies agree climate change is mainly caused by humans, according to a 2021 survey of 88,125 peer-reviewed papers in the IOP Science journal.
Science and space body NASA says “human activity is the principal cause” of unprecedentedly fast warming, while 234 UN scientists (the IPCC) call it “unequivocal” that humans have caused “widespread and rapid changes” – in a report signed off by 195 governments.
Mr Tice said: “The IPCC accepts that sea level rise will continue for between 200 and 1,000 years. In other words, they’ve not got a clue what they’re talking about.”
One of Britain’s most versatile and acclaimed character actors has said new performers now need to be backed by the “bank of mummy and daddy” to reach the big time.
Eddie Marsan, star of major blockbusters such as the Sherlock Holmes films and Mission: Impossible III, as well as TV series Ray Donovan, and Supacell, said one thing he’s come to notice a lot over the years is how few of his castmates tend to share his working-class roots.
“If you want to be an actor in this country, and you come from a disadvantaged background, you have to be exceptional to have a hope of a career,” he says. “If you come from a privileged background, you can be mediocre.”
Speaking after being named one of the new vice presidents of drama school Mountview, and meeting students at the establishment where he too first trained, Marsan is keen to stress why it’s so necessary to support young actors who can’t fund their careers.
Image: Eddie Marsan at Mountview. Pic: Steve Gregson
“I came here when I was in my 20s… I was a bit lost, to be honest… I was serving an apprenticeship as a printer when Mountview offered me a place,” he says.
“There were no kinds of grants then, so for the first year an East End bookmaker paid my fees, then my mum and him got together and paid the second year, then Mountview gave me a scholarship for the third year, so I owe them everything.
“I didn’t earn a living as an actor for like six, seven years… years ago, actors could sign on and basically go on the dole while doing plays… now, in order to become an actor, you have to have the bank of mummy and daddy to bankroll you for those seven or eight years when you’re not going to earn a living.”
Marsan, Dame Elaine Paige and Hamilton actor Giles Terera are all taking on ambassadorial roles to mark Mountview’s 80th anniversary, joining Dame Judi Dench, who has been president of the school since 2006.
“The parties are fantastic,” he jokes. “The two dames, they get so half-cut, honestly, you have to get an Uber to get them home!”
But he’s rather more serious about TV and film’s “fashion for posh boys”.
Image: ‘If you come from a privileged background you can be mediocre’ in the TV and film industry, says Marsan. Pic: Steve Gregson
“When I went to America and I did 21 Grams and Vera Drake. I remember thinking, ‘great I’m going to have a career now,’ but I wasn’t the idea of what Britain was selling of itself.
“Coming back from Hollywood, a publicist said to me ‘when we get to London and do publicity for the film 21 Grams we’re going to come to you’… but no one was interested… I remember coming to Waterloo station and looking up and seeing all these posh actors selling Burberry coats and posters, and they hadn’t done anything compared to what I’d done, and yet they were the image that we were pushing as a country.”
A 2024 Creative Industries, Policy, and Evidence Centre report found 8% of British actors come from working class backgrounds, compared to 20% in the 70s and 80s.
“Even a gangster movie now, 40 years ago you would have something like The Long Good Friday or Get Carter with people like Michael Caine or Bob Hoskins who were real working-class actors playing those parts, now you have posh boys playing working-class characters.”
Within the last five or six years, he says there has at least been “more of an effort to include people of colour”.
Image: Pic: Steve Gregson
‘They’re scared of a level-playing field’
“What I find really interesting is, I’ve been an actor for 34 years, and I remember for the first 20 years going on a set and very rarely within the crew and within the cast would you see a black face, very rarely.
“One of the saving graces really are things now like Top Boy and Supacell, where you have members of the black community making dramas about their communities, that can’t be co-opted by the middle classes.”
“People like Laurence Fox complaining that it’s unfair, I never heard them complain when you never saw a black face, never once did they say anything. Now that people are trying to address it, they think it’s unfair…because they’re scared of a level playing field.”
Now, more than ever, Marsan says he feels compelled to point out what needs to change within the industry he works in.
“Look, social media is destroying cultural discourse. It’s making people become very binary… acting and drama is an exercise in empathy and if there’s one thing that we need more of at the moment it’s that.”
The chief executive of Israeli football team Maccabi Tel Aviv has denounced “falsehoods” and hatred being spewed about their supporters, leading to them being banned from Aston Villa, while accepting there is work to do to eradicate racism in the fan base.
Jack Angelides told Sky News there is a need for “toning down the incitement” ahead of tomorrow’s Europa League match at Villa Park, which will see more than 700 police officers deployed with protests anticipated outside by Palestinian and Israeli groups.
“We feared for the safety of our fans and it’s a huge responsibility,” Mr Angelides said in an interview at Villa Park.
“[With] a lot of incitement, we didn’t feel comfortable in taking that allocation and that’s a sad day in football because things like that shouldn’t happen.
“People have the right to freedom of speech, absolutely, but people don’t have the right to spew hatred.”
Birmingham’s Safety Advisory Group (SAG) announced last month that visiting fans will be barred from attending the game at Villa Park amid public safety concerns.
West Midlands Police also classified the Europa League match “high risk” and said the ban was necessary due to “current intelligence and previous incidents”.
That was a reference to Maccabi’s match at Ajax last November when their fans were attacked by locals, leading to five convictions.
No Maccabi fans were prosecuted. They were seen tearing down Palestinian flags and chanting anti-Arab abuse.
Image: ‘I’ve seen people coming up with all sorts of stories about our fans’ – Jack Angelides
Mr Angelides said: “We have not been given a clear reason [for the ban], but I have seen people coming up with all sorts of stories of our fans, especially in Amsterdam, where there was, what the Amsterdam authorities themselves classified as ‘a Jew hunt’, being portrayed as organised fighters, soldiers, etc, etc.
“It’s just blatant falsehoods, and people who say those things know that they’re false and shame on them.”
Image: Pro-Palestinian supporters protest ahead of Aston Villa’s UEFA Europa League match. Pic: Reuters
Mr Angelides believes the decision has been kept private to leave open for people to form a conclusion and characterise his club as racist.
Ayoub Khan, the independent pro-Gaza MP whose constituency covers Villa Park, called for the ban because the club has “hooligans who have a long history of violence and vile racism”.
“Any club that tries to suggest that they don’t have any issues, whatever that may be, it’s untrue,” Mr Angelides said.
“We know we’ve got a long road ahead. There are elements in the club that are not in line with our values, our morals, and we do expend a lot of energy and have been for many, many years in trying to… eradicate that.
“But to malign thousands and thousands of good fans with the actions of a few, it’s a dangerous game because I think that’s something that is not conducive to toning down the incitement that’s actually going on now. It’s manipulation to my mind.”
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Maccabi Tel Aviv FC ruled it wouldn’t sell fans any tickets
Football focus
Mr Angelides did not discuss whether there was fear among the players going into a potentially hostile environment.
“We have Jewish players; we have Christian players; we have Muslim players – we’re a club that’s quite diverse,” he said.
“There is an understandable excitement of playing. They’re aware, … the last two years have taken a toll on Israeli society because of what’s been going on. So they’re very aware of the situation, but I think they’re prepared to focus on their football.”
The game is going ahead, after moves in European football to ban Israeli teams over the war in Gaza faded, as a peace deal was implemented.