Rapper Jay-Z has been accused of raping a 13-year-old girl after the MTV Video Music Awards in 2000, allegedly alongside Sean “Diddy” Combs.
The accuser, who is identified as “Jane Doe”, said the assault happened at an after-party.
A federal lawsuit – which originally only named Combs – was refiled on Sunday in New York to add Jay-Z, whose real name is Shawn Carter.
According to NBC News, Sky’s US news partner, the lawsuit claims that Doe was dropped off at the VMAs at Radio City Music Hall by a friend – she did not have a ticket and approached various limousine drivers to try to gain access to the show or after party.
One driver allegedly told Doe he worked for Combs and she “fit what Diddy was looking for”. The driver later picked her up, the lawsuit says, and after 20 minutes she was dropped off at a white house with a u-shaped driveway. The girl was then made to sign a document she believed to be a non-disclosure agreement.
She was allegedly offered a drink that made her feel “woozy, lightheaded and felt [like] she needed to lie down”.
Shortly afterward, the suit says, both P Diddy and Jay-Z entered the room, with P Diddy telling her: “You are ready to party!”
More on Jay Z
Related Topics:
That’s when, she alleges, Carter removed her clothes, held her down and raped her while Combs and an unnamed female celebrity watched. She says Combs also raped her as Carter and the woman looked on.
After the assault, she “grabbed her clothes” and ran to the nearest petrol station where she called her father.
She is seeking unspecified damages.
‘Heinous allegations’
Image: Sean ‘Diddy’ Combs was named alongside Carter in the lawsuit. Pic: AP
“These allegations are so heinous in nature that I implore you to file a criminal complaint, not a civil one!! Whomever would commit such a crime against a minor should be locked away, would you not agree?” Jay-Z said in a statement to NBC News.
“These alleged victims would deserve real justice if that were the case.”
He criticised the lawyer, Tony Buzbee, who filed the suit: “My heart and support goes out to true victims in the world, who have to watch how their life story is dressed in costume for profitability by this ambulance chaser in a cheap suit.”
Texas-based Mr Buzbee told Sky News: “The pleading speaks for itself. This is a very serious matter that will be litigated in court.”
Combs, a three-time Grammy winner and one of the most influential hip-hop producers of the past three decades, has been facing a wave of lawsuits by women who have accused him of sexual assault.
Mr Buzbee announced on 1 October that he was representing 120 accusers in cases against Comb, who goes on trial next year for sex trafficking charges.
Please use Chrome browser for a more accessible video player
2:29
New lawsuits filed against P Diddy
Lawyers for Combs have denied allegations of rape, sexual assault and misconduct, saying in a previous statement: “Mr. Combs and his legal team have full confidence in the facts, their legal defenses, and the integrity of the judicial process. In court, the truth will prevail: that Mr. Combs has never sexually assaulted anyone-adult or minor, man or woman.”
More than 1,000 artists and musicians including Kate Bush, Damon Albarn, Sam Fender and Annie Lennox have recorded a silent album in protest at proposed changes to copyright law, which they say could lead to artists being replaced by artificial intelligence (AI).
Is This What We Want? also involves artists including Billy Ocean, Tom Grennan, New Order, Simon Le Bon, Tori Amos, Pet Shop Boys, The Clash, Bashy, Jamiroquai and Imogen Heap – along with a range of composers, conductors and organisations such as Hans Zimmer, and the Royal Albert Hall and Royal Liverpool Philharmonic Orchestra.
It features recordings of empty studios and performance spaces – which artists say could become a reality for musicians in the UK if the changes go ahead.
Image: Duran Duran star Simon Le Bon. Pic: Charles Sykes/Invision/AP
The track listing spells out the message: “The British government must not legalise music theft to benefit AI companies.”
Under the government’s plans, an exemption to copyright would be created for training AI, so tech firms would not need a licence to use copyrighted material – and creators would need to opt out to prevent their work from being used.
A consultation on the issue closes today.
Image: Imogen Heap at the 62nd annual Grammy Awards in January 2020. Pic: Matt Sayles/Invision/AP
The new plans fail to reimburse artists for AI recreating and copying their work, stifle creativity, and the proposed opt-out scheme places an unnecessary burden on artists, critics say.
All profits from the silent album will be donated to the musicians’ charity, Help Musicians.
Image: Award-winning composer Hans Zimmer is also involved in the campaign
‘Throwing creative industries under the bus’
Campaigner Ed Newton-Rex, who organised the album, said: “The government’s proposal would hand the life’s work of the country’s musicians to AI companies, for free, letting those companies exploit musicians’ work to outcompete them.
“It is a plan that would not only be disastrous for musicians, but that is totally unnecessary. The UK can be leaders in AI without throwing our world-leading creative industries under the bus.
“This album shows that, however the government tries to justify it, musicians themselves are united in their thorough condemnation of this ill-thought-through plan.”
The creative industries have been vocal in their opposition to how powerful AI models such as ChatGPT can be used to generate fresh content on demand, imitating what already exists.
In 2023, UK music contributed £7.6bn to the UK economy, with exports of UK music reaching £4.6bn.
While some AI firms have started making deals to license content, many existing models have been trained using data from the public internet, including from news and other publishing websites.
Dan Conway, chief executive of the Publishers Association, the trade organisation representing book, journal and electronic publishers in the UK, said the “extraordinary strength of support” against the proposals is “something the government ignores at its peril”.
He continued: “When Booker, Grammy, Oscar and Nobel prize winners are united in calling on the government for a fair hearing, we have to hope they listen…
“The message to government is clear: the great copyright heist cannot go unchallenged.”
Grammy-award winning singer Roberta Flack has died at the age of 88, her publicist has announced.
The American singer was best known for her hit songs Killing Me Softly With His Song and The First Time Ever I Saw Your Face.
Image: Flack pictured in 1972. Pic: Photoreporters/Shutterstock
One of the top recording artists of the 1970s, she died on Monday surrounded by her family, her publicist Elaine Schock said in a statement.
In 2022, Flack announced she was suffering from motor neurone disease (MND), and could no longer sing.
Rising to fame in her early 30s, Flack became an overnight success after Clint Eastwood chose her song, The First Time Ever I Saw Your Face, as the soundtrack for the explicit love scenes of his 1971 movie Play Misty For Me.
The track topped the US charts in 1972, and Flack was rewarded with a Grammy.
The following year she took the coveted Record of the Year prize at the Grammys for a second time with Killing Me Softly, becoming the first artist ever to do so.
Discovered in the late 1960s by jazz musician Les McCann, Flack was a classically trained pianist, receiving a full scholarship to study at Howard University at just 15.
McCann later wrote of Flack: “Her voice touched, tapped, trapped, and kicked every emotion I’ve ever known.”
Image: Flack with her Grammy for Killing Me Softly in 1974. Pic: AP
A shining light in the social and civil rights movement of the time, Flack was friends with both Reverend Jesse Jackson and Angela Davis whom Flack visited in prison when Davis faced charges – for which she was acquitted – for murder and kidnapping.
Flack also sang at the funeral of Jackie Robinson, Major League Baseball’s first black player.
Living on the same floor of the famous Dakota apartment building as John Lennon and Yoko Ono, Flack also became friends with the Beatle, later releasing an album of Beatles covers.
Image: Flack in 1976. Pic: Robert Legon/Shutterstock
Born Roberta Cleopatra Flack, to musician parents in Black Mountain, North Carolina, in 1937, she was raised in Arlington, Virginia.
She was married to jazz musician Stephen Novosel between 1966 and 1972.
Flack’s other hits from the 1970s included Feel Like Makin’ Love and two duets with her close friend and former Howard University classmate Donny Hathaway, Where Is the Love and The Closer I Get to You.
Sadly, their partnership ended in tragedy, after he fell to his death from his hotel room in Manhattan in 1979, after suffering a breakdown while they were recording an album of duets together.
Image: Stevie Wonder and Flack perform a duet in 1985. Pic: AP
While Flack never matched her first run of success, she had a follow-up hit in the 1980s with the Peabo Bryson duet Tonight, I Celebrate My Love and in the 1990s with the Maxi Priest duet Set The Night To Music.
In the mid-90s, she received a wave of new attention after the Fugees covered Killing Me Softly. She would go on to perform with the hip-hop band on stage.
A five-time Grammy winner, Flack received a lifetime achievement Grammy in 2020.
Contemporary stars to praise her include Beyoncé, John Legend and Ariana Grande.
Image: Flack in 2010. Pic: Reuters/John Sommers
Working as a high-school teacher in her 20s, while gigging in clubs during the evenings, Flack proved a canny educator, telling the Tampa Bay Times in 2012: “I was teaching at Banneker Junior High in Washington, DC It was part of the city where kids weren’t that privileged, but they were privileged enough to have music education.
“I really wanted them to read music. First, I’d get their attention. [I’d sing]: ‘Stop, in the name of love.’ Then I could teach them!”
Mariah Carey is set to perform an exclusive concert at a royal estate.
The US megastar is lined up to headline Heritage Live at Sandringham in Norfolk on 15 August.
Also set to perform on the same day of the festival are Nile Rodgers & Chic and British R&B group Eternal.
It will be the second UK show for the singer this summer, as she has also been confirmed as the headliner for the Brighton Pride Festival on 2 August.
The singer was previously lined up for the event in 2020, which was later cancelled due to the COVID pandemic.
Giles Cooper of Heritage Live Festivals, said: “We’re absolutely thrilled to bring one of the greatest pop artists of all time to the Royal Sandringham Estate for an exclusive UK headline show.
“Mariah Carey is an award-winner, a record-breaker, and an absolute global icon – this show will be historic.
“Mariah’s live show is second to none and with such a catalogue of huge hit singles, it’s going to be an incredible occasion. It will most definitely be an ‘I was there’ event that will live in all of our memories forever.”
Carey has 19 number one US singles to her name, more than any other solo artist in the history of the Billboard Hot 100 chart.
Her best-known hits include Vision of Love, Fantasy, Emotions and the festive favourite All I Want For Christmas Is You – which turned 30 at the end of last year.
Sandringham is described as the “much-loved country estate” of King Charles III and Queen Camilla. The Royal Family traditionally spend Christmas at Sandringham.