“What Sean Combs is being accused of is not rare. He’s not an anomaly.”
For a year in the early noughties, Elisabeth Ovesen was a hip-hop video star dancing alongside some of the biggest names in the business. It was an era of big-budget music videos filled with, in rap especially, money, cars, and women.
She kept diaries. In 2005, she published Confessions Of A Video Vixen, recounting her difficult upbringing and relationships before finding a seemingly glamorous lifeline to financial security.
Under the name Karrine Steffans, she detailed her experiences on video sets as a 22-year-old woman, her relationships and sexual encounters with rappers, other music stars and executives. Most of her own experiences involving famous stars were consensual, she says; the book is a cautionary tale about a feted industry, her stories highlighting misogyny and power imbalances in terms of age and status, how women were used and discarded, rather than criminal behaviour.
But Ovesen says she was also aware of a much darker side to the music industry, and Hollywood in general.
In the wake of the #MeToo movement – and most recently the charges filed in the US against rapper Sean “Diddy” Combs, which he has strenuously denied – she says she wants people to know there are others “getting away” with similar behaviour and crimes.
Her words echo those of lawyer Tony Buzbee, who has filed several lawsuits against Combs. He has also claimed A-listers are paying off victims to avoid being publicly named.
Image: Pic: AP
‘Everything that’s coming out wasn’t a secret’
Speaking to Sky News on Zoom, Ovesen recounts the night she first met Combs, saying she was “kind of ordered” to his house. Despite this, in hindsight, being a “weird” experience, she says he treated her well and with respect. “We’re at a club, I was with people he knew, our cars were leaving at the same time,” she says. Combs leaned out of a window to talk to the men in her car, “talking about me like I’m property”.
The men decided she would go to his house, she says. “It was kind of like, ‘send her’. In retrospect now I realise how weird that is.”
She says this was shortly after Combs’ break-up with Jennifer Lopez in 2001. “He was very sweet and very docile with me and very respectful. The next morning we had brunch at his house… again, [he was] pleasant, warm.” She says she went to other parties with Combs and he was always the same.
But he knew she kept diaries, she claims. “So my experiences with him are a lot different than hundreds of other people’s… I have seen him flare up. I have seen things that did not involve me.”
These are not her stories to tell, she says. “I don’t want to overshadow actual victims. I’m nobody’s victim.”
However, Ovesen says she became aware of the hip-hop star’s alleged behaviour, his abuse of former girlfriend Cassie, which he publicly apologised for, and the claims of “freak-off” parties detailed in the charges against him.
“I knew what kind of person he was to other people. Everything that’s coming out now about Sean wasn’t a secret… him and Cassie, that was an open secret in LA, in the industry. Everyone knew. The issue with something like that is that if someone says, ‘yeah, I was there, I’ve seen it. I know for sure’. Then the question becomes, well, what were you doing there?”
Image: Elisabeth Ovesen, formerly known as Karrine Steffans, pictured after the release of the book, in 2006. Pic: JSSImages/BEImages
Misogyny and abuse in the hip-hop industry, and in the wider music industry – Hollywood in general – is rife, Ovesen says.
“If we’re looking at this one person and the industry this person is in, now let’s look at all the men who are not saying anything at all,” she says. “I want to be very clear that what Sean is being accused of is not rare. He’s not an anomaly… the behaviour is learned and perpetuated.”
Ovesen says some men she knew from the industry at the time had a family home – “and then there’s a party house”. Drugs were rife, she says, and she witnessed heroin, cocaine and crack being taken “by prominent celebrity men”.
Women are treated as objects and often suffer sexual abuse, she says. Some men too, and under-age boys and girls, she claims.
Artists “have the same agents, the same managers, the same handlers, the same accountants… they have the same friends. They share jets. They use each other’s houses. They share women. They share secrets. It’s not [just] a Sean Combs problem, it is a worldwide issue. It’s about men with money, men with power.”
When Ovesen arrived in LA, she was looking for dancing work. Being “discovered” for music videos, with payment of thousands of dollars for a day or two on set, would set her up. But she says she was never naïve about the industry and also acknowledges that a lot of her experiences were “fun”.
“I always knew what it was. I always knew why I was there. Women were being used as props and to make the men look good, and we were disposable and not treated with respect, for the most part. But coming from my particular background – having been an exotic dancer – that didn’t deter me or bother me at the time.”
Image: Ovesen’s book, Confessions Of A Video Vixen, published by Harper Collins
CCTV cameras and NDAs
This is no longer Ovesen’s world, she points out. She has published several books since her first, and has also given lectures about her experiences. However, she says she has friends in the industry who say things haven’t changed.
She claims she went to house parties and woke to “screaming in the middle of the night – women being beaten, slapped, pushed around”, as well as men being abused, and closeted artists who feel “shame”, which turns to anger, “around sexual proclivities”.
Non-disclosure agreements (NDAs) are signed and people are often paid off, she says. “It’s not rare or weird, it’s just the way it always has been, where the men do awful things and then they pay people off.” NDAs were often presented at the doors to celebrity homes before parties. Ovesen says she signed one herself on one occasion in 2000, but refused after this.
“They have cameras everywhere,” she says, as would be typical for security of an expensive property. “Not only is that NDA going to tell you, whatever you see here stays in this house, it’s also going to explain if anything happens to you, you can’t sue. And there’s also a clause about any videotaping.”
Image: Pic: iStock
Ovesen claims there are prominent actors, artists, producers and executives all involved in similar behaviour. She never witnessed an alleged “freak-off” party – because, she says again, Combs was aware she kept a diary. “But did I know about them? Yes. Did I hear about them? Yes.”
There are others who have “their own version”, she says. “I’m thinking of one actor in particular – an Oscar-winning actor”.
She says she was called a “whore” and a liar when she published her book, and in the years afterwards. People were “angry I discussed men they revered in a way that didn’t uphold that reverence”, she says. But nothing was sugarcoated, even “my willing participation. I didn’t try to make myself look good, I just told the truth”.
Ovesen wanted people to know what the industry was like. “Women are shamed about our consensual sex, we’re shamed about our non-consensual sex. Women are shamed no matter what they do.”
Since the rise of the #MeToo movement, she has noticed a change in the reaction, from younger women discovering her for the first time. She is frustrated there had to be a change at all, but pleased for younger women, she says. Next year, she will release an updated version of her book, marking 20 years since it was published.
“I want this new generation to understand how important it is to believe women, to support each other.”
Sky News has contacted representatives for Combs for comment.
What is Combs accused of?
Image: Pic: AP Photo/Suzanne Plunkett 2000
Combs was arrested on suspicion of racketeering conspiracy and sex trafficking in September and has remained in prison ahead of a trial currently set for May, having been denied bail.
The hip-hop mogul has pleaded not guilty to charges that he coerced and abused women for years with the aid of a network of associates and employees, while silencing victims through blackmail and violence – including kidnapping, arson and physical beatings.
He is also facing several civil lawsuits, with one lawyer saying he is representing dozens of accusers. Combs says his sexual relationships were consensual, and denies all wrongdoing.
Earlier this week, it emerged that rapper Jay-Z has been accused of raping a 13-year-old girl after the MTV Video Music Awards in 2000, allegedly alongside Combs. A federal lawsuit – which originally only named Combs – was refiled to add Jay-Z, whose real name is Shawn Carter.
Jay-Z has strenuously denied those allegations and called for the identity of the accuser to be revealed, or for the case to be dismissed. He responded to the allegations in a lengthy statement sent to NBC News, Sky News’ US partner.
“These allegations are so heinous in nature that I implore you to file a criminal complaint, not a civil one!!” he said. “Whomever would commit such a crime against a minor should be locked away, would you not agree?
“These alleged victims would deserve real justice if that were the case.”
The rapper, who has three children with his wife Beyonce, continued: “My only heartbreak is for my family. My wife and I will have to sit our children down, one of whom is at the age where her friends will surely see the press and ask questions about the nature of these claims, and explain the cruelty and greed of people. I mourn yet another loss of innocence.
“Only your network of conspiracy theorists, fake physics, will believe the idiotic claims you have levied against me that, if not for the seriousness surrounding harm to kids, would be laughable.”
Louis Theroux will be honoured with the prestigious National Film and Television School (NFTS) fellowship next month.
The renowned interviewer – who has been working in the business for over three decades, and whose Weird Weekends were the stuff of legend – admits he initially felt like “a trespasser” and “imposter” in his front-of-screen role.
Image: Theroux with students at the National Film and Television School. Pic: NFTS
Never going to film school himself, the now world-famous presenter and documentarian got his first job as a print journalist in America after graduating from Oxford University.
His big break came on Michael Moore’s TV Nation series, as a roving reporter delving into offbeat culture, later striking up a deal with the BBC resulting in Louis Theroux’s Weird Weekends.
A first-person storyteller, who disarms his subjects with charm, Theroux’s interviews frequently result in the unexpected.
Commenting on his upcoming award, Theroux said: “I came into the industry more than thirty years ago, feeling like a trespasser, an imposter, in a role meant for someone else, worrying that I would be found out, hoping I could keep going for a few more months, since I was enjoying it so much.
“All these years later, I’ve learned that ‘keeping going’ may be the best definition of success.”
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Admitting that like those just starting out in the field, he too is “still figuring things out”, he said he hoped the fellowship would give him the chance to “connect with younger people… sharing the few things I’ve learned, and more importantly learning from them”.
Image: Theroux at the Church of Scientology building in LA. Pic: BBC/BBCWorldwide
Theroux went on to interview a host of celebrities in When Louis Met…, including Jimmy Savile, who is now known to have been one of the UK’s most prolific sexual predators.
Haunted by the interaction, Theroux would go on to interview some of Savile’s victims in a follow-up 16 years later.
Theroux has also fronted various documentaries across BBC1 and BBC2 and released the 2016 feature-length documentary My Scientology Movie.
The author of several books, he currently hosts his own podcast series.
Image: Theroux and his wife Nancy Strang in 2019. Pic: PA
In 2019, he set up his own production company, Mindhouse, with his wife Nancy Strang and filmmaker Arron Fellows, producing documentary film and TV series, as well as his podcast.
Theroux recently revealed he was suffering from alopecia, initially resulting in the loss of his eyebrows.
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NFTS chair Sophie Turner Laing praised Theroux’s “immense contribution” to the world of factual filmmaking, adding: “His ability to connect with audiences and uncover powerful human stories makes him a true icon in the industry.”
Previous recipients of the honorary fellowship include James Bond producer Barbara Broccoli, Wallace And Gromit creator Nick Park, director Sam Mendes and children’s author Malorie Blackman.
NFTS graduates have gone on to win 15 Oscars and 166 BAFTAs since the school opened half a century ago, with current graduates’ work on show at the BFI Southbank from Monday 3 March to Thursday 6 March.
The fellowship will be awarded to Theroux during the school’s graduation ceremony on Friday 7 March.
Actor and comedian Chris O’Dowd has described moving back to London from the US, finding people in the city are “down” after a decade of cutbacks.
The IT Crowd star returned to London from Los Angeles with his wife Dawn O’Porter and their two children a year ago.
“It’s just gone through 10 years of austerity, and you can feel it off it,” he told Sky News.
“People are down, is the impression I’m getting. I don’t know if it’s because of the divisive political culture or whether it’s because people are broke as s**t because they haven’t put any money into public services for so long, and now they’ve said they’re not going to do it either because they’re not going to raise taxes, so I don’t know what they’re going to do. But everybody is… it would be hard to say it’s improved.”
Asked if he sensed any optimism that things would change for the better, he replied: “Not yet.”
O’Dowd said the decision to return to the UK “wasn’t because Trump got in or any of that crap”, but that he wanted to “get out before the political cycle starts, because it just gets a bit heated”. He added: “It actually didn’t this time, because he won so easily.”
The Irish star was speaking ahead of the premiere of his new Sky Original series Small Town, Big Story, which comes to Sky and NOW on Thursday 27 February.
Image: Chris O’Dowd and Christina Hendricks in Small Town, Big Story
Set in the fictional Irish border village of Drumban, the dramatic comedy follows Wendy Patterson, portrayed by Mad Men’s Christina Hendricks, a local girl who found success as a TV producer in Los Angeles. She returns with a film crew in tow and is forced to confront a secret from decades ago – visitors from outer space.
So does the show’s creator believe in alien existence?
“I find it hard to believe we’re it, we’re just too imperfect,” O’Dowd replied. He hails from Boyle, County Roscommon, which is considered a “UFO hotspot” in Ireland.
“In the vastness of the universe, or the multiverse or whatever we’re existing within, it seems highly unlikely that you and me are the best we can do, no offence,” he added.
Image: The cast of Small Town, Big Story
Patterson’s show-within-a-show, titled I Am Celt but described as Lame Of Thrones, appears to satirise Hollywood’s often inaccurate portrayal of Ireland.
“Some of them can be heavy-handed, or a little bit off-piste,” laughs O’Dowd. “I think the thing to remember is we’re guilty of it too.
“Whenever I hear Americans being depicted from Irish people, very often they’re stuffing themselves with cheeseburgers and they’re morons. There’s got to be a bit of give and take with that.”
Pamela Anderson is one of the most recognisable faces in Hollywood.
Ever since she was spotted on the huge jumbotron screen at a baseball game aged 21, her physical traits have been the overriding subject the world has focused on.
Now 57, the actress and modelis claiming back her life, her story and forging a new path in her career.
“I feel so free,” she tells Sky News during a conversation in a London hotel about her latest film The Last Showgirl.
“I write a lot of emotional journals and there’s a lot that you can get out. You can go to therapy, or you can talk to your best friend, but there’s nothing like an art project to express yourself and heal parts of yourself.”
Image: Pamela Anderson in The Last Showgirl. Pic: Picturehouse Entertainment
The Last Showgirl follows a seasoned entertainer who has to plan for her future when her Las Vegas show abruptly ends after a 30-year run.
The role almost slipped from her fingers when her old agent passed on the script.
“I have a new agent now,” she says with a smile.
Image: Pic: Picturehouse Entertainment
It was her son Brandon who served as a catalyst in her career resurgence after stumbling upon the screenplay and showing it to his mother.
“My sons are so protective of me and their goal is just to say: ‘Mom, we just want you to be able to know that you focused on us as kids and we want you to have the opportunity to shine and to reach your potential as an actress’.”
She adds: “I do have a lot to give, so now I just feel so free. I couldn’t have done anything like this when I had kids because my focus was with them. Now that they’re grown and they’re doing well and they’re thriving, that gives me the opportunity to be able to play in this universe.”
The Canadian-American has been the victim of many harsh headlines over the years with her most challenging moments played out in front of the world.
One of the toughest moments, when her sex tape with her ex-husband Tommy Lee was leaked, ended up being made into its own TV series starring Oscar nominee Sebastian Stan and English actress Lily James.
Anderson had no input in the show and repeatedly called for it to be scrapped.
Image: Anderson as CJ Parker in Baywatch. Pic: Fremantle Media/Shutterstock
Anderson says that despite the adversity and misogyny she has faced being in the public eye, she feels ready to take on the spotlight again. This time on her terms.
“It was hard for me decades ago, and now I can look at it as a learning experience. And it was a different time. I think that looking at it through my kids’ eyes was interesting.
“Talking to my adult children about having a mom who was, you know, objectified in some way and how that felt [for them] and how that shaped them and their experience growing up, being teased in school.”
Her sons, Brandon and Dylan, are now both in their late 20s.
Image: A make-up free Anderson dazzles on the BAFTA red carpet
Drawing similarities to her character Shelly in The Last Showgirl, Anderson says the film serves as a reflection of the sacrifices, external expectations and realities connected to being a woman and a mother.
“We’re doing the best we can with the tools that we have and what we’ve seen growing up. And there’s no perfect way to be a parent, there really isn’t – and especially in this industry.
“When I did Playboy, when I was in Baywatch, I wasn’t thinking about how it was affecting my kids. I was thinking about just keeping the lights on and living this exciting life and getting through it myself.
“But, you know, it affects everybody around you – your parents, your friends, your kids – and so to kind of look at it from that way [in The Last Showgirl] and to have empathy for the character of Shelly dealing with that… I had some experience to draw from.”
Image: The Last Showgirl. Pic: Roadside Attractions
The film also stars Jamie Lee Curtis, Brenda Song and Kiernan Shipka as her close friends and co-workers in a fading corner of the Las Vegas strip.
Anderson adds of the film: “I think this can resonate with any working mom. We all carry this guilt and shame and wish we would have done this or that. And we have to be happy, too.”
The Last Showgirl is out in UK cinemas from Friday 28 February.