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By Dr. Priyom Bose, Ph.D. Reviewed by Danielle Ellis, B.Sc.

What happens after HIV infection?
Evolution of HIV diagnostic assays
Conclusions
References
Further reading

Acquired immunodeficiency syndrome (AIDS) is caused by the human immunodeficiency virus (HIV) that attacks the body’s immune system, making it vulnerable to all infections. One of the major concerns of the early AIDS epidemic that began in 1981 was the lack of proper diagnostic measures to identify infected individuals.1 Since the development of the first HIV diagnostic assay in 1985, scientists have continued to improve diagnostic accuracy, detection speed, and cost.

Image Credit: Hanna Karpiak/Shutterstock.com What happens after HIV infection?

The immune system produces antibodies after encountering harmful foreign substances or antigens. HIV infects the vital cells associated with immunity, such as macrophages, helper T cells, and dendritic cells, and disrupts their function. The three important HIV antigens are p24, gp 41, and gp 120.2

HIV is a slow-replicating retrovirus that is transmitted through sexual intercourse, sharing an infected needle, or by blood transfer.3 After HIV infection, the viral load cannot be measured immediately due to low plasma load. Typically, the viral RNA can be measured within 10 to 12 days after infection.4

Antibodies to p24 and gp 41 are the first serological markers used to detect HIV infection. IgG antibodies appear approximately three weeks after infection. In the majority of HIV-infected individuals, HIV antibodies appear to circulate within 1 to 2 months of the infection. However, in a few cases, it may take up to six months to appear at a detectable level.5 Evolution of HIV diagnostic assays

Over the years, scientists have developed many immunoassays and nucleic acid amplification tests (NAATs) to accurately and high-throughput HIV diagnosis. These tests are broadly divided into two categories, namely, screening and confirmatory tests. Typically, HIV tests are performed on blood, oral fluids, or urine samples.6

HIV screening is performed by various immunoassays that focus on detecting IgG antibodies against HIV-1 antigens in the serum. Techniques such as Western blot, line immunoassay (LIA), and recombinant immunoblot are used as confirmatory tests.7 Some of the important HIV diagnostic assays are discussed below: Serological testing for HIV

In the mid-1980s, simple serological tests for HIV antibodies were developed based on culture-derived viral antigen preparation.7 These tests enabled HIV diagnosis and assessed blood and blood product supplies. Since the early assays, various serological assays have been developed that aided simple/rapid testing, high-throughput screening, confirmatory tests, incidence determination, and epidemiological surveillance. Since its first development, five generations of enzyme immunoassays (EIAs) have emerged based on varied antigen preparations and detection chemistries.8

First-generation assays: The first-generation EIAs detect IgG antibodies from antigens derived from whole viral lysates of HIV-positive cultures. Since crude antigen lysate contains impurities, this method exhibited reduced specificity and high false positivity. In contrast, immunofluorescence assays or Western blotting (WB) have shown higher specificity and lower false positivity.

Second-generation assays: Second-generation assays involve the use of recombinant proteins or synthetic peptides derived from the immunodominant regions (IDR) of HIV-1 proteins and gp36 of HIV-2, which increases sensitivity and decreases false positivity.

Third-generation assays: Third-generation assays, including the Genetic Systems HIV-1/HIV-2 Plus O EIA, use a variety of antigens to detect HIV-1 and -2 antibodies in the serum. A major advantage of third-generation sandwich format assays is their ability to detect HIV-1 IgM antibodies early, enabling quicker HIV diagnosis.

Fourth-generation assays: The fourth-generation EIAs, including the Abbott Architect HIV Ag/Ab Combo assay, utilize fully automated chemiluminescent microparticle technology that can instantaneously identify antibodies to HIV-1 and HIV-2 and HIV-1 p24 antigen. This technique has further allowed early HIV diagnosis. Other advantages of fourth-generation high-throughput assays are their capacity to perform more than 150 tests per hour and their ability to test specimens immediately upon arrival and generate results within 30 minutes.  These assays are suitable for facilities, such as blood banks, that handle high volumes of blood samples.

Fifth-generation assays: Fifth-generation assays, such as the Bio-Rad BioPlex 2200 HIV Ag-Ab assay, use magnetic beads coated with p24 monoclonal antibodies and epitopes specific for HIV-1 and HIV-2. This type of assay has a major advantage in  that it can confirm HIV infection in a single test. Interested in Assay Kits? Explore Equipment Here

Despite the advancements in EIA assays, the challenges associated with the generation of false positive results persist. Therefore, EIA-reactive specimen is typically retested with supplemental tests, such as Western Blot. Rapid diagnostic tests Related StoriesSweden exceeds UNAIDS HIV goals but faces new challengesNutrition's pivotal role in combating tuberculosis: addressing N-AIDS for better outcomes

The first HIV rapid test was available in the early 1990s. It determined an individual's serostatus before surgery, maternal labor/delivery, and organ transplant. Rapid diagnostics is based on immunochromatographic technology that uses blood from finger pricks to assess HIV status. 9 This test can provide results in less than 30 minutes and can be used in point-of-care (POC) settings. Since this test presents both false positive and negative results, it is essential to confirm the findings with laboratory-based HIV assays.

The main advantage of this technique is that any non-laboratory staff can perform it in a primary health care center. Even though decentralization of HIV diagnostic services has increased HIV test service in remote areas, it has been challenged by the lack of national guidelines, waste disposal, inventory management, and quality assurance (QA) monitoring.10

HIV self-testing, based on rapid testing methods, has allowed individuals who would otherwise refrain from testing in fear of discrimination to perform the test privately and start proper intervention. The World Health Organization (WHO) has prequalified several HIV rapid tests for HIV self-testing, including the Insti HIV-1/HIV-2 antibody tests and the Oraquick rapid HIV-1/2 antibody test.10 Nucleic acid test (NAT)

The NAT identifies HIV nucleic acid, i.e., either RNA or proviral DNA, in the blood sample. This test is based on the principles of polymerase chain reaction (PCR), nucleic acid sequence-based amplification, or ligase chain reaction.11 This test has proved to be vital in situations when an antibody against HIV is absent in serum. NAT is also performed in newborns of HIV-infected mothers. Unlike other assays, this test can detect HIV even after recent or possible exposure to the virus. Furthermore, NAT can quantify viral load.

Revolutions in Infectious Disease Testing Conclusions

The advancements in HIV diagnostic assays have played a vital role in identifying, staging, and monitoring infected individuals, even when they are under antiretroviral therapy. These assays have played an important role in surveillance and identification of transmission hot spots. Extraordinary progress in HIV testing methodologies has not only reduced false positives but decreased assessment time as well. References Sharp PM, Hahn BH. Origins of HIV and the AIDS pandemic. Cold Spring Harb Perspect Med. 2011;1(1):a006841. doi: 10.1101/cshperspect.a006841. Foster JE., et al. Viruses as Pathogens: Animal Viruses, With Emphasis on Human Viruses. Viruses. 2018; 157-187. doi.org/10.1016/B978-0-12-811257-1.00007-3 Dasgupta A, Wahed. Human immunodeficiency virus (HIV) and hepatitis testing. Clinical Chemistry, Immunology and Laboratory Quality Control (Second Edition). 2021; 513-533. doi.org/10.1016/B978-0-12-815960-6.00015-7 Konrad BP, et al. On the duration of the period between exposure to HIV and detectable infection. Epidemics. 2017; 20, 73-83. doi.org/10.1016/j.epidem.2017.03.002 Davis LE. Acute viral meningitis and encephalitis. Infections of the Nervous System, 1987; 156-176. doi.org/10.1016/B978-0-407-02293-5.50014-3 Pant PN. Oral fluid-based rapid HIV testing: issues, challenges and research directions. Expert Review of Molecular Diagnostics. 2007; 7 (4), 325-328, DOI: 10.1586/14737159.7.4.325 Abdullah DM, et al. The contemporary immunoassays for HIV diagnosis: a concise overview. Asian Biomed (Res Rev News). 2023;17(1):3-12. doi: 10.2478/abm-2023-0038. Alexander TS. Human Immunodeficiency Virus Diagnostic Testing: 30 Years of Evolution. Clin Vaccine Immunol. 2016;23(4):249-53. doi: 10.1128/CVI.00053-16. Aidoo S, et al. Suitability of a rapid immunochromatographic test for detection of antibodies to human immunodeficiency virus in Ghana, West Africa. J Clin Microbiol. 2001;39(7):2572-5. doi: 10.1128/JCM.39.7.2572-2575.2001. Parekh BS, et al. Diagnosis of Human Immunodeficiency Virus Infection. Clin Microbiol Rev. 2018;32(1):e00064-18. doi: 10.1128/CMR.00064-18. Garrett, P. E. Quality control for nucleic acid tests: Common ground and special issues. Journal of Clinical Virology. 2001; 20(1-2), 15-21. doi.org/10.1016/S1386-6532(00)00150-5

Further ReadingAll HIV ContentThe Economic Impacts of AIDSRecent Advancements in Treating HIV

Last Updated: Nov 29, 2024

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It’s one of theatre’s most magical crafts – but now it’s critically endangered

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It's one of theatre's most magical crafts - but now it's critically endangered

Puppetry has enjoyed a renaissance in recent years.

With the ability to tell political and philosophical stories, fairy tales and musical adventures, all with equal flair, puppeteers bringing the inanimate to life on stage is back in vogue.

A staple of the festive season, the year-round resurgence has been invigorated by hit West End shows including War Horse, The Life Of Pi, The Lion King and My Neighbour Totoro, boosting a craft that has been traced back as far as the ancient Greeks.

Pinocchio is this year's Christmas show at Shakespeare's Globe. Pic: Johan Persson
Image:
Pinocchio is this year’s Christmas show at Shakespeare’s Globe. Pic: Johan Persson

This year, puppets are centre stage at Shakespeare’s Globe, with Pinocchio their leading man.

The tale of a wooden puppet who dreams of becoming a real boy, Globe associate director Sean Holmes tells Sky News: “It seemed to fit, a boy made of wood in a theatre made of wood.

“There’s something about the kind of challenge of that storytelling, the theatricality, the magic, the puppetry, that really drew us to it.”

The performers – made up of actors and puppeteers – spent 18 months workshopping the show ahead of opening night, perfecting the challenge of skilled puppetry, acting and singing all on an open-air stage. It’s no mean feat.

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The show features a range of puppets, including rod, table-top, and large-scale creations that fill the stage and marionettes – small puppets with big impact.

Puppeteer Stan Middleton is a marionette specialist. Pic: Patrick Hutton
Image:
Puppeteer Stan Middleton is a marionette specialist. Pic: Patrick Hutton

Romeo the marionette on the Globe stage. Pic: Patrick Hutton
Image:
Romeo the marionette on the Globe stage. Pic: Patrick Hutton

One of the show’s puppeteers, Stan Middleton, a marionette specialist, operates a marionette Romeo puppet in part of the performance.

He tells Sky News: “I think a lot of people are scared of marionettes because they think, ‘Oh no, they’re too difficult, we can’t do them’.”

He goes on: “It’s so nice to have the marionette moment in this show, because it gives people a chance to see how beautiful they are and how enchanting…

“They’ve got a sort of delicate charm and a sort of like inner silence which I think really captivates people.”

Despite their charms, the intricate skills required to both craft and manipulate long-string marionettes mean they are under threat.

While some puppets – including War Horse-style rod and Totoro-style body ones – are enjoying success on the stage, marionettes are critically endangered.

Globe associate director Sean Holmes. Pic: Patrick Hutton
Image:
Globe associate director Sean Holmes. Pic: Patrick Hutton

Unlike dance or circus, puppetry is not recognised in its own right by Arts Council England and is instead grouped with theatre.

It means specialist puppet venues are competing for funding in the highly saturated market of theatre companies producing for children and families, with no special recognition of their craft.

Marionette-making was added to Heritage Crafts’ Red List of Endangered Crafts in 2023.

There are now calls for it to be added to the UNESCO Intangible Cultural Heritage (ICH) list too, after the UK officially joined earlier this year.

Puppets are big business, but as some types thrive, others are at risk of disappearing completely. Pic: Johan Persson/Patrick Hutton
Image:
Puppets are big business, but as some types thrive, others are at risk of disappearing completely. Pic: Johan Persson/Patrick Hutton

Little Angel is one of the few UK theatres to have a marionette bridge. Pic: Patrick Hutton
Image:
Little Angel is one of the few UK theatres to have a marionette bridge. Pic: Patrick Hutton

Little Angel Theatre, a hub for British puppetry for over six decades, is one of a handful of UK spaces where puppeteers can perform with long-string marionettes.

Boasting not one but two marionette bridges, puppeteers can walk 360 degrees all the way around the upper part of the stage, working their marionettes from a hidden vantage point above.

Trained by some of the last remaining UK makers, including Little Angel co-founder Lyndie Wright, Little Angel Associate director Oliver Hymans is a central figure in the effort to save the craft.

Little Angel associate director Oliver Hymans. Pic: Patrick Hutton
Image:
Little Angel associate director Oliver Hymans. Pic: Patrick Hutton

Inspired by seeing old marionettes hung up at the back of the stage and intrigued by why they were not being used, he is now committed to re-establishing traditional marionette-making.

Hymans tells Sky News: “The marionette is a series of nine different pendulums all wired together. You’re having to work against gravity to keep it in control.

“But the thing about the marionette is you can hide the puppeteer. So, you can completely design and develop a world where there are only puppets and scenery and scenography.”

He says the majority of master marionette makers have retired or are nearing retirement, and warns there may be just a handful left in the country.

He explains: “With the onslaught of AI, we know it’s coming. Jobs where people use their hands are going to be vitally important, and if we don’t protect these crafts, they are going to die out.”

Me at Little Angel Studios. Pic: Ellie Kurttz
Image:
Me at Little Angel Studios. Pic: Ellie Kurttz

The Storm Whale at Little Angel Theatre. Pic: Northedge Photography
Image:
The Storm Whale at Little Angel Theatre. Pic: Northedge Photography

Putting their money where their mouth is, Little Angel is nurturing emerging talent, upskilling people in both the art of making and performing with marionettes.

They plan to have a marionette show on stage next summer.

Also joining the fight for the overlooked craft, puppetry director Rachel Warr has organised a celebration of marionettes for the last three years, with the support of the Art Workers’ Guild Outreach Committee.

An industry-focused free event, it brings the puppetry community together – with particular relevance to those who work with marionettes – or who aspire to.

Puppetry director Rachel Warr (R) with Alicia Britt and Anna Smith. Pic. Tom Crame
Image:
Puppetry director Rachel Warr (R) with Alicia Britt and Anna Smith. Pic. Tom Crame

Some members of the community appear in a forthcoming short documentary about puppets, Untangling, by filmmaker Hester Heeler-Frood.

Warr told Sky News: “People are often more affected by a puppet dying on stage than an actor pretending to die in character. It doesn’t have the artifice of getting up and walking away and getting on the tube at the end of the night.

“There’s something quite vulnerable about the puppet in that sense… We know that it’s not really alive, and yet we’re able to project on to it our own thoughts and feelings. It’s a blank canvas – a powerful tool.”

Meanwhile, as Pinocchio plays at the Globe, the theatre is running accompanying puppetry workshops, encouraging children to get involved in the craft – maybe inspiring future stars of puppeteering.

With their future hanging by a string, the training of the next generation is key to breathing life back into an overlooked craft, reinstating marionettes to their rightful place on the stage.

Pinocchio runs at Shakespeare’s Globe until Sunday 4 January.

The Storm Whale at Little Angel Studios runs until Saturday 24 January, and Me runs at Little Angel Theatre until Sunday 25 January.

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Astronomers Observe Black Hole Twisting Spacetime for the First Time, Confirming Einstein’s Theory

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Astronomers have directly observed a black hole twisting spacetime for the first time, confirming Einstein’s long-standing prediction. The effect was detected during a violent stellar destruction event, where repeating X-ray and radio signals revealed a slow cosmic wobble. The discovery provides new insight into black hole spin, jets, and extreme gravity.

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Hubble Captures Rare Collision in Nearby Planetary System, Revealing Violent Planet Formation

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Astronomers using NASA’s Hubble Space Telescope have witnessed rare collisions between rocky bodies in the Fomalhaut system. The glowing debris clouds created by these impacts offer a unique glimpse into how planets form and highlight challenges in identifying true exoplanets.

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