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For 30 years Mariah Carey’s All I Want For Christmas Is You has been the soundtrack to Christmas.

Released as part of the singer’s fourth studio album, Merry Christmas – her first festive-themed collection of songs – the track had modest beginnings, peaking at number two in the UK singles chart and number 12 in the US.

But over time, the song seems to have taken on a life of its own.

This year alone, it has topped the Billboard Hot 100 charts for the sixth year in a row, surpassed two billion streams on Spotify, and has reached 16x Platinum – selling more than 16 million units, according to the Recording Industry Association of America.

From the opening chimes of the xylophone to the propulsive beat kicking in at the 50-second mark, what is it about All I Want For Christmas Is You that has kept it a beloved holiday staple for the last three decades?

‘Do something timeless’

Claiming it was the first Christmas song she ever wrote, Carey revealed in a 2019 Amazon documentary that she started writing the hit on a keyboard in her home while the 1946 film It’s A Wonderful Life played in the background.

In a 2023 interview with Good Morning America, Carey said her “goal” was to “do something timeless that didn’t feel like the ’90s,” drawing inspiration from Phil Spector’s 1965 album A Christmas Gift For You.

Walter Afanasieff, the song’s co-writer and co-producer, recalls the creative process slightly differently.

He told Deadline in 2022 that he and Carey wrote the song together in the summer of 1994 at a home the singer was renting.

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Mariah Carey - 01 Dec 1994
New York Ny Photograph of Mariah Carey in December 1994

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Carey in December 1994. Pic: Pace/Mediapunch/Shutterstock


“I started playing a boogie-woogie, kind of a rock. Mariah chimed in and started singing ‘I don’t want a lot for Christmas,'” he explained.

Afanasieff credited Carey for the lyrics and melodies while he was responsible for “all of the music and the chords”.

Remarkably, the entire song was completed in just 15 minutes.

Mariah Carey performs during the Mariah Carey's Christmas Time tour on Saturday, Nov. 23, 2024, at State Farm Arena in Atlanta. (Photo by Paul R. Giunta/Invision/AP)
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Carey performing during her 2024 Christmas Time tour. Pic: Paul R Giunta/Invision/AP

Nate Sloan, music journalist and co-host of the Switched On Pop podcast, believes the track’s success “resides in its sense of timelessness”.

“Though recorded in the 1990s, it has a sound that would be at home in multiple eras of American popular music,” he told Sky News.

“Few songs since the 1960s have been able to penetrate the annual ‘Christmas canon.’ Carey’s opus, with its throwback sound, is a perfect candidate for lasting appeal.”

But it would take more than 20 years for the song to hit number one in the US (2019) and UK (2020), breaking multiple chart records in the process.

What do the numbers say?

All I Want For Christmas Is You has achieved remarkable success. It is ranked as Billboard’s number one holiday song of all time, has spent 16 weeks at the top of the Hot 100 chart – the most for any holiday song – and 62 of its 70 weeks on the Holiday 100 chart were at number one.

In the UK, Carey’s hit reached number one twice – in 2020 and 2022 – but has never officially been the coveted Christmas number one, which goes to the song with the highest sales or streams in the week of 25th December.

In 1994, East 17’s Stay Another Day claimed the title, and in 2020, LadBaby’s charity single Don’t Stop Me Eatin’ beat it despite Carey’s song climbing the charts faster than ever that year.

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Azzedine Fall, director of music at streaming app Deezer, suggested that stiff competition in the 1990s delayed Carey’s chart success.

“In the 90s, Carey’s hits like Hero and Emotions were more dominant, making All I Want For Christmas Is You less central. Over time, however, it became her signature song,” he told Sky News.

“It is much easier to find the song now than it was back then. The development of technology has meant the song has become more exposed.”

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Data given to Sky News by enterprise software company, Sprinklr, reveals that mentions of the song peak in the last month of the year with more than 1.3 million global mentions in December for the past four years – topping at 675,824 mentions in 2021.

While it loses out to Wham’s Last Christmas in terms of mentions in the media from 2020-2024, Sprinklr data excludes how songs perform on streaming platforms.

On Spotify, Carey reigns supreme with two billion streams compared to Wham’s 1.7 billion.

It also performs better on Apple Music and Amazon Music, according to Songstats, and has been used in 17.6 million videos on TikTok, as opposed to 443,000 for Last Christmas.

What makes it so popular?

“The song just sounds like the holidays,” Gary Trust, managing director of charts and data operations at Billboard, told Sky News.

“It mixes classic Motown with newer production that still feels fresh. It’s a blend of familiar yet updated – that’s always a good recipe for a hit.”

Mr Trust said the concept of the song, being one about longing and love, also makes it relatable.

“Add in its propulsive beat – every line just seems to roll into the next – and it’s easy to see how the song has become so prominent in pop culture every holiday season,” he said.

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MARIAH CAREY LAUNCHING HER CHRISTMAS ALBUM IN NEW YORK, AMERICA - 1994
Mariah Carey

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Carey launching her Merry Christmas album in 1994. Pic: Startraks/Shutterstock


Comparing the song’s appeal to classics from the 1960s like Bing Crosby’s Winter Wonderland and Brenda Lee’s Rockin’ Around The Christmas Tree, Jane Butler, senior lecturer of popular music at Oxford Brookes University, noted that Carey’s song follows a similar recipe.

“Strong female vocals against slightly orchestral piano backgrounds seems to be quite a good formula,” she said.

She added that the song itself is a “really interesting mixture of making you wait”.

“In the introduction, you know something exciting is going to happen, which is what waiting for Christmas feels like. Then, when the song gets going, it’s like ‘this is very exciting’.”

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The 2010 Disney Parks Christmas Day Parade, Florida, America - 03 Dec 2010
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Carey in 2010 performing at Disney Christmas parade. Pic: Startraks/Shutterstock


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MARIAH CAREY'S MAGICAL CHRISTMAS SPECIAL, Mariah Carey, (aired Dec. 4, 2020). photo: ©Apple TV+ / Courtesy Everett Collection

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And again in 2020 for her Magical Christmas Special for Apple TV+. Pic: Apple TV/Everett/Shutterstock

Music journalist Mr Sloan emphasised that the track’s “retro nostalgia” is a driving force behind its enduring success.

“An angelic choir supporting Mariah, jingling sleigh bells, and an old-school song form – combined with Carey’s stunning, effortless vocal technique – make it an instant classic,” he said.

Could it still be popular in the 2050s?

Fast-forward another 30 years – could All I Want For Christmas Is You be crowned Christmas number one in 2054?

Our experts think it is entirely possible.

Mr Fall said that Carey is so deeply associated with Christmas that the song will outlast her.

“Even way after her death, she will be remembered as the singer of a Christmas anthem,” he said.

“In another 20 to 30 years, maybe even 50, again and again it will all be about Mariah Carey and Christmas.”

Carey’s savvy marketing strategies have also helped keep the song relevant.

By performing and re-releasing updated versions of the song – including this year’s 30th-anniversary edition – licensing its use in films like the 2003 romcom Love Actually, and even launching her own line of Christmas decorations, Carey has ensured the track’s lasting legacy.

A 2016 Carpool Karaoke performance of the song for James Corden’s Late Late Show, with a host of celebrity faces including Carey, Adele, Lady Gaga and Elton John, meant it was the perfect clip for people to share on social media.

The video has been watched 55 million times at the time of writing.

“This is what Christmas music is,” Ms Butler added. “Lots of audiences have been exposed to it in exciting settings.

“I think Carey is an extremely astute businesswoman, and she has managed to use that to her advantage.”

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The ‘scary spotlight’ on music stars amid Kneecap terror charge

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The 'scary spotlight' on music stars amid Kneecap terror charge

Before the amps are even switched on in Brockwell Park, there’s been a lot of noise about who should or shouldn’t be performing.

It’s where Irish hip-hop trio Kneecap are set to play their first major show since band member Mo Chara was charged for allegedly displaying a flag in support of the terrorist group Hezbollah at one of their gigs.

Before that, there had been calls for festivals to reconsider booking the band over their political stances, and several have done, which prompted artists like Brian Eno, the Mystery Jets and CMAT to sign an open letter accusing Westminster and the British media of a campaign to “remove Kneecap from the public eye”.

They put their names to wording that said “in a democracy, no political figures… have the right to dictate who does and does not play at music festivals.”

The band have since claimed they’re the victims of “political policing” designed to silence their views on Gaza.

So what’s the reality like for artists who are outspoken at a time when the world is so divided?

As some of the biggest names in music gathered in London for the Ivors, an annual celebration of songwriting, Self-Esteem – aka Rebecca Lucy Taylor – said the level of scrutiny can be “terrifying”.

‘The problem with the internet’

She told Sky News: “The problem with the internet is you say one thing, which gets scrutinised, and then you shit yourself, you really do… then you’re advised not to. And then you’re like ‘don’t advise me not to!’

“You second-guess anything you want to say any more… but any time I do that, I think ‘well that’s why you’ve got to say it then’.”

She said it can be frustrating that focus turns on to pop stars’ opinions instead of “the people doing the bad things”.

Read more:
Why are Kneecap controversial?

Self-Esteem - aka Rebecca Lucy Taylor - spoke to Sky News about the topic.
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Self-Esteem, aka Rebecca Lucy Taylor

‘Being a pop artist isn’t just about the music’

Former Little Mix singer Jade said: “To be a pop artist these days, it’s not just about music, it’s: ‘What’s your political stance?’

“I’ve always been quite vocal about those things, but in doing so you have even more of a scary spotlight on you, constantly assessing what your thoughts are as a human…it is scary.”

Trinidad-born London artist Berwyn, whose songs depict his struggles with UK immigration, says: “Silencing freedom of speech… is a road we don’t want to walk down.

“I’m not a politician, this is a very complicated issue, but I do absolutely believe in a human’s right to express themselves freely.”

But is that freedom of speech dependent on what side you’re coming from?

Berwyn speaking to Sky News
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Berwyn speaking to Sky News

‘Unethical investments’

Soon, an event called Mighty Hoopla will take place at Brockwell Park as part of its programme of six festivals this summer.

Artists performing at that are coming under increased pressure from pro-Palestine groups to quit because it’s owned by a company called Superstruct, which has links to an American investment firm called KKR.

Critics argue that any KKR-affiliated events should be a red flag to artists as campaigners claim it “invests billions of pounds in companies” that do things like “develop Israeli underground data centres”, and they say it has shares in companies that “advertise property on illegally occupied land in the West Bank”.

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Mighty Hoopla itself has said while it “cannot control investments made in our parent companies”, it wants to “state its clear opposition to KKR’s unethical investments”.

And Superstruct – which puts on over 80 festivals around the world – says while horrified by the crisis in Gaza: “We are aware that there is a significant amount of debate… around our festivals.

“Our owners, made up of our promoters and several investment firms, support us to achieve the highest standards… fans and artists rightly expect.”

They insist that operationally, Superstruct is independently run and all its “revenue and profits… remains entirely within our business… towards the ongoing development… of our festivals.”

Read more from Sky News:
Kid Cudi says Diddy ‘messed with his dog’
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Even deciding where to perform can have political connotations for musicians these days.

As Tom Gray, a founding member of the rock band Gomez, now chair of the Ivors, explains: “The amount of commercial interest required to get a young artist into the public eye means they have to keep their head down a lot and that’s a terrible shame.

“It’s not just artistic expression, but personal human expression is one of the fundamental things that allows people to feel they have agency.”

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Kid Cudi says Sean ‘Diddy’ Combs broke into his house and ‘messed with his dog’

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Kid Cudi says Sean 'Diddy' Combs broke into his house and 'messed with his dog'

Kid Cudi has told a court Sean “Diddy” Combs broke into his home, “messed with” his dog and opened some of his Christmas presents during a break-in in December 2011.

The 41-year-old rapper was giving evidence on day nine of the trial, after briefly dating Diddy’s former girlfriend Cassie the same year.

Cassie and Diddy dated for 11 years, from 2007 to 2018, and Cassie has testified the rapper physically abused her during most of their relationship.

Cudi described Cassie phoning him early one morning, sounding “stressed, nervous and scared”, telling him Diddy had “found out about us”.

He said Diddy later called him from his home and told him, “I’m here waiting for you”.

After dropping Cassie at a West Hollywood hotel, Cudi said he returned to his home and found no one there, but said his dog had been locked in the bathroom.

He described his pet later becoming “jittery and on edge all the time”.

He also said someone had opened Christmas presents he’d bought for his family.

While Cudi, whose real name is Scott Mescudi, said he initially wanted “to fight” Diddy, he later thought through “the reality of the situation,” and called the police to report the break-in.

Earlier this week, Cassie finished giving four days of evidence, becoming emotional at times, and testifying that Combs had threatened to blow up Cudi’s car and hurt him after he learned she was dating him by looking at messages on her phone during a “freak off”.

Prosecutors say Combs, the founder of Bad Boy Records, forced women to take part in days-long, drug-fuelled sexual performances known as “Freak Offs” from 2004 to 2024, facilitated by his large retinue of staff.

Combs, 55, has pleaded not guilty.

The rapper faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.

Diddy and Cassie on a red carpet in 2016. Pic: zz/JMA/STAR MAX/IPx/AP
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Diddy and Cassie on a red carpet in 2016. Pic: zz/JMA/STAR MAX/IPx/AP

Sean ‘Diddy’ Combs trial: Day 9 – As it happened

The month after the break-in, Cudi’s Porsche was firebombed in his drive, with a hole cut into the roof and a Molotov cocktail dropped into the driver’s seat.

Cudi said he realised he had to talk to Diddy, before things “got out of hand,” meeting up with Diddy, who he said was weirdly “calm” and staring out the window with his hands behind his back “like a Marvel super villain”.

Cudi says Diddy told him he had still been dating Cassie during his relationship with her, with Cudi replying: “[Cassie] told me you were broke up and I took her word for it.”

Shaking hands at the end of the conversation, Cudi said he asked Diddy about “burning” his car, and Diddy replied, “I don’t know what you’re talking about”. Cudi later said he believed that to be a lie.

Cudi says he saw Diddy once a few years later at Soho House in Los Angeles with his daughter, and Diddy told him: “Man, I just want to apologise for all that bullshit”.

Sean "Diddy" Combs listens as George Kaplan (not seen) testifies at Combs' sex trafficking trial in New York City, New York, U.S., May 21, 2025 in this courtroom sketch. REUTERS/Jane Rosenberg
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Diddy sketched in court while listening to Kaplan’s testimony. Pic: Reuters/Jane Rosenberg

Read more:
Everything you need to know about the Sean Combs trial
The rise and fall of Sean ‘Diddy’ Combs

During his cross-examination, the defence suggested Cassie had been “living two different lives”, and “played” both Cudi and Combs.

Cudi concluded his time on the stand, saying his relationship with Cassie ended because he wanted “to give her space” and “the drama was too out of hand”.

Celebrity make-up artist Mylah Morales also gave evidence, describing a fight between Cassie and Diddy in 2010, which she says left Cassie with a “swollen eye, busted lip, and knots on her head”.

Former make up artist for Cassie Ventura, Mylah Morales testifies on the witness stand during Sean "Diddy" Combs' sex trafficking and racketeering trial in Manhattan federal court,Thursday, May 22, 2025, in New York. (Elizabeth Williams via AP)
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Celebrity make-up artist Mylah Morales. Pic: AP

Morales said while she had heard the row, she hadn’t physically seen it as she wasn’t in the room.

She told the court, “I feared for my life”, explaining that she took Cassie to her apartment for several days to recover, but that Cassie refused to go to hospital as she was afraid of Diddy’s reaction.

The defence attempted to damage Morales’s credibility by listing her TV appearances, which included programmes on CNN, and with Don Lemon and Piers Morgan, attempting to paint her as attention-seeking.

The day also saw Combs’s former assistant George Kaplan complete his testimony.

George Kaplan leaves Federal Court after testifying at the trial of Sean "Diddy" Combs, in New York, Thursday, May 22, 2025. (AP Photo/Richard Drew)
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George Kaplan, former assistant to Combs. Pic: AP

He talked about two occasions when he had been asked to carry cash for Diddy, who he said never paid for things himself in the moment, recalling one time in 2015 when he looked after $50,000, and another when he was asked to pick up $10,000.

Kaplan described seeing “regular” physical violence between Cassie and Diddy, including an incident in 2015 with whisky glasses on a private plane, when he heard glass breaking and saw Diddy standing over Cassie in the plane’s central aisle.

He says he also saw Diddy hurling “decorative apples” at another of his girlfriends, Gina, late the same year, handing in his notice the following month.

Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious BIG and Usher into household names, elevating hip-hop in American culture and becoming a billionaire in the process.

Diddy has been held in the Metropolitan Detention Center in Brooklyn since September and faces at least 15 years or possibly life in prison if convicted.

The trial is set to last for around six weeks in total and will go into its third week next week.

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Bono calls for Israel to be ‘released from Benjamin Netanyahu’ in plea to ‘stop war’

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Bono calls for Israel to be 'released from Benjamin Netanyahu' in plea to 'stop war'

Irish rock star Bono has called for Israel to be “released from Benjamin Netanyahu and far-right fundamentalists” during an awards ceremony.

The U2 frontman’s comments at the Ivors mark the first time the human rights activist has spoken out in public against the Israeli prime minister since the war in Gaza broke out in October 2023.

Bono, who received the Peace Summit Award at the 2008 Nobel Peace Laureates summit, also called for Hamas to release its remaining Israeli hostages.

It comes as Western leaders have been criticising Mr Netanyahu and the Israeli authorities over the renewed offensive in the Palestinian territory and the risk of famine due to an 11-week aid blockade, which is slowly easing.

Gaza war: Follow latest updates

Bono, whose real name is Paul Hewson, said on Thursday evening at London’s Grosvenor House: “Peace creates possibilities in the most intractable situations.

“Lord knows there’s a few of them out there right now. Hamas release the hostages. Stop the war.

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“Israel be released from Benjamin Netanyahu and far-right fundamentalists that twist your sacred texts.

“All of you protect our aid workers, they are the best of us.”

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Bono, 65, made the call for peace as he and fellow U2 members each received an award from pop star Ed Sheeran.

Read more from Sky News:
What we know about Washington DC shooting victims
UK calls for investigation over West Bank gunfire

The group became the first Irish songwriters to be awarded an academy fellowship at the 70th year of the awards.

U2 then performed their song Sunday Bloody Sunday, which references the 1972 Bloody Sunday shootings in Londonderry, where members of the British army’s Parachute Regiment opened fire at civil rights demonstrators.

The group ended the evening with a performance of their 1988 song Angel Of Harlem.

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Netanyahu hits out at Starmer, Macron and Carney

Also on Thursday, Mr Netanyahu said UK Prime Minister Sir Keir Starmer was “on the wrong side of humanity” after he called for an end to the war in Gaza.

In a video he shared on social media, the Israeli prime minister also attacked the leaders of France and Canada for their criticism of Israel’s actions in the conflict.

Mr Netanyahu specifically linked the criticism from the UK, France and Canada to the killings in Washington DC of Israeli embassy workers Yaron Lischinsky and Sarah Lynn Milgrim on Wednesday night.

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