For 30 years Mariah Carey’s All I Want For Christmas Is You has been the soundtrack to Christmas.
Released as part of the singer’s fourth studio album, Merry Christmas – her first festive-themed collection of songs – the track had modest beginnings, peaking at number two in the UK singles chart and number 12 in the US.
But over time, the song seems to have taken on a life of its own.
This year alone, it has topped the Billboard Hot 100 charts for the sixth year in a row, surpassed two billion streams on Spotify, and has reached 16x Platinum – selling more than 16 million units, according to the Recording Industry Association of America.
From the opening chimes of the xylophone to the propulsive beat kicking in at the 50-second mark, what is it about All I Want For Christmas Is You that has kept it a beloved holiday staple for the last three decades?
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Claiming it was the first Christmas song she ever wrote, Carey revealed in a 2019 Amazon documentary that she started writing the hit on a keyboard in her home while the 1946 film It’s A Wonderful Life played in the background.
In a 2023 interview with Good Morning America, Carey said her “goal” was to “do something timeless that didn’t feel like the ’90s,” drawing inspiration from Phil Spector’s 1965 album A Christmas Gift For You.
Walter Afanasieff, the song’s co-writer and co-producer, recalls the creative process slightly differently.
He told Deadline in 2022 that he and Carey wrote the song together in the summer of 1994 at a home the singer was renting.
Image: Carey in December 1994. Pic: Pace/Mediapunch/Shutterstock
“I started playing a boogie-woogie, kind of a rock. Mariah chimed in and started singing ‘I don’t want a lot for Christmas,'” he explained.
Afanasieff credited Carey for the lyrics and melodies while he was responsible for “all of the music and the chords”.
Remarkably, the entire song was completed in just 15 minutes.
Image: Carey performing during her 2024 Christmas Time tour. Pic: Paul R Giunta/Invision/AP
Nate Sloan, music journalist and co-host of the Switched On Pop podcast, believes the track’s success “resides in its sense of timelessness”.
“Though recorded in the 1990s, it has a sound that would be at home in multiple eras of American popular music,” he told Sky News.
“Few songs since the 1960s have been able to penetrate the annual ‘Christmas canon.’ Carey’s opus, with its throwback sound, is a perfect candidate for lasting appeal.”
But it would take more than 20 years for the song to hit number one in the US (2019) and UK (2020), breaking multiple chart records in the process.
What do the numbers say?
All I Want For Christmas Is You has achieved remarkable success. It is ranked as Billboard’s number one holiday song of all time, has spent 16 weeks at the top of the Hot 100 chart – the most for any holiday song – and 62 of its 70 weeks on the Holiday 100 chart were at number one.
In the UK, Carey’s hit reached number one twice – in 2020 and 2022 – but has never officially been the coveted Christmas number one, which goes to the song with the highest sales or streams in the week of 25th December.
In 1994, East 17’s Stay Another Day claimed the title, and in 2020, LadBaby’s charity single Don’t Stop Me Eatin’ beat it despite Carey’s song climbing the charts faster than ever that year.
Azzedine Fall, director of music at streaming app Deezer, suggested that stiff competition in the 1990s delayed Carey’s chart success.
“In the 90s, Carey’s hits like Hero and Emotions were more dominant, making All I Want For Christmas Is You less central. Over time, however, it became her signature song,” he told Sky News.
“It is much easier to find the song now than it was back then. The development of technology has meant the song has become more exposed.”
Data given to Sky News by enterprise software company, Sprinklr, reveals that mentions of the song peak in the last month of the year with more than 1.3 million global mentions in December for the past four years – topping at 675,824 mentions in 2021.
While it loses out to Wham’s Last Christmas in terms of mentions in the media from 2020-2024, Sprinklr data excludes how songs perform on streaming platforms.
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On Spotify, Carey reigns supreme with two billion streams compared to Wham’s 1.7 billion.
It also performs better on Apple Music and Amazon Music, according to Songstats, and has been used in 17.6 million videos on TikTok, as opposed to 443,000 for Last Christmas.
What makes it so popular?
“The song just sounds like the holidays,” Gary Trust, managing director of charts and data operations at Billboard, told Sky News.
“It mixes classic Motown with newer production that still feels fresh. It’s a blend of familiar yet updated – that’s always a good recipe for a hit.”
Mr Trust said the concept of the song, being one about longing and love, also makes it relatable.
“Add in its propulsive beat – every line just seems to roll into the next – and it’s easy to see how the song has become so prominent in pop culture every holiday season,” he said.
Image: Carey launching her Merry Christmas album in 1994. Pic: Startraks/Shutterstock
Comparing the song’s appeal to classics from the 1960s like Bing Crosby’s Winter Wonderland and Brenda Lee’s Rockin’ Around The Christmas Tree, Jane Butler, senior lecturer of popular music at Oxford Brookes University, noted that Carey’s song follows a similar recipe.
“Strong female vocals against slightly orchestral piano backgrounds seems to be quite a good formula,” she said.
She added that the song itself is a “really interesting mixture of making you wait”.
“In the introduction, you know something exciting is going to happen, which is what waiting for Christmas feels like. Then, when the song gets going, it’s like ‘this is very exciting’.”
Image: Carey in 2010 performing at Disney Christmas parade. Pic: Startraks/Shutterstock
Image: And again in 2020 for her Magical Christmas Special for Apple TV+. Pic: Apple TV/Everett/Shutterstock
Music journalist Mr Sloan emphasised that the track’s “retro nostalgia” is a driving force behind its enduring success.
“An angelic choir supporting Mariah, jingling sleigh bells, and an old-school song form – combined with Carey’s stunning, effortless vocal technique – make it an instant classic,” he said.
Could it still be popular in the 2050s?
Fast-forward another 30 years – could All I Want For Christmas Is You be crowned Christmas number one in 2054?
Our experts think it is entirely possible.
Mr Fall said that Carey is so deeply associated with Christmas that the song will outlast her.
“Even way after her death, she will be remembered as the singer of a Christmas anthem,” he said.
“In another 20 to 30 years, maybe even 50, again and again it will all be about Mariah Carey and Christmas.”
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Carey’s savvy marketing strategies have also helped keep the song relevant.
By performing and re-releasing updated versions of the song – including this year’s 30th-anniversary edition – licensing its use in films like the 2003 romcom Love Actually, and even launching her own line of Christmas decorations, Carey has ensured the track’s lasting legacy.
A 2016 Carpool Karaoke performance of the song for James Corden’s Late Late Show, with a host of celebrity faces including Carey, Adele, Lady Gaga and Elton John, meant it was the perfect clip for people to share on social media.
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From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.
But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTAwin – and one of the ceremony’s biggest cheers from the audience – earlier this year.
Image: Danny Dyer as Lee Campbell in Mr Bigstuff
Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.
Image: Ryan Sampson (right) created the series and stars alongside Dyer
Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.
Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.
“Absolute legend,” he says.
Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.
“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”
Image: Dyer at the BAFTAs earlier this year. Pic: PA
Dyer reveals his screensaver
After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.
His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.
But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.
“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”
Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.
In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.
He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.
Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.
“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”
‘Love in the air’ at Oasis gig
But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.
“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.
“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”
Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW
A brief scuffle broke out at London’s Royal Opera House after a performer unfurled a Palestinian flag during a show.
The incident took place during a performance of Il Trovatore on Saturday.
During the final night of the 11-night run of the show, a performer held up the flag on stage.
In video footage, shared online, someone backstage could be seen attempting to take it off the performer. The performer grabs it back following a brief scuffle.
A spokesperson for the Royal Ballet and Opera said: “The display of the flag was an unauthorised action by the artist.
“It was not approved by the Royal Ballet and Opera and is a wholly inappropriate act.”
The reaction to the flag was mixed, with some people heard applauding and cheering, while another audience member was heard saying “oh my God”.
One poster on X, who claimed to have been a member of the audience, said: “Extraordinary scenes at the Royal Opera House tonight.
“During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible.”
Performers show support for Palestinians
A number of performers have shown support for Palestinians amid the Israel-Hamas war in Gaza.
During Glastonbury Festival, numerous acts offered messages of support during their sets, including Kneecap, Bob Vylan, Wolf Alice, and Amyl And The Sniffers.
During her band’s set, Wolf Alice singer Ellie Rowsell told the crowd at the Other Stage: “Whilst we have the stage for just a little bit longer, we want to express our solidarity with the people of Palestine.
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BBC ‘regrets’ not pulling Bob Vylan live performance
Bob Vylan were widely criticised after leading on-stage chants of “death to the IDF” (Israel Defence Forces).
The performance was live-streamed by the BBC, sparking a backlash against the broadcaster – which later issued an apology.
The investigation into Kneecap was later dropped, with the police saying there was insufficient evidence to provide a realistic prospect of conviction for any offence”.
The chief executive of tech firm Astronomer has resigned after a video appearing to show two of its senior members of staff embracing at a Coldplay concert went viral.
The tech firm said chief executive Andy Byron had tendered his resignation, and that the board of directors had accepted it.
“As stated previously, Astronomer is committed to the values and culture that have guided us since our founding,” the company said in a statement.
“Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met.
“The board will begin a search for our next chief executive as co-founder and chief product officer Pete DeJoy continues to serve as interim CEO.”
The firm previously said Mr Byron, who was alleged to be the man in the clip, had been placed on leave, but stopped short of confirming it was him in the video.
In the viral clip, the pair are shown on a screen with their arms around each other during the British band’s concert at the Gillette Stadium, in Boston, Massachusetts, on 16 July.
Once both of them realised they were being projected, the man quickly ducked out of view while the woman turned to hide her face from the camera.
Image: Woman hides her face
Appearing to poke fun at the couple, Coldplay lead singer Chris Martin is heard on the clip saying: “Either they’re having an affair or they’re just very shy.”
The awkward encounter sent the internet into a frenzy, with the video gaining millions of views on social media and reports emerging that the two were executives from New York-based tech company Astronomer.
In a previous statement on Friday, the company addressed the viral moment, saying in a post on X that it had launched a “formal investigation” into the matter.
“The Board of Directors has initiated a formal investigation into this matter, and we will have additional details to share very shortly,” it said.