For 30 years Mariah Carey’s All I Want For Christmas Is You has been the soundtrack to Christmas.
Released as part of the singer’s fourth studio album, Merry Christmas – her first festive-themed collection of songs – the track had modest beginnings, peaking at number two in the UK singles chart and number 12 in the US.
But over time, the song seems to have taken on a life of its own.
This year alone, it has topped the Billboard Hot 100 charts for the sixth year in a row, surpassed two billion streams on Spotify, and has reached 16x Platinum – selling more than 16 million units, according to the Recording Industry Association of America.
From the opening chimes of the xylophone to the propulsive beat kicking in at the 50-second mark, what is it about All I Want For Christmas Is You that has kept it a beloved holiday staple for the last three decades?
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Claiming it was the first Christmas song she ever wrote, Carey revealed in a 2019 Amazon documentary that she started writing the hit on a keyboard in her home while the 1946 film It’s A Wonderful Life played in the background.
In a 2023 interview with Good Morning America, Carey said her “goal” was to “do something timeless that didn’t feel like the ’90s,” drawing inspiration from Phil Spector’s 1965 album A Christmas Gift For You.
Walter Afanasieff, the song’s co-writer and co-producer, recalls the creative process slightly differently.
He told Deadline in 2022 that he and Carey wrote the song together in the summer of 1994 at a home the singer was renting.
Image: Carey in December 1994. Pic: Pace/Mediapunch/Shutterstock
“I started playing a boogie-woogie, kind of a rock. Mariah chimed in and started singing ‘I don’t want a lot for Christmas,'” he explained.
Afanasieff credited Carey for the lyrics and melodies while he was responsible for “all of the music and the chords”.
Remarkably, the entire song was completed in just 15 minutes.
Image: Carey performing during her 2024 Christmas Time tour. Pic: Paul R Giunta/Invision/AP
Nate Sloan, music journalist and co-host of the Switched On Pop podcast, believes the track’s success “resides in its sense of timelessness”.
“Though recorded in the 1990s, it has a sound that would be at home in multiple eras of American popular music,” he told Sky News.
“Few songs since the 1960s have been able to penetrate the annual ‘Christmas canon.’ Carey’s opus, with its throwback sound, is a perfect candidate for lasting appeal.”
But it would take more than 20 years for the song to hit number one in the US (2019) and UK (2020), breaking multiple chart records in the process.
What do the numbers say?
All I Want For Christmas Is You has achieved remarkable success. It is ranked as Billboard’s number one holiday song of all time, has spent 16 weeks at the top of the Hot 100 chart – the most for any holiday song – and 62 of its 70 weeks on the Holiday 100 chart were at number one.
In the UK, Carey’s hit reached number one twice – in 2020 and 2022 – but has never officially been the coveted Christmas number one, which goes to the song with the highest sales or streams in the week of 25th December.
In 1994, East 17’s Stay Another Day claimed the title, and in 2020, LadBaby’s charity single Don’t Stop Me Eatin’ beat it despite Carey’s song climbing the charts faster than ever that year.
Azzedine Fall, director of music at streaming app Deezer, suggested that stiff competition in the 1990s delayed Carey’s chart success.
“In the 90s, Carey’s hits like Hero and Emotions were more dominant, making All I Want For Christmas Is You less central. Over time, however, it became her signature song,” he told Sky News.
“It is much easier to find the song now than it was back then. The development of technology has meant the song has become more exposed.”
Data given to Sky News by enterprise software company, Sprinklr, reveals that mentions of the song peak in the last month of the year with more than 1.3 million global mentions in December for the past four years – topping at 675,824 mentions in 2021.
While it loses out to Wham’s Last Christmas in terms of mentions in the media from 2020-2024, Sprinklr data excludes how songs perform on streaming platforms.
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On Spotify, Carey reigns supreme with two billion streams compared to Wham’s 1.7 billion.
It also performs better on Apple Music and Amazon Music, according to Songstats, and has been used in 17.6 million videos on TikTok, as opposed to 443,000 for Last Christmas.
What makes it so popular?
“The song just sounds like the holidays,” Gary Trust, managing director of charts and data operations at Billboard, told Sky News.
“It mixes classic Motown with newer production that still feels fresh. It’s a blend of familiar yet updated – that’s always a good recipe for a hit.”
Mr Trust said the concept of the song, being one about longing and love, also makes it relatable.
“Add in its propulsive beat – every line just seems to roll into the next – and it’s easy to see how the song has become so prominent in pop culture every holiday season,” he said.
Image: Carey launching her Merry Christmas album in 1994. Pic: Startraks/Shutterstock
Comparing the song’s appeal to classics from the 1960s like Bing Crosby’s Winter Wonderland and Brenda Lee’s Rockin’ Around The Christmas Tree, Jane Butler, senior lecturer of popular music at Oxford Brookes University, noted that Carey’s song follows a similar recipe.
“Strong female vocals against slightly orchestral piano backgrounds seems to be quite a good formula,” she said.
She added that the song itself is a “really interesting mixture of making you wait”.
“In the introduction, you know something exciting is going to happen, which is what waiting for Christmas feels like. Then, when the song gets going, it’s like ‘this is very exciting’.”
Image: Carey in 2010 performing at Disney Christmas parade. Pic: Startraks/Shutterstock
Image: And again in 2020 for her Magical Christmas Special for Apple TV+. Pic: Apple TV/Everett/Shutterstock
Music journalist Mr Sloan emphasised that the track’s “retro nostalgia” is a driving force behind its enduring success.
“An angelic choir supporting Mariah, jingling sleigh bells, and an old-school song form – combined with Carey’s stunning, effortless vocal technique – make it an instant classic,” he said.
Could it still be popular in the 2050s?
Fast-forward another 30 years – could All I Want For Christmas Is You be crowned Christmas number one in 2054?
Our experts think it is entirely possible.
Mr Fall said that Carey is so deeply associated with Christmas that the song will outlast her.
“Even way after her death, she will be remembered as the singer of a Christmas anthem,” he said.
“In another 20 to 30 years, maybe even 50, again and again it will all be about Mariah Carey and Christmas.”
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Carey’s savvy marketing strategies have also helped keep the song relevant.
By performing and re-releasing updated versions of the song – including this year’s 30th-anniversary edition – licensing its use in films like the 2003 romcom Love Actually, and even launching her own line of Christmas decorations, Carey has ensured the track’s lasting legacy.
A 2016 Carpool Karaoke performance of the song for James Corden’s Late Late Show, with a host of celebrity faces including Carey, Adele, Lady Gaga and Elton John, meant it was the perfect clip for people to share on social media.
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Pamela Anderson is one of the most recognisable faces in Hollywood.
Ever since she was spotted on the huge jumbotron screen at a baseball game aged 21, her physical traits have been the overriding subject the world has focused on.
Now 57, the actress and modelis claiming back her life, her story and forging a new path in her career.
“I feel so free,” she tells Sky News during a conversation in a London hotel about her latest film The Last Showgirl.
“I write a lot of emotional journals and there’s a lot that you can get out. You can go to therapy, or you can talk to your best friend, but there’s nothing like an art project to express yourself and heal parts of yourself.”
Image: Pamela Anderson in The Last Showgirl. Pic: Picturehouse Entertainment
The Last Showgirl follows a seasoned entertainer who has to plan for her future when her Las Vegas show abruptly ends after a 30-year run.
The role almost slipped from her fingers when her old agent passed on the script.
“I have a new agent now,” she says with a smile.
Image: Pic: Picturehouse Entertainment
It was her son Brandon who served as a catalyst in her career resurgence after stumbling upon the screenplay and showing it to his mother.
“My sons are so protective of me and their goal is just to say: ‘Mom, we just want you to be able to know that you focused on us as kids and we want you to have the opportunity to shine and to reach your potential as an actress’.”
She adds: “I do have a lot to give, so now I just feel so free. I couldn’t have done anything like this when I had kids because my focus was with them. Now that they’re grown and they’re doing well and they’re thriving, that gives me the opportunity to be able to play in this universe.”
The Canadian-American has been the victim of many harsh headlines over the years with her most challenging moments played out in front of the world.
One of the toughest moments, when her sex tape with her ex-husband Tommy Lee was leaked, ended up being made into its own TV series starring Oscar nominee Sebastian Stan and English actress Lily James.
Anderson had no input in the show and repeatedly called for it to be scrapped.
Image: Anderson as CJ Parker in Baywatch. Pic: Fremantle Media/Shutterstock
Anderson says that despite the adversity and misogyny she has faced being in the public eye, she feels ready to take on the spotlight again. This time on her terms.
“It was hard for me decades ago, and now I can look at it as a learning experience. And it was a different time. I think that looking at it through my kids’ eyes was interesting.
“Talking to my adult children about having a mom who was, you know, objectified in some way and how that felt [for them] and how that shaped them and their experience growing up, being teased in school.”
Her sons, Brandon and Dylan, are now both in their late 20s.
Image: A make-up free Anderson dazzles on the BAFTA red carpet
Drawing similarities to her character Shelly in The Last Showgirl, Anderson says the film serves as a reflection of the sacrifices, external expectations and realities connected to being a woman and a mother.
“We’re doing the best we can with the tools that we have and what we’ve seen growing up. And there’s no perfect way to be a parent, there really isn’t – and especially in this industry.
“When I did Playboy, when I was in Baywatch, I wasn’t thinking about how it was affecting my kids. I was thinking about just keeping the lights on and living this exciting life and getting through it myself.
“But, you know, it affects everybody around you – your parents, your friends, your kids – and so to kind of look at it from that way [in The Last Showgirl] and to have empathy for the character of Shelly dealing with that… I had some experience to draw from.”
Image: The Last Showgirl. Pic: Roadside Attractions
The film also stars Jamie Lee Curtis, Brenda Song and Kiernan Shipka as her close friends and co-workers in a fading corner of the Las Vegas strip.
Anderson adds of the film: “I think this can resonate with any working mom. We all carry this guilt and shame and wish we would have done this or that. And we have to be happy, too.”
The Last Showgirl is out in UK cinemas from Friday 28 February.
A man has been found guilty of attempted murder for attacking author Sir Salman Rushdie.
The 77-year-old British-American writer was stabbed multiple timesas he was preparing to give a speech in New York in 2022.
He was blinded in his right eye in the incident, suffered a severely damaged hand, and spent months recovering.
Following a trial in Chautauqua County Court, a jury convicted 27-year-old Hadi Matar of attempting to murder Sir Salman, after less than two hours of deliberations.
He was also found guilty of assault for wounding Henry Reese, who was on stage with Sir Salman at the time.
Matar gave no obvious reaction to the verdict, and quietly muttered “free Palestine” as he was led out of the courtroom in handcuffs.
Image: Hadi Matar was found guilty by a jury after less than two hours of deliberations. Pic: AP
The court heard Matar ran on to the stage at the Chautauqua Institution where the author was about to speak on 12 August 2022, and stabbed him in front of an audience.
The Indian-born writer, who spent most of the 1990s in hiding in the UK after receiving death threats over his 1988 novel The Satanic Verses, was stabbed about 15 times.
Sir Salman was attacked in the head, neck, torso, and left hand. He also suffered damage to his liver and intestines.
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“I was aware of someone wearing black clothes, or dark clothes and a black face mask. I was very struck by his eyes, which were dark and seemed very ferocious to me.
“I thought he was hitting me with his fist but I saw a large quantity of blood pouring onto my clothes.
“He was hitting me repeatedly. Hitting and slashing.”
The writer then said he felt “a sense of great pain and shock,” and added: “It occurred to me that I was dying. That was my predominant thought.”
The court also heard that Mr Reese, the co-founder of Pittsburgh’s City of Asylum, had suffered a gash to his forehead in the attack.
‘Attack was unprovoked’
During closing arguments earlier on Friday, District Attorney Jason Schmidt showed the jury a video of the attack and said: “I want you to look at the unprovoked nature of this attack.
“I want you to look at the targeted nature of the attack. There were a lot of people around that day but there was only one person who was targeted.”
Matar’s defence team argued prosecutors did not prove he intended to kill the writer, with Andrew Brautigan telling the jury: “You will agree something bad happened to Mr Rushdie, but you don’t know what Mr Matar’s conscious objective was.”
Mr Schmidt said that while it was not possible to read Matar’s mind, “it’s foreseeable that if you’re going to stab someone 10 or 15 times about the face and neck, it’s going to result in a fatality”.
The judge set a sentencing date of 23 April, when Matar could be jailed for up to 25 years.
Matar faces a separate, federal indictment from prosecutors in the US attorney’s office in western New York alleging that he attempted to murder Sir Salman as an act of terrorism.
He is also accused of providing material support to the armed group Hezbollah in Lebanon, which the US has designated as a terrorist organisation.
Neighbours has been axed for a second time, just two years after Amazon threw the Australian soap a lifeline.
A statement on the programme’s social media accounts confirmed the final episode of the 40-year series would air in December 2025.
The show follows the lives of the residents of Erinsborough, a fictional suburb of Melbourne, with famous former alumni including Kylie Minogue, Jason Donovan and Margot Robbie.
Executive producer Jason Herbison said: “Audiences all around the world have loved and embraced Neighbours for four decades and we are very proud of the huge success over the last two years including often appearing as one of the Top 10 titles in the UK and the show’s first ever Daytime Emmy nomination for Outstanding Daytime Series in 2024.
“As this chapter closes, we appreciate and thank Amazon MGM Studios for all that they have done for Neighbours – bringing this iconic and much-loved series to new audiences globally.
“We value how much the fans love Neighbours and we believe there are more stories of the residents of Ramsay Street to tell in the future.”
Image: Kylie Minogue and Jason Donovan returned for the first series finale. Photo by Fremantle Media/Shutterstock
It is the second time the show has been cancelled, after it was first axed by Channel 5 in the UK after it failed to secure new funding.
But a few months after what was meant to be its final episode, the series was revivedby streaming giant Amazon Freeve and Freemantle.
The show is available online in the UK and on Channel 10 in Australia.
Channel 10 said on X: “They’ve been our neighbours for almost 40 years, we’re so sad to be saying goodbye. We’d like to thank everyone who has contributed to this remarkable Australian story over the years.”