Martin Clunes says the entertainment industry is “too on-show to carry a dolt”, and the children of successful actors don’t get work just because of who their parents are.
The 63-year-old actor is currently starring in county lines drama Out There opposite Louis Ashbourne Serkis, which sees a single-parent farmer and his teenage son tangle with drug-dealing gangs in Monmouthshire.
Image: Clunes and Louis Ashbourne Serkis. Pic: ITV
Serkis is the son of Lord Of The Rings actor Andy Serkis and Sherwood star Lorraine Ashbourne, and starred in his first TV show, Inspector Morse prequel Endeavour, when he was just 10.
Clunes tells Sky News: “I was involved in [Serkis’s] casting, so it was just like, ‘Oh, this is Andy and Lorraine’s boy. Oh, that’s interesting. If he’s s***, he won’t get the… Sorry, if he’s no good, he won’t get the gig’.
“You’ve got to punch your weight, cos that’s how it works, I think the industry is too on-show to carry a dolt. If someone was awful at it and they just got the gig because of whose child they were, it would really show, and you’d mess your project up.”
The six-part drama is produced by Clunes’s wife Philippa Braithwaite, who also produced long-running ITV comedy-drama Doc Martin in which Clunes also starred.
Clunes goes on: “I think it’s just a point of interest – maybe you get a second look, or somebody is curious, or somebody knows them. But I don’t remember ever having met Andy and Lorraine before doing this [show].”
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Clunes’s own father was golden age star Alec Clunes, who sadly died when Clunes was just eight. His maternal uncle was Sherlock Holmes actor Jeremy Brett, and his grandparents were music hall entertainers.
Image: Alec Clunes (centre) with Julie Andrews (left) and his wife Daphne (right), Martin’s mum, in 1959. Pic: Reuters
‘The Year of the Nepo Baby’
New York Magazine called 2022 “The Year of the Nepo Baby” highlighting the number of famous “actors, singers, directors who just happen to be the children of actors, singers, directors”.
The 25-year-old DJ and entrepreneur asked whether “nepo babies [were] taking the flak for wider inequality in society?” in a piece she wrote for the Radio Times earlier this year.
A nepo baby, short for nepotism baby, is defined by the Merriam-Webster dictionary as “a person who gains success or opportunities through familial connections”.
Serkis too says he thinks there are misconceptions over perceived nepotism in the industry.
Image: A young Louis (2nd left) with his family on the red carpet in 2012. Pic: Reuters
‘It’s a tough industry’
The 20-year-old actor tells Sky News: “If you hear a surname, you always think of an association, but growing up and acting, it’s never really been about that. It’s been about attacking the role that I’ve worked hard to get or that I’ve been lucky enough to audition for.
“I think when a casting director hears [your name], it’s nothing more than a surname. And the way that we look at it is that it can only get you so far because it’s a tough industry. It’s competitive. And roles aren’t just handed out based on who your father is or who your mother is. I think it’s kind of slightly misconceived.”
Serkis calls his working relationship with Clunes “a beautiful partnership”, while Clunes says that through “the shared trauma of the series” the characters get thrown closer together “jumpstarting the father-son thing”.
Image: Clunes with Caroline Catz in Doc Martin. Pic: Rex Features
‘It ain’t Doc Martin’
The ITV drama marks Clunes’s first return to the screen after wrapping Doc Martin in 2022.
When asked if this role is “against type”, the BAFTA-winning actor insists, “I don’t know what my type is”, before conceding, “Certainly it ain’t Doc Martin”.
“Doing one thing for 18 years, you kind of get that watermarked through you a bit,” he adds.
The farming role has parallels with Clunes’s own life, who after moving out of London over a decade ago, lives on a 130-acre farm in Dorset which produces hay and haylage for equestrian use.
He can even drive a tractor and a digger, skills he puts to good use in the first episode of the drama. Serkis, meanwhile, who says he’s “grown up and lived in the city all my life”, got to learn to drive a tractor for the show.
Clunes says: “Farming was there and it was in trouble while we were making this. It’s just got a magnifying glass over it at the moment… It’s been struggling for a long time.”
A man of many talents, Clunes jokes that his CV boasts “sword fighting and lambing”, adding “and I know how to get a dripper into a sheep’s mouth”.
But despite his farming ability, Clunes says he has no aspirations to become a celebrity mouthpiece for the farming community.
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Jeremy Clarkson tells govt to ‘back down’
While fellow celebrity Jeremy Clarkson, who owns Diddly Squat Farm in the Cotswolds, has been vocal on the issue, Clunes has no ambition to get involved.
Asked if he too might join marches, or speak for the cause, Clunes is resolute: “No.”
When pushed, he says: “I have my opinions on it, but I’m not at the forefront of anything.”
While a reality series of Clunes’s Farm isn’t likely any time soon, Out There begins on ITV on Sunday at 9pm.
Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.
The organisation has launched an indicative ballot among about 7,000 members working in film and TV.
Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.
It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.
Image: The Hollywood strikes took place in 2023. File pic: AP
The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.
Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.
Another statutory ballot would have to be made before any industrial action is taken.
“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.
“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”
Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.
The union has no choice but to recommend members support industrial action, he said.
“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.
The hotly anticipated Spotify Wrapped is revealing our top tracks, artists and albums for 2025.
But how does the streaming service calculate personalised summaries of users’ listening habits and rank the UK’s hottest artists?
Here’s a look at how your data is used.
The platform describes the annual statistics as “a chance to look back on your year in sound”.
It says data is captured between January and mid-November on every account, although it mostly excludes anything streamed in private mode. (Don’t worry, your passion for the Spice Girls can be kept secret.)
Wrapped presents personalised listening statistics, which Spotify calls the “real story of your year of listening”, alongside global figures for comparison.
The streaming service says Minutes Listened reflects the actual time spent listening to audio on the platform.
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Once a user streams at least 30 tracks, Spotify generates a list of Your Top Songs. Similarly, Your Top Artists ranks artists based on total minutes listening to a particular performer.
Other metrics identify the top genres users have played, as well as podcasts and audiobooks ranked by total minutes listened. And if you’ve listened to at least 70% of tracks on a record, you’ll see top albums too.
Spotify also creates Your Listening Age, a guesstimate of your age based on the era of the music “you feel most connected to”.
The streaming service says the statistic is calculated using a five-year span of music which users engaged with more than other listeners of a similar age.
Image: Spotify has been summing up 2025’s most listened to tracks. Pic: Spotify
Swift vs Bunny
Pop superstar Taylor Swift has been named the UK’s most-streamed artist on Spotify for the third year in a row.
But she dropped out of the top spot in the global rankings, coming second to Puerto Rican superstar Bad Bunny, who secured more than 19.8 billion streams. Third were The Weeknd, followed by Drake and Billie Eilish.
Bad Bunny’s LP Debi Tirar Mas Fotos was the most listened-to album worldwide.
Spotify revealed Drake was the UK’s second most-listened to artist, followed by Sabrina Carpenter in third, The Weeknd in fourth and Billie Eilish in fifth.
Despite being the most listened-to artist, Swift failed to break into the UK’s top five most listened-to songs and albums of the year.
Alex Warren’s Ordinary was the most-streamed song, and Short ‘N’ Sweet, released by Carpenter last year, the top album.
Israel will be allowed to compete in next year’s Eurovision Song Contest – with several broadcasters saying they will now boycott the event.
Dutch broadcaster AVROTROS, Spain’s RTVE and Ireland’s RTE immediately issued statements saying they will not participate in the 2026 contest following the European Broadcasting Union’s general assembly meeting on Thursday.
Sky News understands Slovenia’s broadcaster will also pull out.
Members were asked to vote in a secret ballot on whether they were happy with new rules announced last month, without going ahead with a vote on participation next year.
In a statement, the EBU said members had shown “clear support for reforms to reinforce trust and protect neutrality”.
Ahead of the assembly, Israel’s public broadcaster KAN said its chief executive Golan Yochpaz and representative to the EBU, Ayala Mizrahi, would present KAN’s position “regarding attempts to disqualify Israel from the competition”.
The rule changes annnounced in November came after Israeli singer Yuval Raphael received the largest number of votes from the public at this year’s contest, held in Basel, Switzerland, in May – ultimately finishing as runner-up to Austria’s entry after the jury votes were counted.
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This breaking news story is being updated and more details will be published shortly.