Singer and actress Marianne Faithfull has died at the age of 78.
A spokesperson for her music promotion company Republic Media said: “It is with deep sadness that we announce the death of the singer, songwriter and actress Marianne Faithfull.
“Marianne passed away peacefully in London today, in the company of her loving family.
“She will be dearly missed.”
Image: Faithfull in 1995. Pic: Reuters
Faithfull was best known for her 1964 hit As Tears Go By, written by Sir Mick Jagger, with whom she had a well-publicised relationship, and fellow Rolling Stones star Keith Richards.
She also starred in films including The Girl On A Motorcycle and 2007’s Irina Palm, for which she was nominated for a European Film Award for Best Actress.
In recent years, she provided voice work for the 2021 remake of Dune and 2023’s Wild Summon.
Image: Faithfull in The Girl On A Motorcycle. Pic: Mid-Atlantic/Ares/Claridge/Kobal/Shutterstock
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She and Sir Mick began seeing each other in 1966 and became one of the most glamorous couples of Swinging London.
He paid tribute to his “wonderful friend and beautiful singer and a great actress”, and said he was “so saddened” by her death, as “she was so much part of my life for so long”.
Next to a picture of the pair arm in arm on Instagram, Sir Mick said Faithfull “will always be remembered”.
His Stones bandmates Ronnie Wood and Keith Richards also paid tribute, with Richards posting on Instagram that he was “so sad and will miss her.”
His post was accompanied by a picture of the pair enjoying a drink together.
Wood wrote on Jagger’s post: “Farewell dear Marianne.”
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Born in 1946, Faithfull started her singing career in 1964 after being discovered by the Stones’ manager Andrew Loog Oldham.
Her self-titled debut album was released a year later, with As Tears Go By reaching number nine on the UK singles chart.
She went on to have a string of successful singles, including Come And Stay With Me, This Little Bird, and Summer Nights, and famously dated Sir Mick from 1966 to 1970.
Faithfull was prolific throughout the 60s, releasing six albums – some only in the UK and some for the US – as well as contributing backing vocals to the Beatles’ Yellow Submarine and inspiring the Stones’ Sympathy For The Devil.
That decade also saw her star in films like 1967’s I’ll Never Forget What’s’isname – where she was one of the first people to say f*** in a mainstream studio film – 1968’s The Girl On A Motorcycle, and Tony Richardson’s 1969 adaptation of Hamlet.
Her affair with Sir Mick was notorious, with the couple being arrested in 1968 for possession of cannabis.
She was also infamously found by police wearing only a bear skin rug when they arrived for a drugs raid at Richards’ home in 1967.
Image: Faithfull and Mick Jagger dated from 1966 to 1970. Pic: Shutterstock
After breaking up with the Stones frontman, Faithfull spent two years homeless in Soho while suffering from anorexia and heroin addiction, before she started living in a squat.
She wrote in her 1994 autobiography: “For me, being a junkie was an admirable life. It was total anonymity, something I hadn’t known since I was 17.
“As a street addict in London, I finally found it. I had no telephone, no address.”
In 1979, following success in Ireland with the country-themed Dreamin’ My Dreams, Faithfull released the Grammy-nominated Broken English – widely considered her best album.
She later achieved critical acclaim as a jazz and blues singer with 1987’s Strange Weather and went to rehab that same decade.
Image: Faithfull performing in Montreux, Switzerland, in 2009. Pic: Jean-Christophe Bott/EPA/Shutterstock
Faithfull released a total of 21 solo albums throughout her career. Her most recent was the spoken word album She Walks In Beauty from 2021, which saw her work with frequent Nick Cave collaborator Warren Ellis.
She made a full recovery from breast cancer in 2006.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.