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A perennial singleton among the smug marrieds, with a passion for Chardonnay, big knickers and emotional f***wits.

Who is Bridget Jones and why is she beloved by so many?

Created by Helen Fielding as an anonymous way to write about being a single girl in London, Bridget first came to life in a weekly column in the Independent.

Fielding didn’t think it would last six weeks. She was very wrong, and Bridget Jones is still alive and kicking nearly three decades later with four novels, four movies and a legion of fans worldwide.

First off, we have to pay homage to Jane Austen. Without Pride And Prejudice, Bridget Jones wouldn’t exist.

The entire plot line of Bridget Jones’s Diary is built around the love triangle of Elizabeth Bennett, the dashing but aloof Mr Darcy and the absolute cad Mr Wickham – but retold in1990s London with Bridget, Mark Darcy and Daniel Cleaver.

As a drinking, smoking, swearing and non-corset-wearing Elizabeth Bennett, Bridget was a big hit. Set loose in the capital in the hedonistic ’90s, there was plenty of fun to be had, and plenty to poke fun at.

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Created pre-social media, we can only imagine a world in which Bridget was documenting her weight and alcohol units on TikTok instead of in her diary…

Renee Zellweger and Hugh Grant in Bridget Jones's Diary. Pic: Moviestore/Shutterstock
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Pic: Moviestore/Shutterstock

The first movie

There was a media meltdown when American actress Renee Zellweger was cast as Bridget Jones, and the fact she put on 25lbs for the role was front-page news for months. It’s fair to say the obsession with Zellweger’s weight has pretty much continued to this day.

With life imitating art, while Bridget religiously notes her weight every day in her diary, the world became obsessed with Zellweger’s own size – very much proving the point that her character’s obsessive relationship with the scales reflected society’s obsession with female appearance.

Of course, we don’t know how tall Bridget is, so despite knowing her daily calorie intake and weight to the pound, we have no idea how big or small she actually is, just her own perception of her size.

Meanwhile, qualms over how convincing Zellweger would be at pulling off a British accent were quickly quashed when she nailed it, with the help of the same voice coach who worked with Gwyneth Paltrow on Shakespeare In Love. It’s faultless.

Pic: Rex Features
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Pic: Rex Features

Brat Bridget and feminist Marmite

Bridget was Brat long before Brat was a thing. Smoking like a chimney, with a questionable dress sense and sporting hair that – unlike pretty much 99% of films – looks messy and real, Bridget was relatable and became an instant icon to many women – particularly those over 35 – who felt largely ignored by society.

However, the character was feminist Marmite – while some loved Bridget, others hated her and everything she stood for.

Some felt her obsession with her appearance and finding a man flew in the face of what it meant to be an independent woman – and everything the first waves of the feminist movement had fought for.

Others thought that for a generation that had been told they could have it all, Bridget’s battles to try to achieve all that society told her she should, were a valiant attempt to triumph in an impossible situation.

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'BRIDGET JONES'S DIARY' - 2001 Renee Zellweger, Hugh Grant,

29 May 2003
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Pic: Rex Features

Principled, honest and unwaveringly kind – while Bridget may not have been perfect, in an era of heroin chic, lad mags and outrageously unrealistic beauty standards, there were plenty less wholesome role models for young women to aspire to.

Pre-MeToo world

The first books and films came to life in a pre-MeToo world and boy do you know it – there’s lots of bum-pinching, and inappropriate comments in the office and beyond. Mr Tits Pervert was not an anomaly.

Helen Fielding has since said she was shocked when rewatching to note the amount of inappropriate behaviour Bridget has to put up with.

Each film has a structure running from the end of one year, through Christmas and New Year, and looking ahead to a new start.

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Why is Bridget Jones so popular?

Nostalgic soundtracks are a staple, with lip-synced favourites a mainstay of every film. If you’ve never cried into your wine glass while singing All By Myself, you’ve never lived.

The films also have a largely returning cast – who like Bridget have been in our lives for years. Watching them grow up from movie to movie – as we do too – is part of the joy.

We also get to look forward to a ‘Mr Darcy in the lake moment’ in every film – be it in a river, an aqua aerobic pre-natal class or a pond, with the latest re-enactment courtesy of a half-naked Leo Woodall – who incidentally was born in the year the first novel was published.

The fight scenes in the first two films have also become something of a cultural touchstone, largely thanks to the fact that middle-aged men ineffectually kicking each other while hopping around is rarely portrayed on the silver screen.

Pic: Rex Features
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Pic: Rex Features

The second film

Bridget Jones: The Edge Of Reason sees Bridget continue her unbelievably lucky streak when it comes to jobs. While she started out as a PR in a publishing house (most notably promoting the highbrow read Kafka’s Motorbike) she then stumbled into TV production, which quickly and inexplicably segued into becoming a TV presenter.

In this movie she lands the dream role of a travel presenter, despite a complete lack of geographical knowledge, and it provides the basis of the plot which revolves around getting stranded in Thailand after accidentally smuggling drugs.

We can’t ignore some issues around this one, not least scenes in a Thai jail in which Bridget sings some Madonna and then hands out bras and chocolate before being freed by Mark Darcy. The movie faced criticism for perpetuating “white saviour” stereotypes, and is not Bridget’s finest moment.

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Unexpected cameos punctuate the first three movies – from Salman Rushdie and Jeremy Paxman, to Paul Nicholls (aka Joe Wicks from EastEnders – a massive heartthrob at the time), to Ed Sheeran.

Pic: Rex Features
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Pic: Rex Features

The third film

Bridget Jones meets Three Men And A Baby in the third movie Bridget Jones’s Baby, with the novel actually following the film rather than vice versa. It was based on articles written by Fielding in 2005.

Spoiler alert – Hugh Grant wasn’t up for this one. Luckily, Patrick Dempsey – the man who played Dr McDreamy in Grey’s Anatomy – stepped in. It good-naturedly cracks through the challenges of having a baby as a geriatric, single-working mum and somehow picking the right guy at the end of it all. Bridget gets her fairytale wedding, her man and of course becomes a mum.

While the first couple of films contained more smoking than would be believed, this one saw the franchise ditch the habit, a reflection both of Bridget’s new responsibilities and the changing fashions of the time.

While Grant sat this one out, there was hope for fans that he would return thanks to a cheeky front-page splash at the end of the film declaring him alive and well a year after he was presumed dead following a plane crash (in the bush).

Renee Zellweger and Leo Woodall in Bridget Jones: Mad About the Boy. Pic: Universal Pictures
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Pic: Universal Pictures

The fourth film

It’s not quite a full-on reunion for the fourth film – but almost. Bridget’s life has taken some unexpected turns, and while Daniel Cleaver may have risen from the dead, there is a new and much bigger hole in her life.

You will need to take tissues into this one, unless you have a heart of stone.

While past casts have been notable for their lack of diversity, this one also looks a bit more like the multicultural capital Bridget lives in.

Bridget now has a shelf full of diaries and rye observances include a takedown of the dismissal of “women of a certain age”, a lip-filler-esque fail that pokes fun at attempts to cheat age and the baffling modern phenomenon of buttonless lifts.

Pic: Rex Features
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Pic: Rex Features

The end of an era?

Is this the end for Bridget? For now. The exploration of her life from her early 30s to her mid-50s has seen her find love, forge a career and have a family. But it’s not out of the question we could venture into the next stages of her life at some point.

Helen Fielding is still writing books, just not about Bridget. With a new legion of Gen Z fans now introduced to – and loving – Bridget, never say never.

And while Bridget may have found her happy ever after – all fans of the books will know It is a truth universally acknowledged that when one part of your life starts going okay, another falls spectacularly to pieces. So, watch this space.

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Ochuko Ojiri: Bargain Hunt expert charged as part of police investigation into terrorist financing

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Ochuko Ojiri: Bargain Hunt expert charged as part of police investigation into terrorist financing

An antiques expert from the TV show Bargain Hunt has been charged by police following an investigation into terrorist financing.

Oghenochuko ‘Ochuko’ Ojiri, 53, is accused of eight counts of “failing to make a disclosure during the course of business within the regulated sector”, the Met Police said.

The force said he was the first person to be charged with that specific offence under the Terrorism Act 2000.

Mr Ojiri, from west London, is due to appear at Westminster Magistrates’ Court on Friday.

It comes “following an investigation into terrorist financing” and relates to the period from October 2020 to December 2021, a police spokesperson said.

They added that the probe had been carried out in partnership with Treasury officials, HMRC and the Met’s Arts & Antiques Unit.

Mr Ojiri, who police described as an “art dealer”, has been on Bargain Hunt since 2019.

He has also appeared on the BBC‘s Antiques Road Trip programme.

In a statement, the BBC said: “It would not be appropriate to comment on ongoing legal proceedings.”

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Man accused of harassing Jennifer Aniston for two years before crashing car through gates of her home

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Man accused of harassing Jennifer Aniston for two years before crashing car through gates of her home

A man has been charged after allegedly harassing Hollywood actress Jennifer Aniston for two years before crashing his car through the front gate of her home, prosecutors have said.

Jimmy Wayne Carwyle, of New Albany, Mississippi, is accused of having repeatedly sent the Friends star unwanted voicemail, email and social media messages since 2023.

The 48-year-old is then alleged to have crashed his grey Chrysler PT Cruiser through the front gate of Aniston’s home in the wealthy Bel Air neighbourhood of Los Angeles early on Monday afternoon.

Prosecutors said the collision caused major damage.

Police have said Aniston was at home at the time.

A security guard stopped Carwyle on her driveway before police arrived and arrested him.

There were no reports of anyone being injured.

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Carwyle has been charged with felony stalking and vandalism, prosecutors said on Thursday.

He also faces an aggravating circumstance of the threat of great bodily harm, Los Angeles County district attorney Nathan Hochman said.

Carwyle, who has been held in jail since his arrest on Monday, is set to appear in court on Thursday.

His bail has been set at $150,000 dollars (£112,742).

He is facing up to three years in prison if he is convicted as charged.

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“My office is committed to aggressively prosecuting those who stalk and terrorise others, ensuring they are held accountable,” Mr Hochman said in a statement.

Aniston bought her mid-century mansion in Bel Air on a 3.4-acre site for about 21 million dollars (£15.78m) in 2012, according to reporting by Architectural Digest.

She became one of the biggest stars on television in her 10 years on NBC’s Friends.

Aniston won an Emmy Award for best lead actress in a comedy for the role, and she has been nominated for nine more.

She has appeared in several Hollywood films and currently stars in The Morning Show on Apple TV+.

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Giles Martin on AI plans: ‘It’s like saying you can burgle my house unless I ask you not to’

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Giles Martin on AI plans: 'It's like saying you can burgle my house unless I ask you not to'

Producer Giles Martin has said plans to allow AI firms to use artists’ work without permission, unless creators opt out, is like criminals being given free rein to burgle houses unless they are specifically told not to.

Martin, who is the son of Beatles producer George Martin and worked with Sir Paul McCartney on the Get Back documentary series and the 2023 Beatles track Now And Then, spoke to Sky News at a UK Music protest at Westminster coinciding with a parliamentary debate on the issue.

Under the plans, an exemption to copyright would be created for training artificial intelligence (AI), so tech firms would not need a licence to use copyrighted material – rather, creators would need to opt out to prevent their work from being used.

Creatives say if anything it should be opt-in rather than out, and are calling on the government to scrap the proposals and stop AI developers “stealing” their work “without payment or permission”.

Giles Martin at the 2025 Grammy Awards. Pic: Jordan Strauss/Invision/AP
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Giles Martin at the 2025 Grammy Awards. Pic: Jordan Strauss/Invision/AP

“If you create something unique it should be unique to you,” says Martin. “It shouldn’t be able to be harvested and then used by other people. Or if it is, it should be with your permission… it shouldn’t be up to governments or big tech.”

Sir Elton John and Simon Cowell are among the celebrities who have backed a campaign opposing the proposals, and Sir Paul has also spoken out against them.

“This is about young artists,” says Martin. “If a young Paul McCartney at the age of 20 or 22 wrote Yesterday, now… big tech would almost be able to harvest that song and use it for their own means. It doesn’t make any sense, this ruling of opting out – where essentially it’s like saying, ‘you can burgle my house unless I ask you not to’.”

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‘I’m not anti-AI – it’s a question of permission’

The Beatles’ track Now And Then was written and recorded by John Lennon in New York in the late 1970s, and AI was used to extract his vocals for the 2023 release. The Get Back documentary also used audio restoration technology, allowing music and vocals to be isolated.

The Beatles have released a music video to accompany the last “new” Beatles song.
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AI was used to release The Beatles’ track Now And Then in 2023. Pic: Apple Corps Ltd

“I’m not anti [AI], I’m not saying we should go back to writing on scribes,” Martin said. “But I do think that it’s a question of artist’s permission.”

Using AI to “excavate” Lennon’s voice was with the permission of the late singer’s estate, he said, and is “different from me getting a 3D printer to make a John Lennon”.

He added: “The idea of, for example, whoever your favourite artist is – the future is, you get home from work and they’ll sing you a song, especially designed for you, by that artist, by that voice. And it’ll make you feel better because AI will know how you’re feeling at that time. That’s maybe a reality. Whoever that artist is, they should probably have a say in that voice.”

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Crispin Hunt, of 1990s band The Longpigs, who also attended the protest, said “all technology needs some kind of oversight”.

“If you remove the ability for the world to make a living out of creativity, or if you devalue creativity to such an extent that that it becomes a hobby and worthless to do, then humanity in life will be far less rich because it’s art and culture that makes life richer,” he said. “And that’s why the companies want it for free.”

The Data (Use and Access) Bill primarily covers data-sharing agreements, but transparency safeguards were removed at committee stage.

Critics say changes need to be made to ensure that companies training generative AI models disclose whether work by a human creator has been used and protect creatives under existing copyright rules.

In February, more than 1,000 artists and musicians including Kate Bush, Damon Albarn, Sam Fender and Annie Lennox released a silent album in protest at the proposed changes.

At that time, a government spokesperson said the UK’s current rules were “holding back the creative industries, media and AI sector from realising their full potential – and that cannot continue”.

The spokesperson said they were consulting on proposals that better protect the “interests of both AI developers and right holders” and to deliver a solution “which allows both to thrive”.

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