Emilia Perez was a BAFTAs and Oscars frontrunner – where did it all go wrong?

Published

6 months ago

February 13, 2025

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At the start of awards season, Emilia Perez looked like it could come away as one of this year’s big success stories.

First there was a slew of gongs at the Golden Globes, including best comedy or musical film, and then came the Oscar nominations – it leads the race with 13 nods, and broke the record to become the most nominated non-English language film in the history of the awards.

At the BAFTAs this weekend, it is shortlisted for 11 prizes; just pipped by papal thriller Conclave, which has 12. And star Karla Sofia Gascon has made history as a trans woman nominated for best actress at both ceremonies.

Set in Mexico but mostly filmed in France, Emilia Perez is an operatic Spanish-language musical which tells the story of a Mexican drug lord who undergoes gender affirmation surgery. In May last year, it won the Cannes Film Festival jury prize, setting it on its trajectory to 2025 awards season success.

The film’s acknowledgement seemingly reflected the more progressive attitudes of voters in recent years – but as its profile rose, so did the scrutiny.

US LGBTQ+ advocacy and cultural change group GLAAD has described Emilia Perez as a “step backward for trans representation”, and highlighted reviews by transgender critics who “understand how inauthentic portrayals of trans people are offensive and even dangerous”.

The film has also come under fire for stereotypical depictions of Mexico and an apparent minimal inclusion of Mexican people among the main cast and crew. Of its main stars, Gascon is Spanish, US actress Zoe Saldana is of Dominican Republic and Puerto Rican descent, and Selena Gomez is American, though her father was of Mexican descent. Adriana Paz is Mexican.

In a post on X in January viewed more than 2.7m times, Mexican screenwriter Héctor Guillén shared a mock-up poster saying: “Mexico hates Emilia Pérez/ Racist Euro Centrist Mockery/ Almost 500K dead and France decides to do a musical/ No Mexicans in their cast or crew.”

While stories about “narco” crime in Latin America have long been depicted on screen, Emilia Perez has been particularly criticised for its handling of the subject. Since 2006, a bloody war between Mexican authorities and the drug cartels has raged, claiming the lives of more than 400,000 people, according to government data. More than 100,000 have gone missing.

Offensive? Or a ‘crazy marvel’?

General audiences appear to have made their thoughts clear. On film database site IMDB, Emilia Perez gets 5.5 out of 10, while its nine competitors in the running for best picture at the Oscars rate between 7.3, for The Substance, and 8.8 for I’m Still Here.

On review site Rotten Tomatoes, Emilia Perez gets a 72% from critics, but just 17% from audiences; again, the rest of its Oscars competitors range from Wicked’s 88% critics’ score to I’m Still Here’s 96%, or Nickel Boy’s 65% audience score to I’m Still Here’s 99%. The two takeways? The gap is clear whichever way you look at it; watch I’m Still Here.

That’s not to say Emilia Perez does not have its supporters. Speaking after a screening in October, Oscar-winning Mexican filmmaker Guillermo del Toro said it was “so beautiful to see a movie that is cinema“, and hailed director Jacques Audiard as “one of the most amazing filmmakers alive”.

A review in US entertainment outlet Deadline in May during Cannes last year was headlined, “Jacques Audiard’s musical is crazy, but also a marvel”, with the writer saying the “sparkle never outshines the essential seriousness of the subject”. In Variety, another US entertainment publication, the headline praised Gascon’s electrifying performance.

Paz, who shared the Cannes best actress prize with her co-stars last year, has questioned the criticism about the film being “offensive” to Mexico, saying: “I really want to know why, because I didn’t feel that way.”

Carlos Aguilar, a film critic originally from Mexico City who writes for the Roger Ebert film website, was generally positive in his review, giving the film three out of four stars.

However, he highlights that Emilia Perez is “not a Mexican film” and notes “Mexican audiences have grown accustomed to American perspectives exploiting narco-related afflictions for narratives unconcerned with addressing its root causes”.

Questioning intentions behind these productions is valid, he says, “but to decry Audiard for partaking in the common filmmaking practice of telling stories away from what’s immediately familiar to him would seem an overly simplistic assessment”.

Karla Sofia Gascon’s resurfaced tweets

But the criticism from some trans people and some Mexicans is not a good look for a supposedly progressive film about a trans woman in Mexico. All publicity is good publicity does not apply here.

A lot of this criticism, though, had been made before the Oscar and BAFTA nominations. Emilia Perez was still riding high at that point.

The nail in the coffin came after those nominations were announced, when offensive tweets posted by Gascon were unearthed. They were old, but not that old; the first dated back to 2016, but some were more recent.

In the since-deleted posts, Gascon took aim at Muslims’ dress, language and culture in her native Spain and suggested Islam should be banned.

And less than a month after the killing of George Floyd by a white police officer in 2020, which prompted a global reckoning about police brutality and racism, Gascon called Floyd a drug addict who “very few people ever cared” for.

Writer Sarah Hagi, who screenshotted the posts and shared them, wrote: “This is all from the star of a movie that is campaigning on its progressive values, you really gotta laugh.

Gascon, who was a regular in Mexican telenovelas before transitioning in 2018, issued an apology after the posts emerged, saying that “as someone in a marginalised community, I know this suffering all too well and I am deeply sorry to those I have caused pain”.

She added: “All my life I have fought for a better world. I believe light will always triumph over darkness.”

‘This is an opera, not a criticism of Mexico’

At the London Critics’ Circle Awards earlier this month, Gascon’s co-star Saldana called for people to be “abstract with your idea of redemption” and to keep “minds and your hearts open, always”.

But it looks like the damage has been done. While Saldana is still favourite to win best supporting actress at both the BAFTAs and the Oscars, and the film may win gongs for its music and maybe technical accolades, it seems the momentum for taking home any bigger prizes has gone.

As the backlash intensified, Audiard gave an interview to Deadline last week. He said he had not been in touch with Gascon and that he was “very sad” to see the issue “taking up all the space” around the film. What she said in her tweets was “inexcusable”, he added.

The filmmaker also addressed criticism about representation of cartels and drug crime, saying: “Opera has psychological limitations. It seems I’m being attacked in the court of realism.”

Audiard said he never claimed to have made a “realistic” work or a documentary. “For example, I read a review where it said that night markets in Mexico City don’t have photocopiers. Well, in night markets in Mexico City, one also doesn’t sing and dance. You have to accept that is part of the magic here. This is an opera, not a criticism of anything about Mexico.”

Finally, asked if he had any regrets or if there was anything he would do differently, he said the one regret was that the film was not made in Mexico. “And the simple reason for that is that the film funding, the public funding for film in Mexico was not as good for us as what was available to us in France”.

Emilia Perez now heads to the BAFTAs and Oscars embroiled in controversy. But it is not the first. Remember British star Angela Riseborough’s nomination in 2023? Some, like Green Book in 2019, weathered it out to win. And Will Smith won his Oscar just moments after slapgate in 2022.

We’ll see at the BAFTAs on Sunday and at the Oscars next month, how forgiving voters will be about Emilia Perez.

Entertainment

Strictly Come Dancing: BBC responds as two TV stars accused of taking cocaine

Published

18 hours ago

August 3, 2025

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Strictly Come Dancing: BBC responds as two TV stars accused of taking cocaine

The BBC has responded after it was reported that two Strictly Come Dancing stars have been accused of taking cocaine.

The broadcaster is said to have hired an external law firm to probe the drug-taking allegations, which a source said were “well-known” on the show, The Sun on Sunday reports.

The claims were reportedly made on behalf of celebrity contestant Wynne Evans in a legal submission to the BBC in March.

In response, a BBC spokesperson told Sky News: “We have clear protocols and policies in place for dealing with any serious complaint raised with us. We would always encourage people to speak to us if they have concerns.

“It would not be appropriate for us to comment further.”

Sky News understands that it is not unusual for the BBC to engage an external individual to provide additional expert resource to help deliver a BBC-led investigation. In these cases, they would report to an established BBC team.

The allegations published in The Sun on Sunday include a source saying that one Strictly star had told another about a third celebrity on the show: “Have you seen their pupils… they’re off their face.”

“The BBC have known about these allegations for some time, and acknowledged receiving them. Now they are taking firm action,” the source reportedly said.

The two individuals accused of drug taking have not been named.

It is the latest crisis to hit the BBC and Strictly.

In July last year, Amanda Abbington accused Strictly dancer Giovanni Pernice of “abusive or threatening behaviour”. The actress, who was paired with Pernice, withdrew from the show in 2023.

The BBC upheld “some, but not all” of the allegations, with Abbington describing an apology from the corporation as a “vindication”, while Pernice denied displaying “abusive or threatening behaviour”.

Also in July 2024, Strictly professional dancer, Graziano Di Prima confirmed he was leaving the show amid reports of alleged misconduct.

Separately, Laura Whitmore alleged “inappropriate behaviour” during her time on the show.

In January this year, Welsh opera singer Wynne Evans made “inappropriate and unacceptable” comments at the Strictly Come Dancing live tour launch, for which he later apologised.

Entertainment

Jewish comedian says shows cancelled as Gaza in the spotlight at Edinburgh Fringe

Published

2 days ago

August 1, 2025

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Jewish comedian says shows cancelled as Gaza in the spotlight at Edinburgh Fringe

The Edinburgh Fringe, the world’s largest arts festival, is getting under way, and the conflict in Gaza seems to be feeding into what’s happening.

From shows cancelled to artists divided, it’s no joke.

Rachel Creeger has had a distressing start to her stand-up run.

Two weeks ago, out of the blue, she says the venue Whistle Binkies rang her and fellow Jewish comedian Philip Simon to cancel their slots.

She told Sky News it’s come down to “what we bring to that venue by being ourselves”.

The pair were allegedly given three reasons for the cancellation.

One was linked to a “vigil for IDF soldiers” that she says the venue initially claimed had been held during her performance last year but, according to Creeger, later had to admit hadn’t taken place.

“That never happened,” she insists.

Rachel says she was told her previous performances there had resulted in the venue having to pay for graffiti to be removed from toilet doors every three days.

“Again, we didn’t see evidence of that at all,” she says.

“We’re not the ones writing it… but if it was bothering them and they worried it was bothering us, then maybe we’d have volunteered to help them – or to help clean it.”

She claims she was also told the venue was responding to staff concerns about their own safety should Creeger’s show go ahead.

“It’s a pub in Edinburgh, it’s a music venue, they themselves have bouncers most evenings… And perhaps they might say if there’s a concern about extra risk, we should do all we can to make our performers safe.”

‘More unites us than divides us’

Creeger says her show is in no way political.

“It’s based around the idea that a Jewish mother can answer any question, solve any problem… I will make it better for you, the audience gets to write a question and put it into a chicken soup pot… The reason I kind of love it is because by the end of it people leave feeling actually more unites us than divides us.

“We’re not the people making the trouble,” she adds.

“I’ve certainly never started a protest, I’ve never done graffiti, I’ve never caused harm anywhere; my show doesn’t do that, my show is lovely.”

As Britain’s only touring comedian who is also a practising Orthodox Jew, she says since the 7 October attack she and other Jewish comedians are experiencing a significant increase in antisemitism while performing.

“We’re not Israeli, we’re British Jews,” says Creeger.

“The situation there is horrendous and distressing and painful for people of any number of religions and races… To be kind of scapegoated with dog whistles around that is clearly very, very unpleasant.”

The Fringe Society has said its role is to provide support and advice to all participants at the festival “with a vision to give anyone a stage and everyone a seat”.

A spokesperson explained they don’t manage or programme venues and “we understand that the show cancellations have been a choice made by the venue”.

Whistle Binkies hasn’t responded to multiple requests for comment.

Police Scotland told Sky News it hasn’t “received any reports of concern” about Creeger’s show.

There are, of course, huge sensitivities when it comes to discussing what’s going on in the world right now.

American stand-up Zainab Johnson is making her Fringe debut this year.

While her show Toxically Optimistic is all about putting a positive spin on life’s challenges, she doesn’t shy away from tackling the serious stuff if it comes up.

‘Shows becoming serious is a part of life’

“If I’m doing a show and somebody wants to yell out Free Palestine, well let’s talk about it,” she tells Sky News.

“I am the comedian where, if the show has to become serious, it becomes serious. That’s a part of life, you know?”

Johnson adds: “I’m from the United States and they talk about free speech all the time, but then you find out free speech ain’t really free because the moment you say something that is contrary to what the majority feels or wants to be heard, then you can be penalised…

“But isn’t that the beauty of this festival? So many people just telling their story, whatever their story is.”

Comedian Andy Parsons has had a long-standing career in satire, appearing regularly on shows like BBC2’s Mock the Week.

While he has the likes of Elon Musk and Nigel Farage in his sights for his stand-up show, Please #@!$ Off to Mars, they’re not his only focus.

He says stand-ups “should be able to talk about anything and find a way to get that to work, including Israel and Gaza”.

He explains jokingly: “I’ve got some stuff about Israel in the show and obviously it can work both ways. It can give you some publicity and obviously it can get you cancelled.”

Irish-Palestinian comedian Sami Abu Wardeh – a clown comic – is the only Palestinian doing a full run of a comedy show at this year’s Fringe. 

“My show is clowning, it’s storytelling, it’s even got a bit of stand-up and it’s heavily inspired by the comedian Dave Allen, who is one of my comedy heroes,” says Wardeh.

“It felt really important that I come and just exist in this space, as a Palestinian, and speak my words and have my voice heard. 

“I’ve used all of these skills to make a show that is about really what’s going on in this country and in the world at the moment.

“I think most people in this country are going to recognise that Britain is in a very dark place… and I’m hoping to reach those people and to give a voice to the dissatisfaction.”

‘Plans in place’ for disruption

He’s had to consider the possibility of protests and take steps to “make sure that the audience and myself are safe and secure”.

“We have plans in place to know how to deal with people who are disruptive,” he says. “And particularly anybody who wants to bring any kind of bigoted views into the room.”

As one of the very few Palestinians at the festival, Wardeh says it is “not only my duty” but “an honour to be here and to represent my people”.

He also feels it’s wrong that Rachel Creeger has had her venue cancelled.

“I sincerely support free speech and I think everyone should be able to get on the stage and say what they want, within reason obviously,” says Wardeh.

Rachel says she hopes to confirm a new venue for her show on social media in the coming days.

“We’ve thankfully had a number of venues approach us to say that they have space available, so I’m hopeful that I’ll get – if not a full – then at least part of the run for the show.”

Since arriving in Edinburgh she’s been overwhelmed by how many hugs of support she’s received.

“To have super high-profile comedians put their heads above the parapet to say ‘this is wrong’, it means so much…In a way the story is that someone’s done something very hurtful… But look at all the love, that’s amazing.”

Sami Abu Wardeh’s Palestine: Peace de Resistance is at the Pleasance Dome in Edinburgh until 24 August
Andy Parsons’ Please #@!$ Off to Mars is at Pleasance Courtyard’s Cabaret Bar until 10 August
Zainab Johnson: Toxically Optimistic is at Pleasance Courtyard until 24 August

Entertainment

Flintoff praises NHS staff who treated him after crash, as doctor says his injuries were ‘among most complex’ he’s ever seen

Published

3 days ago

August 1, 2025

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Flintoff praises NHS staff who treated him after crash, as doctor says his injuries were 'among most complex' he's ever seen

Andrew Flintoff has praised the “love and compassion” of “superhero” staff in a visit to the hospital that treated him after his crash.

The cricket legend was seriously injured during the incident on the Top Gear track in Surrey in December 2022.

He was airlifted to St George’s in Tooting, with a surgeon calling Flintoff’s injuries some of the most complex he’s seen.

“I just want to say a massive thank you to all the staff at St George’s,” Flintoff said, as he returned to the London hospital.

“I came here probably the lowest I’ve ever been, in need of help and the expertise, the love, the compassion they showed me was incredible.

“I’ll be eternally grateful – absolute superheroes.”

Jahrad Haq, a maxillofacial surgeon, said he knew immediately the case was something out of the ordinary.

“I was on call that day and received a phone call from the emergency department consultant,” said Mr Haq.

“A lot of injuries are managed at a more junior level before escalating, so I knew this one was serious.

“Of all the trauma cases I’ve seen in over 20 years, this was among the most complex.”

Flintoff was also pictured on his visit meeting lead dental nurse Linda Holden and principal orthodontic nurse Sonia Steer.

Shamim Umarji, who also treated the 47-year-old, said it was “wonderful to see Freddie again and his visit gave staff a real boost”.

“He spent a lot of time chatting to everyone and it meant a lot,” added the trauma and orthopaedic surgeon.

Flintoff previously described how he thought he had died in the accident – which saw him “pulled face-down on the runway” for about 50m under a three-wheel car.

The incident led to the BBC pulling the plug on Top Gear and it remains unclear if it will ever return.