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A “verbally incontinent spinster, who smokes like a chimney, drinks like a fish and dresses like her mother” – not an auspicious introduction to Bridget Rose Jones, but accurate.

On paper, it doesn’t sound like the dream role, but Renée Zellweger disagrees, telling Sky News: “It’s the best job in the world to step into her shoes for a while”.

Bridget Jones - new era, new pants. Pic: Universal Pictures
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New pants, same old Bridget. Pic: Universal Pictures

Three decades after the character came to life on the page, and following a trio of earlier films, Zellweger has returned to “this just endearing character” for a fourth movie, Mad About The Boy.

With returning characters including Hugh Grant, Colin Firth and Emma Thompson, new relationships are also introduced, with Leo Woodall and Chiwetel Ejiofor joining the cast.

Zellweger goes on: “I love her. I love her humour. I love her vulnerability. I love her imperfection. I love the opportunity to play out her miscalculating a plan and it maybe, surprising her in her execution. I love all of it.”

The first film earned Zellweger an Oscar nod for her portrayal of Bridget, and the character’s name has gone into the lexicon.

Mad About The Boy director Michael Morris – the first male director to step into the franchise – told Sky News: “When you see Bridget, you realize how many, how few characters there are in film that are just unapologetically human. It’s weird. There should be more…

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“She looks the way she looks when she gets up. She’s late for school. She drops things when she shouldn’t drop them. She makes the wrong speech when she needs to give the right speech. And all of those things make you just fall in love with her.”

Read more: Bridget Jones: A heroine of our time or an absolute disgrace?

Director Michael Morris chats to Zellweger on set. Pic: Universal Pictures
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Director Michael Morris chats to Zellweger on set. Pic: Universal Pictures

After years of soul-searching, her creator, Helen Fielding, has decided the key to Bridget’s appeal lies in her revealing “the gap between how you feel you are supposed to be and how you really are inside.”

Fielding’s anonymous columns for The Independent, first published in 1995, were a word-of-mouth hit. The four subsequent books were bestsellers.

Produced by Working Title – the production company behind British hits including Four Weddings And A Funeral, Love Actually and Notting Hill – the first film took more than $280m (£225m) worldwide.

Studio bosses will be hoping Mad About The Boy will work a similar magic, and with ticket pre-sales proving bigger than Barbie, it’s looking promising.

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Digging down into Bridget’s enduring appeal, Angela McRobbie, Professor of Cultural Studies at Goldsmiths University of London, told Sky News the character’s timely merging of political and popular culture sent out a positive message to young women in the 90s and early 2000s.

“The figure of Bridget Jones, both in writing and then in film represented a new kind of young woman who had been to university, who knew her Jane Austen, and who knew a little bit about feminism.

“There was a sense in which the knowledge of feminism haunted the Bridget Jones phenomena, but in a way that she wanted to discard it and put it in the past.

“She wanted to be feminine. She wanted to be sexy. She wanted to [wear a] Playboy bunny outfit. And in her dream landscape, she imagined a white wedding with lots of kids in the Home Counties. There was a sense in which what the column and then the film did was offered a kind of release from the burden of being feminist”.

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'BRIDGET JONES'S DIARY' - 2001 Renee Zellweger, Hugh Grant,

29 May 2003
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Pic: Rex Features

She says Bridget wearing a see-through shirt and miniskirt into the office was her way of saying: “We have to live with sexual inequality, it’s not such a bad thing. I want to be a real girl. I want to enjoy my sexuality if it gets me the attention I want from the boss”.

McRobbie goes on: “In some ways, you could say she was legitimising a kind of sexual inequality in the workplace, but in a fun, light-hearted way.”

Emotional intelligence coach and Bridget Jones fan Miriam Bross told Sky News she can see why Bridget has been described as “feminist Marmite”.

Pic: Rex Features
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Pic: Rex Features

“I think one of the reasons why people react strongly to her is because she was turned into an icon. She was supposed to be the woman of the 90s…

“That’s when you get this polarisation where you feel like you have to either be in favour of Bridget or not. But actually, she’s such a complex character that there’s something for everybody.

“She was this single woman who had fun. Yes, she ends up with a man in the end. But that isn’t the main part. The main part is that she is successful. Even though she makes mistakes, she is a normal weight and is still chased by men.

“Why Bridget still lives on is because she gave people the main message – be yourself and you’re going to be okay.”

(L-R) Chiwetel Ejiofor and Zellweger. Pic: Universal Pictures
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Actor Chiwetel Ejiofor joins the cast. Pic: Universal Pictures

Bross also says that Bridget helped prove that a film focused on the female experience could be as successful as a male-led movie.

“In the 80s, rom coms were all about neurotic men finding love… The female leads in them had very little to say.”

A case in point is Julia Roberts’s actress heroine in Notting Hill – as Bross says – “her silence is so normalised that Ronan Keating wrote the song When You Say Nothing At All celebrating her silence”.

But then in comes Bridget: “She talks. She has voiceovers. We see her thoughts. It’s about her. It’s not just about her and love, it’s about her in her job, we see her working. We see her making mistakes. We see her.”

Bross goes on: “Who doesn’t like to see themselves represented on film? Representation matters very much. And here was this flawed woman who got the guy in the end.”

Renee Zellweger and Leo Woodall in Bridget Jones: Mad About the Boy. Pic: Universal Pictures
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Zellweger and Leo Woodall in Bridget Jones: Mad About the Boy. Pic: Universal Pictures

Both McRobbie and Bross say they will be watching Mad About The Boy.

But is it the same old Bridget we’ll see in the new film? With a very different tone to previous instalments, can fans look forward to the dollop of nostalgia they’re likely craving?

As McRobbie rightly notes, the experience of the Gen Z audience watching the movie today is very different to that of their predecessors.

“It’s a much tougher world than it was certainly in the early 2000s and even in the second film. Young women have to deal with toxic masculinity, and they have to navigate their way through sexuality and they’re much more aware of sexual violence.”

It begs the question, will Bridget have the same appeal in 2025 as she did in 2001?

Bross says she still has much to offer: “This character is like an old friend. So even if she’s not entirely up to date, you will still love her…

“When people are stressed, when they’re anxious, they turn to the familiar. People do need something soothing. They need narratives that help them calm down in stressful times.”

Meanwhile, Zellweger promises Bridget will still exhibit all the qualities that have made her beloved worldwide.

“I think it’s just a continuation of these authentic representations of a person’s experience and different life chapters.

“It feels like the essence of the person is the same and her very familiar optimism, her vulnerability and her sweetness and her humour, all that’s the same.”

Bridget Jones: Mad About The Boy is in cinemas now.

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Liam Gallagher hits out at Edinburgh council after Oasis fans branded ‘rowdy’

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Liam Gallagher hits out at  Edinburgh council after Oasis fans branded 'rowdy'

Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.

The remarks were revealed following a freedom of information request that was sent to Edinburgh council – ahead of the band’s three sold-out shows in Scotland this August.

The documents expressed concerns that the Oasis Live ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.

Liam Gallagher (left) and Noel Gallagher (right). Pic: PA.
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Liam Gallagher (left) and Noel Gallagher. Pic: PA

One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.

Another note suggested “medium to high intoxication” should be expected at the concert.

An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.

The Fringe is considered one of the world's largest performance arts festivals, with millions of attendees expected in August. Pic: PA.
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The Fringe is one of the world’s largest performance arts festivals. File pic: PA

It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.

“Many performers are considering not attending for that weekend,” one note read.

Liam Gallagher was not impressed – and left the following message for the council on his social media.

“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”

In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”

Liam Gallagher. Pic: AP.
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Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP

David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.

“It’s a jaundiced view,” he added.

Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.

The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.

“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”

Noel Gallagher (L) and Liam Gallagher (R) at Wembley Stadium in 2008. The brothers will be back in Wembley for their upcoming concerts.
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Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA

Around 210,000 fans are expected to attend the three Edinburgh gigs.

Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.

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Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.

Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.

“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”

The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.

When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.

But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.

Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.

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Video game actor strike ends in US – but AI described as ‘direct threat’ to UK industry

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Video game actor strike ends in US - but AI described as 'direct threat' to UK industry

Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios. 

More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.

Now, after more than 11 months of discussions, a “tentative” agreement has been reached.

“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.

Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.

Demonstrators at the picket line outside Warner Bros. Studios oin August 2024. File pic: AP
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Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP

Other studios were also impacted by the strike, as actors took industrial action in solidarity.

“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.

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“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”

In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.

Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.

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The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.

Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
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Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas


AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.

“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.

“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.

Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.

Games take years to make and any game already in development before September 2023 was exempt from the strike.

Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.

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Sly Stone, pioneer of early funk music, dies after ‘prolonged’ battle with illness

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Sly Stone, pioneer of early funk music, dies after 'prolonged' battle with illness

Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.

As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.

Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.

“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.

Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.

A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.

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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.

“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.

“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.

“Thank you from the bottom of our hearts for your unwavering support.”

Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.

He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.

James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.

It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.

However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.

His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.

In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.

Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.

But some called the record a masterpiece, a eulogy to the 1960s.

In the early 1970s, Stone became erratic and missed shows. Some members left the band.

But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.

Ms Silva filed for divorce less than a year later.

Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.

The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.

He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.

In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.

That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.

Stone had a son, Sylvester, with Ms Silva.

He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.

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