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A “verbally incontinent spinster, who smokes like a chimney, drinks like a fish and dresses like her mother” – not an auspicious introduction to Bridget Rose Jones, but accurate.

On paper, it doesn’t sound like the dream role, but Renée Zellweger disagrees, telling Sky News: “It’s the best job in the world to step into her shoes for a while”.

Bridget Jones - new era, new pants. Pic: Universal Pictures
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New pants, same old Bridget. Pic: Universal Pictures

Three decades after the character came to life on the page, and following a trio of earlier films, Zellweger has returned to “this just endearing character” for a fourth movie, Mad About The Boy.

With returning characters including Hugh Grant, Colin Firth and Emma Thompson, new relationships are also introduced, with Leo Woodall and Chiwetel Ejiofor joining the cast.

Zellweger goes on: “I love her. I love her humour. I love her vulnerability. I love her imperfection. I love the opportunity to play out her miscalculating a plan and it maybe, surprising her in her execution. I love all of it.”

The first film earned Zellweger an Oscar nod for her portrayal of Bridget, and the character’s name has gone into the lexicon.

Mad About The Boy director Michael Morris – the first male director to step into the franchise – told Sky News: “When you see Bridget, you realize how many, how few characters there are in film that are just unapologetically human. It’s weird. There should be more…

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“She looks the way she looks when she gets up. She’s late for school. She drops things when she shouldn’t drop them. She makes the wrong speech when she needs to give the right speech. And all of those things make you just fall in love with her.”

Read more: Bridget Jones: A heroine of our time or an absolute disgrace?

Director Michael Morris chats to Zellweger on set. Pic: Universal Pictures
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Director Michael Morris chats to Zellweger on set. Pic: Universal Pictures

After years of soul-searching, her creator, Helen Fielding, has decided the key to Bridget’s appeal lies in her revealing “the gap between how you feel you are supposed to be and how you really are inside.”

Fielding’s anonymous columns for The Independent, first published in 1995, were a word-of-mouth hit. The four subsequent books were bestsellers.

Produced by Working Title – the production company behind British hits including Four Weddings And A Funeral, Love Actually and Notting Hill – the first film took more than $280m (£225m) worldwide.

Studio bosses will be hoping Mad About The Boy will work a similar magic, and with ticket pre-sales proving bigger than Barbie, it’s looking promising.

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Leo Woodall: ‘Renee is a joy’

Digging down into Bridget’s enduring appeal, Angela McRobbie, Professor of Cultural Studies at Goldsmiths University of London, told Sky News the character’s timely merging of political and popular culture sent out a positive message to young women in the 90s and early 2000s.

“The figure of Bridget Jones, both in writing and then in film represented a new kind of young woman who had been to university, who knew her Jane Austen, and who knew a little bit about feminism.

“There was a sense in which the knowledge of feminism haunted the Bridget Jones phenomena, but in a way that she wanted to discard it and put it in the past.

“She wanted to be feminine. She wanted to be sexy. She wanted to [wear a] Playboy bunny outfit. And in her dream landscape, she imagined a white wedding with lots of kids in the Home Counties. There was a sense in which what the column and then the film did was offered a kind of release from the burden of being feminist”.

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'BRIDGET JONES'S DIARY' - 2001 Renee Zellweger, Hugh Grant,

29 May 2003
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Pic: Rex Features

She says Bridget wearing a see-through shirt and miniskirt into the office was her way of saying: “We have to live with sexual inequality, it’s not such a bad thing. I want to be a real girl. I want to enjoy my sexuality if it gets me the attention I want from the boss”.

McRobbie goes on: “In some ways, you could say she was legitimising a kind of sexual inequality in the workplace, but in a fun, light-hearted way.”

Emotional intelligence coach and Bridget Jones fan Miriam Bross told Sky News she can see why Bridget has been described as “feminist Marmite”.

Pic: Rex Features
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Pic: Rex Features

“I think one of the reasons why people react strongly to her is because she was turned into an icon. She was supposed to be the woman of the 90s…

“That’s when you get this polarisation where you feel like you have to either be in favour of Bridget or not. But actually, she’s such a complex character that there’s something for everybody.

“She was this single woman who had fun. Yes, she ends up with a man in the end. But that isn’t the main part. The main part is that she is successful. Even though she makes mistakes, she is a normal weight and is still chased by men.

“Why Bridget still lives on is because she gave people the main message – be yourself and you’re going to be okay.”

(L-R) Chiwetel Ejiofor and Zellweger. Pic: Universal Pictures
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Actor Chiwetel Ejiofor joins the cast. Pic: Universal Pictures

Bross also says that Bridget helped prove that a film focused on the female experience could be as successful as a male-led movie.

“In the 80s, rom coms were all about neurotic men finding love… The female leads in them had very little to say.”

A case in point is Julia Roberts’s actress heroine in Notting Hill – as Bross says – “her silence is so normalised that Ronan Keating wrote the song When You Say Nothing At All celebrating her silence”.

But then in comes Bridget: “She talks. She has voiceovers. We see her thoughts. It’s about her. It’s not just about her and love, it’s about her in her job, we see her working. We see her making mistakes. We see her.”

Bross goes on: “Who doesn’t like to see themselves represented on film? Representation matters very much. And here was this flawed woman who got the guy in the end.”

Renee Zellweger and Leo Woodall in Bridget Jones: Mad About the Boy. Pic: Universal Pictures
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Zellweger and Leo Woodall in Bridget Jones: Mad About the Boy. Pic: Universal Pictures

Both McRobbie and Bross say they will be watching Mad About The Boy.

But is it the same old Bridget we’ll see in the new film? With a very different tone to previous instalments, can fans look forward to the dollop of nostalgia they’re likely craving?

As McRobbie rightly notes, the experience of the Gen Z audience watching the movie today is very different to that of their predecessors.

“It’s a much tougher world than it was certainly in the early 2000s and even in the second film. Young women have to deal with toxic masculinity, and they have to navigate their way through sexuality and they’re much more aware of sexual violence.”

It begs the question, will Bridget have the same appeal in 2025 as she did in 2001?

Bross says she still has much to offer: “This character is like an old friend. So even if she’s not entirely up to date, you will still love her…

“When people are stressed, when they’re anxious, they turn to the familiar. People do need something soothing. They need narratives that help them calm down in stressful times.”

Meanwhile, Zellweger promises Bridget will still exhibit all the qualities that have made her beloved worldwide.

“I think it’s just a continuation of these authentic representations of a person’s experience and different life chapters.

“It feels like the essence of the person is the same and her very familiar optimism, her vulnerability and her sweetness and her humour, all that’s the same.”

Bridget Jones: Mad About The Boy is in cinemas now.

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June Lockhart: Lassie and Lost In Space actress dies aged 100

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June Lockhart: Lassie and Lost In Space actress dies aged 100

June Lockhart, who starred in television shows such as Lassie and Lost In Space, has died at the age of 100.

The US actress died of natural causes at her home in Santa Monica, California, on Thursday, according to family spokesman Lyle Gregory.

He said: “She was very happy up until the very end, reading the New York Times and LA Times every day.

“It was very important to her to stay focused on the news of the day.”

(L) June Lockhart, Lassie, and Jon Provost in 1963. Pic: Everett/Shutterstock
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(L) June Lockhart, Lassie, and Jon Provost in 1963. Pic: Everett/Shutterstock

For more than 200 episodes between 1958 and 1964, she played the role of Ruth Martin, who raised the orphaned Timmy (Jon Provost) in Lassie – a show about the adventures of a brave and intelligent Rough Collie dog.

And from 1965 to 1968 spanning over 80 episodes, Lockhart was Maureen Robinson, a mother who was part of a marooned family that travelled on the spaceship Jupiter II in Lost In Space.

She was nominated for two Emmys, including best actress in a leading role in a dramatic series for her performance in Lassie in 1959.

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She also received two stars on the Hollywood Walk of Fame, one for motion picture and one for television.

Born in New York City in 1925, she was the daughter of actor Gene Lockhart and actress Kathleen Lockhart.

June Lockhart (second left) with her Lost In Space co-stars. Pic: Moviestore/Shutterstock
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June Lockhart (second left) with her Lost In Space co-stars. Pic: Moviestore/Shutterstock

Feature film debut

She made her feature film debut aged 13, starring alongside both of her parents in the 1938 production A Christmas Carol, where she played Belinda Cratchit, the daughter of Bob Cratchit.

After her breakout role, she appeared in films such as All This, and Heaven Too, Meet Me in St. Louis, The Yearling, and Sergeant York.

She was also in Son Of Lassie, the 1945 sequel to Lassie, Come Home, playing the grown-up version of the role created by Elizabeth Taylor.

Over almost eight decades on screen, Lockhart appeared in dozens of TV series and movies, including when she was well in her 80s.

Other roles

She had recurring roles on Petticoat Junction, General Hospital, and Beverly Hills 90210, and guest appearances on shows including The Beverly Hillbillies, The Colbys, Knots Landing and Happy Days, as well as Full House, Roseanne and Grey’s Anatomy.

Of her time on Lassie, Lockhart spoke frankly about her canine co-star.

She said: “I worked with four Lassies. There was only one main Lassie at a time. Then there was a dog that did the running, a dog that did the fighting, and a dog that was a stand-in, because only humans can work 14 hours a day without needing a nap.

“Lassie was not especially friendly with anybody. Lassie was wholly concentrated on the trainers.”

Even though she sometimes mocked the show, she conceded: “How wonderful that in a career there is one role for which you are known. Many actors work all their lives and never have one part that is really theirs.”

Read more from Sky News:
BA pulls Louis Theroux podcast funding over Bob Vylan interview
CCTV images show last sightings of wanted asylum seeker

In Lost In Space, Lockhart was part of a family that left Earth on a five-year flight to a faraway planet.

After their mission was sabotaged by fellow passenger Dr Zachary Smith, the group went from planet to planet, encountering strange creatures and near-disasters where viewers needed to watch the following week to learn of the escape.

Speaking fondly about working on Lost in Space, Lockhart said: “It was like going to work at Disneyland every day.”

She was married and divorced twice: to John Maloney, a physician, father of her daughters Anne Kathleen and June Elizabeth; and architect John C Lindsay.

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Jon Bon Jovi on bonds, biopics and becoming a grandad

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Jon Bon Jovi on bonds, biopics and becoming a grandad

2026 will see Bon Jovi take centre stage once again when they return for their Forever Tour, four years after Jon Bon Jovi’s vocal cord surgery had the group’s future up in the air.

Speaking to Sky News, he says he’s “excited, humble and grateful” to be back to full health.

“The band and even the crew, they showed me a whole other level of brotherhood and commitment and love for three plus years when, you know, there’s no money coming in. And their families are waiting on that. And they never lost faith, which helped me to keep fighting,” he adds.

Starting their European leg of the tour at Murrayfield in Edinburgh on 28 August, the group will then play at Croke Park in Dublin on 30 August before concluding their tour at Wembley Stadium in London on 4 September.

It is one of many reasons for the Grammy winner to celebrate recently.

His son Jake and his wife, Stranger Things star Millie Bobby Brown, welcomed a baby girl via adoption earlier this year.

“It’s crazy, it’s a beautiful thing and you feel a responsibility for your kids’ kids, and it’s beautiful, and the holidays will be that much brighter this year, and we have a second one any day now. If I get the call, my wife is outta here now because the second one’s coming next week.”

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On Bruce Springsteen

Hailing from New Jersey, the 63-year-old has long credited Bruce Springsteen‘s rise to fame as something that opened the door to other local artists getting record contracts, including him.

Now good friends for a few decades, this album marks the first time they blend their voices together on a track.

“We’ve sung together countless times over the years or had many [drinks], you know, but to actually call him up and have him on one of the records in an official capacity was wonderful. It was great.

“And it’s a testament to our friendship. It’s a testament to the song. And it’s good for the fans too. You know, they wanted to hear it, you know, and a song like that that I’m so proud of as the writer was the right kind of song for me.”

Bruce Springsteen and Jon Bon Jovi perform in 2024 in Los Angeles. Pic: AP/Chris Pizzello
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Bruce Springsteen and Jon Bon Jovi perform in 2024 in Los Angeles. Pic: AP/Chris Pizzello

Whether he’ll follow in his friend’s footsteps and agree to a biopic about his own life is another story.

“No, I have no idea about that. You know, I mean the story of me is still being written,” he said, adding that he sat side by side with pride watching Springsteen: Deliver Me From Nowhere.

“It’s really good. It’s at a time in 1982 when I was very much alive and I wrote Runaway that year. I was playing two blocks over from where he was playing with that cover band every Sunday night. In fact, it competed with my playing it, so we would literally close our bar and go because we knew he’d be playing here on Sunday night.

“I mean, it was, I lived it and watching the movie sitting next to him in the movie theatre, kept punching him. We said it’s like a time machine. It’s a time machine. Because, you know, there was a part of all of our lives growing up in New Jersey and what he meant to or means to all of us.”

Evolving as an artist

Best known for his big hits like Livin’ On A Prayer, You Give Love A Bad Name and It’s My Life, the artist has also written a number of songs reflecting on life in America and pivotal moments in the country like the death of George Floyd, the January 6 Capitol riots, 9/11 and the multiple news stories on gun violence.

He says evolving as a songwriter and musician is his top priority for his career.

“I’m a grown man. I’m not chasing pop stardom. I’ve been doing this for 43 years and the opportunity to write for me is also kind of a way for me to think through a situation. It’s soothing sometimes, you know, to work through it. And with an album like 2020, which I became, you know, a narrator while we were all locked down in COVID and no one could play in an arena like [Wembley], you put on your fedora and you become the reporter, and you’re writing that story.

“But I loved it as a writer and if I didn’t evolve, if I came to you now and say, Hey baby rockin’ out we’re playing, I would expect you to punch me in the nose. You know, if I didn’t evolve.

“You know, people have been on this train with us for these 43 years. Some got off along the way to go and have a life. Others got on at that point and took it to the next destination, and they got off and they went and had a life. So this evolution is a part of my life. And where you get on the train and get off the train is all understood. But you know, the train kept going.”

Read more from Sky News:
Lost In Space actress June Lockhart dies aged 100
Kim Kardashian diagnosed with brain aneurysm

One artist he had hoped to collaborate with on the updated “Legends Edition” of the Forever record was Ed Sheeran, after writing Living In Paradise together.

Bon Jovi speaks to Sky News' Debbie Ridgard
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Bon Jovi speaks to Sky News’ Debbie Ridgard

On Ed Sheeran

“I wanted him very much on this and that would have been perfect. But Ed and I discussed it immediately and he said, I’ve done too many things. I need to put my record out before I can do anything else. And I said, ‘alright, you little brat, it’s fine’. But no, I love him.”

Regarding whether we may see Sheeran or another one of his collaborators show up at one of his upcoming concerts, he says, smiling: “Who knows? Who knows who’s in town on the day?”

Tickets for the Forever tour dates in Dublin, Edinburgh and London go on sale on Friday, 31 October.

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British Airways pulls Louis Theroux podcast funding over Bob Vylan interview

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British Airways pulls Louis Theroux podcast funding over Bob Vylan interview

British Airways (BA) has paused its sponsorship of The Louis Theroux Podcast following an interview with Bob Vylan’s frontman.

Pascal Robinson-Foster, one half of the controversial punk duo, told Theroux in an episode which aired earlier this week that he was “not regretful” of chanting “death, death to the IDF [Israel Defence Forces]” at this year’s Glastonbury.

He added that he would “do it again tomorrow, twice on Sundays”.

British Airways said on Saturday that the content “breaches” its sponsorship policy and has since paused its advertising on the podcast, the Jewish News first reported.

An airline spokesperson said: “Our sponsorship of the series has now been paused and the advert has been removed.

“We’re grateful that this was brought to our attention, as the content clearly breaches our sponsorship policy in relation to politically sensitive or controversial subject matters.

“We and our third-party media agency have processes in place to ensure these issues don’t occur and we’re investigating how this happened.”

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Bobby Vylan crowd surfs during his performance at Glastonbury Festival. Pic: PA
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Bobby Vylan crowd surfs during his performance at Glastonbury Festival. Pic: PA

Following Bob Vylan’s Glastonbury performance, the band were dropped by a number of festivals and performances including Radar festival, a show at a German music venue and their US tour after their visas were revoked.

The comments were condemned by the US as a “hateful tirade” and “appalling hate speech” by British Prime Minister Sir Keir Starmer.

The BBC’s Executive Complaints Unit has since found the broadcast of Bob Vylan’s set breached editorial standards related to harm and offence.

The band have also had to reschedule dates of its upcoming We Won’t Go Quietly UK tour in Manchester and Leeds after Jewish leaders and politicians called for the show to be postponed.

Theroux has not commented on BA pausing its sponsorship of his podcast. Pic: AP
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Theroux has not commented on BA pausing its sponsorship of his podcast. Pic: AP

In a statement on Facebook, the group said: “Due to political pressure from the likes of Bridget Phillipson and groups in the Northwest of England we have had to reschedule our Leeds and Manchester shows.

“All tickets remain valid and all other shows are continuing as planned.”

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Calls for Bob Vylan concert to be cancelled

When asked by Theroux, Vylan said he was taken aback by the uproar the chant has caused, saying: “It wasn’t like we came off stage, and everybody was like [gasps]. It’s just normal.”

He added that he wanted an end to “the oppression that Palestinian people are facing”.

Read more: Who are Bob Vylan?

Despite the criticism, the group have seen support from fans, with their album Humble As The Sun re-entering the charts and climbing to number one in the UK Hip Hop and R&B album category.

A spokesperson at Mindhouse Productions – which was founded by Theroux and produces The Louis Theroux Podcast – has not commented on the BA sponsorship, but told Sky News: “Louis is a journalist with a long history of speaking to controversial figures who may divide opinion.

“We would suggest people watch or listen to the interview in its entirety to get the full context of the conversation.”

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